AND THE
DEAD
HALL RISE
The Murder of Mary Phagan
and the Lynching of Leo Frank
STEVE ONEY
PANTHEON BOOKS, NEW YORK
To Madeline Stuart,
who believed in me
"When we dream about those who are long since forgotten
or dead, it is a sign that we have undergone a radical trans-
formation and that the ground on which we live has been
completely dug up: then the dead rise up, and our antiq-
uity becomes modernity."
— FRIEDRICH NIETZSCHE,
Mixed Opinions and Maxims
Contents
i. April 26, 1913
3
2. Look Out, White Folks
18
3. Extra, Extra
35
4. Onward, Christian Soldiers
46
5. A Good Name, A Bad Reputation
7i
6. Skulduggery
9i
7. A Clean Nigger
118
8. A Tramp Alumnus
145
9. Skirmishes
162
10. Prosecution
190
11. Defense
261
12. Verdict
306
13. Appeals in and out of Court
345
14. Brightness Visible
37i
15. Darkness Falls
397
16. A Change of Heart
423
17. Cause Celebre
444
18. Commutation
469
19. Marietta
513
20. Milledgeville
529
2 1 . The Lynching of Leo Frank
56i
22. Burial
573
23. Recessional
596
24. The Revenant
630
Epilogue
644
Notes
651
Bibliography
709
Acknowledgments
713
Index
717
AND THE
HALL RISE
ONE
That morning, thirteen-year-old Mary Phagan, after eating a break-
fast of cabbage and wheat biscuits, devoted herself to getting
dressed. First, she donned stockings and garters, then a store-
bought violet dress and gunmetal-gray pumps. Two bows in her auburn hair
and a blue straw hat adorned with dried red flowers atop her head com-
pleted the outfit. Mary wanted to look nice, for Saturday, April 26, 1913,
marked a special occasion— Confederate Memorial Day. Around 11:45,
with a silvery mesh purse and an umbrella (the skies were misting rain) in
her hands, she boarded the English Avenue trolley headed to downtown
Atlanta, where the annual parade would soon begin.
Well turned out or not, Mary would have been one of the prettiest girls
in any crowd. Eyes blue as cornflowers, cheeks high-boned and rosy, smile
beguiling as honeysuckle, figure busty (later, everyone acknowledged that
"she was exceedingly well-developed for her age"), she had undoubtedly
already tortured many a boy. There was simply something about her— a tilt
to the chin, a dare in the gaze— that projected those flirtatious wiles that
Southern girls often employ to devastating effect.
As her correspondence with her country cousin and friend Myrtle Bar-
more illustrates, Mary could be a handful. On December 30, 1912, she
wrote:
Well, Myrt I don't know what to think of you for not coming [to lunch on
Christmas day]. I think that was a poor excuse. When I come up there I'll
give you what you need. Me and OUie [her sister] & Mama & Charles
& Joshua [her brothers] went out at Uncle Jack Thurs. and taken dinner.
"But gee" how we did eat. Had fresh "hog." I don't know when I can get
to come. Mama is getting where she will not let me go anywhere. "But
gee" I am going to save my money and go West. Gee I will have some
time . . . When I come there, we will have some time "kid."
Yet despite her beauty and airy hopes (many inspired by the movies,
which she attended frequently and followed in such magazines as Photo
4 AND THE DEAD SHALL RISE
Lore), Mary Phagan was unlikely to escape drab and impoverished envi-
rons. She lived in Atlanta's Bellwood section, no one's vision of a beautiful
wood. Northwest of downtown, the neighborhood was bordered on one
side by the Exposition Cotton Mill and its adjacent factory-owned village,
Happy Hollow, on another by the clanging sheds of the Atlantic Steel Mill
and on a third by an expanse of crookedly carpentered "nigger shacks." In
homage to its bare-knuckled ward politics, the community was called "the
bloody fifth."
Like most Bellwood people, Mary was a hillbilly. Her father, a farmer
named William Joshua Phagan, had died of the measles in 1899 a few
months before her birth in Alabama. Around 1900, Mary's widowed
mother, Fannie, carried the children back to the family's ancestral home
near Marietta in Cobb County, twenty miles northwest of Atlanta.
At one time, Phagan had been a fine name around Marietta. During the
1 890s, the patriarch— William Jackson— had stood in the traces behind his
own mules on his own land snug against the Blue Ridge mountains that rim
Cobb County. But the old man had accompanied his son to Alabama, and
after the boy's death, there he remained. When Fannie Phagan and her
brood returned to Georgia, they moved in with her people, the Bentons, in
the Sardis section, a rural area several miles outside Marietta.
In 1907, the family relocated again— this time to the dingy mill town of
Eagan, a tiny place encysted in the southern Atlanta suburb of East Point.
There, the widow Phagan opened a boardinghouse.The clan didn't move to
Georgia's capital until 1912, when Fannie remarried. Her new husband,
John W. Coleman, toiled intermittently at the Exposition mill but was
presently employed by the municipal sanitation department.
That, down deep, Mary Phagan cleaved tight to her struggling family can
be seen in the lines of a poem entitled "My Pa," which she'd recently copied
from Successful Farmer magazine and presented to her stepfather:
My pa ain't no millyunaire, but, Gee! He's offul smart!
He ain f t no carpenter, but he can fix a feller's cart . . .
My pa ain't president becoz, he says, he never run,
But he could do as well as any president has done . . .
My pa ain't rich, but that's becoz he never tried to be;
He ain't no 'lectrician, but one day he fixed the
telephone for me . . .
My pa knows everything, I guess, an ' you bet I don 't care
'Coz he ain't president or rich as any millyunaire!
Whenever things go wrong, my pa can make 'em right, you see;
An' if he ain't rich or president, my pa's good enough fer me!
APRIL 26, I913 5
Like many girls her age, Mary had quit school to help out at home. In
1909, at the age of ten, she'd hired on part-time at a textile mill. In 191 1,
she'd taken a steady job at a paper manufacturer. In 1912, she'd moved to
her current position at the National Pencil Factory, where she was paid ten
cents an hour to run an apparatus called a knurling machine that inserted
rubber erasers into the metal tips of nearly finished pencils.
Tough as times had been for the Phagans, the family was no worse off
than most Atlantans in the early twentieth century. During these years,
refugees from Georgia's hardscrabble tenant farms poured into the city,
driven from the flatlands by the fluctuating price of cotton, from Appa-
lachia by a rocky soil unkind to seed and plow. Figures compiled by the
United States Census Bureau show that between 1900 and 1910 Atlanta
nearly doubled in size. Many of the new arrivals toiled in the mills, chief
among them the Fulton Bag and Cotton Mill, whose factory-owned village,
Cabbagetown, spread out in row after identical clapboard row east of
downtown. For these thousands of souls, the average workweek lasted 66
hours, and pay fell 37 percent below that earned by northern workers. In a
city whose cost of living was exceeded among other American cities only by
Boston's, a wage of ten or fifteen cents an hour did not go far. In 191 1,
Atlanta's Journal of Labor reported four thousand requests for assistance;
in 1912, five thousand.
There were other problems as well. Over half of Atlanta's school chil-
dren—both white and Negro— suffered from anemia, enlarged glands, heart
disease or malnutrition. Death rates were abnormally high for citizens of all
ages. (In 1905, 2,414 of every 100,000 Atlantans died; the national average
was 1,637.) And there wasn't much indication that things would get better
soon. More than 50,000 Atlantans lived with no plumbing. To service its
10,800 "earth closets," as the newspapers called them, the city provided just
fifteen horse-drawn honey wagons. Moreover, the capital's physicians pos-
sessed no means of isolating and then combating infections, as Georgia was
among only a handful of states yet to set up a department of vital statistics.
Nonetheless, Atlanta's crackers— as country folk come to town were
known generally— and its lintheads— as millworkers were known spe-
cifically—did not spend their time in despair. On April 1, they'd staged
their own musicale— the first annual Atlanta Fiddler's Convention— at the
Municipal Auditorium. The master of ceremonies was Colonel Max Poole, a
one-armed Confederate veteran from Oxford, Georgia, who played by
cradling a bow under his stub, while the featured performer was Fiddlin'
John Carson, a Cabbagetown resident and future RCA recording star who
toted his 17 14 Stradivarius reproduction in a feed sack. The Scotch-Irish
reels the fiddlers favored— "Trail of the Lonesome Pine," "Annie Laurie,"
6 AND THE DEAD SHALL RISE
"Hop Light, Ladies"— could sure enough move a crowd. By closing night of
the three-day festival, Momma and 'em were clogging in the aisles.
The spirit of Atlanta's crackers was independent to the point of contrari-
ness and a little bit hellish. No matter how bad things got, folks weren't
likely to complain unless, of course, their dignity was threatened, which was
exactly what the city's industrialists, by relying increasingly on child labor-
ers, were now doing.
Rarely, if ever, had Atlantans been as conscious of the difficult lives to
which so many of their children had been reduced as on April 26, 19 13.
thinks Georgia treats little toilers worst, declared the headline in
the afternoon's Atlanta Georgian over an article pointing out that "Georgia
is the only state that allows children ten years old to labor eleven hours a
day in the mills and factories, and is worse in that respect than North Car-
olina, where the age limit is twelve years." Even more damning, the piece
detailed how just a few months earlier a group of Georgia factory owners
had banded together to kill a bill in the state senate that would have raised
the legal working age to fourteen.
The Georgian's story was but the latest in a series of attacks by the news-
paper on exploitative factory owners. William Randolph Hearst, its pub-
lisher since he purchased the sheet a year before, had pursued the issue
relentlessly. His campaign, while intended to win readers, was not entirely
disingenuous. The press baron's wife, Millicent, was obsessed with the "little
girl in the mill town [who] is not receiving a living wage." And his chief
correspondent and ponderous moral conscience, Arthur Brisbane, was a
fanatic on the subject. Earlier in the spring, Brisbane had filed a long, prob-
ably apocryphal piece about a Georgia mill owner so depraved that he
refused to release his employees during daylight to attend the burial of one
of their tiny coworkers. Entitled "A Funeral by Lamplight," the story was
set in "a squalid room at midnight," where "a coffin rests on trestles" and
children in "all stages of emaciation" moaned and sobbed.
Hearst was not alone in calling attention to the plight of Atlanta's under-
age workforce. Elsewhere in the city on this spring Saturday, others were
speaking out just as forcefully. During a Confederate Memorial Day ser-
mon delivered at the downtown Oakland Cemetery, Dr. Charles Lee, a first
cousin of General Robert E. Lee, stood on a platform at the base of the
Sleeping Lion, the Confederacy's Tomb of the Unknown, and told a rain-
soaked audience of a thousand:
Our principles were not defeated when we surrendered at Appomattox.
The wars are not over. There are other enemies, bitter ones, that must
be fought— emigration, labor, the double standard of child labor and
white slavery. Our fathers would face these and defeat them had they the
APRIL 26, I9I3 7
youth and vitality that was once theirs, and it behooves us to do it for their
sake, if nothing else.
Meantime across town at the Wesley Chapel, the Southern Sociological
Conference was convening. Among the convocation's goals was the formu-
lation of tactics to put an end to "the awful curse" of child labor. Attended
by some one thousand educators, pastors and social workers (many of them
Negro), the affair was chaired by Alexander J. McKelway, regional secre-
tary of the National Child Labor Committee, an organization best known as
the sponsor of the photographer Lewis Hine, whose portraits of begrimed
little coal miners and millworkers had alerted America to the Dickensian
dilemma of its urchin wage earners.
The three-day Atlanta assembly was not devoted solely to the topic of
child labor. Also on the agenda were such subjects as "Race Problems" and
"Organized Charities." In fact, the convention was something of a referen-
dum on the myriad problems affecting the city's poor. Yet in the end, the
fiercest stir was created by the remarks of Owen R. Lovejoy, general secre-
tary of the National Child Labor Committee, who promised the multitude:
" 'Thy Kingdom come' means the coming of the day when child labor will
be done away with, when every little tot shall have its quota of sunlight and
happiness."
How this vision could be realized was a subject of great debate. Ideas
involving everything from labor unions to legislation, and ranging from the
Utopian to the revolutionary, vied for attention. At the radical end of the
spectrum could be heard alarming notions inspired by the fact that many
of Atlanta's factories, among them the Fulton Bag and Cotton Mill, were
Jewish-owned. At first such talk was discouraged. In fact, when Dr. Edwin
M. Poteat, the president of the Baptist-endowed Furman University in
Greenville, South Carolina, began to denounce Jews for their purported
crimes against workers, Alexander McKelway cut him off in mid-diatribe.
But Poteat literally walked his text over to the Baptist Tabernacle. There,
after telling a packed house that "in America today, the immediate conflict
is between the bosses and the people," he lit into the faith that he believed
had produced a disproportionate share of the oppressors. "The Jewish race
lost its divine commission when it rejected Jesus as the Saviour," he thun-
dered. "Up to that time, it had been the leader in religion. Every great idea
contributed to the thought of the world came from the Jews. In fact, the
Jews were chosen of God, but they rejected the stone that is the keystone
of the arch." Then, for good measure, Poteat flayed the Catholics: "The
Catholic church has no place in America. The priest is 2,000 years out of
date. The nation cannot and will not submit to the encroachments of the
despot, even in religion."
8 AND THE DEAD SHALL RISE
Considering the many outcries on the topic of child labor, one Georgian
was conspicuously silent on April 26, 1913. In his heyday, Thomas E.Watson
had been the state's most relentless advocate for the workingman, leading a
quarter-century-long campaign against the forces of rapacious capitalism.
To "The Sage of McDuffle County," factories were the "soulless" locus of
modern evil, dynamos studded by "a hundred dull red eyes, indicative of the
flames within which were consuming the men, women, and children, the
atrocious sacrifice to an insatiable god!"
Rail-thin, redheaded and possessed of galvanizing rhetorical skill, Wat-
son was equal parts stem-winding stump speaker, defense lawyer, poet,
popular historian, sentimental defender of the Old South and seer of an
unlikely New South. Early on, he had divined that the strangest but truest
allies in the region were poor white farmers and Negroes, and with these
groups— each victimized by Dixie's elites— as his constituency, he had
ascended to the United States Congress.
But since the mid- 1890s, when leaders of a rival political faction stuffed
the ballot box to deny him reelection to the House of Representatives from
Georgia's predominantly rural tenth district, Watson had been in decline.
His troubles had increased in 1896 after the Populist Party's national
ticket— William Jennings Bryan for president, Watson for vice president—
went down to defeat. By the early 1900s, the self-proclaimed friend of "Old
Man Peepul" had abandoned his black supporters and become, after his
own overwrought fashion, a muckraker, pillorying "the Standard Oil
crowd" and various sleek plutocrats and plunderers in the pages of Tom
Watson's Magazine. Eventually, these targets proved unsatisfying, and in
the teens, the agrarian rebel focused his guns on the insidious foreigner
behind it all. Week after week in a new publication, the Jeffersonian, he
explored innovative ways to excoriate that "fat old dago" who cohabited
with "voluptuous women"— the Pope.
Ultimately, the United States government indicted Watson for violating
postal laws against sending obscenity through the mail. His trial was sched-
uled to begin in May. While he retained power as a behind-the-scenes king-
maker, in terms of his own electability he was, as he put it, "in the Valley of
the Shadow," and friends and critics alike speculated as to his mental stabil-
ity. He no longer seemed capable of mustering the initiative to take on gen-
uine far-ranging injustice. "Your Uncle T.E.W.," as Watson often referred
to himself in print, simply wasn't there for his poor little nieces, Atlanta's
factory girls.
Due to a shortage of sheet brass at the pencil factory, the week ending April
26, 1913, had not been a good one for Mary Phagan. Ordinarily, she was
APRIL 26, I913 9
scheduled to work fifty-five hours. During the past six days, however, she'd
been needed only for two abbreviated shifts. The sealed envelope awaiting
her in her employer's office safe contained just $1.20. Still, it was some-
thing, which was why after she got off her trolley in downtown Atlanta, she
walked not to Peachtree Street, where the parade was forming, but to 37
South Forsyth Street, where she worked.
The building that housed the National Pencil Company was four stories
in height, a full city block in length. Situated just below a ribbon of railroad
tracks that formed an unofficial border between Atlanta's commercial and
industrial districts, the place bore scant resemblance to the squat brick and
frame constructions surrounding it. Banner Sheet Metal, Southern Belting,
Keystone Type Foundry, Schenck Brothers Machine Shop and the local
John Deere distributor were all of a piece, drab and close to the ground.
Only this bulky interloper a door up from the northwest corner of Forsyth
and Hunter broke the pattern.
Yet what ultimately set the old Venable Building— so named for its orig-
inal owners— apart was its architecture. Granite facade dominated by a
series of somber arches that repeated themselves on each succeeding floor,
main entry topped by a fan-shaped brass transom bearing a bas-relief
image of the sun, upper levels punctuated by clusters of sash windows that
seemed to glower from beneath beetling stone brows, the structure was a
passable example of the ponderous style that had flourished throughout
New England during the gilded age: Richardsonian Romanesque. Initially
operated as a hotel— the Granite Hotel, logically enough— the edifice had
been designed to dignify. Instead, it intimidated. Around noon, Mary Pha-
gan went inside.
Twenty-nine-year-old Leo Max Frank, the superintendent of the National
Pencil Company, had spent most of the morning of April 26, 1913, in his fac-
tory office working on the books. Saturdays were invariably the same for
him: triplicate invoices on each job (white sheet to the purchaser, pink to
the majority stockholder for serial recording, yellow to the alphabetical
file), lading bills, commission forms for the salesmen and distributing
agents, and a financial report balancing the costs of labor, machinery and
materials (lead, wood, rubber, paint) against earnings.
In spite of the sheet-brass shortage, it had been a busy week at the
National Pencil Company. Though output had been depressed— 2,719^
gross of new pencils— inventory had more than met demand, enabling the
factory to dispatch 4,374 gross of pencils to the freight yards, most destined
for the shelves of such five-and-dime stores as F. W. Woolworth and S. H.
Kress, others special-ordered and headed to such coveted customers as
10 AND THE DEAD SHALL RISE
"Cadillac" and "Packard." This embarrassment of pencils had generated an
avalanche of paperwork, all of it landing on the factory superintendent's
desk.
Leo Frank was not an ugly man, but he was quite decidedly no blandly
handsome Georgia boy. It wasn't hard to see his delicate, small-boned, dis-
tinctly Hebraic face as the flesh-and-blood articulation of a mechanical
drawing— jaw long and angular, chin sharply squared off, nose a drafts-
man's triangle rising from elliptical cheeks. His features, however, were not
pure geometry. Full-lipped and sensual, his mouth was too pretty. His eyes,
magnified by thick-lensed wire-rimmed spectacles, bulged perceptibly. At
five feet six inches and 120 pounds, he appeared just the sort to relish the
task of tabulating figures. And he did— yet not only for the work's sake. By
applying "scientific methods" to the manufacturing of pencils, he was
ascending to the top of Atlanta's German-Jewish aristocracy.
Since arriving in Georgia nearly five years earlier, Frank had enjoyed a
propitious rise. The Texas-born, Brooklyn-reared factory superintendent
was the product of good German- Jewish stock. His recently retired father,
Rudolph, though he made his living in the new world as a salesman, had
trained in Dusseldorf as a physician. His mother, Rae (short for Rachel),
had stayed at home raising Leo and his younger sister, Marian. Mean-
time, his uncle— Confederate veteran Moses Frank— was a globe-trotting
Atlanta-based magnate who owned a substantial percentage of National
Pencil Company stock and whose address was generally the best hotel in
whatever city he was visiting. Young Frank did not, however, owe his posi-
tion solely to this influential patron. Well educated— drafting studies at
Pratt Institute, an engineering degree from Cornell University— Leo had
apprenticed with two northern concerns: B. F. Sturtevant in Hyde Park,
Massachusetts, and the National Meter Company in New York. He had also
traveled to Germany to learn the pencil business at Eberhard-Faber.
More important, Frank had married well. Twenty-three-year-old Lucille
Selig Frank was the granddaughter of Levi Cohen, cofounder of Atlanta's
reform synagogue, the Temple. Emil Selig, Lucille's father, worked for the
family's thriving business— West Disinfecting ("Largest Manufacturer of
Disinfectant in the World," trumpeted the ads). Through his new connec-
tions, Frank had forged relationships with numerous leading lights of the
wandering Southern tribe. One brother-in-law, Alexander E. Marcus, ran a
stylish Atlanta haberdashery, while Lucille's Athens, Georgia, cousins, the
Michael brothers, owned the college town's flagship department store. Even
Leo's lone Christian relative through intermarriage cut an important figure
in the business world. Charles Ursenbach, a Lutheran and Frank's other
brother-in-law, operated the glove and cosmetic concessions at Atlanta's
APRIL 26, I913 II
most fashionable women's clothing salon, J. P. Allen, one of the city's few
importers of Parisian couture.
As the newly elected president of Gate City Lodge No. 144 of the B'Nai
Brith, Frank was among his faith's most visible representatives. With five
hundred members, the chapter sponsored dances, violin and vocal recitals,
and lectures, and in late March, its leaders had pulled off a coup. They had
persuaded their national executive committee to select Atlanta as the site
for the B'Nai Brith's 1914 convention.
Outside of work, Frank's world was one of culture and privilege.
Atlanta's German- Jewish section centered along Washington Street, sev-
eral blocks south of Georgia's impressive domed capitol. It was a leafy old
neighborhood of magnolia trees and pavered sidewalks lined by stone
walls, and its residences— many two-storied and gabled, most embraced by
porches— bespoke substance and poise. While a few of the wealthier sorts
reared here had already moved to fancier purlieus such as Inman Park (a
Frederick Law Olmsted-inspired Victorian subdivision) or Druid Hills (a
verdant enclave of mock-Tudor estates clustered around a new country
club), most of the city's leading Jewish families remained in the section or at
the very least visited once a week to attend services at the Temple on South
Pryor Street or charitable events at the Hebrew Orphans' Home on Geor-
gia Avenue, a Moorish castle whose onion-domed spires rose above the
neighborhood in exotic foreign counterpoint to the slender church steeples
that spiked the sky all around it.
The men and women whose lives were closely tied to the Washington
Street area were an impressive lot. There were, for instance, the Riches, three
of whose sons had founded the eponymous department store that was
Atlanta's preeminent retailer. Then there were the Montags, whose patri-
arch—Mister Sig— not only controlled a majority share of National Pencil
Company stock but owned a paper-manufacturing empire that bore the
family name. Without Joseph Hirsch— a millionaire clothing merchant, city
council member and health care activist— Grady Hospital, the town's first
medical facility to provide reliable service for the indigent, would not have
gotten off the ground. Without Henry Alexander, a young lawyer who filed
the Atlanta Art Association's incorporation documents, the High Museum
would not have come into being. Without Mayer Wolf sheimer, a butcher and
gourmet food purveyor, a tin of caviar would not have been available to the
capital's epicureans. And Oscar Elsas, president of the Fulton Bag and Cot-
ton Mill, employed more people than anyone else in town. Then there was
Victor Hugo Kriegshaber. Proprietor of a construction supply firm and an
officer of the Atlanta Loan & Savings Company, Kriegshaber would soon
assume the presidency of the Chamber of Commerce.
12 AND THE DEAD SHALL RISE
Presiding over this thoroughly assimilated minority was a rabbi who
could well have been called the great assimilator. David Marx had come to
Atlanta in 1895 at the age of twenty-three. When he'd arrived, he discov-
ered a Jewish community that, though well established (according to a
191 1 magazine article, Caroline Haas, daughter of banker Joseph Haas, was
the "first white female child" to enter life in Atlanta), still clung to tradi-
tion. While the Hebrew Benevolent Congregation had been organized in
1867, its directors had heretofore hired only German-born rabbis. With
Marx, a New Orleans native, the capital's Jews finally eschewed the old
ways of the old world. Within five years of his appearance, Marx had abol-
ished the bar mitzvah, ordered the removal of hats in the Temple and
endorsed the Reform Union prayer book. Marx also shed rabbinical garb
in favor of a business suit, repudiated Zionism and inaugurated Sunday
services that outdrew the traditional Friday-evening and Saturday-
morning services combined.
By 1913, not only was Marx's ministry a popular success but the rabbi
was himself a celebrity. Guest columnist for the Atlanta Journal, frequent
speaker in both the statehouse and the pulpits of the capital's churches, he
had even started what would become an Atlanta tradition— ecumenical
Thanksgiving services held at the Temple but conducted by Presbyterian,
Baptist and Unitarian pastors.
The lone segment of the populace that David Marx ignored was com-
prised of the orthodox Jews who had just begun to immigrate to Atlanta.
While the influx of Russians and Poles into the South was but a trickle com-
pared to the floodtide pouring into New York, enough of them had settled
in Georgia's capital to support several synagogues and import customs
that evoked the Gypsy world across the water. As Eli Evans points out in
The Provincials, a study of Southern Jewry: "The Germans . . . shook their
heads at the newcomers— they wore skullcaps in public, spoke in an embar-
rassing language called Yiddish, lived on the poor side of town and trucked
with the Negroes as customers." So while Harry Epstein, the longtime rabbi
of an orthodox congregation, would later scoff, "Marx would have been an
excellent Presbyterian minister; he knew little about the Talmud and they
taught absolutely nothing in the Sunday school," such criticism mattered lit-
tle to the Temple crowd, whose sights were set not on Jerusalem but on
somewhere closer to home. Again according to Evans: "He [Marx] was try-
ing to say to . . . Christian neighbors, 'Look— we're not the kind of Jews you
think we are —we're just like you.' When members of the congregation said,
'He made us proud to be Jews,' they were referring not to pride in the
teachings of Judaism but pride in his acceptance by the gentile community,
which they assumed to represent acceptance for themselves."
APRIL 26, I913 13
Still, there would always be territory from which all Jews— even those
resembling Presbyterians— would be barred, and in Atlanta, the line was
drawn north of Tenth Street and east of the Ansley Park neighborhood at
the front gate of the Piedmont Driving Club. Though the dashing Aaron
Haas— a legendary Confederate blockade runner— was among the club's
founders, by the turn of the century this haughty social preserve had
become a restricted bastion of WASPdom, the exclusive domain of those
Bourbon-cured old families that preferred to hold their high teas and debut
their daughters among their own kind. Hence in 1905, Victor Kriegshaber,
Walter Rich and a few others had formed the Standard Club, which in just
eight years had become the foremost social institution in the Jewish life of
Atlanta. Now, at dusk, the city's Christian peerage repaired to its sanctum,
the Jews to theirs, and Atlanta came to be known— at least to the Jews— as
"a five o'clock town." Yet while Rabbi Marx's followers went their own way
at sunset, during business hours, there was nowhere they could not go, noth-
ing they could not become, for like their gentile counterparts, they prac-
ticed moneyed Atlanta's one true faith: free enterprise.
Whatever the difficulties facing Atlanta's poor, its powerful and wealthy
citizens saw the spring of 1 913 as the moment the city was joining, in the
Journal's words, "the permanent rank of the nation's metropolises." Tower-
ing over Atlanta's skyline was a handful of shining new high-rises. While
some of the structures housed luxurious hostelries such as the Georgian
Terrace and Winecoff, the largest of them— the Hurt, Candler and Grant—
were frankly and beautifully office buildings. Real estate speculators had
become the city's most affluent citizens, men capable of paying $357,000 for
prime commercial lots, as one did on Saturday, April 26, then crowing that
such purchases were bargains.
It was a time not only of expansion but of newfangled rages. Atlanta's
Pierce- Arrow dealer had recently signaled the end of the horse-and-buggy
era by torching twenty-five phaetons, victorias and sulkies in a public bon-
fire. The more daring debs were wearing "cubist gowns" and affecting a
"cubist walk" in line with the ideas of futurist painters. A bookstore in the
best shopping district was displaying prints of a French nude, "September
Morn," that had been banned in Boston. And in several weeks, the Atlanta
Georgian would kick off a campaign to raise the city's population from its
current 173,713 to 500,000 by 1920.
That many of these newcomers might be Yankees was fine with Atlan-
ta's elite, for unlike their impoverished kin, the hard-charging sorts who
reigned in Georgia's capital had long ago struck the Stars and Bars. In 1886,
14 AND THE DEAD SHALL RISE
Henry Grady, the forward-looking editor of the Atlanta Constitution, told
investment-minded members of New York's New England Society: "We
have . . . put business above politics . . . We have reduced the commercial
rate of interest from 24 to 6 percent, and are floating 4 percent bonds. We
have learned that one northern immigrant is worth fifty foreigners." In the
wake of these remarks, the city's leaders had never looked back.
Deeply mulched in hyperbole, Atlanta— which after all had not been
incorporated until 1845 and consequently never did bear much resem-
blance to such older southern cities as Richmond or Charleston— had
become a place where influence as opposed to reverence, hustle as opposed
to charm composed the coin of the realm. For "live-wire boosters" who
wanted to strike it rich, it offered untold attractions. The textile and steel
industries were the most obvious allure. Yet the city would never truly sully
itself with the dust of the loom or the fire of the smelter. No, its destiny rode
the rails— the L & N, the Southern, the Atlanta and West Point— that con-
nected it to the North and West and made it a center of transportation, sales
and distribution.
If one man could have been said to embody Atlanta's progressive tem-
perament in 1 9 13, he was Georgia's governor-elect, John M. Slaton, linked
by blood to a tradition of high-mindedness and by marriage to one of
the city's great fortunes. His father was the longtime superintendent of
Atlanta's public schools. His wife, the former Sallie Grant, was heiress to a
$2 million estate conceived in property, built by railroads and compounded
in bonds.
John and Sallie Slaton inhabited the highest stratum of Atlanta society.
At forty-six, Georgia's new chief executive moved effortlessly from court-
house to boardroom to garden reception to the Paces Ferry Dancing Club,
where he was an avid turkey trotter. As a lawyer, he represented many of
the city's biggest businesses— among them, the Fulton Bag and Cotton
Mill. And as a politician, he consistently catered to corporate interests.
Observed the Constitution: He "not only has never known the bitterness of
defeat but [has] not even had to feel the twinge of a single temporary set-
back in a uniformly brilliant career."
If possible, the new first lady was an even more dazzling figure. Though
she had experienced profound grief (her first husband committed suicide),
Sallie Slaton had retained the grace and style of a celebrated belle while
maturing into a patroness of the arts. Educated at the Ballard Seminary,
where a smitten professor composed a piano trilogy whose component
pieces sang the pink of her lips ("Anemone"), the blue of her eyes ("The
Blue Bells") and the white of her brow ("The Lily of the Valley"), she now
devoted her talents to the Atlanta Players Club, where she was soon to
APRIL 26, I913 15
portray Lady Augusta Bracknell in a production of Oscar Wilde's The
Importance of Being Earnest. Sallie Slaton's charms were so universally
acknowledged that even the often piquant Polly Peachtree— the Geor-
gian's pseudonymous gossip columnist— offered an unqualified endorse-
ment: "I frankly and freely confess myself her ardent admirer. Her beauty
and wit will make the executive mansion during her husband's administra-
tion the most brilliant state court in all these United States."
On April 26, 1913, the story making the rounds was that John Slaton
and Luther Z. Rosser, arguably Atlanta's fiercest litigator, were merging
their law practices into the new firm of Rosser, Brandon, Slaton & Phillips.
While the Rossers were also pillars of Atlanta's patrician class, Rosser
was in demeanor and style Slaton's antithesis. As the blunt instrument
the city's powerful engaged to demolish those who stood in their way, he
had acquired a reputation for charging outlandish fees and employing
brusque courtroom tactics. He was presently earning the unheard-of sum of
$100,000 a year representing, among others, the Georgia Railway and Elec-
tric Company (predecessor of the Georgia Power Company), which was
embroiled in a battle in Rabun County, high in the Blue Ridge. The utility's
officers wanted to open a $5 million generating station in the mouth of pris-
tine Tallulah Gorge, but resistance from those claiming the project would
despoil "one of the greatest scenic wonders of the world" was furious and
had found its voice in an Appalachian widow whose husband, General
James Longstreet, had been a Confederate hero. It was Rosser's job to
make sure that neither this fiery opponent nor the hallowed specter she
invoked stood in the way of lights for Atlanta's streets or power for her fac-
tories.
As news of Slaton and Rosser's impending affiliation was bruited
about Atlanta, the principals refused to confirm the reports. However, the
governor-elect, back in town following a preliminary trip north to acquaint
financiers in Boston and on Wall Street with business opportunities in
Georgia, did consent to reflect on the excitement that had not only precipi-
tated the partnership but was invigorating both finance and fashion in the
city. "Whereas once Georgia was largely attractive to agricultural interests,"
Slaton told a reporter, "it is now attractive to manufacturers who wish to
harness her natural resources and reap profits in assured safety." One of the
greatest of these natural resources was, of course, the state's supply of child
laborers. Far from being frowned upon by industrial barons, the practice
was advocated for both its economic advantages and its supposed benefits
for the children. As no less a personage than Asa G Candler, president of
Atlanta's quintessential enterprise, the Coca-Cola company, had recently
stated: "The most beautiful sight that we see is the child at labor; as early as
l6 AND THE DEAD SHALL RISE
he may get at labor the more beautiful, the more useful does his life get to
be." In this, the National Pencil Company— whose 170-member workforce
consisted largely of teenage girls— was perfectly in step.
On April 26, 1913, dramatic proof of Atlanta's new status as a seat of com-
merce and culture could be found at the Municipal Auditorium. There,
at 8 p.m., Arturo Toscanini, the conductor of New York's Metropolitan
Opera Company, would raise his baton; Enrico Caruso, the fabled tenor,
would take the stage in the role of Mario Cavaradossi; and a stylishly
attired 6,433 would settle back in their seats for the season's grand finale
performance of Giacomo Puccini's Tosca.
During the previous week— "A Week of Wonders," proclaimed one
headline writer— Atlantans had celebrated the company's record-breaking
Southern engagement (seven shows, a $91,000 gate) with elegantly catered
cocktail parties, sumptuous late-night suppers in the ballrooms of Peach-
tree Street's hotels, and elaborate entertainments at the Piedmont Driving
Club. The festivities had been spirited in so many senses of the word that
the Constitution's editorial cartoonist had approvingly caricatured the city
on the paper's front page as a red-nosed dandy in top hat and tails clutching
a champagne glass from which half-notes and clef signs bubbled in giddy
profusion.
Leo Frank, however, avoided the dizzying round of opera-related festiv-
ities that were attracting most Atlantans of his station. In fact, Saturday
afternoon, while his wife and her mother enjoyed the Met's matinee pro-
duction of Gaetano Donizetti's Lucia di Lammermoor, Frank remained at
the office. The women missed Caruso, but the atmospherics were just as
transporting as those that would suffuse the evening show. The fashions
were just as smart. The diva, Frieda Hempel, just as inspired. And the illu-
sion that the host city had been transformed into Manhattan on the Chatta-
hoochee just as blinding.
As for the vast majority of Atlantans, at the exact moment the curtain was
rising for the Met's matinee, they were packing five and six deep on both
sides of Peachtree Street to watch the Confederate Memorial Day parade.
First, a police honor guard cleared the way for the grand marshal and
various dignitaries, most notably outgoing governor Joseph M. Brown, a
leading citizen of Marietta. Next, a brass band set an appropriately martial
tone for the companies of United States infantrymen, Georgia national
guardsmen, military academy cadets, Boy Scouts, Odd Fellows and Knights
of Pythias. The stage, of course, was being set for the thin gray line, and soon
APRIL 26, 1913 17
enough, the ragged formation of five hundred stooped veterans— many
in their patched butternuts, a few hoisting faded regimental banners—
straggled into view. "The majority of them," noted the Journal, "were afoot,
walking not so alertly as they did a few years ago. Some were riding, having
come to the day of life when exertion must be spared, [although] the flash in
their eyes showed that they had not forgotten the times, half a century ago,
when music bade them farewell as they went to battle."
The climactic scene in the afternoon's pageantry belonged to the
young— battalion after battalion of white-uniformed elementary school
students, each group accompanied by a drum corps. Stretched out over
seven blocks, the four thousand children marched proudly, orderly, only
occasionally capitulating to urges from the crowd to give the rebel yell.
Mary Phagan, however, never saw these dashing boys, never heard their
high-pitched cries of resurgent insurrection.
TWO
They found her around 3:30 Sunday morning at the rear of the
National Pencil Factory basement. Partially hidden behind a parti-
tion that closed off a storage shed running nearly the length of one
side of the place, she lay on her left shoulder, arms folded beneath her torso,
face pressed into a trash-filled depression, head pointed toward Forsyth
Street, toward the front. While her dress was hitched up around her knees
and a shoe was missing, not until they turned her over could they appreciate
the savage and perverse nature of the crime.
Caught in the beam of Call Officer W. F. Anderson's flashlight, the girl's
battered visage mesmerized even as it appalled: right eye purple and puffy,
cheeks bruised and badly scratched and, most severe, scalp jaggedly gashed
open just above the left ear. These wounds, however, had apparently not
caused death. Twisted around the girl's neck and tied in a slipknot in back
was a seven-foot length of K-inch wrapping cord. Girdling the noose were
two strips of cloth torn from her skirt, but such a clumsy, not to mention
curious, bit of handiwork could not obscure the signs of strangulation. A
trenchlike scar where twine had cut into flesh was plainly visible. Mean-
while, the poor thing's thickly swollen tongue protruded far over her lower
lip, and blood had bubbled from her mouth and ears.
Later, the responding officers would agree that the most chilling aspect
of all was the color of the body. When Newt Lee, the plant's Negro night
watchman, had phoned in the alarm, he'd said: "A white woman has been
killed up here." The girl, though, was black as pitch. Her features — even her
eye sockets and nostrils— were caked with soot, and her mouth was choked
with cinders. After fishing a scrap of paper from the debris upon which her
head so rudely rested, Sergeant R. J. Brown, the morning watch com-
mander, tried to wipe away the grime. "I rubbed the dirt and trash from her
face," the sergeant would subsequently remember, "and then I said that she
was a white girl, [but] the others said that she was colored."
The initial attempts to determine the victim's race— indeed, the initial
attempts to determine much of anything— were not made easier by the
surroundings. From the factory lobby, there were only two ways into the
basement— an elevator (metal door shut, car parked somewhere above)
LOOK OUT, WHITE FOLKS 19
and a wooden plank ladder that descended from a tiny scuttle hole. Some
200 feet long, the rock-walled, earthen-floored cavity was narrow as a cata-
comb and just as dark. The single permanent source of illumination, a flick-
ering gas jet at the front of the room, had been turned so low it reminded
Newt Lee of a lightning bug. Details— a boiler and toilet on one side, the
storage shed on the other— emerged as indefinite, ghostlike masses. Intensi-
fying the eerie gloom was the almost stifling odor. Over the years, so many
tons of sawdust and parings had been swept down here from the manufac-
turing departments above that, like a cavernous pencil sharpener, the
chamber reeked of cedar and lead.
Though the men from headquarters never admitted they were frightened
by this veritable tomb, they were surely unsettled— and that, too, was at first
a factor. After all, they'd been rousted from the dull and sleepy station house
and raced through the empty predawn streets at a 40-mile-per-hour clip.
Newt Lee had met them at the building's front door, ushered them across the
lobby and pointed to the scuttle hole. After clambering, one by one, into inky
blackness, the men had proceeded blindly— the only sound was the "crunch
crunch" of shoes striking the shavings-and-coal-slag-carpeted soil— until
the Negro, who toted a smoky lantern, had brought them to a halt with the
warning: "Look out, white folks, you'll step on her." And they might have. As
Anderson subsequently remarked, "I did not see the body until I reached it."
The officers ascertained the girl's color with surprising ease. Anderson
simply lowered one of her stockings: milky thigh, milky calf. She was white.
Based on the signs of a scuffle near the body, the men speculated that the
girl's slayer had pinned her face against the ground where, as she'd gasped
for breath, the grinds and ashes that were everywhere had adhered to her
skin, pitting and tarring it. As for the obvious question— how had Newt Lee
known she was not black— the officers initially didn't pursue it, for in deter-
mining the victim's race, they discovered lurid evidence suggesting that
another crime had preceded the murder.
While examining the girl's legs, Anderson noticed that the belts attach-
ing corset to garters were unfastened and that her underpants had been
ripped up the crotch. Sergeant Brown, in language that would prove too
graphic for the newspapers, subsequently described what the men saw: "By
raising the skirt a bit, you could see in between the mouth of the vagina,
close to the privates, and it had blood on it and blood on the drawers ... It
would flow on its own accord . . . You could see it run from her stomach,
this blood coming from her privates."
To everyone clustered around the corpse, the significance of the crimson
discharge was self-evident. The girl, in the euphemistic terminology of the
age, had been "outraged" or "criminally assaulted." And this is how it would
initially be reported, yet the last word on the subject of whether she had
20 AND THE DEAD SHALL RISE
been raped— whether she had, in fact, been mutilated— would not be
uttered for a long time, if ever.
So far as the officers could decipher the language of the dead, the victim
had spoken. After making a couple of last assessments— icy hands and stiff-
ening joints indicated she had evidently expired hours earlier— the men
began combing the basement for clues.
Taking into account the group's makeup, the search was surprisingly
thorough. Though Sergeant Brown, 49, was a twenty-year veteran of the
Atlanta Police; Call Officer Anderson, 3 1 , was a ten-year man; and Sergeant
L. S. Dobbs, another 49-year-old, also had two decades under his belt, the
others were civilians. W. W. "Boots" Rogers— an erstwhile Fulton County
officer, future bailiff and full-time swell— was along merely because he'd
chauffeured the party to the scene. And as for a young Atlanta Constitution
reporter named Britt Craig, he was there, according to his account, because
he'd been waiting at headquarters for a ride home; but, according to all
others, he'd been passed out drunk in Boots's machine.
The first item these men found was the victim's missing shoe poking out
of a garbage pile near the boiler. Next, they located a bloodstained hand-
kerchief several feet behind the body. Then, at the very rear of the cellar, up
a gently inclined service ramp, they noticed that a sliding wooden door
opening onto an alley had been tampered with. Though the door was
closed, an iron staple had been pried from it, rendering the hasp and lock
useless. Finally, they spotted a trail leading back from the elevator, suggest-
ing that the remains had been dragged the length of the basement.
The most significant discoveries, however, were made almost literally
under the dead girl's nose. It was there that Sergeant Dobbs, using a cane to
rake through the rubbish, dug up the first of two bewildering messages.
Eventually, the "murder notes," as they'd come to be known, would be
judged the case's most enigmatic pieces of evidence. But on this Sunday
morning, they did no more than focus suspicion on Newt Lee.
After ruminating a minute on the first of the notes— which was scrawled
on a sheet of lined white paper that had been detached from a gummed
book lying nearby— Dobbs started to read aloud:
he said he wood love me land down play like the night witch did it but that
long tall black negro did boy his slef
Yet before the sergeant could finish reciting this gumbo— in fact, just as he
pronounced the words "night witch"— Lee blurted something out. Later,
Newt would contend he said only that someone was trying to "put it off on"
him, but the officers would remember differently, claiming he declared:
"White folks, that's me."
LOOK OUT, WHITE FOLKS 21
A few minutes after Lee's outburst, Sergeant Dobbs found the other
note. This one, which also had been buried in the refuse near the dead girl's
head, was jotted across a yellow National Pencil Co. order sheet atop which
was printed the plant address and phone number and blank lines for date
and invoice information. Like its counterpart, the second communique
seemed to implicate Newt:
mam that negro hire down here did this i went to make water and he push
me down that hole a long tall negro black that hoo it wase long sleam tall
negro i wright while play with me
Up to this point, the officers had held their doubts about Lee in check.
The Negro— who was in his mid-sos and thus born into slavery— had com-
ported himself with the requisite docility and humility. As one writer would
subsequently describe him: "Lee [is] a black, ignorant, corn-field, pot-
likker-f ed darky. His head is flat as a ballroom floor. His big frame is slightly
bent, not from weakness but from the natural laziness of his type. [He] is
beyond doubt a white man's nigger." Accordingly, the men had patronized
the night watchman. But once the notes were aired, Dobbs immediately
accused him of committing the crime.
"You did this or you know who did it," the sergeant charged.
Lee, though he'd begun to shake, denied any connection with the murder.
Then, with the officers surrounding him, he told his story, one he repeated
without substantive variation several days later at the coroner's inquest:
[At] almost three o'clock ... I wanted to go into the basement on my
rounds. So ... I went down the ladder and went back to the toilet. I set the
lantern on the floor against the side of the toilet. I came out of the toilet
and stepped up a few feet. I don't know just how far. I looked to see if the
back door was all right and to see if there was any fire [a much dreaded
hazard at the factory] in the basement. Then I saw the body. I thought it
was something some devilish boys had put there to scare me. I went over
and saw it was a body and I got scared. Then I called the police.
Though Lee's narrative seemed believable, and while in it he managed to
explain how he'd determined the girl was white (her hair was simply too
straight to belong to any Negress), he did not satisfy the officers. To begin
with, he swore that when he saw the victim, she was lying faceup, not down,
as when the men arrived. Moreover, he couldn't say anything to persuade
them that his response to the initial note wasn't incriminating. Then there
was the undeniable fact that, like the "black negro" alluded to in each mis-
sive, he was ebony-complected. Finally, regardless of what he said, he was
22 AND THE DEAD SHALL RISE
still a colored man in a filthy cellar where a white girl lay dead and bleeding
from between the legs— which was reason enough for the police to hand-
cuff him and lead him away.
With the arrest of Newt Lee, the officers repaired to the factory's second-
floor offices and telephoned Chief of Detectives Newport A. Lanford, who
in turn alerted two of his best men, John Black and John Starnes. Then they
notified Bloomfield's Funeral Home, just a few blocks away on Pryor
Street, and in due course the undertaker arrived. Following a hasty exami-
nation, Will Gheesling placed the remains in his wicker basket and carried
them out the back door to the alley, where his hearse was waiting. Soon
thereafter, Detective Starnes appeared on the scene and, during a tour of
the basement, discovered more clues. First, in the trash pile where Sergeant
Dobbs and company had found the missing shoe, he located a blue straw
hat. Then, he noticed that the sliding wood door was covered with bloody
fingerprints and that a metal pipe that had apparently been used as a crow-
bar was leaning against a nearby wall.
Even as the official investigation was beginning, an equally important task
was in progress in the nearly deserted city room of the Atlanta Constitution.
Regardless of the fact that he'd been delivered to his biggest scoop in
a state of questionable sobriety, Britt Craig was not an alcoholic hack.
Quite to the contrary, this 19-year-old son of a respected newspaper family
(Craig's father edited a North Georgia weekly) was one of the Constitu-
tion's rising stars. True, Craig wasn't going to win many awards for writing.
His prose was marred by bad puns, and his accuracy was spotty. However,
he possessed two highly valued attributes in newsmen: luck and pluck.
Craig often came up with the stories his rivals didn't. Typical of the reporter
was a stunt he pulled when assigned to cover the Salon du Bon Ton lingerie
show at Atlanta's premier department store, Rich's. After sequestering
himself in a cranny rigged with a strategically placed mirror above the mod-
els' runway, he proceeded to spy on Mademoiselle Barboure's lace-frilled,
bone-corseted beauties as they paraded before an otherwise exclusively
female audience. " 'Figuratively' speaking," he enthused in the next day's
editions, "there's not a greater show in town." Craig, in other words, was an
ingenious scamp who habitually popped up in unlikely spots.
Exactly what measures Craig took to get his story of the murder into a
Sunday-morning extra aren't known, but the job couldn't have been easy.
Not only did he have to pound out his piece, but he had to awaken editors
and they in turn had to order pressmen back to work. However, there were
LOOK OUT, WHITE FOLKS 23
compelling reasons for such exertions, and they could be summed up in one
name: William Randolph Hearst. Craig knew that if he didn't move quickly,
the newshawks whom the press baron had imported to beef up the Atlanta
Georgian would poach his exclusive, so he moved, and by 6:30 a.m., the
Constitution's special edition was on the streets. In length, Britt's account
was actually modest— a boxed page-one item played next to a report on the
Metropolitan Opera's triumphant grand finale. (The paper buried the Con-
federate Memorial Day chestnut inside.) Yet in impact, it was enormous.
Here was the germ of the tale— a girl found dead in the bowels of a child-
labor factory— that would set the believers in Atlanta's past against the
apostles of its future.
That the news reached the two Atlanta families it would most directly affect
before vendors began hawking the Constitution's extra was due in large
part to the efforts of Boots Rogers.
As it so happened, Rogers had a 16-year-old sister-in-law named Grace
Hicks who worked at the pencil factory. While the detectives had been sur-
veying the crime scene and Britt Craig had been writing his story, Boots had
sped to Grace's home on McDonough Boulevard south of town, fetched
her and raced to Bloomfield's. There, the Hicks girl identified the victim as
Mary Phagan. Uncertain how to contact Mary's parents, Boots's sister-in-
law then called a mutual friend, 16-year-old Helen Ferguson, who worked
at the plant and lived in Bellwood. Young Helen had been close to Mary, so
close, in fact, that she knew the girl's stepfather— unlike the hero of the
poem "My Pa"— could not afford a telephone. She would have to carry the
sad message to the modest frame house at 146 Lindsay Street herself.
Ever since her daughter failed to appear for Saturday supper, Fannie
Coleman had been racked with worry. Around seven that evening, her hus-
band journeyed into the city, hoping that Mary had lost herself at the
movies. For nearly three hours, John W. Coleman stood at the edge of the
Bijou lobby, examining every face, failing to spot the one he so desperately
sought. Around ten, he returned home, but he ventured right back out,
now knocking on the neighbors' doors. The new prayer was that the girl,
who'd planned to take the trolley to Marietta on Sunday to visit her
country cousins, had, on a whim, left early. If so, she probably would have
called one of the several Bellwood families who allowed the clan to use their
phones. Yet, of course, no one had heard a thing. The police, when eventually
contacted, were also still in the dark. With nowhere to turn,the couple had
done what anxious parents do— they'd waited up. At daybreak, Helen Fer-
guson appeared, spoke but a sentence and Fannie Coleman— widowed
before Mary's birth and now bereft of the child William Joshua Phagan
24 AND THE DEAD SHALL RISE
never knew— collapsed. The family physician would soon be summoned to
administer a sedative.
Even as word of their loss was reaching John and Fannie Coleman, the
indefatigable Boots Rogers was barreling to a halt in front of the ash-green,
two-story East Georgia Avenue home where Leo and Lucille Frank lived
with Lucille's parents. Unlike at the dead girl's house, where the ensuing
tableau of sorrow and lamentation, no matter how searing, was predictable,
the scene that unfolded here was ambiguous and open to wildly subjective
interpretations.
Accompanying Boots was Detective John Black. At 40, Black was big and
bearish with suety jowls, a slab of a nose and rheumy eyes. Rarely seen with-
out a porkpie hat he wore pushed far back on his head, he more closely
resembled a railroad dick than a celebrated detective, and until four years
earlier, he had worked as a cooper at the Atlanta Brewing and Ice Company.
But appearances aside, Black was a bulldog of an investigator who'd already
made a reputation for himself by solving a couple of headline-making cases
and sending several men to the gallows. Suspicious by nature, he was the
instinctive sort, and this morning, his instincts told him something was
wrong.
To say that Black had a hunch about Leo Frank is putting it too strongly,
but ever since he and his colleague John Starnes had debriefed the respond-
ing officers back at the pencil plant around 5:30, he had entertained doubts.
What piqued his curiosity wasn't anything the factory superintendent had
done but something the men said he hadn't done. During the flurry of tele-
phone activity following Newt Lee's arrest, an operator had connected Call
Officer Anderson to Frank's home. For what had seemed like an eternity,
the policeman remained on the line waiting for someone to pick up. Noth-
ing. And that was not the first call to the superintendent's residence that
had gone unanswered this morning. According to the night watchman, after
he'd located the body, he, too, had tried and failed to reach Frank. In
marked contrast, the men had experienced no difficulties raising such com-
pany officials as the majority stockholder, Sig Montag.
Admittedly, not picking up the phone was no offense, and besides, John
Black believed old Newt was as guilty as he was dusky. Yet there was
enough here to convince the detective to approach Leo Frank warily and to
wait for the right moment before unveiling a critical bit of intelligence. By
day's end, the name Mary Phagan would be on a thousand tongues, but
before it became too widely circulated, the investigator wanted to see how
one man in particular responded upon hearing it.
When Black rang the Seligs' bell, Lucille Frank, wearing a heavy blue
LOOK OUT, WHITE FOLKS 2$
housecoat, appeared and ushered the detective and Boots into the parlor.
Her husband, she said, was still getting dressed but would be right down.
For five or six minutes— the amount of time that had passed since
he had answered the phone— Leo Frank had known that a policeman
was coming to see him. The prospect disconcerted him, but then, anyone
else who'd received the wake-up call John Starnes had given the factory
superintendent might have been disconcerted. At 50, Starnes was widely
regarded as the detective department's most "immaculate attache." Slen-
der, stern-faced, mustachioed and usually clad in a smart suit and bowler, he
could have passed as the head teller at a downtown bank. Generally,
Starnes was "suave and polite," yet this morning when speaking to Frank,
he had been abrupt and evasive, for like Black, he was aware of the earlier
effort to contact the factory superintendent, and it didn't sit well with
him. While specific aspects of the detective's conversation with Frank
would subsequently be debated, both parties were in accord as to its basic
drift:
"Is this Mr. Frank, superintendent of the National Pencil Company?"
Starnes had begun.
"Yes, sir."
"I want you to come down to the factory right away."
"What's the trouble? Has there been a fire?"
"No, a tragedy," Starnes had replied vaguely. "I'll send a car for you."
John Black and Boots Rogers had been waiting only a minute or two when
Frank entered the room through a portiere that separated the front of the
house from a hall linking it to both the kitchen and a staircase that led
to the second floor. By all accounts, the factory superintendent was in an
agitated state when he greeted his visitors. Dressed in a freshly pressed
pleated shirt, blue trousers and suspenders (the only missing pieces were
collar and tie), he paced restlessly across the parlor, wringing his hands
and firing questions so fast that he apparently didn't leave Black time to
answer: "Has anything happened at the factory? . . . Did the night watch-
man report anything to you? ... I dreamt I heard the phone ring around
four o'clock."
Evidently, Black's reply to this barrage was a curt "Mr. Frank, you had
better put your clothes on, and let us go to the factory." Subsequently, the
detective would remember it this way:
His voice was hoarse and trembling and nervous and excited. He looked to
me like he was pale ... He seemed to be nervous in handling his collar. He
could not get his tie tied, and talked very rapid.
26 AND THE DEAD SHALL RISE
Boots Rogers would echo these impressions:
Mr. Frank seemed to be extremely nervous. His questions were jumpy . . .
His voice was a refined voice . . . kind of lady-like ... He was rubbing his
hands ... He seemed to be excited.
Yes, no one challenged the fact that Leo Frank was upset this Sunday
morning, but as to what that meant and whether Black, and earlier Starnes,
had anything to do with provoking it was another matter. From almost any
perspective, these fiercely unforthcoming men couldn't have helped but
inspire anxiety. They were obstinately mute. Later, Frank would recollect:
I asked them what the trouble was and the man who I afterwards found
out was Detective Black hung his head and didn't say anything.
In short, one man rattled on, the other two kept quiet. One man gestured
and gesticulated, the other two hunkered down. Only once— when some-
one suggested a cup of coffee to relax them all— did there seem to be a
chance for the parties to talk to instead of past each other. Yet far from
achieving its desired effect, this idea gave rise to an enduring misunder-
standing. The disagreement hinged on who actually proposed the plan.
According to Lucille Frank and Boots, it was Lucille, but according to
Black, it was Leo. Innocuous as this seems, the detective's version, which
would gain the greater credence, was eventually cited as evidence of an
attempt on the factory superintendent's part to avoid the inevitable. And as
for the coffee itself, none was ever served, as Black argued that Frank
needed something stronger. "I think a drink of whisky would do him good,"
he cracked, sending Lucille scurrying to find a bottle. Eventually, she came
back empty-handed, saying her father, who suffered from indigestion, had
polished off the last of their liquor the previous night.
Black and Rogers had been at the Franks' home for some ten minutes,
and as yet had offered no satisfactory explanation for why they'd come. As
it turned out, their reticence was about to end, but when and where they
told Frank that a girl had been found murdered in the factory basement and
that her name was Mary Phagan became grounds for yet another dispute.
As Frank would subsequently put it:
Now at this point . . . Mr. Rogers and Mr. Black differ with me on the place
where the conversation occurred— I say, to the best of my recollection, it
occurred right there in the house in front of my wife; they say it occurred
just as I left the house in the automobile; but be that as it may, this is the
conversation: They asked me did I know Mary Phagan, and I told them
LOOK OUT, WHITE FOLKS 27
I didn't. They then said to me, "Didn't a little girl with long hair hang-
ing down her back come up to your office yesterday sometime for her
money— a little girl who works in the tipping plant?" I says, "Yes, I do
remember such a girl coming up to my office, that worked in the tipping
room, but I didn't know her name was Mary Phagan" . . . and I finished
dressing, and as they had said they would bring me right away back, I
didn't have breakfast, but went right on with them in the automobile.
Though Rogers and Black would indeed differ with Frank— later, Boots
vividly recalled that Frank and Black were sitting in his backseat when the
detective broke the news, adding that Frank then offered up a worrisomely
complete list of reasons why he couldn't have known Mary Phagan — the dis-
agreement ultimately did not bear out Black's worst suspicion, for it wasn't
as if the superintendent betrayed a knowledge of the child's identity before
the detective mentioned it. However, the fact that the men could not later
agree on the place where the conversation occurred suggests that by the
time they departed for town, they weren't seeing anything in the same light.
Bloomfield's mortuary was a rambling one-story frame building halfway
between the state capitol and the factory. This was the group's first stop.
Will Gheesling met the men in his reception room, then led them down a
long passageway. After opening a door at the end of the corridor, the under-
taker briefly disappeared into darkness, leaving Boots and Frank at the
threshold, with Black just behind them and a wild-haired man who'd
entered the establishment in the party's wake behind Black. A second
passed, Gheesling switched on a brilliant electric lamp and there, laid out
on a circular cooling table, was Mary Phagan's body, her face turned toward
a far wall. To make sure everyone could see, Gheesling pulled down the
sheet that covered the corpse, then slipped his hands beneath the girl's
head, lifting it up like a battle trophy. Which gave rise to a critical disagree-
ment: Did Frank look, or did he recoil in revulsion and guilty fear?
John Black and Boots Rogers were positive that the plant manager
turned away. As Boots would later recollect:
Mr. Gheesling caught the face of the dead girl and turned it over towards
me. I looked then to see if anybody followed me and I saw Mr. Frank step
from outside of the door into what I thought was a closet. There was a little
single bed in there. I didn't see Frank look at the corpse. I don't remember
that Mr. Frank ever followed me in this room ... he could not have seen
her face because it was lying over towards the wall . . . His general manner
made me think that he was nervous.
28 AND THE DEAD SHALL RISE
Not surprisingly, Frank would subsequently disagree:
I stood right in the door, leaning up against the right facing . . . Mr.
Gheesling . . . removed the sheet which was covering the body, and took
the head in his hands, turned it over, put his finger exactly where the
wound in the left side of the head was located— put his finger right on it; I
noticed the hands and arms of the little girl were very dirty— blue and
ground with dirt and cinders, the nostrils and mouth— the mouth being
open— nostrils and mouth just full of sawdust and swollen, and there was a
deep scratch over the left eye on the forehead; about the neck there was
twine . . . and also a piece of white rag. After looking at the body, I identi-
fied that little girl as the one that had been up shortly after noon the day
previous and got her money from me.
Gheesling, contending that his position behind the body blocked his sight
line, claimed he couldn't tell what Leo Frank did, but there was one other
impartial observer— the wild-haired man who'd followed the party into the
funeral home. This was the Atlanta Journal's 20-year-old police reporter,
Harold W. Ross. The hard-drinking, chain-smoking son of a Boulder, Col-
orado, mining engineer, Ross had dropped out of high school his sopho-
more year to take a reporting job on the Salt Lake City Tribune. Before
arriving in Atlanta, he'd gypsied across the country, hopping from newspa-
per to newspaper, acquiring an education and a skepticism that generally
doesn't come until far later in life. Although he was already experimenting
with the first-person plural style that would one day become the talk of
another town, he wasn't a graceful writer, yet he did pay exceptional atten-
tion to detail. Truth be told, he could be tediously precise. In short, Ross was
already very much the man who in 1925 would found The New Yorker
On this early morning, Ross— whose city editor had read the Constitu-
tion's extra— was charged with the unenviable job of coming up with a new
angle the Journal could get into Monday's editions. Thus he'd raced to
Bloomfield's. Later, he'd recall that he "saw Leo M. Frank as he looked
upon the mutilated and abused body of Mary Phagan in the morgue three
hours after her remains had been found."
Not that Ross was the final authority on the matter. No, the conflicting
accounts remained unreconciled, although the police version would gain
wider acceptance and have a greater impact. To John Black, Frank was sim-
ply more shaken than the admittedly upsetting circumstances warranted.
By 7:45 a.m. Sunday— the hour Boots and Black arrived at the National
Pencil Factory with Frank— a crowd had gathered out front, but the men
LOOK OUT, WHITE FOLKS 29
passed quickly through the onlookers. At the door, they were met by 47-
year-old N. V. Darley, a coworker the superintendent had asked his wife to
call. In charge of plant personnel, Darley was one of Frank's closest associ-
ates. The party thus complete, the men continued into the lobby, ascended a
set of stairs, then disappeared through another door.
Frank's office occupied a front corner of the building's second floor, adja-
cent to the packing room. A hundred feet or so farther back, through a set of
swinging metal doors, was the plating department. The metal department—
where spare parts were lathed, eraser tips fabricated, sheet brass stored and
Mary Phagan had worked— was also on this level. Yet despite their proxim-
ity to these operations, the superintendent's quarters were protected from
the dirt and din by an elevator lobby and an anteroom dominated by a mas-
sive cast-iron safe and staffed on weekdays by runners and a secretary.
It was in the anteroom that the men— now joined by Detective Starnes
and a handcuffed Newt Lee— set up operations. The first order of business
was to make sure that Mary Phagan was indeed the girl the superintendent
had paid the previous day. This fact, Frank declared, could be easily deter-
mined, and after working the safe combination and extracting the factory
payroll ledger, he opened the book and ran a finger down a page until he
stopped and said: "Yes, Mary Phagan worked here. She was here yesterday
to get her pay. I will tell you about the exact time she left. My stenographer
left about twelve o'clock, and a few minutes after she left the office boy left
and then Mary came in and got her money and left."
Next, someone suggested that Frank should see the spot where the body
had been found. Apparently, the factory superintendent chose this moment
to again request a cup of coffee, in Black's mind confirmation that he was
stalling, but the detectives said there was no time, so the party trooped to
the elevator lobby, a shabby room that was the plant's crossroads. On one
side of this L-shaped space, the lift stopped. On another, stairs led down to
the street level and up to the manufacturing floors. Also, the time clocks
that employees had to punch twice daily were here, as was the cashier's
window where on Fridays and Saturdays pay envelopes were distributed.
And not only money flowed from this chamber. Mounted on a far wall was
the fuse box that controlled the building's power. Since electricity was shut
off on Sundays, Frank needed to throw the switch inside the box if the
group was to take the elevator to the basement.
Frank experienced no trouble performing this task— however, when one
of the men asked him why the fuse box wasn't kept locked, he launched
into a wordy explanation involving insurance rates and a recent edict from
the fire inspector that struck Starnes and Black as overly detailed.
The lift itself was a cantankerous contraption primarily used to transport
freight. Once the motor coughed to life, the passengers filed on, and Frank
30 AND THE DEAD SHALL RISE
gave a tug at a steel cable that dangled from the top of the car and served as
a stop and start button, but the cable wouldn't budge. Later, he'd recall:
It seemed to be caught, and I couldn't move it ... it seemed like the chain
which runs down in the basement had slipped a cog and gotten out of gear
and needed somebody to force it back.
To the detectives, it appeared as if Frank— whose exertions were painful
to witness— was too upset to operate the device. As even the sympathetic
N. V. Darley would subsequently remember:
When we started down the elevator, Mr. Frank was nervous, shaking all
over. I can't say positively as to whether his whole body was shaking or
not, but he was shaking.
Finally, Darley— who was a heavyset sort and, as Frank said, "a great
deal stronger"— grabbed the cable, gave it a swift yank, and the men were
on their way, dropping into the basement where the car settled firmly
and, to everyone's disgust, malodorously, against the ground. Indeed, the
instant the lift hit bottom, a fresh, powerful stench wafted up from be-
neath the men. It was a stench they would never forget. Yet any chance to
submit the offending substance to a scientific examination had been squan-
dered hours earlier when a 35-year-old patrolman had failed to collect it as
evidence.
Around daybreak, R. M. Lassiter, whose beat included Forsyth Street,
had given the plant cellar a complete once-over. The first thing he'd spotted
was the trail running from a point just in front of the elevator pit all the way
back to the area where the child had been found. Like the responding offi-
cers, Lassiter believed that the body— which aside from the head contu-
sions was covered with abrasions on its left arm and leg— had been dragged
over the path. Lassiter's other discoveries, however, didn't avail themselves
of easy analysis. In the elevator pit itself —which like everything else in the
basement was full of waste and debris— he'd turned up a trove of items that
simply did not belong together. To wit: the victim's black umbrella, a big
ball of red knitting twine and "a fresh mound of human excrement that
looked like someone had dumped naturally." Lassiter had removed the first
two articles but left the third in its place, and it was this pile that the car car-
rying Frank and the detectives mashed, unleashing the noxious scent.
Other than acknowledging the fact that someone had stunk up the place,
the men who first breathed in the aroma paid no attention to, nor were they
curious about, its source, proceeding, instead, directly toward the back of
the cellar— in the process further trampling the potentially telltale trail,
LOOK OUT, WHITE FOLKS 31
destroying any opportunity to take footprints later. After examining the
spot where the body had been located, Frank accompanied the officers to
various other sites where clues had been discovered. Upon seeing how the
back door had been jimmied, the superintendent expressed concern that if
the opening wasn't secured, someone could break in, so he and Darley
zipped upstairs, grabbed hammer and nails, then zipped back. It was at
this juncture that Frank removed his jacket and for the benefit of Darley—
who in the past had chided him regarding his penchant for brown suits—
mentioned the fact that for a change, he was in blue. While intended to
break the tension, the line only raised eyebrows and was filed away by
Black and Starnes, who wondered why Frank was calling attention to the
fact. Yet this reaction was mild compared to that which greeted the superin-
tendent's awkward effort to perform the rudimentary task at hand. Appar-
ently, he could not make the hammer hit the nails, and once again, Darley
had to take over.
The door sealed up, the men returned to the second-floor offices, where
they found Atlanta's chief of detectives waiting. At 51, Newport A. Lanford
was stout and hale with a great graying walrus mustache. He had been with
the force for 25 years, and though his florid complexion and too-puffy eyes
hinted at base appetites and dubious connections, he was nonetheless a fix-
ture, a harrumphingly reassuring presence.
With Lanford on the scene, anxieties began to ease. During the course of
the next twenty minutes, Frank and Darley toured the detective chief
around the factory, spending much of that time on the third and fourth
floors amidst the German-engineered equipment that transformed rough
cedar slats into sleek writing implements. The men also peered into dressing
rooms, storage bins and the second-story metal department where Mary
Phagan had toiled. They saw nothing out of the ordinary. Their last stop was
at the time clocks. Here, Black and Starnes— with Newt Lee in tow—
rejoined the party. The night watchman was required as one of his duties to
punch in every half hour of his shift, indicating the completion of each
round. After obtaining the Negro's time slip from the night just ended,
Frank eyeballed it and proclaimed everything in order. Between 6 p.m.,
when Lee had reported to work, and 3 a.m., he'd hit all his marks. This fact
agreed upon, Frank initialed Lee's slip, writing "Removed 8:26" across it.
The superintendent then placed the slip in the safe, shut the door and
turned the lock.
For now, the detectives were satisfied and only wanted Frank to do them
the last favor of examining the murder notes, which had been taken to the
station house. So after walking back out to Forsyth Street, the men once
again piled into Boots's car— Black, Starnes and Lee riding in back; Darley
and Frank up front with Frank perched on his friend's lap— and were soon
32 AND THE DEAD SHALL RISE
racing east on Decatur Street toward headquarters. The trip was uneventful
save for the fact that to a soul, everyone noticed the superintendent could
not stop shivering.
At the station house, the officers quickly ascertained that the murder
notes were not available for examination. As a critic of the Atlanta police
would later phrase it, they had been "borrowed," apparently by the Jour-
nal's Harold Ross, who during his time in town acquired a reputation for
being light-fingered around newsworthy documents. That the authorities let
the notes— as yet undusted for fingerprints or examined by any experts—
out of their hands was, of course, a disaster. Yet in Lanford's office Sunday,
no one voiced any concern about the missing evidence, and after a brief and
apparently cordial discussion, the detective chief informed the factory
superintendent that he was free to go.
From the station house, Frank— joined by Darley— walked back to
Bloomfield's, evidently to see the body, but Dr. J. W. Hurt, the county physi-
cian, was conducting his postmortem, so the men proceeded on to the Mon-
tag Paper Company, which was in the general vicinity, hoping to find Mister
Sig. But Montag had not come in. So Frank caught a trolley car for the
Washington Street section he and his superior both called home. After stop-
ping at Montag's residence and talking to him briefly, Frank returned to
East Georgia Avenue. It was 10:45 AM - an d at l ast he got his cup of coffee.
Despite the fact that Chief Lanford and his men were discomfited by
Leo Frank's twitchy behavior, as of Sunday morning they did not regard
the superintendent as a suspect. In fact, the detectives— their ranks now
swelled by such local legends as "two-fisted" Pat Campbell, a 46-year-old
son of Castle Cam, Donegal County, Ireland— believed that the murder of
Mary Phagan was a "Negro crime" and that the Negro who did it was Newt
Lee. Buttressing this conviction was an experiment Sergeant L. S. Dobbs
had conducted back at the factory. While his colleagues had been busy with
Frank, Dobbs had dragooned a black man who worked at a Forsyth Street
livery stable, ordered him to lie in the exact spot where the dead girl had
been found and then instructed Lee to repeat the steps he'd taken that led
to the discovery of the body. Thus the night watchman had again descended
the ladder, walked to the toilet, squatted, placed his lantern at his feet and
gazed into darkness. To Dobbs, the exercise confirmed what he'd thought
from the start: the globe of Newt's light was so smudged that "unless one
looked directly at the body it could not have been seen from the toilet."
Dobbs believed the night watchman was lying.
All day Sunday, investigators incessantly grilled Lee. Yet even as the
detectives worked Newt over, other angles began to develop, one predi-
LOOK OUT, WHITE FOLKS 33
cated on the notion that while a Negro may have committed the murder, it
was at a white man's bidding. The event that inspired the officers to make
this leap was the late-morning arrival of Edgar L. Sentell at Chief Lanford's
office. A 2 1 -year-old grocery store clerk and longtime acquaintance of
Mary Phagan, Sentell had read Britt Craig's story and believed himself to
be in possession of a vital clue. Around 12:30 Saturday night, as he'd been
walking home from work, he said he'd seen the "tired and angry" victim
being shepherded along Forsyth Street by an erstwhile streetcar conductor
named Arthur Mullinax. Though the part of town where Sentell claimed to
have spotted the girl was dark, illuminated only by the intermittent lights of
cheap fruit-and-water stands, the flickering flame of a peanut roaster here
and there and the dull glow of the city lamps, he was certain that his eyes
hadn't failed him, for he said that when he'd called out, "Hello, Mary," she
had replied, "Hello, Edgar."
Sentell's story so impressed the investigators that late Sunday evening
an officer picked up the 24-year-old Mullinax at his girlfriend's house and
brought him to headquarters. While Mullinax proclaimed his innocence, he
was an excellent suspect. For one thing, he not only admitted having known
Mary Phagan, he confessed he'd been enamored of her. The two had ap-
peared in the Western Heights Baptist Church's 1912 Christmas production
of Snow White, Mary playing the title role and Mullinax a blackface part.
At the station house, Mullinax told a reporter: "I couldn't keep my eyes
off her. She noticed it, and while I was standing near her, she remarked
that I looked good with my face blacked. I turned to her and replied that
T'd keep my face blacked all the time, then.' " Moreover, when Sentell ap-
peared to identify Mullinax, he pointed an accusing finger at him and in the
presence of a half-dozen policemen announced: "That's the man who was
with the girl last night. There's not a doubt about it." With that, Mullinax, a
doe-eyed cracker Casanova, was booked and jailed. The charge— suspicion
of murder.
While the detectives believed that in Lee and Mullinax they had two
strong suspects, they were also looking into another possibility. Sunday
afternoon, one E. S. Skipper appeared at headquarters to say that on Satur-
day night he'd seen a girl answering the description of Mary Phagan walk-
ing on a street near the pencil factory in the company of three young men.
What attracted his attention, Skipper said, was that the girl "was reeling
slightly, as though affected by drugs or narcotics, and was weeping." Soon,
officers were scouring the city for the unidentified youths.
Around three in the afternoon, Leo Frank returned to town to visit Bloom-
field's. There, hundreds of mourners— the majority of them strangers who'd
34 AND THE DEAD SHALL RISE
read Britt Craig's scoop— had congregated. In fact, the line snaked around
the block. Eventually, ten thousand people (nearly double the number who
had attended the Metropolitan Opera's final performance) would file by.
Many, of course, came to grieve for Mary Phagan, but more came to peer
into the open white casket in which the victim reposed, her throat— despite
Gheesling's efforts— necklaced by the violet indentation of the noose.
Frank stayed at the funeral home long enough to pay his respects and
speak to a few employees— among them Darley and the factory office boy,
Alonzo Mann— then proceeded to headquarters. The Journal had returned
the murder notes, and the detectives wanted Frank to look at them. Appar-
ently, the superintendent could make nothing of them, so he dropped back
by the plant, where another crowd had gathered.
Yet for most of the day's dwindling hours, Frank sought refuge in
Atlanta's Jewish enclave. First, he and Lucille dropped by the Carl Wolf-
sheimers' and talked about the murder with a group of friends who'd
assembled for a postopera party, among them the couple's Athens, Georgia,
in-laws, Julian and Philip Michael; Virginia Silverman; May Lou Liebman;
and Julian Loeb. Then it was on to Alexander Marcus's, and from there, to
Charlie Ursenbach's, where such familiar faces as Harold Marcus and Ben
Wiseberg were present. Come dusk, Frank found himself alone and strolled
through the verdant neighborhood. Down Bass, up Washington and over to
Georgia he walked, all the while keeping the spires of the Hebrew Orphan's
Home in view. Later at home— where the Seligs were hosting a bridge party
attended by the Lippmans, the Wolfsheimers and the Strauses— Frank
caught up with the morning's newspapers. As cards were shuffled and rub-
bers dealt, he sat to the side and read. In Europe, Austria was preparing to
invade Montenegro, while in New York, medical researchers were working
on a tuberculosis serum. Locally, sports fans were overjoyed that after a
weeklong holdout, Ty Cobb— the Georgia Peach— had signed a $12,500
contract with the Detroit Tigers. Immersed in such accounts of events great
and small, Frank betrayed no hint of disquiet within, no apprehension
regarding the storm gathering without.
THREE
O:
all the images Atlantans could have awakened to that Monday
| morning, few could have been more ghoulishly titillating than the
one of Mary Phagan stripped down the center of the Atlanta Geor-
gian's front page. As McLellan Smith, in 1913 a Hearst reporter, would
recall years later: "We sent a photographer to the undertaker's and got a
picture of her on the slab." The Georgian's death likeness was not, however,
everything it seemed to be. Or, to put it precisely, it was more than it
seemed to be. One didn't have to scrutinize the shot too closely to notice
the disconcerting fact that its deceased subject was holding her skirts in her
left hand as if quite alive and about to curtsy. Then there was the coy cap-
tion: "Photograph of Mary Phagan showing her in street dress." The image,
in short, was a composite fabricated by cutting the head off the shot of the
victim and pasting it atop a shot of another, more animate girl's torso. In
any of the dozen or so American metropolises whose citizens were used to
the excesses of Hearst journalism, such a production would not have raised
the collective pulse rate. Indeed, at the New York Journal, Hearst's flam-
boyant flagship, the doctored morgue mug shot was a speciality of the
house. But in Atlanta, where Hearst had only recently set up shop, this sort
of thing had never before been seen, and folks couldn't plunk down their
two cents fast enough.
Monday's Georgian devoted five pages to the murder. For starters, the
sheet made a spectacle of the Phagan family's grief. Beneath such headlines
as mrs. coleman prostrated by child's death, various members of the
clan spoke searingly of their loss. Lamented the poor thing's uncle, D. R.
Benton of Marietta: "She was just a little playful girl without a bad thought
in her mind, and she has been made victim of the blackest crime that can be
perpetuated [sic]. 99 And her mother added: "The poor baby. If you only
could have seen her. She looked so beautiful and so young and so bright!
She said she was only going to see the parade before she came home. And
now look!" Fannie Coleman then invoked the issue of child labor, making
her daughter a martyr to the cause the Georgian had been flogging for
months. "I'm so sorry for other young girls working everywhere," she was
quoted as saying. "To think that they're all open to the same things and
36 AND THE DEAD SHALL RISE
there is nothing to protect them." From a woman so distraught that on Sun-
day morning she'd been sedated, it seemed an improbable utterance, but in
the incantatory realm of Hearst journalism, if a dead girl could be depicted
holding her skirts, a mourning mother could serve as an editorial mouth-
piece.
Exploding amidst these lachrymose accounts were the sharper reports of
other Hearst ordnance, neighbors of slain girl cry for vengeance,
boomed one headline, girl's grandfather vows vengeance, boomed
another. The desire for retribution conveyed by such headlines was spelled
out in the texts they topped. One of the sternest blasts was delivered by a
twelve-year-old playmate of the victim: "I'd help lynch the man that killed
poor Mary," pledged Vera Epps. "If they'd let me, I'd like to hold the rope
that choked him to death." Yet it was the patriarch, William Jackson Phagan
(now returned from Alabama), who spoke most vehemently, and the re-
porter the Georgian assigned to tell his story— a 23-year-old would-be
Theodore Dreiser named Herbert Asbury— stirringly evoked the scene:
Standing with bared head in the doorway of his Marietta home, with
tears falling unheeded down his furrowed cheeks, W. J. Phagan cried to
heaven for vengeance for the murder of his granddaughter, fourteen-year-
old [sic] Mary Phagan, and vowed that he would not rest until the mur-
derer had been brought to justice.
In a silence unbroken save by the sound of his own sobs and the noise of
the gently falling rain, the old man lifted his quavering voice in a passion-
ate plea for the life of the wretch who had lured the little girl into the dark-
ness of a deserted building and strangled her to death. It was an infinite
grief— the grief of an old and broken man— that Mr. Phagan expressed
when, with hands outspread imploringly, he invoked divine aid in bringing
the murderer of the child to justice.
"By the power of the living God," prayed the old man, his voice rising
high and clear above the patter of the rain and the roar of a passing train,
"I hope the murderer will be dealt with as he dealt with that innocent
child. I hope his heart is torn with remorse in the measure that his victim
suffered pain and shame; that he suffers as we who loved the child are suf-
fering. No punishment is too great for the brute who foully murdered the
sweetest and purest thing on earth— a young girl. Hanging cannot atone
for the crime he has committed."
Asbury's account pulsated with heartbreaking details. But in truth, it had
been submitted to what was known at the Georgian as "a little laboratory
work"— the facts had been improved upon. Years later, Asbury would con-
fess his sins. Yes, he did speak to William Jackson Phagan, and yes, the
EXTRA, EXTRA 37
bereaved man did beseech the Lord, but in writing the piece, Asbury felt it
lacked Hearstian punch. Which is why he invented the atmospherics. "It
wasn't raining," Asbury admitted, "although it might well have been."
One of the most sensational items to appear in Monday's Georgian—
certainly one whose repercussions would reverberate powerfully during
the coming days, influencing the initial direction of the investigation— was a
two-column line drawing displayed prominently atop page two. Headlined
"Who Is This Man?" the sketch depicted a tall, slender, black-haired 25-
year-old wearing a straw boater, blue suit and tan shoes. Based on the
description grocery store clerk Edgar L. Sentell had given the police Sun-
day that resulted in the arrest of Arthur Mullinax, the illustration offered
Atlantans a possible suspect, and notwithstanding the fact that Mullinax
was behind bars, every slender, black-haired fellow in town now became the
object of stares and whispers.
The Georgian also offered the populace the incentive to take matters
into its own hands. Festooned above Monday's front-page masthead was
the banner: "$500 REWARD." This was the sum the Hearst organization
said it would pay for "EXCLUSIVE Information Leading to the Arrest
and Conviction of the Murderer." At a time when well-compensated At-
lantans earned only $200 a month and most took home less (at ten cents an
hour, Mary Phagan would have needed a year and a half to earn $500), the
mention of such an extravagant figure was intoxicating. In effect, the
bounty served to deputize the entire city, and by late Monday, the officers
working the case would be spending more time following dubious tips than
developing legitimate leads.
Just how many extras the Georgian published Monday is disputed—
surviving copies confirm at least eight, but estimates go as high as 20. (The
New York Journal printed 40 extras the day after the sinking of the Ameri-
can battleship Maine in the Havana harbor in February 1898.) Regardless,
nearly every hour from 8:00 a.m. on, a new edition of the Georgian rolled
off the presses at 20 East Alabama Street and within minutes was in the
hands of newsboys:
new strangling arrest, screamed the Afternoon Edition.
arrested as girl's slayer, echoed the Home Edition.
GANTT ARRESTED AS SLAYER OF GIRL, TELLS STORY TO GEORGIAN,
promised the Night Extra, in a line that referred to a new suspect.
By dark, Atlanta was awash in these extras— or pinks, as they were some-
times called because their streamers were printed in scarlet ink that lent
everything a sizzling urgency. Not since William Tecumseh Sherman had the
city experienced such a bombardment. As Herbert Asbury would later
38 AND THE DEAD SHALL RISE
note: "Our paper was in modern parlance, a wow. It burst upon Atlanta like
a bomb and upon the Constitution and Journal like the crack of doom."
For proprietor William Randolph Hearst, Monday's Georgian was a com-
bination fiftieth birthday and tenth wedding-anniversary present. That
evening, Hearst and his wife celebrated both occasions with a dinner
dance— the menus were engraved on a scroll of tin with a photograph of
the couple on top— at their 30-room apartment (the largest in Manhattan)
in the Clarendon Building at West End Avenue and Eighty-sixth Street.
Among the 50 friends in attendance were Elbert H. Gary, the president of
U.S. Steel, and Joseph Duveen, the art dealer who was helping Hearst
acquire the treasures of Europe that would fill the castle he would soon
build in San Simeon, California. Hearst's reaction to the gift his Atlanta edi-
tors bestowed upon him on this occasion was undoubtedly favorable,
for their handling of the Phagan murder was an homage to the master—
himself.
By 1913, America's journalistic wildcat was at the height of his power.
His empire stretched from San Francisco (the Examiner) and Los Angeles
(also the Examiner) on the West Coast to Boston (the American) and New
York (the Journal) on the East with vital points (Chicago, Detroit, Balti-
more) in between.
At their best, the Hearst newspapers were vigorous trustbusters, news-
print knights errant that jousted with the railroad and steel monopolies
and championed the little man. They were also stylishly written, featuring
the sort of syndicated stars (Ambrose Bierce, Damon Runyon) that only
Hearst could afford. Moreover, the papers pioneered the use of bold head-
lines and photography. The Chief, as the publisher was known, knew how to
get readers' attention.
At their worst, however, the Hearst newspapers encouraged reckless-
ness. "In a strict sense," notes W. A. Swanberg in his tough-minded biogra-
phy Citizen Hearst, they "were not newspapers at all. They were printed
entertainment and excitement— bombs exploding, firecrackers popping,
victims screaming, flags waving, cannons roaring, houris dancing, and
smoke rising from the singed flesh of executed criminals." Deceit, gore,
petty vendettas, self-aggrandizing bombast— all were ingredients in the
formula. "To be a Hearst reporter," adds the biographer, "required talents
unsought by sober journals— a lively imagination, a fictional sense that
could touch up news stories with vivid glints, balanced by a subtle under-
standing of how far one could go without being accused of fakery."
The most infamous example of the Hearst style had, of course, occurred
in 1898 when his martial vaporings kindled the Spanish- American War.
EXTRA, EXTRA 39
Motivated by a desire to score a circulation victory for the New York Jour-
nal against the rival New York World, the Chief had let neither fact nor cau-
tion stand in his way. After receiving a cable from Frederic Remington
(ultimately remembered for his cowboy sculpture but at the time Hearst's
man in Havana) telling him, "Everything is quiet. There is no trouble here. I
wish to return," Hearst had imperially rejoined: "Please remain. You fur-
nish the pictures and I'll furnish the war." And he had. After the sinking of
the Maine, the Chief had ignored any evidence that the disaster might have
been an accident, running out saber-rattling banner after saber-rattling
banner. Typical was the double-deck headline atop a February 17 edition:
THE WARSHIP MAINE WAS SPLIT IN TWO
BY AN ENEMY'S SECRET INFERNAL MACHINE
The Journal had pounded home the point until an initially cautious Presi-
dent William McKinley ordered in the troops. In Swanberg's verdict, ren-
dered sixty years after the fact, "Hearst's coverage of the Maine disaster
still stands as the orgasmic acme of ruthless, truthless newspaper jingoism."
The Chief, however, wasn't worried about history's judgment. For him the
key point was this: Before hostilities started, the Journals circulation hov-
ered at 800,000; afterward, it stood at 1,250,000.
Though Hearst was in many ways to the American manor born— scion of
a wealthy California family (his silver-mining father made his first fortune
in the Comstock lode, his second at Anaconda); San Francisco-bred;
Harvard-educated; initiated into journalism not as an ink-stained wretch
but as proprietor of the going concern, the San Francisco Examiner, that
his father gave him— he remained, oddly, an outsider. Most observers of
the day contended that he was lonely, but more probably, his remove was
the product of immense egocentricity, with its accompanying feeling of
superiority. As with many such American originals, Hearst believed the
only house where he could feel truly at home stood at 1600 Pennsylvania
Avenue, and since 1900— when he'd used his papers to launch a run for the
Democratic nomination— he'd been seeking the presidency. In the process,
Hearst had proved himself to be a man of mutable loyalties. In 1908,
rebuffed by the Democrats, he'd formed a third party (the Independent)
and dictated a ticket beholden to himself. In 1912, he'd swung around to the
Republicans, pursuing an endorsement from former president Theodore
Roosevelt by offering the old Rough Rider the ultimate bully pulpit as
columnist for the Hearst papers. Rejected by the GOP, Hearst had of late
returned to the Democratic fold, his presidential yearnings unabated—
which was why he'd acquired the Atlanta Georgian.
Throughout Hearst's decade-long pursuit of the presidency, he'd courted
40 AND THE DEAD SHALL RISE
several powerful Georgians he believed could deliver the key to a Demo-
cratic nomination— the Solid South. The first object of his blandishments
was the firebrand Tom Watson. Not only did Hearst puff Watson's populist
effusions in the New York Journal; his trusted adjutant, Arthur Brisbane,
invited "the Sage" to Manhattan, took him to lunch at Delmonico's and
offered him command of Hearst's new morning paper, the New York Amer-
ican, at $10,000 a year. The Sage, however, would not leave Dixie, so the
Chief's attentions drifted to John Temple Graves, the Georgian's founding
editor and a Watson protege. Graves was only too happy to answer Hearst's
call, and for the rest of his career he'd do his bidding, editing the American,
running for vice president in 1908 on the Independent ticket and, in 1912,
acting as his agent during negotiations to buy the Georgian.
On February 5,1912, when William Randolph Hearst's purchase of the
Georgian was announced, the paper seemed an unlikely vehicle for some-
one who aspired to the highest office in the land.
The Georgian had been launched a mere six years earlier by the real
estate developer Fred Seely, yet despite its owner's profession, the sheet
was anything but forward-looking. Under Graves's stewardship, the Geor-
gian's editorial columns advocated reactionary populism while its news
columns were often used to cast stones at such local powers as Coca-Cola.
In a boomtown like Atlanta, these positions ran counter to the prevailing
winds. Moreover, the Georgian was boring, its front page usually cluttered
with bland wire-service accounts from distant lands. The most exciting
feature in Hearst's new acquisition was the Saturday "Poultry, Pet and Live-
stock" tabloid, which carried "Bill Zimmer's Hen Call" column and photo-
graphs ("By Our Chicken Expert") of pullet after pulchritudinous pullet.
With a circulation of 38,000, the Georgian was Atlanta's weakest daily.
The dominant voices in Georgia journalism in 1912 belonged to the
morning Atlanta Constitution, the mouthpiece of the New South, and the
evening Atlanta Journal, which, as its masthead proclaimed, Covered Dixie
Like the Dew. Though separately owned and of varying circulations (the
Journal, thanks to its strong rural following, reported an audited circulation
of 52,000; the Constitution, just 41,405), the papers were in many ways sim-
ilar. Each boosted Atlanta's metropolitan aspirations. Each devoted count-
less inches to the doings of the capital's social elite. And each, it went
without saying, purveyed the stereotypic view of Negroes.
Yet there were differences, in both style and substance. The Constitution
was by far the breezier and less formal of the two. It was the brassy voice of
Dixie's city of big shoulders— cotton broker for the world, cola maker,
player with railroads and the South's freight handler. It took chances, fol-
lowed hunches. The Journal, on the other hand, was more conservative and
EXTRA, EXTRA 41
literary; it still used honorifics— "Mr." Slaton— and in 191 2, it unveiled a
Sunday magazine. Like Harold Ross, its reporters took obsessive care with
the facts.
There were, of course, sharper distinctions between the papers, for this
was the age of partisan journalism. The Constitution, published and edited
by Clark Howell, was with a few reservations the organ of Governor Joseph
Brown. The Journal, published by James Gray, was with no reservations the
organ of its founder, United States Senator Hoke Smith, Brown's rival. As a
consequence, the sheets fought continuously, the battles intensifying during
Georgia's Democratic primaries. The Constitution supported the railroads
(Brown was connected with the Western and Atlantic line), while the Jour-
nal supported reform. (Smith had been a personal injury lawyer before
entering politics and had campaigned against the railroads' grip on the
South.)
Despite the fractiousness of these disputes, they were, in any final analy-
sis, family feuds. The Clark Howells and James Grays, the Hoke Smiths
and Joseph Browns— in fact, all the men who ran Atlanta's newspapers—
were, if not brothers in blood, brothers in the same larger faith. They'd at-
tended the University of Georgia, dated girls from Athens's Lucy Cobb
Institute— a rigorous finishing school on whose ornately carved verandas
many a romance had bloomed— married each other's sisters and cousins
and buried each other's fathers. Thus, while they might spar in print and
hate for life, the clashes— save for those involving the unfettered Tom Wat-
son—rarely threatened what was, at heart, a rigidly ordered world, one
rooted in common lineage and preserved by mutual interests. Sons of the
true South, their bonds went deeper than factional politics.
Within a month after purchasing the Georgian, William Randolph
Hearst had utterly transformed the paper. Overnight, the stale features,
stodgy layouts and irrelevant wire-service stories from faraway locales dis-
appeared, replaced by 120-proof Hearst journalism. Every day, the Geor-
gian's redesigned front page played up a jarring local crime story, and if
there were no jarring local crimes, the editors would pull together a dozen
unrelated items from the police blotter and run them beneath the banner
crime wave sweeps city. Inside, a host of new columnists— most writing
under flashy noms de plume— made their debuts. In her "Chatter of Soci-
ety" column, Polly Peachtree— a Dixified Cholly Knickerbocker— broad-
cast bits of gossip while chronicling tea parties. Meantime, in her "Advice
to the Lovelorn" department, Beatrice Fairfax— as the syndicated Marie
Manning was known— salved the wounds of the heartsick in a warm and
winning style. Mixed into this stew were Hearst's famed cartoons (among
them, the popular Barney Google), alliteratively titled sports departments
42 AND THE DEAD SHALL RISE
("Jolts and Jars in the Squared Circle," "Bunts and Bingles of the Baseball
World"), original artwork and so many photographs that the paper some-
times resembled a picture gallery.
Simultaneously, the Georgian inaugurated an editorial stance that, while
remaining true to the sheet's combative roots, managed to throw a bone to
Atlanta's ruling elites. Hearst had been in possession but a week when the
paper began assailing the very symbol of patrician hegemony— the Georgia
Railway and Electric Company. Beneath the page-one screamer "This Is
Why Atlanta's Electricity Must Be Cheaper," the paper charged the utility
with gouging consumers. Yet in the same edition that kicked off the cam-
paign, the editorial page boomed: "Be An Optimist and Hitch Your Wagon
to the Star of Atlanta's Destiny." Beneath this caption, Atlantans were
urged to boost more loudly, to cheer "new skyscrapers and roads" and "the
real estate and population boom."
The hand orchestrating the Georgian's journalistic balancing act be-
longed to Keats Speed, erstwhile managing editor of the New York Journal
and, equally important, a native of Kentucky. Speed, in Asbury's estima-
tion, "was familiar with the South and Georgia; he knew exactly what the
people would accept." To enable the editor to do the job, Hearst had
imported what even fifty years later one old-time Georgia newsman termed
"the finest staff of any paper in the country." City editor Mike Clofine was a
New York Journal alum. Police reporter William Flythe, a native Georgian,
would be in Atlanta just two years, then move on to cover the Mexican
revolution. Photographers Johnny Brown and Matty Mathewson were on
loan from the Chicago American. A few holdovers from the old Georgian
remained, among them the insightful political editor James B. Nevin and a
silver-tongued feature writer from Marietta named O. B. Keeler. But by and
large, everyone involved was a hired gun.
One of the most talented of these hired guns was that journalistic rain-
maker Herbert Asbury. During the 1920s, Asbury would write such roguish
books as The Gangs of New York, while contributing frequently to the
nation's leading magazines.
"Hearst Comes to Atlanta," Asbury's 1926 account for the American
Mercury of the Georgian's coverage of Mary Phagan's murder and all that
followed offers the only insider's view of how Hearst journalism trans-
formed a hideous crime into a conflagration. Equal parts reportage and
indictment ("Had not Hearst owned the Georgian" asserts Asbury, "the
story probably would have died a natural death"), the piece is unsparing in
its assessments, including those of its author. But it is most unsparing in its
judgment of a newly arrived editor.
Several weeks before the Phagan murder, the Chief, believing that Keats
Speed had put the Georgian on sound Hearstian footing, recalled the editor
EXTRA, EXTRA 43
to New York. The evidence— most especially, a 22,000 circulation gain—
boded well. Furthermore, Hearst had used his acquisition to form a friend-
ship with a rising political star he could envision aiding his presidential
ambitions in the South: Governor-elect John Slaton. (Just days before the
Phagan killing, in fact, Hearst had feted the Slatons at his New York apart-
ment.) The situation seemed in hand, and the Chief turned the reins over to
Foster Coates.
By 1913, the 53-year-old Coates— known behind his back as "Curser"
and regarded as one of the most profane men in a business of profane
men— had become Hearst's roving surrogate. One month he was in Los
Angeles, the next San Francisco, the next New York. Yet despite having
graduated to management, Coates remained, at heart, the greatest page-
one editor of his day, the virtual headline wizard who as managing editor of
Joseph Pulitzer's World in 1898 had gone one-on-one with the Chief during
the circulation war that sparked the shooting war in Havana. (It was a
Coates screamer that became the conflict's rallying cry: remember the
Maine.) Whatever gains the Journal made following the sinking of the
American battleship, the World matched (Pulitzer sold five million papers
the week the battleship exploded), and Coates deserved much of the credit.
Or, in Pulitzer's view, the blame. Pulitzer valued the circulation victories
Coates was winning but was offended by the editor's methods, and once the
Spanish- American War ended, he ordered his pressmen to melt the cases of
three-inch lead type with which Coates had worked his magic. For the edi-
tor, it was a harsh rebuke, one that William Randolph Hearst, who'd recog-
nized a kindred spirit when he read him, used to his advantage. For the
Chief, men like Coates were invaluable, and he wooed and ultimately won
him by appealing to both his vanity and his checkbook. Within days of
going to work for the Journal, Coates was tooling around Manhattan in a
sporty new $ 1 ,700 automobile.
Curser Coates enjoyed the perks of power, and upon arriving in Atlanta,
he settled in at the luxurious Georgian Terrace Hotel on Peachtree Street
and Ponce de Leon Avenue in one of the capital's plushest enclaves. It was
there, on Sunday morning, April 27, that he read Britt Craig's scoop in the
Constitution's extra and, in Asbury's words, "saw the possibilities immedi-
ately." By noon, as the staffs of the Journal and Constitution, again quoting
Asbury, "slumbered peacefully in church or otherwise wasted the Sabbath,"
every last Georgian reporter was hard at work in the newspaper's Alabama
Street newsroom.
For Coates, it was 1898 all over again. Suddenly, he was back at the helm
of a great newspaper atop a breaking story. Telephones ringing, typewriters
clattering, adrenaline surging— this was what newsmen lived for. This was
also— for someone who had literally just stepped off the train— an environ-
44 AND THE DEAD SHALL RISE
ment conducive to rashness and foolhardiness. Even as he was caught up in
Coates's machinations, Herbert Asbury was alarmed. Where Speed had
realized from the start that "the Georgian couldn't do many of the things
that the Journal did," Asbury would later write, Coates, "knowing little if
anything of the South or the Southern temperament, thought the Georgian
could do these things and more." And what made it all so explosive was that
the journalistic shock troops at Coates's command had been sitting around
for months bored out of their minds by life in what to Hearst may have
been a critical stop on his way to Washington but to them was a provincial
outpost. "We played the case harder," Asbury would declare, "than any
Hearst paper had ever played such a case anywhere."
By the time the Georgian hit the streets Monday, it was too late for the
Constitution to recover. Only 24 hours earlier, the morning paper had
owned the Phagan story, but now it belonged to Hearst. Even the Geor-
gian's straight news pieces were better— not that this was so surprising. To
practice the sort of journalistic cubism preferred by Hearst, a newspaper-
man first had to master the just-the-facts approach. To distort, one had to
report, and this the Georgian's hardened veterans did. All of which left the
Constitution in a bad position. While the sheet scored a couple of coups—
among them a family snapshot of little Mary strolling beneath her umbrella
and an X-marks-the-spot photo of the corner of the factory basement
where the body had been discovered— it otherwise paled in comparison,
devoting just a column and a half to the murder on its front page and only
three columns inside.
In its first Monday edition, the Journal published less on the crime than
the Constitution, but by late afternoon, it had rallied. The Journal's editors
topped the front page of their final edition with a four-column picture of
Mary Phagan— bows in her hair, eyes sparkling— that presented the girl as
the embodiment of Southern womanhood. Additionally, they ran a shot of
the pencil factory building with cutouts showing where the body had been
found and an inset offering an enlarged view of the sliding back door. They
also ran a photograph of one of the murder notes that Harold Ross had
"borrowed" Sunday morning.
Yet for all of that, the Journal's performance faded when compared
to any edition of the Georgian. The afternoon paper simply didn't have
the goods. "They couldn't verify half the Georgian's stories sufficiently
to rewrite them for subsequent editions," noted Asbury. Not that the Jour-
nal didn't try to rewrite the Georgian. Beneath the headline "god's
VENGEANCE WILL STRIKE BRUTE WHO KILLED HER," SAYS GRANDFATHER
EXTRA, EXTRA 45
of mary phagan, the paper published a toned-down version of Asbury's
article about William Jackson Phagan. But it wasn't the same. Gone was the
roaring train. Gone were the tears running down the old man's face. And
gone was the rain. What was left— like most of what ran in the Journal—
was factual, but for now the facts weren't selling. On this April Monday,
Atlanta had surrendered to William Randolph Hearst.
FOUR
Onward, Christian Soldiers
Bi
etween 6:30 and 7:00 on Monday morning, just as the Georgian's
first extra was rolling off the presses, an 18-year-old National Pencil
Company machinist named R. P. Barrett noticed a suspicious
red spot on the factory's metal department floor near a women's dressing
room some twenty feet from Mary Phagan's workstation. Fan-shaped, four
or five inches in diameter and haloed by a few smaller crimson spatterings,
the spot appeared to be blood. Additionally, it seemed as if someone had
tried to hide it. "It looked like some white substance had been wiped over
it," Barrett would later testify. "It looked like it had been smeared with a
coarse broom." Whether this substance was potash or a soapy lubricant
called Haskoline— both of which were stored nearby— Barrett couldn't
determine, but after a janitor told him that neither the spot nor the white
grease had been there Friday afternoon, he summoned Lemmie Quinn, a
foreman, who in turn notified the police.
With that, Barrett prepared to start his day. At quitting time Friday, he
had left a piece of unfinished work in a bench lathe that faced the metal
department wall about ten feet past the dead girl's machine. Powered by
pulleys that descended from the ceiling, the lathe was controlled by an
L-shaped steel handle that extended at a right angle from its front edge.
When Barrett turned the handle, he observed something more startling
than the red spot— six or eight strands of auburn hair that he would swear
weren't "there on Friday, for I had used that machine up to 5:30." Once
again, he alerted Quinn.
By now, the plant had begun to fill with workers, and many flocked to the
scene of Barrett's discoveries. Soon, Detective John Starnes and several
officers appeared, trailed by a gaggle of reporters. As the crowd looked on,
14-year-old Magnolia Kennedy, a metal department employee, tiptoed to
the lathe, stared intently and exclaimed: "It's Mary's hair. I know it."
Hard upon the Kennedy girl's pronouncement came another dramatic
verdict, this one from a more authoritative figure— Police Chief James
Litchfield Beavers. Testifying to the thrall in which the crime held Atlanta,
the chief had come to the factory to assure himself —and the city— that the
investigation was progressing. After an officer chipped up several pieces of
ONWARD, CHRISTIAN SOLDIERS 47
the red-stained floor, Beavers pulled a bottle of alcohol from his pocket and
submitted one of the specimens to a rudimentary test. When the discol-
oration did not dissolve as it would have had it been oil or paint, when it in
fact turned scarlet, he announced that it was blood.
Thus the idea that Mary Phagan had been attacked on the factory's sec-
ond floor took hold at the outset. The Georgian gave the theory its unqual-
ified blessing, reporting that "blood stains leading from the lathe showed
the manner in which the fiend had dragged the body of his victim to the
basement." So, too, did the more sober Journal, which proclaimed that
"investigations [this] morning proved that Mary Phagan was murdered
in the metal room and that her body was lowered in the elevator to the
basement."
At the very hour the police and the press were determining that Mary Pha-
gan had been slain in the general vicinity of Leo Frank's office, another
group of detectives was pursuing the man who at this juncture appeared to
be the best suspect— a recently discharged pencil company bookkeeper
named James Milton Gantt.
The detectives' suspicions regarding Gantt— a Marietta native who'd
been reared in the same Sardis section where little Mary had spent her
early childhood— had been whetted by a report that the 26-year-old book-
keeper was enamored of the girl. Among the sources for this information
were several of the factory's female laborers, day watchman E. F. Holloway
and evidently Leo Frank. More crucial, however, was the news that Gantt
had appeared at the plant Saturday at six p.m. just as Newt Lee and Frank
were locking up. After advising the superintendent— who'd fired him when
the factory cash box had tallied $2 short a few weeks earlier— that he'd left
two pairs of shoes upstairs, Gantt had been granted admittance to the
building, where he'd remained some twenty minutes, phoning an unidenti-
fied woman before emerging with his size elevens. Detectives had actually
begun looking for Gantt on Sunday, but it wasn't until Monday morning,
when he was spotted leaving a bar across the street from the plant, that they
caught a break. While Gantt managed to board a Marietta-bound trolley
before officers closed in, they alerted the Cobb County sheriff, and around
noon Deputy J. B. Hicks arrested him.
Gantt— who when apprehended was reportedly carrying a suitcase
packed for a long trip— was rushed back to Atlanta, where he informed
detectives that though he had dropped by the factory Saturday evening, he
was home in bed by ten p.m. and hadn't seen Mary Phagan in weeks. Yet
according to Gantt's sister, with whom he roomed and to whom the officers
had already spoken, the bookkeeper hadn't been home in nearly a month.
48 AND THE DEAD SHALL RISE
Mrs. F. C. Terrell told the police that she'd actually been worried about her
brother because she'd not received a single letter from him during the
period. Gantt's alibi seemingly destroyed, the investigators began to weave
circumstances into theory, the theory being that the bookkeeper had mur-
dered the girl sometime during the day Saturday, then used his six p.m. visit
to the plant to recruit Newt Lee to hide her body. Late Monday afternoon,
according to the Constitution, "a squad of detectives and criminal experts
pulled off their coats, rolled their sleeves, and prepared for a determined
siege, which they vowed would not end until they had been convinced that
Gant [sic] was either guilty or innocent."
It was while R. P. Barrett was making his discoveries and the officers were
searching for James Gantt that Detective John Black, accompanied by a
young investigator named B. B. Haslett, reappeared at Leo Frank's home to
escort the factory superintendent back downtown. Though this second
encounter between Black and Frank was less tense than the first— the
detectives waited patiently while Frank ate breakfast— Black was no more
forthcoming regarding the purpose of the visit. In fact, as the men walked
into the city, strolling east on Georgia Avenue, north on Capitol, then east
on Decatur toward police headquarters at 175 Decatur, Black was as taci-
turn as ever. In response to Frank's persistent queries, Haslett finally
replied: "Well, Newt Lee has been saying something."
What Newt Lee— during the course of several Sunday-night and early-
Monday-morning sweatings— had been saying was that when he'd arrived
at work on Saturday at four p.m. just as Frank had instructed on Friday, the
superintendent had anxiously ordered him away. "He was rubbing his
hands," Lee would later tell the coroner's inquest. "He told me to go back
out in town and not to get back later than six o'clock." Newt said he'd
answered that he would rather curl up in the building and take a nap but
Frank had objected, hustling him off with the words: "Go out and have a
good time." Just before six, Newt had returned, followed closely by Gantt,
whose appearance had further upset Frank. According to Lee, the superin-
tendent had been reluctant to let the dismissed bookkeeper inside, inform-
ing him that his shoes had been swept out by the janitor— a contention that
was quickly disproved. At seven, Lee said, Frank had phoned him from
home to ask if things were all right. It was, he added, the first time his boss
had ever called him.
Not that Haslett was going to tell Frank any of this. "Chief Lanford will
tell you when you get down there," he responded when the factory superin-
tendent continued to press him, and the group marched on in silence.
Once the men reached the station house, they headed to the third-floor
ONWARD, CHRISTIAN SOLDIERS 49
offices of Newport Lanford, but the detective chief had gone out. So for the
next hour, Frank waited in an anteroom, talking with various officers.
About 9:30, Herbert Haas, of counsel to the pencil company, and Sig Mon-
tag appeared. And at 10:00, Luther Rosser, the lawyer to Atlanta's corpo-
rate elite and the new partner of governor-elect John Slaton, arrived.
Rosser's presence was interpreted by many as an indication that Mister Sig
believed Frank to be in serious straits, but there was also another explana-
tion. Haas's wife was expecting, and he'd evidently asked his colleague, who
occasionally handled some of the pencil company's affairs, to back him up
in case he needed to make a sudden departure.
"Hello boys, what's the trouble?" Rosser inquired by way of greeting,
whereupon Haas began explaining. During this huddle, Lanford returned,
beckoned Frank into his office and shut the door.
Though the detective chief and the superintendent were alone for just a
few seconds, it was time enough for Rosser to take umbrage.
Standing at six feet and weighing 220 pounds with a massive, balding
snapping turtle of a head, 53-year-old Luther Rosser was the embodiment
of Atlanta's fierce moneyed might. An old hand at the game of badgering
and buffeting who discarded all rules laid down by polite society and was
thus of great utility to polite society, Rosser was uncowed, unbowed and
unrepentant. Even in matters of dress, he was obstinate, usually appearing
before the bar— and everywhere else, for that matter— sans cravat. Friends
viewed his refusal to wear a tie as a harmless idiosyncracy. In a story still
told years later, his grandson delighted in recalling that Rosser wouldn't
make an exception when arguing a case before the United States Supreme
Court. ("If it's clothes they want," he reportedly roared at a fellow lawyer
prior to a joint appearance before the high tribunal, "you give it to them. If
it's law they want, I'll give it to them.") Yet Rosser's disdain for neckwear
was no mere quirk. It was, instead, a defining gesture, the adamant signature
of an adamant soul.
In brief, no detective chief was going to shut a door in Rosser's face, and
following Frank's disappearance, he flew into a rage, bellowing to a guard:
"I am going into that room. That man is my client." Soon thereafter, Lan-
ford admitted the lawyer, but he would not forget the outburst. In fact, he
would always wonder why Rosser had thrown a fit on behalf of someone
who at this point had not been charged with anything.
The sequence in which events unfolded in Lanford's office was never
made clear, but early on, Frank handed Lanford Newt Lee's time slip— the
card the superintendent had initialed Sunday morning after a glance indi-
cated the night watchman had clocked in at all the appropriate intervals.
Then, Frank made a stunning announcement: After studying the slip more
carefully, he said, he'd realized that his first assessment had been wrong.
50 AND THE DEAD SHALL RISE
Lee had actually missed three punches, meaning that on three occasions
between 6 p.m. Saturday and 3 a.m. Sunday, the night watchman's where-
abouts could not be accounted for.
On the heels of this astonishing about-face, the chief, believing any sub-
sequent revelations should be part of the sworn record, asked Frank if he
would make a statement, to which Rosser assented. Accordingly, the super-
intendent sat down at a table across from the detective department's secre-
tary, a mustachioed notary public named C. Gay February.
Frank's deposition took the form of a straightforward chronology of his
version of the events of Saturday, April 26. He reiterated that he'd been
alone in his office when Mary Phagan "came in between 12:05 and 12:10,
maybe 12:07, to g et h er pay envelope," adding: "I paid her and she went out
of the office. It was impossible to see the direction she went in when she left.
My impression was that she just walked away. I didn't pay any particular
attention." At 1:10, he said he'd decided to go to lunch, but since he in-
tended to bolt the Forsyth Street door (making ingress to or egress from the
factory impossible), he had to alert two laborers— Arthur White and Harry
Denham— who were on the fourth floor servicing some equipment. White's
wife, who'd dropped by to visit, was with the men. As a consequence, he said
he'd dashed upstairs. After White and Denham told him they weren't done,
he'd agreed to let them remain in the locked-up plant. Immediately there-
after, Mrs. White exited, and he followed. At 3:00, he said, he'd returned to
find White and Denham almost finished. At 3:15, the workers clocked out,
although he recalled that White had ducked into the office and asked for a
$2 loan. He said he'd responded: "What's the matter; we just paid off."
When the worker replied that his wife had "robbed him," he said he'd given
him the money.
Now came the part Frank's auditors were awaiting, the part about which
Lee had been talking:
On Friday night I told [Newt] after I give him the keys, "You had better
come around early tomorrow because I may go to the ball game" [the
Atlanta Crackers were playing the Nashville Vols at 4 p.m. at Ponce de
Leon Park], and he come early because of that fact. I told him to come
early, and he came 20 minutes to 4. 1 figured I could leave about 1 o'clock
and would not come back, but it was so cold I didn't want to risk catching
cold [at the game] and I come back to the factory as I usually do. He come
in and I said, "Newt, you are early," and he said, "Yes, sir," ... I told him he
could go out; he got there so early and I was going to be there.
From here, Frank shifted seamlessly to the other critical topic, the 6 p.m.
encounter with the discharged bookkeeper:
ONWARD, CHRISTIAN SOLDIERS 51
When I went out, talking to Newt Lee was J. M. Gantt, a man I had fired
about two weeks previous. Newt told me he wanted to go up to get a pair of
shoes he left while he was working there, and Gantt said to me, "Newt
don't want me to go up," and he said, "You can go with me, Mr. Frank," and
I said, "That's all right, go with him Newt," and I went on home, and I got
home about 6:25. Nothing else happened; that's all I know ... I tried to
telephone [Newt] when I got home [but] I didn't get an answer ... at
7 o'clock ... I called him and asked him if Gantt got his shoes and he said
yes, he got them, and I said is everything all right and he said yes, and the
next thing I knew they called me at 7:30 the next morning.
To the police officers, Frank's recounting seemed at once mystifyingly
detailed and frustratingly vague. They pressed him to clarify certain facts.
"Why, it's preposterous," interceded Luther Rosser. "A man who would
have done such a deed must be full of scratches and marks and his clothing
must be bloody." Whereupon the superintendent stood and stripped. As
Frank would later describe it:
I . . . showed them my underclothing and my top shirt and my body, I bared
it to them all that came within the range of their vision. I had everything
open to them, and all they had to do was to look and see it.
Frank's torso was, indeed, unblemished. But his lawyers didn't believe
the display convinced the lawmen. Hoping to vanquish all doubts, Herbert
Haas urged Frank to take John Black and B. B. Haslett to his home and let
them examine the laundry. So around noon, the group returned to Georgia
Avenue. At the house, the men trooped upstairs to Leo and Lucille 's bed-
room. There, Frank dumped the contents of his laundry bag onto the bed,
then stood aside as the detectives pawed "every article of clothing that I
had discarded that past week." Finding no bloodstains, Black and Haslett
departed and Frank, feeling that they were satisfied, joined Lucille and her
parents in the parlor. Soon the Negro cook, Minola McKnight, served din-
ner, and life resumed its familiar rhythms.
Though calm may have returned to 68 East Georgia Avenue Monday after-
noon, at the Decatur Street headquarters of the Atlanta police, pandemo-
nium reigned, and it had little to do with hair and blood samples, fired
bookkeepers or Leo M. Frank. Now that the news of Mary Phagan's death
had been widely broadcast, now that the scent of reward money was in the
air, everyone, it seemed, was advancing a solution to the crime. As the Geor-
gian— failing to acknowledge its role in fomenting the chaos— described
52 AND THE DEAD SHALL RISE
the situation: "All day was a ceaseless procession going into the detectives'
offices and another coming out. The officers were harrassed as much as they
were aided."
Most of the tipsters arrived bearing variations of two related and much
publicized theories— the tall, thin man scenario advanced by Edgar Sentell
and the reeling, drug-addled girl scenario advanced by E. S. Skipper. Char-
lie Hall, director of the city sanitation department's motor division, said
he'd seen a girl being dragged along Forsyth Street on Saturday night by a
tall, thin man. R. B. Pyron, a telegraph operator, said he'd seen a sobbing
girl in a touring car stopped at a downtown railroad crossing at roughly the
same hour. John R. Phillips, the manager of a Forsyth Street hotel, said a
man who resembled James Gantt had tried to register at his establishment
that evening in the company of an underage girl. Most dramatic, an uniden-
tified man said he'd observed a woman and two men mistreat a crying girl
near the pencil plant late Saturday. The woman had reportedly told the girl:
"Come along dearie, don't create a scene. You'll attract the cops." To which
the girl had reportedly replied: "I don't care. I don't care."
Even at the time, many of these leads must have been recognizable as
manifestations of either communal shell shock or Hearst-induced avarice,
yet none of them could be discounted and some were compelling. The hotel
manager who said he had turned away the couple on Saturday evening had
come forward only after checking at Bloomfield's mortuary to assure him-
self that the body lying in state belonged to the young lady who'd called at
his concern.
As report after report flowed into the station house, detectives began
seriously entertaining the notion that Mary Phagan, after receiving her pay
Saturday afternoon, had been accosted on Atlanta's streets, if not by an
acquaintance such as Mullinax or Gantt, then by some as yet unidentified
man who'd used drugs to seduce her or by so-called white slavers who lured
girls into prostitution. As the Journal reported: "Police are making two ran-
dom investigations: One is that Mary Phagan was the victim of a white slave
plot. The other is that she was taken for an automobile ride before her mur-
der and was drugged or made drunk."
How officers hoped to reconcile either of these possibilities with the
clues they'd thus far accumulated is uncertain. At this point, the case lay
before them in dozens of pieces, none of which fit together. If, as the police
suspected, Mary Phagan had been waylaid on the streets of Atlanta, why
had her assailant brought her back to the pencil factory's second floor to
kill her? If, as Mullinax's girlfriend was now maintaining, young Arthur had
spent Saturday night with her, why was Edgar Sentell so certain he'd seen
the ex-streetcar conductor squiring little Mary along Forsyth Street that
evening? The reverse of this question could be asked about Gantt. If, as
ONWARD, CHRISTIAN SOLDIERS 53
the bookkeeper swore, he was home in bed at the time, why would his
sister contend she hadn't seen him in a month? As for Newt Lee, the Jour-
nal flatly declared: "The police place no belief in his protestations of inno-
cence." Then there was Leo Frank, whose behavior on Sunday morning had
seemed overly agitated, whose change of heart regarding Lee's time slip
provoked skepticism and whose account of his Saturday activities also
inspired doubts. And as for the murder notes, all anyone could say about
them was summed up in a Georgian headline: "Strange Notes Increase
Mystery." No wonder that come Hiesday, the Constitution would report:
"All day Monday, detectives worked diligently for evidence which would
throw light upon the killing, and when night came they were baffled."
The headquarters of the Atlanta Police Department dominated a section of
Decatur Street lined by pawnshops whose Russian Jewish proprietors lived
upstairs or in the rear, wagon yards crowded with mule carts and swarming
with raw-boned old boys just in from the hills, Chinese laundries, tintype
studios, Irish near-beer saloons, Greek pastry shops, Italian delicatessens
boasting such delectable fare that they were frequented each season by the
Met's visiting stars and— most ubiquitously— fish markets and grills that
catered solely to Negroes and lent the byway its piscatory cognomen: Mul-
let Avenue. In 1913, this thoroughfare, if not as legendary as Peachtree
Street, was much more vibrant, the throbbing aorta that pulsed the blood of
every race, class and creed into the burgeoning capital of the New South. As
a writer for the Journal magazine described it:
Decatur Street is a kaleidoscope of light, noise and bustle from dawn to
dawn. No hour is too early for the fish and "hot dogs" to be sold, or for a
dusky thief to pawn a watch or dispose of a little "blind tiger" [illegal
whisky]; no time too late for a black mammy to buy a red cotton dress or a
Jew to auction off ten pairs of number twelve shoes . . . Here, bearded
mountaineers . . . brush shoulders with laborers fresh from the Old Coun-
try .. . The Yankee spieler cries his wares and the Confederate veteran
buys 'em, and through it all negroes, yellow, black and brown thread their
laughing, shiftless way, types of the south which could be seen in no other
city in the land in all their native picturesqueness. Decatur Street is the
melting pot of Dixie.
The station house building, an immense Victorian-Gothic affair erected
in 1893, consisted of two three-story redbrick wings radiating from a seven-
story central tower that emerged from an arched marble portal and bulked
upward toward an observation deck surrounded by columns and guarded
54 AND THE DEAD SHALL RISE
by gargoyles. For a department that was at once righteous yet rascally, mor-
alizing yet draconian, there could have been no more fitting home.
Just as Atlanta's other municipal services— especially those regulating
public health and sanitation— were unprepared for the many problems bred
by the city's emergence as a metropolis, so, too, was its police department.
With few exceptions, the squad's 313 members were country boys who had
received no formal training. (Until 1931, recruits were issued a badge,
revolver, blackjack and Sam Brown belt and, after a week of instruction,
became full-fledged policemen.) Similarly, the force was ill-equipped and
essentially unmotorized. Chief Beavers was chauffeured around in a lim-
ousine and a motorcycle division had been formed, but by day officers
patrolled on horseback, by night on bicycle. The force did employ a Bertillon
technician (an expert in the archaic system that used skull and hand meas-
urements for identification purposes), but it had yet to invest in a fingerprint
lab. Perhaps most tellingly, the department maintained no precincts in out-
lying districts, relying instead on a network of "lockboxes" for warehousing
prisoners who couldn't be readily transported downtown. These hexagonal
cast-iron booths— freezing in winter, sweltering in summer— were located
in all parts of the city and called to mind nothing so much as the pillories of
Salem Common.
Exacerbating the force's operational shortcomings was a department-
wide predisposition to brutality. Much of the violence was directed at
Negroes. (In 1915, the force arrested 11,787 blacks as opposed to just 5,486
whites). Since 1909, the police had beaten at least one Negro to death, and
since 191 1, they had failed to solve the murders of seventeen Negro
women. (Since 1900, it must be added, three officers had been killed in the
line of duty by black toughs.)
Had the Atlanta Police Department been merely befuddled by change,
its men merely inclined to pistol-whip the random Negro wrongdoer, it
would be misleading to dwell on these failings, for in 19 13, most other big-
city law enforcement agencies were just as mired in the past, just as mean
and, in the South, just as hostile to blacks. Yet the force was also plagued by
another demon: institutional corruption.
One particular incident had exposed Detective Chief Newport A. Lan-
ford and his officers to damning scrutiny and would cast an instructional
light on the techniques they brought to bear in the Phagan case. On a
November night in 19 10, Detective Robert A. Wood, believing himself to
be unobserved, attacked one Ivan Wimbush east of headquarters. After
knocking Wimbush, who was white and had done nothing illegal but was
regarded around the station house as a disreputable character, to the
ground, Wood clubbed him across the face, drew his pistol and crouched as
if preparing to fire. How far the detective intended to go is unknown,
ONWARD, CHRISTIAN SOLDIERS 55
although Wimbush later swore that Wood would have killed him had not
two bystanders interceded. While the detective termed these Samaritans
"rounders," they were in actuality reporters, one from the Journal, the other
from the Constitution, and as it turned out they'd seen everything and were
still watching during the booking procedure at headquarters when Wood
again hit Wimbush, this time under the unblinking gaze of a captain and
two patrolmen.
For all its ugliness, the Wimbush beating probably would not have cre-
ated a stir had it not been for what happened afterward. At first, only Wood
and several others were involved in the cover-up, falsifying an attempted
murder charge against their prisoner, then seeking a high bail in order to
keep him out of sight. But the judge who conducted the preliminary hearing,
having received reports of what had transpired, dismissed the allegations,
reprimanded Wood and demanded an investigation. At which point, as the
Georgian phrased it, "the [full] machinery of the police department" was put
to work. With Newport Lanford's knowledge, C. Gay February, the secretary
who would take Leo Frank's statement, concocted an affidavit asserting that
the Journal and Constitution reporters were not present during the attack.
Numerous officers signed the document. Meanwhile, a statement attesting
to Wimbush's bad character was also prepared and forwarded to a prosti-
tute for her signature.
Not surprisingly, Atlanta's newspapers soon exposed the goings-on, and
after a week of headlines, the city's police commission convened a hearing.
At this session, the men who'd signed the false affidavits confessed, the
captain and patrolmen who'd stood by while Wimbush was beaten were
disciplined and Wood was suspended. Chief Lanford avoided punishment,
although a year later, editorial writers were still demanding his head. In
response, the detective chief— with a bravura suggesting he'd lined up
assurances from on high— called for an investigation, and the police com-
mission appointed what would be dubbed the "whitewash committee." In
August 191 1, Lanford was exonerated. Lamented the Constitution: "The
investigating committee was made up of members who are evidently ready
to give the detective department a clean bill of health, without even a per-
functory inquiry."
In the wake of the Wimbush incident, it's small wonder that Atlantans
could often be heard to say that the police "could frame up anything on
you." Yet the force's savage predilections— evident as they would become
in the Phagan investigation— were, in truth, on the wane, retreating under
the onslaughts of a new puritanical regime that sought to rid the city of vice
and make it a paragon of municipal virtue. The department's moralizing
angels, in short, were ascendant, and they would exert as powerful an influ-
ence on the Phagan probe as their darker twin.
56 AND THE DEAD SHALL RISE
To understand how the Atlanta police force became a regiment of Chris-
tian soldiers and how Chief James L. Beavers— a dapper man who shaded
his fine nose and neatly clipped mustache beneath the brim of a smart blue
kepi— became a fierce and terrible archangel, one must first understand
that since Reconstruction, Atlanta had boasted the most raffish houses of
prostitution south of New York or east of New Orleans and that they'd
operated with the consent of the police and to the financial benefit of top
city officials.
At least fifty in number, the majority of these brothels were located in a
neighborhood known as the "restricted district" on Mechanic Street west of
the ornate towers of Atlanta's principal port of entry— Terminal Train Sta-
tion. This section's overlord was a dashing rogue named Charles C. Jones.
Typically identified in the papers as a "sporting man," Jones navigated eas-
ily among Atlanta's elite. He owned the Rex, an elegant establishment snug
against Peachtree Street's Candler Building. There, amid the crack of pool
balls, the city's tippling businessmen discussed politics and deals. In a sense,
the Rex was Jones's cover, not that he made any secret of his other line of
merchandise. Everybody knew, and while not everybody approved, anyone
who protested would risk insulting Jones's benefactor— Atlanta mayor
Jimmy Woodward.
Jones and Woodward were, at first blush, unlikely allies. While the suave
Jones was a friend of the mighty, Woodward was a devoted union man, an
ex-printer who had risen through ward politics to the mayor's office in 1898.
In subsequent years, he'd been reelected, defeated and in 1912 reelected
again. Woodward, however, had a weakness: he was a falling-down drunk.
Since 1900, reports of Woodward's jags, which tended to occur in public and
feature bawdy ladies, had become a staple in Atlanta's newspapers, and
while the voters had been tolerant, the mayor had tried their souls. As a
columnist for a North Georgia weekly observed after one of Woodward's
benders prompted hearings: "It seems that Atlanta's mayor— Mr. Wood-
ward—has been having a high old time in that city, judging from the testi-
mony given against him during the investigation, getting drunk and making
calls on lewd women. Very nice rooster for a mayor."
The restricted district did not depend solely on the mayor's largesse.
Some police officers received payoffs to look the other way. More impor-
tant, numerous disinterested Atlanta judges, doctors and editors believed
the district performed a vital function. As the Georgian observed: "There
are many who say that [if] women are driven from a 'regulated' and super-
vised restricted district [they] will drift into residence districts and good
citizens will be living next door to disreputable resorts and in the same
apartment houses with objectionable characters without knowing it until
the disorder becomes flagrant." In short, the district was a necessary evil,
ONWARD, CHRISTIAN SOLDIERS 57
a bulwark against those goatish demons that if not exorcised by fallen
women would spend themselves beneath respectable roofs.
There was, of course, dissenting opinion, most of it originating along
moral lines but some of it arising from a growing awareness that the women
who worked in the district came primarily from poor families and that their
subjugation by the likes of Charles G Jones was the final indignity in a
process that began when they were dislocated from the good earth and
forced to toil in factories. In the Men and Religion Forward Committee, this
position had found its champion. The group, which included not only Bible-
thumping jackdaws but high-church divines and wealthy capitalists (princi-
pally John J. Eagan, owner of the American Cast Iron and Pipe Company of
Birmingham, and Marion Jackson, an Atlanta lawyer), had been looking for
a way, in one member's words, "to join with others in bringing the power of
the gospel to bear upon the active personal and social troubles of [the]
community." In February 191 2, Jackson and Eagan had attended a conven-
tion of like-minded souls in New York. There, the men had heard the fiery
activist Jane Addams— author, mistress of Chicago's Hull House and the
most influential social worker of the day— address the evils of prostitution
and the economic causes underlying it. Suddenly, the path became clear.
On June 15, 1912, Atlanta's Men and Religion Forward Committee inau-
gurated its campaign against "The Houses in Our Midst." The campaign
took the form of prominent weekly ads in all of the city's newspapers. The
ads challenged citizens to shut down the restricted district, pointing out the
links between the vice lords and the politicians ("Woodwardism," the pox
was termed) and citing figures showing that prostitution spread venereal
disease to wives and unborn children.
By mid-September, the campaign against "The Houses In Our Midst,"
while prompting the formation of a special vice committee, had produced
no results. The restricted district was so insulated that when the vice com-
mittee—a member of which was said to own one of the brothels— issued its
report, it didn't acknowledge that the district even existed. Yet far from
being discouraged, the Men and Religion Forward Committee stepped up
its attacks. Soon, a drawing of a gorilla wearing a visored police cap labeled
"Protected Vice," wielding a billy club labeled "Public Indifference," and
clutching a naked young girl against his hairy thigh began topping the ads.
The illustration— captioned "The White Slave"— was, considering its pur-
pose, oddly alluring. The swell of the child's bosom and the curvature of her
bottom could just as easily have spoken to the satyr as to the prig. But the
message was plain enough not to be lost on its intended audience: Chief
James Litchfield Beavers.
The Men and Religion Forward Committee knew its man. At 47, the
slightly built Beavers was equal parts bluenose and warrior. Known to
58 AND THE DEAD SHALL RISE
friends as "Litch," he had been raised a pious Presbyterian in Clayton
County a few miles south of Atlanta. A 23-year department veteran, he'd
worked his way up from patrolman to sergeant to captain. Only Wood-
wardism had slowed his steady climb. Referring broadly to the setback, the
Georgian noted: "When the Woodward administration went into office,
heads were lopped off freely. Sergeant Beavers went back in the ranks."
Beavers's rise, however, had merely been delayed, and during one of Wood-
ward's descents into the bottle, he'd resumed his ascent, becoming chief in
1911.
On the morning of September 24, 1912, Beavers sent out notices giving
landlords of the houses in Atlanta's midst five days to shut down and pros-
titutes an equal amount of time to vacate. Reported the Georgian: "The
action of Chief Beavers came with the suddenness of a thunderclap, and its
effect was cyclonic."
By the next day, Atlanta was in an uproar. On the one hand, the district's
advocates were furious. Jimmy Woodward, campaigning for reelection,
declared: "It was a bad mistake to scatter those people over the city in
respectable neighborhoods. The social evil question should be handled with
good common sense, not fanaticism." Yet members of the Men and Reli-
gion Forward Committee were ecstatic, amending that day's "Houses in
Our Midst" ad to proclaim: "Thank God for a man who dares to do his duty.
The credit should be given to Chief Beavers." Soon, clergymen were can-
vasing the restricted district, offering girls opportunities to make an "honest
living" and boasting of a $10,000 fund set up for that purpose. Meanwhile,
Charles C. Jones was also touring the neighborhood, distributing $100 bills
to his madams and brandishing a list of alleged brothels in other parts of
town that he claimed had been ignored by Beavers because they paid graft
to the police.
That a deadly battle had been joined became apparent two days after the
crackdown when a madam named Nellie Busby was found in one of the dis-
trict's houses with a knife plunged into her heart. "Dramatic Suicide Marks
Clean-Up," boomed the headline, yet the woman's demise was suspicious.
Not only did officers discover an untouched meal and an unopened bottle
of beer sitting on the table in her room, but by her body, they found a note
that challenged all credulity:
This is the end. They have ordered me to close my house, and I have
nowhere to go. I might as well die . . . Tell Chief B. to go to hell. He's the
cause of this.
Who killed Nellie Busby was a mystery, yet the answer to the question of
why was obvious— money. Just how lucrative the houses in Atlanta's midst
ONWARD, CHRISTIAN SOLDIERS 59
were is uncertain, but in a city whose railroads poured thousands of
salesmen into Terminal Station daily, such a business surely produced a
windfall— and the women were only part of it. Since 1908, when Georgia
outlawed the sale of alcoholic beverages, Atlanta had been dry. While bar-
keeps could sell near-beer, no one could legally sell whisky. (No one, that is,
except proprietors of licensed locker clubs, which usually catered to the rich
and included such elegant dives as the Piedmont Driving Club.) There
were, however, myriad illegal "blind tigers." Generally, these speakeasies
took the form of back rooms frequented by Negroes and crackers. Yet they
also included the restricted district's houses. Charles C. Jones was both
whoremaster and bootlegger. So while members of the Men and Religion
Forward Committee may have viewed Beavers as a crusader, men like
Jones viewed him as a threat to a distillery of illicit profits, and they would
not have shed a tear had Nellie Busby's death been laid at his doorstep.
Oddly enough, one of the few Atlantans who stood above the fray was
the one who started it— Chief Beavers. In interviews, he was relaxed and
confident. "I'm enforcing the law, that's all," he told reporters. "The law
plainly says that such places shall not exist. I intend to wipe them out." If
Charles Jones defied him, he vowed to lead demolition teams into the dis-
trict and raze it. Thanks to the support of the Men and Religion Forward
Committee, Beavers believed he could back up such talk. And he could.
Within the allotted period, the houses of Mechanic Street were shuttered.
The effects of Beavers's action were immense but contradictory. The
most immediate beneficiary was the chief himself. By the time of Mary Pha-
gan's murder, he was among the most visible law enforcement officials in
America. At the 1913 convention of the International Association of Police
Chiefs in Washington, D.C., Beavers delivered a much quoted address
detailing the interests he'd battled and boasting that in the months since the
district's demise, crime in Atlanta had decreased "fully one-third." Back
home, however, many remained skeptical. Not only had Woodward been
reelected over a pro-Beavers candidate, but the papers were brimming with
stories alleging that prostitutes had infested "good" neighborhoods. In a
widely reported incident, two preachers in town for a convention claimed
they were accosted ten times in one night by streetwalkers.
Yet despite such incidents, the Atlanta Police Department was generally
viewed as a crusading force that had stood up against vice. That this holy aura
had little more to do with justice than the disreputable practices for which
175 Decatur Street was also renowned was not a subject of much discussion.
Whatever confusion had paralyzed the Atlanta police on Monday regard-
ing the Phagan investigation had by late Tuesday morning been replaced by
60 AND THE DEAD SHALL RISE
a newfound certitude. Around 11:30, Detectives John Black and B. B.
Haslett arrested the man they were now convinced had committed the
crime— Leo Frank. The officers took Frank into custody at the pencil fac-
tory, giving him just enough time to grab a pocketful of cigars and say good-
bye to his employees, many of whom were in tears, before packing him into
the chiefs limousine and rushing him to headquarters. There, a mob of pho-
tographers and reporters was waiting. As he was being whisked inside,
Frank made a brief statement:
I am not guilty. Such an atrocious crime has never entered my mind. I am a
man of good character and I have a wife. I am a home-loving and God-
fearing man. They will discover that. It is useless to detain me, unless for
investigation and for information I might be able to give.
Then he disappeared into 175 Decatur Street.
The detectives' certitude had been born in an increasingly febrile envi-
ronment. Ibesday morning, the Constitution had upped the reward ante
and put Chiefs Beavers and Lanford on notice. In a biting editorial head-
lined $1,000 reward, the sheet declared:
The detective force and the entire police authority of Atlanta are on
probation in the detection and arrest of this criminal with proof. To justify
the confidence that is placed in them and the relation they are assumed to
hold toward law and order, they must locate this arch-murderer.
All Atlanta, shocked at a crime that has no local parallel in sheer horror
and barbarity, expects the machinery of the law to be sufficient to meet the
call made upon it. If ever the men who ferret out crime and uphold the law
in Atlanta are to justify their function it must be in apprehending the
assailant and murderer of Mary Phagan.
Fidelity to oath and pride of reputation should be sufficient incentive to
the detectives to insure their solution of this mystery, but as an added
incentive . . .
The Constitution offers $1,000 . • .
Not to be outdone, the Georgian saw the Constitution's bet and raised it,
sparking a fund drive that by midday had brought the reward total to
$1,800— $100 of which had been donated by none other than Charles C
Jones.
Meanwhile, in Marietta Ibesday morning, remarks made at Mary
Phagan's funeral— which the Georgian covered in an extra available on
Atlanta's streets almost instantaneously— put even more pressure on the
police. The ceremony was conducted in a weathered wood-frame Baptist
ONWARD, CHRISTIAN SOLDIERS 6l
church that perched atop a raw, red-clay bank. The Phagans— mother Fan-
nie, sister Ollie, brothers Joshua, Charlie and Benjamin and stepfather John
W. Coleman— were consumed by grief. Indeed, the family was so over-
wrought that pallbearers had to be picked at random on the grounds. As the
white, carnation-banked casket was carried in, the choir sang "Nearer My
God to Thee," and from that time on the incessant sound of muffled sob-
bing filled the air.
Yet for all the soulful lamentations, the obsequies were dominated by
cries for retribution. The Reverend T.T.G. Linkous, ordained in the hard-
shell Christian denomination and the Phagans' pastor during their years in
the little mill town of Eagan, prefaced his remarks by praying that "we may
not hold too much rancor in our hearts— we do not want vengeance." But
once the preacher caught fire, such pleas vanished in an eruption of sul-
phurous gustings:
We pray for the police and the detectives of the city of Atlanta. We pray
that they may perform their duty and bring the wretch that committed this
act to justice. We pray that the authorities apprehend the guilty party or
parties and punish them to the full extent of the law. Even that is too good
for the imp of Satan that did this. Oh, God, I cannot see how even the devil
himself could do such a thing. I believe in forgiveness. Yet I do not see how
it can be applied in this case. I pray that this wretch, this devil, be caught
and punished according to the man-made God-sanctioned laws of Georgia.
At the cemetery, the angry talk subsided. As the Reverend Linkous, him-
self now holding back tears, looked heavenward, the first shovelful of dirt
hit the casket and Mary's mother fell to her knees, crying: "Goodbye, Mary.
Goodbye. It's too big a hole to put you in. It's so big, and you were so little."
The Georgian, of course, retailed all these sad details, but it headlined
the most incendiary angle, the one aimed directly at 175 Decatur Street:
PASTOR PRAYS FOR JUSTICE AT GIRL'S FUNERAL.
No single development had persuaded Chiefs Beavers and Lanford that
Leo Frank had murdered Mary Phagan. Instead, to the cumulative weight
of Sunday's suspicions and Monday's misgivings had been added several
last factors that tipped the scales against the superintendent. First, by Tues-
day the police had all but dropped charges against two men who just the
day before had seemed prime suspects. One of them— handsome Arthur
Mullinax— had been the victim of a case of mistaken identity. Not only had
Mullinax's sweetheart provided her beau with a convincing alibi, but his
accuser had proved to be a myopic meddler. Edgar Sentell, who'd claimed
to have spotted Mullinax escorting Mary along Forsyth Street Saturday
night, had received a medical discharge from the navy three weeks earlier
62 AND THE DEAD SHALL RISE
due to poor eyesight. James M. Gantt had also been victimized by a mis-
leading source— his sister. Despite Mrs. F. C. Terrell's assertion that she
hadn't seen her brother in a month, he had, as he'd insisted, been home the
night of the crime. Frightened and according to her husband not well,
Gantt's sister, hoping to keep the family out of the matter, had lied to offi-
cers. Though vexing aspects of Gantt's story— his attraction to little Mary,
his Monday trip to Marietta— were left unresolved, he would soon be freed.
So two key suspects had been eliminated. But it wasn't the diminishing
of the ranks so much as what the diminishing suggested that had further
pointed the finger at Frank. It was now plain that reports placing Mary Pha-
gan on Atlanta's streets Saturday night were fictitious, that in truth, after
receiving her wages, she'd never left the pencil factory. Unless some new
figure appeared upon the stage, Frank was and would remain the last
person to admit having seen the girl alive.
Equally important in hardening the case against Frank had been a late-
Monday afternoon meeting at the National Pencil Company offices be-
tween Frank and assistant factory superintendent N. V. Darley and Harry
Scott, second in command of the Atlanta branch of the Pinkerton Detective
Agency.
Frank had arranged the get-together almost as soon as John Black and
B. B. Haslett had finished searching through his dirty laundry. He had
phoned a trusted coworker, assistant superintendent Herbert Schiff, and
instructed him to engage a private investigator, "preferably a Pinkerton
detective." Later, Frank would assert that his only motivation had been a
desire to "assist the city detectives in ferreting out the crime, as an evidence
of the interest in this matter which the National Pencil Company was tak-
ing." Frank's rationale may have been as stated, but measured against the
Pinkerton firm's reputation, it rang somewhat hollow. By 1913, the detec-
tive agency that had come to prominence protecting presidents and battling
black-hatted hombres had evolved into an ex-officio standing army for
American business. Supplier of strikebreakers and infiltrator of unions, the
firm specialized not so much in investigating crimes as in safeguarding
industry. The Pinkertons were just the people a company official hoping to
stave off scandal would have specified.
Yet where Frank may have harbored a hidden agenda, Scott brought
with him an undeniable conflict of interests. A college-educated Pennsyl-
vanian who before moving to Atlanta in 191 1 had worked in the agency's
Philadelphia branch, Scott was smooth-shaven, pudgy and could even have
been termed baby-faced were it not for his sharp nose and button eyes. But
while the 27-year-old detective looked the part of the archetypal Pinkerton
operative and thus the antithesis of the rough old cobs at headquarters, he
ONWARD, CHRISTIAN SOLDIERS 63
was closely tied to the police. Private investigators operating in the city
were required to submit duplicate copies of their reports to the depart-
ment, even if the documents implicated a client. This much Scott would
reveal to Frank. What he would not reveal, however, was that his allegiance
to the force went deeper than the statutes required, that indeed, one of his
best friends, someone with whom he often worked in tandem, was the indi-
vidual who from the outset had believed Frank guilty: Detective John
Black.
It would have been hard to find men at greater cross purposes than the
ones who'd sat across from each other Monday afternoon in Frank's office.
As Scott would later testify, Frank had opened the conversation by confid-
ing: "John Black [seems] to suspect me of the crime." That said, the superin-
tendent had repeated his version of events. Generally speaking, this was the
same narrative he'd given the police, but it did contain several new wrin-
kles, each of which had an influence on the investigation.
First, Frank— according to Scott's account— had gone out of his way
to implicate James Gantt. As the Pinkerton operative would subsequently
testify:
He [Frank] stated during our conversation that Gantt knew Mary Phagan
very well, that he was familiar and intimate with her. He seemed to lay spe-
cial stress on it at the time. He said that Gantt had paid a good deal of
attention to her.
To Scott, Frank's familiarity with Gantt's interest in little Mary raised a
troubling question: How could a man who on Sunday had told John Black
that he did not know the victim have by Monday become an expert on her
suitors?
Second, Frank had provided Scott with a newly discovered piece of
information: On the day of the crime, an unidentified Negro had been spot-
ted in the factory. As the superintendent would later put it:
I told him [Scott] something which Mr. Darley had that afternoon commu-
nicated to me, viz.: that Mrs. White had told him that on going into the fac-
tory at about 12 o'clock noon on Saturday, April 26th, she had seen some
negro down by the elevator shaft. Mr. Darley had told me this and I just
told it to Mr. Scott.
Scott would subsequently confirm that Frank had apprised him of this news,
but at the time, the Pinkerton man had either accorded it no importance
(he didn't mention it in his report) or deemed it inconvenient, and for
64 AND THE DEAD SHALL RISE
weeks, the possibility that an unknown party had been lurking in the build-
ing would go unexamined by the police.
Following an hour's discussion, Frank and Darley had given Scott the
grand tour. Through the metal department, down the scuttle hole, into the
basement, out the back door, up the alley and around to the Forsyth Street
entrance the three had walked. As darkness fell, they'd stood in front of the
building, discussing the Pinkerton Agency's rates. After agreeing on a deal,
Frank returned to 68 East Georgia Avenue for the last evening he'd ever
spend at home. As for Scott, it is uncertain where he passed Monday night,
but what is certain is that before he saw Frank again, he'd seen John Black
and that when Black and Haslett arrived at the factory to arrest Frank,
Scott was with them.
Of all the elements that had persuaded the detectives that Frank was the
culprit, however, none had been more important than the shifting view of
Newt Lee's role in the affair. By Ibesday morning, the police had pegged
the night watchman as both Frank's accomplice and his patsy.
As best as can be determined, the notion that Lee and Frank were in
cahoots had first been articulated late Monday by one of Newt's former
employers, T. Y. Brent. The police, hoping that Brent could help them bridge
the gap between the night watchman's denials of guilt and their certainty
that he had been involved, had allowed him to assist in quizzing Lee. Near
the interrogation's conclusion, Brent had experienced an epiphany:
"I know what's the trouble," Brent had exclaimed. "Someone you are
faithful to killed that girl. You know all about it. I wouldn't be surprised if
you didn't have a hand in it yourself. You don't want to tell because you
want to shield whoever murdered her. I'm going to tell you this— it's just a
question of loyalty or your neck. You can't keep but one."
" Yessir, Mr. Brent; that's a fact. I know that," Lee had replied.
[Lee's] lips were trembling and he shifted nervously. His questioners
waited eagerly for an expected confession. The negro checked himself and
recovered but the police are confident of their suspicion.
In a predawn grilling Ibesday, Detective John Black had revisited the
issue. "We know you did not do the murder," he had assured Lee. "We know
you are guiltless of the whole affair. But we know that you know exactly
who did it and that you are protecting that person."
Ibesday's Journal had intensified the detectives' need to make the
connection between Frank and Lee by linking Lee to the case's greatest
mystery— the authorship of the murder notes. The paper had engaged sev-
eral bank officials to study the missives. While none of these men were
trained experts, the Journal, taking its cues from the Georgian, had not let
ONWARD, CHRISTIAN SOLDIERS 65
such shortcomings stand in its way, unequivocally proclaiming in a front-
page screamer:
THREE HANDWRITING EXPERTS SAY
NEGRO WROTE THE TWO NOTES FOUND BY BODY OF GIRL
Beneath these lines, the sheet reported:
Through its own investigations the Atlanta Journal has proven conclu-
sively that Newt Lee, the negro night watchman for the National Pencil
company, either himself mistreated and murdered pretty Mary Phagan, or
that he knows who committed the crime and is assisting the perpetrator to
conceal his identity.
Locked in this negro's breast is the key to the murder mystery that has
shocked the entire south.
Dovetailing with the investigators' evolving theory that Lee was trying
to protect Frank was the simultaneously evolving theory that Frank was
trying to implicate Lee. This idea had first occurred to the police Monday
morning after the superintendent reversed himself regarding the punches
on Lee's time slip. But from there, it had gone underground, burrowing
through a maze of unknown influences, not emerging until late Tuesday
morning, minutes before Frank's arrest, when in one of the case's most
bizarre turns, Detective Black had located yet another critical and enig-
matic piece of evidence.
Around n a.m. Tuesday, Black had let himself into Newt Lee's apart-
ment at 40 Henry Street in a neighborhood near the Bellwood section where
the Phagan family resided. Lee lived alone in the back of a shotgun house
whose front rooms were occupied by several unrelated Negro tenants. In a
metal trash drum Lee had transformed into a wardrobe, the lawman found
an exceedingly suspicious item— a bloody linen shirt. The shirt was soaked
to the armpits, and from the beginning, everything about it had seemed
wrong. The goriest stains, for instance, were on the inside and appeared to
have been purposely applied, as if the shirt had been mopped over a
butcher's block. Moreover, the shirt looked freshly pressed, as if it had not
been worn in weeks. All of which, the detective subsequently claimed, led
him to conclude the shirt was a plant. Though Black never revealed how he
decided Frank had planted it, an officer of the court would later assert:
Frank was trying to point suspicion at Newt Lee ... He wanted his own
house searched so that when the officers had gone through it and nothing
had been found there, he could tell them to go and search Newt Lee's
66 AND THE DEAD SHALL RISE
house . . . this shirt was a plant and Frank's request was a ruse to get the
police to search his house and then Newt Lee's house and thus throw sus-
picion on the negro. The shirt was a part of the scheme.
Whether or not any of this was so, Black— after dropping the shirt off at
Decatur Street and intimating to the reporters gathered out front that there
had been a major break in the case— had picked up Haslett and Harry Scott
and raced to the factory.
Frank's arrest, then, was the culmination of a journey that after beginning
in the ambiguities of Sunday morning had proceeded along a road that
had only grown curiouser and curiouser. Yet just because the superintend-
ent was now in custody did not mean that the journey was at an end. In
fact, Frank was barely through the station house doors before Black and
Scott rushed him to Lanford's third-floor office. There, with Lanford and
Beavers looking on, the detectives produced a bundle of butcher's paper in
which they'd wrapped the just discovered shirt. Hoping to catch Frank off
guard, the men pulled out a tiny bit of the shirt— a sleeve or the tail— and
asked him if he recognized the fabric. As Frank subsequently recalled the
moment:
They showed me a little piece of material of some shirt, and asked me if I
had a shirt of that material. I looked at it and told them I didn't think I ever
had a shirt of that description.
The reaction to Frank's answer went unreported, but he wasn't the only one
subjected to the test. Presently Newt Lee was dragged in. After perusing the
fabric, Newt said it resembled that of one of his shirts, whereupon the law-
men ripped open the package, releasing, as Frank later put it, a "distinct
odor of blood," and Lee confirmed that the garment indeed belonged to
him.
Moments after Lee identified the shirt, a commotion broke out in the
stairwell leading to Lanford's office between an officer who'd been posted
on the steps with orders to let no one pass and Luther Rosser, who, upon
learning of Frank's arrest, had raced to Decatur Street. Forced to retreat to
the lobby and phone upstairs, the lawyer, once he'd been granted passage,
upbraided the man he held responsible.
"I've got my opinion of how a chief of police should conduct himself,"
Rosser snorted upon greeting Beavers. "I had a perfect right to be admitted
by that policeman downstairs. He told me he had orders to keep me down
from here. He even called me by my name."
ONWARD, CHRISTIAN SOLDIERS 67
"I've got my opinion, too, of how a police department should be run,"
Beavers fired back. "I did not give instructions to keep you from this office.
I ordered that the crowd be kept away." On that note, the clash— the second
in as many days between the police hierarchy and Frank's lawyer— ended.
When the interrogation resumed, Black ceded the floor to Scott, a turn
of events that was too much for Frank to bear. "You're acting mighty
funny," the superintendent snapped, expressing anger for the first time.
"You were hired by me, if you remember! Why should you ask me such
questions?"
To which Scott coolly responded: "I was put on the case by my superiors.
They were employed to catch the murderer. That was what I was instructed
to do. If you are the murderer, then it's my duty to convict you."
Near the end of the session, Lucille Frank— accompanied by her father
and her brother-in-law Alexander Marcus— arrived at the station house.
Denied admittance to Chief Lanford's office, the three were shown to a
lobby desk. There, they waited. While Lucille maintained her composure
long enough to express her belief in Leo's innocence to newsmen, she soon
broke down. Later, she would recollect:
I was humiliated and distressed by numerous people, maybe newspaper
reporters, maybe somebody else, snapshotting me with hand cameras. I
was besieged for interviews, and made thoroughly miserable in many ways.
At some point, word reached Frank that Lucille was downstairs "weeping
bitterly." Hoping, as he'd subsequently put it, to protect his wife from the
"humiliation and harsh sight" of seeing him under arrest, he sent a message
to her conveying his belief that he would soon be freed and asking her to
return home, which she did. Her visit, brief as it was, made the papers, but it
stuck in few memories. What was almost universally remembered, though,
was the fact that two weeks would pass before Lucille again visited her hus-
band.
Shortly after Lucille departed, the interrogation came to a halt, and
all involved spilled into the detectives' bullpen. According to the Jour-
nal, Rosser "made light of the evidence against his client," claiming that
the "police could hold him no longer than he, Mr. Rosser, was willing for
them to."
However, Detectives Black and Scott, talking to reporters on the other
side of the room, made it sound as if Frank would not be released anytime
soon. In joint remarks, the two flatly announced:
We have sufficient evidence to convict the murderers of Mary Phagan.The
mystery is cleared.
68 AND THE DEAD SHALL RISE
Whereupon Frank, so nervous and agitated that he could not stand without
support, was led away.
As darkness fell, Black and Scott, their boasts notwithstanding, knew
there was much to be done. Though the detectives claimed they had the evi-
dence to convict, that was far from so. Somehow, they had to make the cases
against Frank and Lee mesh, or, barring that, firm up a case against one or
the other.
Initially, it was Lee upon whom the authorities exerted their powers of
persuasion. As yet unrepresented by counsel, exhausted after three days of
interrogation and terrified, old Newt was starting to wobble, and the detec-
tives—or, more precisely, their surrogates— went after him with the cruel
ingenuity Southern white men reserved for recalcitrant Negroes.
Sometime after sunset, one Francis E. Wright— a salesman who had no
connection to the case but believed himself to possess a knack for making
blacks open up— was admitted to Lee's cell. After identifying the visitor as
a minister, Detective Black and Agent Scott walked away, although along
with a Constitution reporter, they stayed in earshot.
"Newt," Wright began, "you haven't got long on this earth— only a few
days. They're going to get you. They've already got you. What little time
you've been allotted for life, you'd better put to good advantage."
With that, Wright implored Lee to talk:
There isn't but one thing to do. Tell all you know and cleanse your soul. If
you die with a lie on your lips, you'll drop straight to perdition.
Wright paused, then produced the texts with which he intended to in-
duce a confession. The first was a copy of an extra the Georgian had pub-
lished late in the afternoon topped by a page-one banner declaring:
lee's guilt proved!
Though Hearst's troops, in an uncharacteristic moment of restraint, had
couched the screamer within the qualifying embrace of quotation marks,
such a nicety was lost on Lee, who with increasing distress reread the line.
Meanwhile, Wright pulled out his second text— a Bible. At the sight, the
Negro, who was handcuffed to a chair, lunged forward, fell to his knees, and
kissed the book's cover. Then, he plaintively vowed: "I swear 'fore God I
didn't do it."
That was good enough for Wright. After collecting his props, the coun-
terfeit preacher emerged from Lee's cell and announced: "He's innocent as
a babe." The investigators, however, weren't convinced. If the Lord was an
insufficient truth serum, they'd try a stronger one. Which was evidently why
ONWARD, CHRISTIAN SOLDIERS 69
one Walter Graham, identified only as a "young white man," was allowed to
take a derringer into a cell next to Lee's and fire it into the ceiling. Again,
the same result. As the Journal related: "Lee was badly frightened by the
report, but when visited shortly afterwards by the detectives he had not
weakened."
It was nearly midnight when Black and Scott decided that the only way
to reach a resolution was to bring Lee and Frank together. So the detectives
descended from the building's central bank of cell blocks to the private
room adjacent to Lanford's office where Frank— due to the fact that he
could afford to pay an off-duty officer to stand guard— was being held
under the equivalent of house arrest. As Frank would subsequently recall,
he'd just turned back the covers of his cot to go to bed when Black and
Scott arrived and asked if they could talk with him. Frank agreed, accom-
panying the men to a nearby room. There, he said, they made their pro-
posal:
In that room was detective Scott and detective Black and myself . . . They
said: "Mr. Frank, you have never talked alone with Newt Lee. You are his
boss and he respects you . . . We can't get anything more out of him. See if
you can." I says: "All right, I understand what you mean; I will do my best,"
because I was only too willing to help. Black says: "Now put it strong to
him, and tell him to cough up and tell all he knows. Tell him that you are
here and that he is here and that he better open up and tell all he knows
about the happenings at the pencil factory that Saturday night, or you will
both go to hell." Those were the detectives' exact words.
The detectives' exact words would later become a topic of dispute, but
what is indisputable is that on the heels of Frank's conversation with Black,
Lee was placed in the room with him— Black and Scott standing just out-
side the door.
According to Frank, his conversation with Newt was to the point but
unproductive:
They put Newt Lee into a room and handcuffed him to a chair. I spoke to
him at some length in there, but I couldn't get anything additional out of
him . . . Remembering the instructions Mr. Black had given me I said:
"Now, Newt, you are here and I am here, and you had better open up and
tell all you know, and tell the truth and tell the full truth, because you will
get us both into lots of trouble if you don't tell all you know," and he
answered me like an old Negro: "Before God, Mr. Frank, I am telling you
the truth and I have told you all I know." And the conversation ended right
there.
70 AND THE DEAD SHALL RISE
According to Black and Scott, however, things went differently. They
said that while eavesdropping, they heard Frank— following a series of
denials by Lee and using language that was all his own— tell his employee
that if he kept it up "they'd both go to hell." Moreover, they said that it was
not Lee but Frank who seemed on the defensive. As Scott would subse-
quently assert:
They were together there for about ten minutes alone. When ten minutes
was up, Mr. Black and I entered the room and Lee hadn't finished his con-
versation with Frank and was saying, "Mr. Frank it is awful hard for me to
remain handcuffed to this chair," and Frank hung his head the entire time
the negro was talking to him, and finally in about thirty seconds, he said,
"Well, they have got me too." After that we asked Mr. Frank if he had got-
ten anything out of the negro and he said, "No, Lee sticks to his original
story." Mr. Frank was extremely nervous at that time. He was very squirmy
in his chair, crossing one leg after the other and didn't know where to put
his hands; he was moving them up and down his face, and he hung his head
a great deal of the time the negro was talking ...
The conflicting versions of what happened during the headquarters
encounter between Frank and Lee would never be reconciled, but the ses-
sion's effect upon the detectives would be readily apparent. Henceforth,
their interest in Lee would diminish, leaving Frank as the lone suspect.
FIVE
A Good Name, a Bad Reputation
The idea that the National Pencil Company was a business whose
grindingly mechanistic surface masked a luridly bawdy core arose
Monday morning after a group of officers making yet another
sweep through the factory basement discovered what appeared to be a
trysting place. Enclosed in the shallow plywood-walled storage shed that
ran nearly the length of the cellar's south side and behind which Mary Pha-
gan's body had been secreted, this dank, filthy compartment housed an
improvised cot fashioned from wooden boxes and covered with crocus
bags. Impressed into the sawdust floor surrounding the cot were numerous
female footprints, a sight that briefly led the police to entertain the notion
that Mary Phagan had been lured here, assaulted and then murdered. Even
after abandoning this theory in favor of the one holding that the girl had
been killed upstairs in the metal department, the lawmen continued to
assert that the basement room was connected with the crime. As the Jour-
nal was soon asking in an insinuating front-page teaser: "Was Factory Used
as Rendezvous?"
Tbesday morning, before such possibilities could be sufficiently ex-
plored, the Georgian rushed into print with a story intimating that not only
were employees conducting assignations in the factory's basement but
they'd adorned their hideaway with decorative touches befitting a bordello.
Beneath the headline nude dancers' pictures on walls, Hearst's min-
ions reported:
Pictures of Salome dancers in scanty raiment and of chorus girls in differ-
ent postures adorned the walls of the National Pencil Company plant.
They had been clipped from a theatrical and prize-fighting magazine. A
more melodramatic stage setting for a rendezvous or for the committing of
a murder could hardly have been obtained.
Once again, the Georgian was in all likelihood exercising dramatic license.
In fact, Leo Frank's friends would later contend that the only art on the
premises consisted of a chaste calendar-girl illustration hanging in the super-
72 AND THE DEAD SHALL RISE
intendent's office, and no other Atlanta paper would pick up the pinup tale.
Yet the larger point— that the plant provided a gamy setting for venery—
was never really contested. Indeed, R. P. Barrett, the machinist who'd
spotted the hair and bloodstains in the metal department, would tell the
coroner's inquest that he'd "frequently" heard that the building was used for
"immoral purposes." Meanwhile, V. F. Schenck, proprietor of the neighbor-
ing Schenck Brothers' Metal Shop, would testify that "frolics were secretly
held in the place."
The National Pencil Company's emerging bad reputation could also be
linked to its location. Though South Forsyth Street was lined primarily
by reputable small manufacturers, and while it was paralleled two blocks
to the east by luminous Peachtree Street, it was intersected two blocks to
the south by a thoroughfare that conjured an altogether different image.
Mitchell Street, which connected Georgia's capitol on the east with Termi-
nal Station on the west, was home to numerous railroad hotels. Here, many
of the prostitutes Chief James L. Beavers had driven from Charles C.
Jones's houses only six months earlier had resumed their trade. Though it
can't be said with certainty that any of these women had been receiving
gentleman callers in the less than romantic confines of the factory base-
ment, such a prospect was not unimaginable. As even Leo Frank, in his only
public comment on the matter, told the Georgian: "In a plant this size,
where 170 people are employed and the force is continually shifting, it is
quite probable that some of them were low characters." Then, in a crack
that could not have played well at 175 Decatur Street, the superintendent
added: "Under our present conditions of morals in Atlanta with the segre-
gated district abolished, these low characters have undoubtedly grown
worse. That our janitor was bribed to allow them into the building is not an
unbelievable suggestion."
All this, however, was preamble. The development that convinced many
Atlantans that something untoward had been going on at the factory and,
more critically, intimated that Leo Frank was not only involved but had
manifested a prurient interest in Mary Phagan, occurred at Wednesday
afternoon's opening session of the coroner's inquest. Initially, the 15-year-
old newsboy George Epps— one of the last witnesses to testify on this
day— had not sparked much curiosity. The jury, which was meeting in the
police commission's third-floor headquarters boardroom, had already
heard from the expected headliners. Sergeants Dobbs and Brown and Offi-
cer Anderson had described the scene that had confronted them in the
plant basement Sunday morning. Newt Lee had reiterated his tale, in the
process relating that he'd spent the two hours Frank had banished him from
the premises Saturday afternoon at a patent-medicine show whose main
attraction— a fire-eating Negro— drew throngs of credulous blacks to a cor-
A GOOD NAME, A BAD REPUTATION 73
ner beneath a downtown viaduct. The revelation had both leavened the
mood and reinforced the view that Lee was too simple a soul to have gotten
mixed up in a murder plot.
After taking his place at a long cluttered table at the head of which sat
Coroner Paul Donehoo, six jurors and Fulton County Physician J. W. Hurt
and at the foot of which a battery of reporters and stenographers had dug
in, Epps— a towheaded whippersnapper who struck the Constitution's man
as "bright [and] quick witted"— grabbed the room's attention by declaring
that on the day of Mary Phagan's death, he had ridden to town with her on
the English Avenue trolley. During the trip, Epps said, the two had made a
date to watch the Confederate Memorial Day parade and then attend a
movie, the one hitch being that Mary first had to visit the National Pencil
Company and pick up her wages, a prospect, Epps emphasized, that had
frightened her:
She began talking about Mr. Frank. When she would leave the factory on
some afternoons, she said, Frank would rush out in front of her and try to
flirt with her as she passed. She told me that he had often winked at her
and tried to pay her attention. He would look hard and straight at her, she
said, and then would smile. It happened often, she said. She told me she
wanted me to come down to the factory when she got off as often as I could
to escort her home and kinder protect her.
Epps had little else to say (before stepping down, he described how he'd
waited in vain for Mary on April 26 at their prearranged meeting place, a
downtown drugstore), but little else was required. Here was a statement
that would resonate with just about any mother or father who'd stood
by helplessly as poverty had forced their daughters to forsake the stable,
sexually constraining world of home for the fluid, sexually liberating— and
menacing— world of employment. As one contemporary observer later
noted: "No girl ever . . . go[es] to work in a factory but that her parents feel
an inward fear that one of her bosses will take advantage of his position to
mistreat her, especially if she repels his advances. This fear is readily con-
verted into passion." Epps, in other words, had touched the nerve where the
deracinated dirt farmer's pride in the past converged with his anxiety about
the future, whetting his suspicion that child labor served all too often to
gratify not only lust for profit but lust for flesh.
Thursday morning, the Constitution splashed the charge atop its front
page. Boomed the headline:
FRANK TRIED TO FLIRT WITH MURDERED GIRL
SAYS HER BOY CHUM
74 AND THE DEAD SHALL RISE
And the worst seemed still ahead. By noon Thursday, some 150 factory
employees— many of them young girls adorned in their Sunday finery and
palpitating with excitement— were waiting in the halls outside the police
commission boardroom. Mary's coworkers had been subpoenaed to testify
at the inquest's second session. But as the hours ticked by and the session
did not start, it became clear that at least for now, the anticipated revela-
tions would not be forthcoming. No one was surprised by the delay— no
one, that is, who knew and admired Fulton County's coroner.
At 35, Paul Donehoo was a careful man— he had to be. Left blind by a
childhood bout of meningitis, Donehoo had managed through imagination
and perseverance to achieve not only self-sufficiency but success. As a boy,
he'd learned to make his way unassisted around Atlanta by training his
ears to "hear solids," to distinguish between a wall and a door, empty
streets and traffic. Later, he'd earned his law degree by convincing a fellow
attorney-in-embryo to read cases aloud to him at night. As for the Georgia
code and key legal precedents, he'd committed such matters to memory,
turning his mind into a virtual law library. Though he'd served as coroner
for just four years in 1913, he'd already won praise for his thoroughness.
In fact, some people believed his disability actually aided him in his work.
As the Journal reported: "Not being able to see with his eyes, he is not
easily diverted from the point at issue and refuses to allow the witness to
wander." Since in Fulton County the coroner— as opposed to the medical
examiner— was responsible solely for conducting inquests, such grit was no
small asset.
While Donehoo initially appeared to have been as swayed by Epps's
story as were others, by Thursday he'd reconsidered, and after consulting
with Chiefs Beavers and Lanford, he decided to suspend hearings into the
Phagan murder until the atmosphere cooled. In explaining the move, Done-
hoo remarked: "I would not be holding this jury if I were satisfied or were
reasonably certain as to the facts in our possession. A case like this, so
deeply wrapt in mystery, cannot be solved in a day. And why should the
public demand such great haste? It requires weeks and sometimes months
before some of these mysterious cases can be cleared. It is only in the mag-
azines that solutions are forthcoming in a day."
In the wake of George Epps's testimony, two contradictory images of Leo
Frank would begin to evolve. One flickered to life in the consciousness of
Atlanta's working class, the cracker majority who identified with Mary Pha-
gan. The other unfurled in the interior world shared by the city's German
Jews, the privileged enclave that saw Frank as one of its own. In the first,
A GOOD NAME, A BAD REPUTATION 75
Frank was cast as a defiler of young girls. In the other, he appeared as an
exemplary man and loyal husband. Over time, these notions would solidify
into the irreconcilable points of view that would obtain during the long
ordeal ahead.
That many Atlantans had now begun to see Frank as a sexual predator is
nowhere made clearer than in the files of the Pinkerton Detective Agency.
Starting Thursday, May i— the day after Epps leveled his charge— at least
two and occasionally as many as seven Pinkerton agents would be in the
field. The operatives did not devote their efforts solely to exploring the alle-
gations of impropriety swirling around Frank. The typed reports they sub-
mitted daily to factory lawyers and to headquarters address every facet of
the investigation. Still, the dossiers suggest that the Pinkertons— and, by
extension, the Atlanta police, for the files prepared by the Pinkerton assis-
tant superintendent Harry Scott invariably begin: "John Black and I then
made an investigation"— devoted a large proportion of their energies to
running down reports of Frank's purported sexual misconduct. For reasons
that had to do with the fact that these dispatches contained material dam-
aging to both Frank and the state, they were never made public and were
indeed accessible to only a select few in each respective camp, not just at
the time but down through the years.
The names of the Pinkerton investigators who conducted the probe are
referred to in the files merely by initials. But the agents who played the
greatest roles are identifiable, and they must be mentioned, for their predis-
positions may have colored their findings. H.S. was, of course, Harry Scott.
Meanwhile, L.P.W. was L. P. Whitfield. At 31, with dark hair parted in the
middle and plastered down on the sides, eyes swimming behind thick-
lensed glasses and dewlaps folding into his collar, Whitfield came across as
something of a Milquetoast. A native of the Civil War battlefield town of
Kennesaw a few miles north of the Phagans' Marietta homeplace and a
devout Baptist, he devoted his free time to his church choir. But harmless as
he seemed, Whitfield possessed a strong will and a sharp mind. More impor-
tant, he was Scott's rival.
Typical of the kind of thing the Pinkertons looked into was a lead that
had materialized Tiiesday or Wednesday when a trolley car conductor as-
signed to the same car that had transported Mary Phagan to town April
26 fished from beneath a seat a puzzling note addressed to the police and
purporting to relate Frank's history of sexual advances toward the victim.
L. P. Whitfield was the agent assigned to follow this thread, and eventually
it led him to the Bellwood home of Helen Ferguson, the pencil factory
76 AND THE DEAD SHALL RISE
worker who'd informed Fannie and J. W. Coleman of their daughter's mur-
der. In Whitfield's account of the Ferguson interview can be heard the terri-
fied yet titillated voice of Atlanta's working girls:
At 6:00 p.m., I met Helen Ferguson and secured a statement from her,
Miss Ferguson stated that city detectives had allowed her to read a letter
which was addressed to police headquarters, which letter stated that Mary
Phagan told that Leo M. Frank had put his arm around her, and asked
Mary if she wanted to take a joy ride of Heaven, and that Mary Phagan had
asked Frank, "How?" to which Frank replied that he would show her some
day. This letter was signed "A 13-year old chum of Mary." Helen Ferguson
stated that Grace Hicks wrote this letter and that Grace resides at #100
McDonough Road, Atlanta, Ga., as she knew Grace Hicks' handwriting.
Grace Hicks, of course, had identified the body at the funeral home Sunday
morning.
But it wasn't just overwrought teenagers who were making such charges.
One of the most compelling leads the Pinkertons looked into was provided
by three men — O. S. Clark, H. B. Sibley and T. R. Malone; respectively a par-
cel check clerk, a gateman and a security guard at the Terminal train sta-
tion. Their story involved an alleged lover's spat they'd witnessed on the
eve of the murder between a man who looked like Leo Frank and was tick-
eted on Southern Railways to Washington, D.C., and a girl who resembled
Mary Phagan. In his report, a Pinkerton agent known only as F.C.P. quoted
Clark as telling him:
At 11:00 a.m., I was on duty at the parcel check room at the Terminal
Station, Atlanta, Ga., when I noticed a man about 5 ft. 10 in. in height,
weight about 135 to 140 lbs., age 25 to 26 years, wearing a dark brown suit
of clothes, black derby hat, brown hair, smooth shaven, slender face with
sharp features, hazel eyes, wearing no vest, come to my window with a
medium sized tan hand satchel to be checked. I checked same, and at the
same time, I saw a girl, about 15 years of age, 5 ft. 4 in. tall, [wjeighing about
no to 115 lbs., blonde, wearing a gray or lilac colored suit, rather well
developed, with a full face and wearing a large hat, skirts that struck her
legs just above her shoe tops, or where shoe tops would be, come from over
near the negro waiting room, and meet the man. I noted that this girl was
crying and talking to the man quite a good deal. Just before dismissing
them from my mind, I looked on the tag which was on the satchel, I saw a
name and an address, I have forgotten the name, but the address was the
National Pencil Company, Atlanta.
A GOOD NAME, A BAD REPUTATION 77
From there, T. R. Malone picked up the story, informing F.C.R:
Going back to Friday, April 25th, 1913— at 11:00 a.m. when the man and
the girl left the gates and started towards the parcel check room ... a
stranger to me, but a man whom Mr. Sibley called Mr. Hill, and myself
talked about the couple. Someone remarked, "I wonder if they are man
and wife." Mr. Hill spoke up and said, "No, her name is Mary— (paused)
Mary,— something— Campbell, I think she used to live near Marietta, Ga.
Her mother married again about one year ago. They live down here
now." ... I understand Mary Phagan's mother's name is Coleman. I believe
Mr. Hill meant to say Coleman.
Like so many others, Clark and Malone, upon hearing of Mary Phagan's
murder, had raced to Bloomfield's, and each swore that the body laid out
there belonged to the girl they'd seen arguing with the man who fit Frank's
description. Unlike the "joy ride of heaven" tale, this story could not be
kept under wraps, receiving prominent play in all three papers. The Journal,
in fact, gave it a double-deck banner:
WITNESSES POSITIVE MURDERED GIRL WAS SAME WHO
CREATED SCENE AT THE TERMINAL STATION ON FRIDAY.
Even as the Pinkertons were trying to get to the bottom of the Terminal
Station sighting, they were also looking into charges that prior to the mur-
der, Frank had seduced and impregnated several of his female workers.
Initially, most of the tips revolved around an erstwhile employee named
Lena Bernhardt. To no avail, Harry Scott and John Black quizzed plant per-
sonnel about the young woman. Finally, they called at the girl's residence.
Reported Scott:
Detective Black and myself then went to the home of Miss Lena Barn-
hardt [sic], where we saw her mother, and questioned her closely, after
which she stated that Mr. Frank was not the father of the child, but that
a Mr. Cosby, who was at one time a chauffeur for J. Carroll Payne [an
Atlanta lawyer], was responsible for same: That the matter had been aired
in the courts and settled.
Thus the connection between Bernhardt and Frank was dispelled, but as
Whitfield's file for the same day— the day the hearings were scheduled to
reconvene— makes plain, this was not the end of the accusations involving
Frank's alleged peccadilloes:
78 AND THE DEAD SHALL RISE
The National Pencil factory was closed today, as a majority of the
employees were subpoenaed to appear before the coroner's inquest, and I
had Mr. Mendenhall [a tipster] to accompany me to Police Headquarters,
where the inquest was being held, and Mr. Mendenhall designated two
men to me, who he stated had informed him that Frank had been familiar
with several of the girl employees and that they were afraid to testify
against Mr. Frank, etc., I learned that these men's names are Ely Burdett
and James Gresham. Mr. Mendenhall further stated that other men
employees of the pencil factory had told him similar stories, but he did not
see any of these men at the inquest.
Sounding a similar note, Paul Whitaker, a former factory employee and
friend of Mary Phagan's, subsequently told F.C.P.:
I have . . . seen Mr. Frank ... at times when talking to some of the women
employees, it seemed to me that he rubbed up against them a little too
much. I noticed this often, but never said anything about it.
One of the most ubiquitous reports connecting Leo Frank to Mary Pha-
gan maintained that on the day of the murder, the victim had been accom-
panied to the factory by another girl. While little Mary had gone inside to
pick up her wages, this companion had waited outside until a man, presum-
ably Frank, came to the door and told her Mary had work to do and would
not be down for a while. F.C.P. was the Pinkerton operative assigned to
check out the story, and his labors eventually led him to the home of its
source, a certain Mrs. Holmes. Afterward, F.C.P. filed a report that though
addressing only this one woman suggests how worked up the general popu-
lace had become:
I went to Mrs. Holmes' house at 2:30 p.m., but she was not in. She resides in
South Decatur [an Atlanta suburb] near Whiteford Ave., and I remained
there until she returned, at which time she informed me that she was a
"dreamer" and that she did not know these things to be true, except that
they "just came to her in her sleep." I observed that this old woman, who
lives alone, is in a way an intelligent woman . . . She reads all the news about
the Phagan murder case, and I think, she drew these conclusions and thinks
of them so much that she does not know whether she read them or whether
some one told her . . . that is, she is well read to the extent that she is crazy.
Other allegations against Frank would also prove to be feverish figments
of the sort produced by overexposure to Hearst journalism. Yet as the more
credible leads the Pinkertons were pursuing suggest, not all the charges
A GOOD NAME, A BAD REPUTATION 79
could be so easily dismissed. Just because most were apparitions did not
rule out the possibility that some were not.
If Atlanta's good country people were suffering from what might well have
been diagnosed as a collective sexual hysteria, then its German- Jewish
elite were afflicted by the opposite side of the same malady, a collective
sexual denial. To his coreligionists, Leo Frank was a collage of respectable
emblems— Cornell grad, engineer, married man, president of the B'Nai
Brith.That he could have been seized by those priapic impulses to which no
male is immune, that he could have been tempted by any of the hundred-
odd adolescent girls who gazed up at him each day from their worksta-
tions—well, such a prospect was not to be considered. Or, if considered, it
could not be articulated. Which is why when eminent local Jews began
speaking out for Frank, their remarks were by necessity platitudinous.
Hence the comments of B'Nai Brith lodge member Milton Klein— carried
in all three newspapers on Friday, May 2— in response to George Epps's
inquest testimony:
Leo Frank, the superintendent and general manager of one of Atlanta's
largest and most promising industries, spends two hours in his office on a
holiday after generously relieving the watchman during these hours. His
habits are regular and industrious and his life, while in Atlanta, is perfectly
blameless in every respect. The terrible crime committed in his plant calls
forth the closest scrutiny of Mr. Frank's relations with his 200 workmen
and women. Only the highest words of praise and confidence in his charac-
ter are heard on all sides.
I have worked with Mr. Frank for years in various charitable organiza-
tions and have ever found him the most polished of gentlemen, with the
kindest of heart and the broadest of sympathy. To such an extent it is rec-
ognized among his fellow lodge men that we have honored him with the
office of president, which is the highest rank in our organization. He is a
liberal supporter of many worthy enterprises. But his greatest work has
been among his own employees at the factory. The first to report in the
morning and the last to leave at night, every day and holidays, he has
labored to build up a factory that in spirit and efficiency is second to none
south of the Mason and Dixon's line.
After the magnificent work he has done in his adopted home, shall we
without consideration, emphasize every bit of gossip which unjustly and
groundlessly connects him with this awful tragedy? No one seeks more
fervently to discover the real perpetrator of this atrocious crime than Mr.
Frank.
80 AND THE DEAD SHALL RISE
Leo Frank's image among Atlanta's German Jews, in short, arose not from
their worst fears but from their best wishes— wishes, it must be added, born
not of a week's worth of headlines and innuendo but of five years' worth of
close association. Yet wishes still.
From August 6, 1908— the day Frank had arrived in Atlanta and checked
in to the Kimball House, a sprawling Victorian dowager at Peachtree and
Decatur streets that for half a century was the city's landmark hotel— he
had unfailingly impressed friends and business associates as considerate
and responsible, albeit somewhat rigid.
Away from the factory in those first months, Frank had listened to classi-
cal music on his Victrola (he loved Strauss waltzes), read copiously (as a
boy, he'd named his toy sailboats for the characters in James Fenimore
Cooper's Leatherstocking Tales) and taught himself to play chess. His ap-
proach to the game, as it was to so much else, was systematic. On the first
page of a three-by-five pad, he neatly inscribed the title: "Chess Notebook
No. 1." On the second, he appended his signature. On the third, in a hand-
some draftsman's hand, he drew stylized pictures of all the chess pieces,
adding a key that described their powers. Then, on page after meticulous
page, he inked in chessboards on which he worked out such basic gambits
as Scholar's Mate, the Ginoco Piano and Philador's Defense. Beneath the
diagrams, he jotted down observations for future use. "Good against Rui
Lopez attack," declared a typical entry.
Orderly and inward, a stranger in the South, Frank had carapaced him-
self behind a wall of work and intellect. This wall, however, was not without
windows. Much as he might try to present himself as an exemplar of dispas-
sionate reason, the factory superintendent was prone to fits of anxiety. Par-
ticularly upsetting to Frank were his clashes with Sig Montag. While Frank
was in charge of operations, Mister Sig controlled the purse strings, and
he frequently called Frank into his office at Montag Paper Company to
upbraid him for some financial shortcoming. Inevitably, the superintendent
left these sessions shaking and fumbling for a cigarette.
More than anyone, Lucille Selig had first perceived that Frank's brainy
hauteur masked a fragile and uncertain young man. Which may explain
why, when later asked what had initially attracted her to her future hus-
band, she mischievously responded: "I liked to make him blush."
Lucille had enjoyed numerous opportunities to bring the blood to
Frank's cheeks. Upon checking out of his temporary residence at the Kim-
ball House, Leo had rented a room from Lucille's widowed aunt Sophie at
93 East Georgia Avenue just down the street from Emil and Josephine
Selig's house at number 68. Within a week of moving in, he had been intro-
duced to Lucille, and by early autumn of 1908, he was accompanying her to
the theater and functions hosted by the city's German- Jewish elite.
A GOOD NAME, A BAD REPUTATION 8l
Lucille was twenty in 1908, and she was a series of contradictions. Raven-
haired, sloe-eyed, olive-complected, she possessed a pretty face made
prettier still because of her wit and intelligence. As the Georgian would
subsequently declare: "She inclines to that perfect brunette type so often
encountered in the women of her race. As a girl, which can not have been
so very long ago, she must have been surprisingly lovely." Yet Lucille 's nat-
ural beauty was marred by the fact that she was overweight. Had it still
been the nineties, the age of the Rubenesque ideal, her plummy amplitude
might have been regarded as an asset, but by the time Frank came into her
life, the era of the hobble skirt and the Gibson Girl had dawned, and radi-
ant though Lucille was, neither vivacity nor fashion could hide her zaftig
form.
Similarly, while Lucille was well connected— on her mother's side, the
clan boasted the Temple's cofounder, on her father's, a line of increasingly
prosperous businessmen— she herself had never been completely secure. It
was Lucille's uncle Simon who owned West Disinfecting. Her father was
merely a salesman in the family firm. As a consequence, after graduating in
1906 from Girl's High School, where she'd acquired secretarial skills,
Lucille had herself become one of Atlanta's working girls, first taking a
stenographic position at the Jewish-owned Atlanta Paper Mills Company,
then switching to a job in the same capacity in the regional offices of Swift
Meats.
Lucille was at once a perceptive young woman and a carefree girl who
seemed caught between a desire to be taken seriously and a fantasy that she
could enter into that life of beaus and balls that in the South was the
province of her sex but was for her— because of her Jewishness, her weight,
her self-awareness— unattainable.
Romantic but practical, fun-loving but high-minded, blithe but tinged
with sadness, Lucille was all these things, and all were apparent in the shop-
ping lists she regularly jotted down. These lists— among them one dated
January 23, 1909, a period when her fondness for Frank was deepening—
provide an index to Lucille's dreams:
Gibbs: $10.00 lining: $2.80
shields:
.25
4 silk:
.40
cotton:
.05
bone:
45
Walshe:
$1.00
Wilson:
$1.50
Russell:
$1.00
Orpheum:
•75
Ma:
$5.00
suit-
$17.25
carfare and foolishness:
$5.00
Lycett:
$1.00
presents:
$5.00
Lena Jahoot:
$1.30
belting:
.50
lace: $5.00
tie: .29
82 AND THE DEAD SHALL RISE
The prudent miss who did her own sewing, the debutante manque who
splurged for Gibson blouses and new outfits, the dutiful daughter, the
earnest face in the crowd at the theater, the lighthearted spirit who craved
gaiety and laughter— such was the collection of hopes and aspirations that
was Lucille Selig. Such was the child who fancied she could see through the
Yankee intellectual delivered to her doorstep.
For Lucille, Frank's arrival in Atlanta was a godsend— in part because so
few Jews of marrying age resided in Dixie, a circumstance that during the
years surrounding the century's turn gave impetus to an annual round of
soirees in Atlanta and New Orleans whose purpose was to marry off the
region's sons and daughters of Israel. But even if Lucille had been besieged
by suitors, there can be little doubt that she'd still have fallen for Frank. As
she would later recollect: "If there are such things as cases of 'love at first
sight,' Leo Frank's love for me and my love for Leo Frank is a case in indis-
putable point." On Valentine's Day 1909, Lucille gave Frank her heart— cut
from red construction paper, his name emblazoned on it.
On June 9, 1909, just ten months after his arrival in Atlanta, Leo pro-
posed and Lucille accepted. The next morning, Lucille departed by train to
spend a few days in Athens, Georgia, with her uncles, Simon and Bud
Michael. The Michael brothers were eccentric twins whose success as mer-
chants had enabled them to build adjoining Greek-revival mansions on
one of the college town's most fashionable streets, Prince Avenue. For
Lucille, visits with these cultured in-laws meant dances, teas and card par-
ties attended by professors and students. It was as close to genuine South-
ern bellehood as a Jewish girl from Atlanta could get. And it was here, in
the midst of the University of Georgia's graduation festivities, that Lucille
received her first love letters from her betrothed. Stilted in person, Frank
was stilted in prose as well. Yet in a series of increasingly warm missives,
he revealed himself also to be gentle, awkwardly gallant, dutiful, a mild
gossip and social. Here is what Lucille— and, by extension, Atlanta's Ger-
man-Jewish community— would come to believe was Leo Frank's true
voice.
On June 10— the very day Lucille left town— Frank stole some time at
work to write:
Tho' I have not heard so, I take it for granted that you arrived safely
in Athens, and have by this time begun what I hope will be an enjoy-
able sojourn. Enjoy yourself to the fullest. You would not believe it, but
between the last sentence and the next one, 20 minutes have elapsed. Mr.
Sig came in to talk to me— nuff said!
Last night, I brought home some work from the factory and put in two
hours work . . .
A GOOD NAME, A BAD REPUTATION 83
After I got thru ... I dropped over to your house to see the party. I am
just as much delighted (?) with poker as ever . . . [The Seligs loved poker,
whereas Frank preferred bridge.] We had a splendid day at the factory yes-
terday. If we do as well to-day we will better last week's results.
If you can spare a few minutes from the busy social hours of the Athen-
ian day, I should be glad to be the recipient of an epistle.
With best wishes to your folks in Athens and much love to you, I am,
dearest, fondly your beau . . .
On June 12, Frank wrote again, describing a Friday-night service he'd
attended at the Temple and teasing Lucille about a date he'd made in her
absence with Mister Sig's daughter:
Your postal card was duly received and I was very glad to learn that you
had begun your trip to Athens so auspiciously.
Only a few minutes ago your mother phoned me that she had received
a long letter from you and invited my perusal of same. I will drop in on my
way to supper to-night.
Last Thursday night, I paid a visit to the [Jacob] Haas's, who invited me
for tomorrow supper. I accepted. Last night, I attended service at the Tem-
ple and I enjoyed it very much. Dr. Marks [sic] was not there. A young man
who is studying to be a rabbi conducted the service and delivered the lec-
ture. The latter was a perfect jewel and was enjoyed by all. The Dr. had bet-
ter look to his laurels. After service, I went home with Mrs. Straus and
visited her daughter, Fae.
Tonight, I am to take Harriet Montag to the Lyric. Are you jealous? . . .
By June 14, five days after Lucille's departure, Frank's formal reserve
had begun to dissolve. Yet even as he waxed emotional, he still could not
resist correcting a lapse in his wife-to-be's prose style. Though in love, he
remained himself:
Your two letters of the 1 ith and 13th respectively brought gladness and
joy to our midst and balm to our hearts. That we don't write longer letters
is because matter fails to write about.
I can't say that the evening of Saturday last, spent with Harriet was one
of unmitigated pleasure. I tried my best, and the celestial denizens of
heaven could do no more ...
I don't expect that I will be very active socially this week. There is a car-
nival for the benefit of the Educational Alliance [a Jewish charity] on the
Hebrew Orphan's Home lawn, to which you would have gone if you would
have been here.
84 AND THE DEAD SHALL RISE
At the Lyric is the "Milk White Flag," and at the Casino "Dr. Barry"
with E. May Spooner in the leading role, as the histrionic attractions!
Athens is not doing much for you intellectually! You are a past mas-
ter in the use of slang. The latter is always the evidence of a paucity of
vocabulary . . .
Your kindly words for me are much appreciated and are treasured up
on the scrolls of memory.
I am not much on the sentimental letter writing. Read between the lines
and see if you can feel the warmth of the writer's feeling for you . . .
Yours for eternal happiness . . .
Finally on June 16, two days before Lucille was to return home, Frank
made his feelings evident:
Was carried "transcendentally" to the seventh heaven of happiness and
joy by the receipt of your letter of the 14th. Glad to learn that the good
times keep up. I presume that the dance last Monday night was the best
ever! If you wore the "pannelled effect" I'll wager you broke a few hearts.
Mine is broken by "absent treatment." Everybody remarks how thin I'm
getting. Are you affected that way?
On Monday night I met your mother and Mr. and Mrs. Marcus at Ponce
de Leon [an Atlanta amusement park]. We did not have such an ecstatic
time.
Last night I attended the lawn fete for the Settlement. I escorted Aunt
Betty. After we got there she shifted for herself. I saw her home. They cer-
tainly took the starch ($) out of me. I dropped $3.75 and have really noth-
ing to show for it.
Please let me know the time when your train is scheduled to arrive in
Atlanta so I can greet the Goddess Athena . . .
Leo Frank and Lucille Selig were married on November 30, 1910, at the
Seligs' Georgia Avenue home, Dr. David Marx officiating and only family
and a few close friends in attendance. The house, in the announcement's
phrase, "was artistic with quantities of smilax and vases of pink carnations
in all the rooms." A Cornell classmate served as Frank's best man. Lucille,
who entered on the arm of her father, wore a white charmeuse satin gown
trimmed in princess lace and pearl garniture. Orange blossoms were twined
through her tulle veil, and she carried white roses and lilies of the valley.
During the nearly two and a half years of their marriage, the couple had
by every visible criteria been content. Yes, there were occasional disagree-
ments about such innocuous differences as taste in music— Lucille was
A GOOD NAME, A BAD REPUTATION 85
drawn to ragtime, while Leo preferred symphonies. And yes, there had been
a disappointment. Both husband and wife said they wanted a child, but thus
far they'd failed to bring one into the world. (Seven decades later, Katie
Butler, a former factory employee in her 80s, would tell her physician that
she and Lucille were both pregnant during the early winter of 1913 but that
Lucille had suffered a miscarriage. If Mrs. Butler's memory was reliable, her
claim— while not clearing Frank of philandering charges— certainly sug-
gests that he and Lucille maintained sexual relations.) Such matters aside,
however, the Franks were evidently happy. "I suppose there are many hus-
bands in the world as good as Leo," Lucille would later say, "and it may be
therefore that I am foolishly fond of him. But he is my husband, and I have
the right to love him very much indeed, and I do. If I make too much of him,
perhaps it is because he has made too much of me."
On the afternoon of May 5, following a four-day cooling-off period, Paul
Donehoo reconvened the inquest. From the outset, it was clear that Leo
Frank's character had become the central issue. He would be the session's
only witness. Wary as the coroner was about rushing to judgment, he
wanted to elicit a version of the facts before the factory superintendent had
an opportunity to consider the effect those facts might have upon the pros-
ecution.
The Leo Frank who now faced Donehoo, the jurors and a horde of
reporters bore no resemblance to the agitated man detectives had encoun-
tered the morning Mary Phagan's body was discovered. Collected and
articulate, dressed in a dark suit, he came across as the picture of responsi-
bility and civility. He seemed everything that his friends and family believed
him to be and nothing that his detractors suggested that he was.
Donehoo started his examination with several inquiries into Frank's
early work experiences and the circumstances that had brought him to
Atlanta; then he shifted to the events of April 26. The superintendent pro-
vided a seemingly thorough accounting of himself. Some of the details were
new, most were not. In Frank's telling, his activities on the day of the mur-
der appeared beyond reproach. He related how he'd arrived at work at
8:30, met with his department heads, then walked to Montag Brothers at
10:00 to pick up the mail, which was delivered to that address. He told of
returning to his office at 11:00, dictating several letters to the stenographer
Hattie Hall, greeting some casual visitors (among them Emma Clark and
Corinthia Hall, both factory employees) and sorting through invoices.
Then, he recalled how Hattie Hall and the 14-year-old office boy Alonzo
Mann had departed around noon, leaving him alone until Mary Phagan
86 AND THE DEAD SHALL RISE
appeared at the door. In his recounting of this meeting, Frank made the ses-
sion's first bit of news:
About 12:10 or 12:15 this little girl who was killed came up and got her
envelope. I didn't see or hear anyone with her. I didn't hear her speak to
anyone who might have been outside. I was in my inside office working at
the orders when she came up. I don't remember exactly what she said. I
looked up, and when she told me she wanted her envelope, I handed it to
her. Knowing that employees would be coming in for their pay envelopes,
I had them all in the cash basket beside me, to save walking to the safe each
time. The girl left. She got to the outer door and asked if the metal had
come. I told her no.
That Mary Phagan had inquired about the metal and Frank had answered
negatively had not heretofore been publicized.
Donehoo, however, did not linger here. (In all likelihood, the coroner
already knew about the exchange, as Frank had mentioned it to Harry Scott
during their initial interview, telling the Pinkerton man, according to his
report, the same thing: "She asked about the metal, and I told her it hadn't
arrived.") Thus the superintendent resumed his narrative of the day's
events, reeling off the well-known story about directing Mrs. Arthur White
to leave the factory, locking in her husband and another workman upstairs
and departing himself. The only fresh details seemed trivial. As he was
walking into the house for lunch, Lucille and her mother were rushing out
to the opera's matinee. After eating a bite with his father-in-law, he lay
down in the parlor and smoked a cigarette. Eventually, he said, he strolled
back toward town, speaking to some relatives on the street before catching
a trolley. With roads blocked for the Memorial Day parade, the car stopped
on the edge of the business district, and he completed the trip on foot, wav-
ing to a couple of employees in the crowd.
Now came the rest of the familiar narrative: the return to work, the
arrival of Lee, the encounter with Gantt. Frank reviewed it all again,
although he did offer a new perspective here, placing a fact the detectives
regarded with suspicion into a context that made it seem benign. The rea-
son he'd never phoned Lee after hours before was that the night watchman
had just started working at the factory two weeks earlier, having trans-
ferred from a company-owned slat mill on the outskirts of town. Frank said
he'd called Newt's predecessor frequently.
Low-key and direct, Frank's testimony suggested that for him, April 26—
save for the disruptions occasioned by the opera and the Memorial Day
parade— had been just like any other Saturday: busy, ordered and book-
ended by scenes of domestic tranquility.
A GOOD NAME, A BAD REPUTATION 87
Yet unremarkable as Frank's recitation had been, it would not end on a
dull note. In response to a question from Donehoo asking if he had any last
thoughts about the day, Frank dropped a bombshell, a piece of information
that if true provided him with an alibi covering the sole gap in his April 26
timetable, the 55-minute-span between the hour Mary Phagan left his office
and the hour he departed for lunch. As the Constitution reported it:
Frank . . . startled his audience with the declaration that he was visited by
Lemmie Quinn, a pencil plant foreman, less than 10 minutes after the girl
of the tragedy had left the building Saturday.
According to Frank, Quinn remained only a couple of minutes, but the
duration of his stay was irrelevant. What mattered was that he was there at
the very time the investigators were beginning to theorize little Mary came
to her terrible end.
Even the unflappable Donehoo was jarred by the manner in which
Frank threw out this fact as if he only just recalled it. How could you for-
get such a thing? the coroner demanded. To this reasonable query, Frank
replied that Quinn's visit had simply slipped his mind until the Monday
after the crime when Quinn himself had reminded him. Donehoo did not
raise the next logical point— why had Frank waited a week to divulge the
information? Instead, as was his wont, he moved methodically on.
After four hours of examination, Frank stepped down. In Donehoo, he'd
found the perfect interlocutor, a man whose attention to detail enabled
Frank, the archetypal engineer, to present a plausible blueprint of his April
26 activities. More important, the coroner, for reasons that were never
explained, did not inquire into the charges leveled by George Epps. Finally,
even the revelation of Quinn's visit seemed to be a victory for Frank.
This because Quinn, when contacted by reporters, confirmed Frank's story.
No wonder that the newspapers' verdicts were unanimously approving.
Boomed the headline atop the next day's Georgian:
FACTORY SUPERINTENDENT'S STATEMENTS ON WITNESS STAND
CONSIDERED DISTINCTLY FAVORABLE TO HIM
And the Constitution, which had played up Epps's charges, now gave equal
time to Quinn, running out the front-page caption:
LEO FRANK INNOCENT, NEW WITNESS TELLS DETECTIVES
The vision endorsed by the German-Jewish community seemed in the as-
cendant. Frank had spoken, and as would shortly become clear, he intended
88 AND THE DEAD SHALL RISE
to speak no more. From this day forth, he would essentially disappear into
his cell in the Fulton County jail, the lockup to which he'd been transferred.
A forbidding institution usually referred to, in homage to the seven-story
stone turret that guarded its main entrance, as the Tower, the facility would
become Frank's new home. Here, he would exhibit such reticence (no inter-
views, no responses to any further developments) that the press would
christen him with the evocative moniker by which he would afterward be
widely known— the Silent Man in the Tower.
The debate regarding Leo Frank's character was far from over. When the
Phagan inquest reconvened three days hence, it would be at the top of the
agenda. Only now, the story would not be so pretty. During the interim,
the detectives had located several young men and women— all either for-
mer factory employees or relatives of former employees— who claimed to
have seen a different side of Frank, and late on the afternoon of May 8, they
filed into the police commission boardroom and one by one sat down at the
head of the table.
First up was an ex-worker named Tom Blackstock:
"Do you know Leo M. Frank?" Donehoo began.
"Yes."
"How long have you known him?"
"About six weeks."
"Did you observe his conduct toward female employees in the pencil
factory?"
"Yes, I've often seen him picking on different girls," Blackstock re-
sponded, describing how Frank would "rub up against" workers while pre-
tending to instruct them in their tasks.
Tom Blackstock, however, could do no more than say he'd observed such
behavior. Following him were two girls who could say they had experienced
it firsthand.
Nellie Pettis was a poutingly pretty 14-year-old whose sister-in-law was a
former factory employee:
"Do you know Leo Frank?" Donehoo again began.
"I've seen him once or twice."
"When and where did you see him?"
"In his office at the factory whenever I went to draw my sister-in-law's
pay."
A GOOD NAME, A BAD REPUTATION 89
"What did he say to you that might have been improper on any of these
visits?"
"He didn't say exactly— he made gestures. I went to get sister's pay
about four weeks ago, and when I went into the office of Mr. Frank, I asked
for her. He told me I couldn't see her unless I 'saw him' first. I told him I
didn't want to 'see him.' He pulled a box from his desk. It had a lot of
money in it. He looked at it significantly and then looked at me. When he
looked at me, he winked. And as he winked he said: 'How about it?' I
instantly told him I was a nice girl."
At this point, the coroner sharply interjected: "Didn't you say anything
else?"
"Yes I did," Nellie Pettis replied. "I told him to go to hell!"
With that, the Pettis girl stepped down, only to be followed by another
Nellie, 1 6-year-old Nellie Wood. Unlike her predecessor, the Wood girl was
garishly, almost slatternly, made up. But no matter how crumpled the petals,
she was still a flower of Southern womanhood, and her story helped to com-
plete the emerging picture:
"Do you know Leo Frank?" Donehoo inquired.
"I worked for him for two days."
"Did you observe any misconduct on his part?"
"Well, his actions didn't suit me. He'd come around and put his hands
on me when such conduct was uncalled for."
"Is that all he did?"
"No. He asked me one day to come into his office saying that he wanted
to talk to me. He tried to close the door, but I wouldn't let him. He got too
familiar by getting so close to me. He also put his hands on me."
"Where did he put his hands?"
"He barely touched my breast. He was subtle with his approaches and
tried to pretend that he was joking, but I was too wary for such as that."
"Did he try further familiarities?"
"Yes."
"What did you tell him when you left his employ?"
"I just quit, telling him that it didn't suit me."
In a chorus of young voices, then, Frank's briefly rising star was eclipsed.
Declared the headline atop the next morning's Constitution:
Sensational Statements Made at Inquest by
Two Women, One of Whom Had Been an Employee,
90 AND THE DEAD SHALL RISE
Who Declared that Frank Had Been Guilty
of Improper Conduct Toward His Feminine
Employees and Had Made Proposals to Them
in the Factory.
The opposing images of Frank couldn't have been more polarizing—
and, in a court of law, less relevant. Unless his lawyers took the almost
inconceivable step of making his character the basis of the defense, his
behavior prior to April 26, 1913— good or bad— would be inadmissible.
Which was why, while it may have been easy to damn or praise Frank, it was
not going to be easy to prosecute him.
SIX
hortly after dawn on Monday, May 5, the stillness of Marietta's
municipal cemetery was broken by the sound of picks and shovels
hitting home as gravediggers began disinterring Mary Phagan's
body. At last, an autopsy was to be conducted. Six days after the funeral and
nine after the murder, Dr. Henry Fauntleroy Harris, secretary of the Geor-
gia Board of Health, had come up by car from Atlanta to establish the exact
cause of the girl's death and end speculation regarding what, if any, other
horrors she'd endured.
Also present were Fulton County Physician J. W. Hurt, who'd made the
initial cursory examination of the remains, and Coroner Donehoo, but both
deferred to the 46-year-old Harris, in title and reputation Atlanta's fore-
most medical figure. An Alabama native and 1890 graduate of Philadel-
phia's highly regarded Jefferson Medical College, Harris had been on the
cusp of a great deal of pioneering work, ranging from efforts to eradicate
that bane of the South's rural population, pellagra, to cancer-cure experi-
ments. A member of the American Association of Pathologists and Bacteri-
ologists, the doctor, prior to moving to Atlanta, had served as an associate
professor of pathology at Jefferson Medical.
With the body lying on a blanket on the ground, Harris worked at a
deliberate pace, probing wounds, trepanning the skull, taking tissue samples
and removing the stomach. He had no fear of being observed, for the press
had not been informed of the postmortem, and few people in Marietta
knew anything about it. At noon, the procedure complete, the corpse was
returned to its casket and to the earth.
Despite the secrecy, the news that Mary Phagan's body had been disin-
terred couldn't be kept quiet. An inevitability, as the examination had taken
so long that Donehoo was tardy for the inquest's Monday afternoon ses-
sion—the session at which Leo Frank testified. The late editions played up
the story. Proclaimed the Georgian: phagan girl's body exhumed. But
such headlines notwithstanding, little information regarding the autopsy
was released.
That details regarding the Phagan postmortem were hard to come by
92 AND THE DEAD SHALL RISE
was a tribute to the individual who had ordered the examination— Hugh
Manson Dorsey, solicitor general of Fulton County. For a couple of days
now, the impression had been growing that Dorsey intended to wrest con-
trol of the probe from what he regarded as a bungling, leak-prone police
force. As early as May i, in fact, he had told the Georgian:
The investigation has been hesitating. All leads given to the police have
not been brought out. No effort has been made to establish if the shirt said
to have been found in the ash barrel back of Lee's home was Lee's. The
handwriting tests on the notes have not been exhausted— in fact, hardly
touched upon. The marks on the girl's body might lead to an extensive
[examination] that has never been made.
Had Dorsey been less politic, he could have continued his litany, adding
to it the police's failure to keep the murder notes out of Harold Ross's
hands, to secure the crime scene (countless gawkers traipsed through the
plant the Sunday the body was located) or even to harvest such basic clues
as the bloody fingerprints on the factory's basement door, which had
remained in situ until the Tuesday following the killing when a private citi-
zen had taken it upon himself to chisel them off, then deliver them to the
station house. Yet the prosecutor knew he'd ultimately have to work in con-
cert with Decatur Street, thus shortly after leveling his complaints, he'd
summoned Chiefs Beavers and Lanford to the Thrower Building, the tem-
porary home of Fulton County government. (The granite courthouse that
to this day houses Atlanta's judicial system was in 1913 only partially com-
pleted.) By session's end, Lanford, at least, had been placated. "He seemed
pleased with our progress," the detective chief had told reporters. "He
denied the circulated report that he was disappointed in the lack of evi-
dence we had gathered." Though Beavers had emerged stony-faced from
the gathering, there can be no doubt that Dorsey's gambit had succeeded,
for Detectives John Starnes and Pat Campbell were soon assigned to his
staff, and Harry Scott began briefing him regularly as well. As the mystery
entered its second week, the Journal proclaimed: "Dorsey is probably the
only man who is in touch with every phase of the investigation."
In short, the Monday, May 5, autopsy of Mary Phagan marked the emer-
gence of Hugh Dorsey as the central figure in the probe, a debut Dorsey
made official later that day when, in the midst of the inquest's afternoon ses-
sion, he negotiated his way through the packed police commission board-
room and took a seat directly behind Donehoo, to whom he promptly began
whispering suggestions.
While no statute prohibited Dorsey from inserting himself into this early
SKULDUGGERY 93
phase of the investigation, it was almost unheard of in Georgia for a prose-
cutor to assume an active role in a case until it reached the grand jury. Over
the next days, the press would vigorously debate the appropriateness of the
solicitor general's actions. Replying to grumbles that he'd exceeded his
authority, Dorsey made no apologies. "The burden of convicting the perpe-
trator of this horrible crime, whoever he may be, will fall directly upon my
shoulders and I don't propose for that reason, if not for many others, to let
it [the inquiry] drag along," he told reporters. Then, lest anyone doubt his
resolve, he not only ordered Dr. Claude Smith, the city chemist, to examine
the shirt found at Newt Lee's house and the blood spots discovered on the
factory floor, but he orchestrated another dramatic raising of the dead.
Around 2 p.m. on Thursday, May 7, Mary Phagan's remains were disin-
terred for the second time in less than a week. The object of this latest
autopsy would be both forensic and medical. Testifying to its dual purpose
was the fact that Dr. Harris was joined at the grave site by an unidentified
fingerprint technician.
As before, a blanket on the ground served as the operating table, and
also as before, Harris removed at least one organ. Moreover, he apparently
snipped a few locks of hair from the body's head. This last action, the Jour-
nal acidly noted, was necessitated by the fact that some hair taken by Dr.
Hurt during his preliminary exam and "which was in possession of the
police has been lost." It was the work of the fingerprint technician, however,
that attracted the most curiosity. Reported the Constitution: "A chart was
made of the cuts and bruises on the face and body and photographic plates
were made of the fingerprints on the throat." Added the Georgian: "The
fingerprints on the body were to be photographed and compared with the
fingerprints of persons under suspicion."
Most of what the press wrote about the second postmortem consisted of
conjecture, for this procedure was shrouded in more secrecy than the first.
Did the examination show that Mary Phagan had been raped, that her body
had been mutilated? These questions— in references to "the crime that was
taken for granted by all to have preceded the actual killing" and "wounds
about the chest and shoulders"— darted in and out of the newspaper ac-
counts, but confirmations were impossible to obtain. Harris, complying with
Dorsey's instructions, refused comment, but even if the doctor had been so
inclined, he would not have been ready to make a statement until he fin-
ished his lab work— a task projected to take several weeks. Furthermore,
when reporters contacted Newport Lanford,they learned that the detective
chief hadn't been informed of the additional autopsy. Dorsey was securing
his position in the classic manner— by managing the collection and flow of
information.
94 AND THE DEAD SHALL RISE
To most Atlantans it was clear why Hugh Dorsey had taken command of
the Phagan case— he needed a courtroom victory. During the nearly three
years since he had been appointed the Fulton County solicitor general,
Dorsey had shown an alarming propensity for losing high-profile trials. Just
two weeks earlier, the city had watched gape-jawed as a jury acquitted
one Callie Scott Applebaum of murder. Mrs. Applebaum— a lovely, albeit
lethal, vamp— had been discovered in a locked hotel room with a dis-
charged revolver, a tale involving a temporary blackout and a husband shot
in the head. Yet counsel for the mysteriously widowed defendant had
argued persuasively that Jerry Applebaum had died by his own hand. The
verdict had been rendered on April 25 and thus dominated the front pages
on the day of Mary Phagan's murder.
The Applebaum decision was only Hugh Dorsey's latest defeat. In the
spring of 1912, he had failed to convict Daisy Grace, an Atlanta society
figure, of the attempted murder of her husband, Eugene. The Grace pro-
ceedings—still fresh in Atlantans' minds— offered some worrisome paral-
lels to the Phagan case. For starters, the Atlanta Georgian, just purchased by
Hearst, had used the trial to give the city a first taste of yellow journalism.
For another, the investigation had been marred by inept police work. Finally,
the lawyer who'd successfully defended Mrs. Grace was Luther Rosser.
No prosecutor, of course, wins every battle, but Dorsey had a way of los-
ing that made Atlantans shake their heads. A case in point had occurred in
December 1910 when he was bested in what had at first seemed an open-
and-shut affair. The defendant, a black man named Charles Tanner, had
been charged with stealing a suit of clothes from a pawnbroker. What made
conviction appear certain was that Tanner was, in one reporter's phrase, "an
unusual negro." To wit: He had twelve fingers, six on each hand, and as a
consequence, his accuser had identified him "beyond a shadow of a doubt."
But at the trial, the defense had tripped the solicitor up by calling Tanner's
cousin Jonas to the stand. The Journal described the scene and its conse-
quences:
When the latter negro was commanded to hold up his hands, he was
found to have six fingers on each hand like his cousin. The resemblance
between the two was marked, and in the face of this freak evidence the
case was dismissed.
The Tanner debacle was not so much an example of Dorsey's bumbling
as it was an incident that suggests that under his aegis the Fulton County
solicitor's office lacked gravitas. (twelve fingers not sufficient iden-
SKULDUGGERY 95
tification, declared the Journal's headline.) It would have been impossi-
ble to conceive of the episode having occurred during the lengthy reign of
Dorsey's predecessor.
For thirty years, Charles Dougherty Hill had towered over the Atlanta
courts. A figure of unquestioned probity and rare humility, "Old Man
Charlie"— as Hill had been respectfully known— had possessed an innate
sense of fairness and a keen respect for the power that had been vested in
him. When pondering a defendant's fate, he would keep in mind the words
of the Scottish poet Robert Burns: "Who made the heart, 'tis He alone
decidedly can try us."
For all Hill's strengths, he had not been unflawed. His weakness for dis-
tilled Kentucky sunshine had been pronounced and had produced its share
of embarrassments. But he had possessed a nobility of spirit and a gift for
expressing that nobility in words. So stirring a speaker had he been that on
days when he was scheduled to give a closing argument, other lawyers
posted runners at the courthouse, instructing them to phone as soon as he
rose from his seat. It had been on such an occasion that Old Man Charlie
had uttered his eloquently brief last remarks.
While trying an inconsequential case on the afternoon of October 18,
1910, Hill had suffered what would prove to be a fatal stroke. After col-
lapsing, he'd found himself surrounded by concerned faces, one of which
belonged to a Negro protege, a lawyer named Henry Lincoln Johnson. Link,
as Johnson was known, had once practiced in Atlanta, but due to connec-
tions with the Republican Party, he'd received a patronage job with the fed-
eral government and had moved to Washington, D.C. Yet on this occasion,
business had brought him back to Atlanta, and like any lawyer in town with
some time to spare, he'd dropped by the courthouse to hear Old Man Char-
lie. When Hill had realized that Link's was among the visages peering down
at him, he'd murmured from somewhere deep inside: "Old friends come
home in the evening."
Three days later, 67-year-old Charles Dougherty Hill was dead, and
within less than two weeks Hugh Dorsey had been tapped to take his place.
Though Dorsey had been elected to office in his own right in 1912, his
hold on the job was tenuous. Among reporters, the consensus was that the
Phagan prosecution represented nothing less than a last chance for him.
Hugh Dorsey was not, however, a man to be underestimated. The son of
a distinguished jurist (Judge Rufus T. Dorsey, a post-Reconstruction state
legislator), a graduate of the University of Georgia, matriculant to the Uni-
versity of Virginia Law School (he'd failed to receive a degree, returning
home after one year) and partner in his father's well-connected Atlanta
firm— Dorsey, Brewster, Heyman and Howell— he possessed most of the
requisite bona fides.
96 AND THE DEAD SHALL RISE
Dorsey was born in the small town of Fayetteville some thirty miles
south of Atlanta, and he enjoyed nothing so much as acting the rube, pep-
pering his conversation with folksy witticisms and rural pieties. Yet he was
reared in the city, and his friends included his Jewish law partner, Arthur
Heyman; his Jewish college roommate, Henry Alexander; and even Luther
Rosser, whose son, Luther Jr., had recently married Dorsey's youngest sis-
ter, Sarah. The fledgling solicitor was equally at home addressing a jury of
poor dirt farmers or exchanging bons mots with the capital's elite, and in a
state where a successful lawyer had to do both, this was a considerable
asset.
In the end, though, it was Dorsey's personality that made him a poten-
tially formidable figure. His demeanor, while not quite supercilious, was
cool and mockingly predatory. There was something sharp, watchful, raptor-
like about him, and it showed in his face. Cowlick plastered upon a high,
eggish forehead, eyes circled by the liver-stained rings that were a family
characteristic, lips frequently twisted into an appraising smile, Dorsey bore
a striking resemblance to a shrewd young owl. As unimpressive as his
record was, he conveyed the distinct impression that he wasn't worried, that
he was just awaiting the right moment to swoop down. With the discovery
of Mary Phagan's body in the National Pencil Company basement, that
moment had come.
It quickly became apparent that it would not be easy for Hugh Dorsey to
maintain control of the Phagan case. The difficulties facing him began to
reveal themselves in the aftermath of what was ostensibly a triumph. On
Thursday, May 8, the coroner's jury, following just ten minutes of delibera-
tion, recommended that Leo Frank and Newt Lee be held for further ques-
tioning. Yet in the days ahead, attention would focus less on this decision
than on the admissions made by two of the inquest's final witnesses, John
Black and Harry Scott.
"Have you discovered any positive information as to who committed
this murder?" Paul Donehoo had asked Black.
"No, sir, I have not," the police department's star investigator had
replied.
To the same query, the Pinkerton agent had also answered in the nega-
tive. While such admissions did not reflect directly on Dorsey, they did sug-
gest that barring some startling revelation turned up by the autopsies, he
had little to work with, sparking doubts concerning not only what sort of
case he would take into court but whether he could even secure indictments.
These doubts were given graphic incarnation in the Sunday, May n,
Constitution. Beneath a front-page cartoon depicting the city as an angry
SKULDUGGERY 97
matriarch clutching a scroll labeled "Phagan Case" and glowering at a
closed door labeled "Detective Dept.," the newspaper pointedly asked: "I
wonder if they're all asleep in there?" With this cartoon, the Constitution—
which had been editorializing against Decatur Street since the 1910 detec-
tive department scandal— staked out what would become a consistent
antipolice position.
Meanwhile, misgivings concerning the status of the case also began crop-
ping up in an altogether unexpected venue— the Georgian. In the sheet's
May 11 editions, the political editor James B. Nevin dismissed the evidence
upon which the coroner's jury had rendered its verdict as "horrible false
details conjured up in some disordered brain hereabout . . . misinforma-
tion, near-facts, pure falsehoods, and prejudice. Who then DID murder
Mary Phagan? The question is almost as far from an answer today, I think,
as it was when Mary Phagan's body was dragged to light."
Nevin wasn't the Georgian's sole voice of protest. On this same mid-May
Sunday, the paper unveiled a new columnist— "The Old Police Reporter"—
assigned full-time to the Phagan affair. The identity of the pseudonymous
scribe would remain a mystery, but in a supportive, albeit fatalistic, passage
in his inaugural effort, he revealed a predisposition in Frank's favor:
I cannot help but sympathize with Frank in being held as he is on the
very slight evidence presented against him. At the moment, it would seem
as though he were a victim of circumstance and that he would have to take
the consequences that follow being the superintendent of the factory and
the last person to have seen Mary Phagan alive. And consequences, as
George Eliot said, are unpitying.
Though the Georgian's slowly emerging pro-Frank stance may have
owed something to its editors' doubts regarding the superintendent's guilt,
it owed more to the Atlanta Jewish community's disatisfaction with the
paper's initial coverage and the stir that the vocal expression of the disatis-
faction created higher up in the Hearst organization.
The Georgian's first-day performance had been but an appetizer. The
courses that followed achieved the journalistic equivalent of a gluttonous
orgy as Foster Coates ordered extra after extra. Indeed, the Georgian
had wantonly heaped one intemperance atop another. The lee's guilt
proved! headline had so agitated Atlantans that Mayor Woodward and
Chief Beavers, fearing a lynching, put aside their differences long enough to
issue a joint statement decrying the sheet's "sensational and misleading"
reports. The paper had then insulted the city's Greek community by hypoth-
esizing that since little Mary had been strangled and "the garrote" was
favored among Mediterranean killers, suspicion should focus on the staff of
98 AND THE DEAD SHALL RISE
the Busy Bee, a Greek-owned diner frequented by pencil factory workers.
Yet the Georgian's worst offense, the one that mobilized Atlanta's Jews,
had come in the edition announcing Frank's arrest. It was there that Coates
committed the cardinal sin of declaring an unconvicted suspect guilty.
Above a photograph of Frank, the editor ran out a front-page banner flatly
stating:
POLICE HAVE THE STRANGLER
As Herbert Asbury would later recall:
Foster Coates made a blunder when Frank was accused of the crime
and taken to Police Headquarters. He put an extra on the street, of
course— and wrote a banner line for it which said without qualification
that the strangler had been arrested! The type was even larger than we
used when we tried to convince the citizenry that there was news when
there was none. The line . . . had far-reaching consequences.
The next morning, groups of Atlanta's Jews had begun arriving at the
Georgian's newsroom. The complainants weren't the sort to be taken
lightly. One party alone included Dorsey's partner, Arthur Heyman, and
the insurance brokers Isaac and Arthur Haas, kin to the factory lawyer Her-
bert Haas and descendants of a founding Atlanta family. According to
Asbury, these pillars of Southern Jewry "said the Georgian had called
Frank guilty before his trial and that it showed the existence of an organ-
ized conspiracy to railroad him to the gallows . . . they raised the cry of per-
secution and demanded that the editor denounce the police and insist on
Frank's immediate release, declaring that he was being persecuted because
he was a Jew."
Whether the accusation of anti-Semitism had been justified at this
moment is a matter of debate. Nonetheless, the following day, downtown
merchants— many of them Jewish— began circulating a petition contending
that the Georgian's extras had "aroused the community to a dangerous
degree" and asking Coates to use restraint. Here again, a fine point must be
raised— were the merchants' motivations as pure as they maintained? As
Asbury would subsequently assert:
After the discovery of the girl's body the storekeepers and other busi-
nessmen rubbed their hands and chuckled a jovial Rotarian chuckle at the
spectacle of crowds standing about staring at the headlines and the pic-
tures; they thought so much excitement would bring people into town and
SKULDUGGERY 99
that business would be good . . . But business was not good; it was worse
than it had been for many years. People did come into Atlanta, but both
visitors and townspeople were so busy reading about the murder and
enjoying their thrills over the pictures and the diagrams that they did not
have time to buy anything.
So after a little while the merchants began to complain; they asked
Coates, in person and through the advertising department, to let the excite-
ment subside a bit so their customers could be lured back into their stores.
The merchants' pleas were heard— not just at the Georgian but through-
out the city. The Journal, reeling from the Hearst sheet's performance,
played the petition-drive story atop its front page beneath the headline:
BUSINESS MEN PROTEST SENSATIONAL "EXTRAS."
All of which explains why on May i, the same day the Constitution had
headlined George Epps's allegations, the Georgian printed a banner pro-
claiming: the supremacy of the law! Beneath this line, Coates per-
formed a seeming act of editorial contrition:
It should not be necessary to say that THE LAW of the sovereign State
of Georgia IS SUPREME, that all branches of the judiciary have their
proper functions and perform their duties in a legal, time-honored way.
These trite remarks are published that the public may understand that
trials by newspapers, by experts, so-called have no judicial functions and
are valueless.
Therefore, let everybody, rich and poor, high and low, of whatever race
and creed, look to THE LAW for judgement in a dignified way and not to
newspapers or sensation mongers for legal advice that has no basis in any
law book. It is time to recall Browning's beautiful words: "God's in his
heaven, all's well with the world."
Coates was hardly repentant. Far from agreeing to temper his behavior,
he had essentially absolved himself of responsibility. His line of thinking
implied that words did not matter, that a newspaper could malign anyone
so long as the courts sorted things out and the editor quoted poetry. As
Asbury would later note: "Coates . . . was riding wild with the best story of
his large experience and he refused to stop." In response, the city's Jewish
business leaders put some steel into their objections. "The merchants began
withdrawing their advertisements," Asbury wrote. "Some took them out
immediately; others notified the paper that they would not renew their con-
tracts. The Journal and the Constitution paid no attention to the demands of
the Jews, and for a long time the Georgian ignored them also. But pressure
100 AND THE DEAD SHALL RISE
was soon brought to bear in New York . . . little by little the editorial and
news columns of the Georgian began to veer toward Frank."
Once the Jewish community's complaints reached New York, William
Randolph Hearst would have been hard pressed to ignore them. Though
Hearst liked to think of himself as someone who couldn't be bullied and
while he had positioned the Georgian— with its anti-child-labor editori-
als—as the people's paper, he was always aware of his political and financial
interests. And he was always willing, as he'd done repeatedly elsewhere, to
alter a paper's stance to protect those interests. When it came to the Geor-
gian's coverage of the Phagan case, Hearst had a splendid opportunity to
ascertain exactly where his interests resided, for shortly after Atlanta's Jews
registered their protests, he and his wife visited the city, socializing with
Governor-elect John Slaton and his wife, Sallie, and dining with various
merchant princes, among them Walter Rich.
To most Atlantans, the Georgian's evolving alliance with Frank was imper-
ceptible. The headlines were still huge, the streamers still red, the extras still
proliferating. But for Hugh Dorsey, the shift— when coupled with the dam-
aging admissions made by Black and Scott and the skepticism with which
the general populace regarded the police— presented a serious threat, one
that would require him not only to build a stronger case but to undertake a
shrewd campaign to manipulate public opinion.
The first important piece of new evidence Dorsey produced called into
question a key part of Frank's self-professed murder-day itinerary— his
statement that he had been at his desk for the 55 minutes between 12:15,
when he said that Mary Phagan had left his office with her pay, and 1:10, the
hour that he'd departed for lunch. The superintendent had, of course, bol-
stered this assertion at the inquest by testifying that Lemmie Quinn had
stopped by for a visit shortly after little Mary took her leave. But on May
10, all three papers reported that Dorsey had secured an affidavit from a
14-year-old ex-factory employee named Monteen Stover, who said she'd
dropped in at Frank's office at 12:05 on April 26 to pick up some outstand-
ing pay and found it deserted. While Monteen's statement was not released,
she revealed the salient details to the Constitution:
I went to the pencil factory that Saturday to draw my pay. The front
door and the door leading to the second floor were unlocked. The whole
place was awfully quiet and kinder scary as I went up the steps.
The minute I got to the office floor I looked at the clock to see if it was
time to draw my pay . . .
SKULDUGGERY 101
It was five minutes after twelve. I was sure Mr. Frank would be in his
office, so I stepped in. He wasn't in the outer office, so I stepped into the
inner one. He wasn't there, either. I thought he might have been some-
where around the building, so I waited. When he didn't show up in a few
minutes, I went to the door and peered further down the floor among the
machinery. I couldn't see him there.
I stayed until the clock hand was pointing exactly to ten minutes after
twelve. Then I went downstairs. The building was quiet and I couldn't hear
a sound.
Shortly after acquiring Monteen Stover's affidavit, Dorsey moved to
commandeer the front pages by announcing that he'd hired "the world's
greatest detective" to solve the crime. And who was this Sherlock Holmes?
To that quite legitimate inquiry, the solicitor offered only an enigmatic
smile.
While several reporters expressed initial qualms regarding the so-called
mystery sleuth's existence, most were soon regurgitating Dorsey's periodic,
albeit vague, updates regarding his exploits. One day, the solicitor revealed
that his man was "already compiling evidence," the next that he was leaving
town on a secret assignment. Such releases went a long way toward creating
the impression that the solicitor was not just in charge but in touch with an
expert answerable only to him.
The tack, however, was risky. Beavers and Lanford had already endured
one humiliation at Dorsey's hands, and they bridled at the prospect of
another. Huffed Chief Lanford: "He [the solicitor] has some mighty good
men connected with his office, and I see no need why he should employ any
'world-beater' detective to assist him." Lanford speculated that the state's
"A- 1 man" was none other than one of the police detectives— St arnes or
Campbell But to this theory, Dorsey demurred, putting the detective chief
in an even more untenable position. By May 14, Lanford was sounding
embattled. "The squad at headquarters are not inferior when it comes to
efficiency. In fact, the city detectives have unearthed the larger portion of
evidence now at hand." Several days later, Lanford warned that a breach
had developed between his department and Dorsey.
Contradictory reports regarding the investigation now began to appear.
At the urging of a handwriting expert hired by the mystery sleuth, Dorsey
publicly dismissed any lingering suspicion that Newt Lee had composed the
murder notes. But Lanford disagreed with this assessment, stating: "I have
not been able to satisfy myself that the negro is not connected with it in
some way. He knows more than he has told." By mid-May, the Constitution,
which was politically allied with the solicitor and a reliable barometer of his
102 AND THE DEAD SHALL RISE
thinking, was reporting that "Dorsey believes the crime was committed in
the basement, and that she [Mary] was conscious when carried there." (The
solicitor was persuaded to this opinion by a woman who told him that at
4:30 on the afternoon of the murder, she'd heard screams emanating from
the factory cellar.) Meanwhile, Lanford and Beavers held firm to their orig-
inal theory "that the victim was rendered unconscious by being struck upon
the back of the skull when her head hit the planing machine on the second
floor." Not that headquarters wasn't working up its own surprises. Before
many days passed, Lanford was titillating reporters with tales of an uniden-
tified telephone operator who on the night of April 26 allegedly overheard
"a secret conversation between two attaches of the factory" regarding the
crime. When apprised of this development, Dorsey confessed ignorance,
but he regained momentum by intimating that "startling new arrests" were
imminent. The extent to which the solicitor was perpetrating a stunt here
can't be known, but no one was apprehended, and from Lanford's perspec-
tive Dorsey appeared to be playing to the gallery. It was the detective
chiefs turn to throw up his hands. The investigation had degenerated into a
turf war.
By late May, the newspapers were using the phrase "multi-cornered" to
suggest the polarized configuration. In one corner stood Dorsey and his
mystery detective. (As it turned out, this shadowy figure actually existed.
An ex-Pinkerton agent named Frank Pond, he served as the solicitor's eyes
and ears for a month. Beyond the fact that he used numerous aliases during
this period, little is known about what he contributed.) In another stood
Chiefs Beavers and Lanford and the detectives working under them. In
still another stood the Pinkertons, although their ties to Decatur Street
led many to view them as a police auxiliary. And in a fourth stood a new-
comer, a brilliant outsider whose appearance signaled a growing disgust—
especially among Atlanta's elite— with the inhabitants of the other three.
Word that William J. Burns was en route to Atlanta inspired the kind of
fanfare usually reserved for visiting heads of state, burns called into
phagan mystery; on way from Europe, sang the Georgian's May 12
banner.
William Burns was no stranger to headlines. Since 191 1, when he solved
one of the new century's greatest mysteries— the 1910 bombing of the Los
Angeles Times building— he had been accorded endless hosannas. Burns
had traced the Times bombing (which had occurred in the midst of a union
dispute and left 20 employees dead) to the International Association of
Bridge and Structural Iron Workers. His efforts contributed to the convic-
SKULDUGGERY IO3
tion of two union members. The New York Times christened him "the great-
est detective certainly, and perhaps the only really great detective, the only
detective of genius whom this country has produced."
Not one to practice false modesty, Burns would have found little to quar-
rel with in the Times'* assessment. Short and stout with florid jowls and
flaming red hair and mustache, the investigator, according to his official
biographer, "was far more suggestive of a successful salesman or even a
theatrical personality than a highly skilled detective." Featured speaker of
the Alkahest Lyceum and Chautauqua System, friend of Sir Arthur Conan
Doyle and subject of a series of obsequious film biographies— one of which,
The Exposure of the Land Swindlers, had drawn crowds to Atlanta's Al-
cazar Theater earlier in 1913— Burns had achieved a status rivaling that of
the era's movie stars.
Since the Grand Panjandrum himself was abroad tracking a wealthy
missing person, it fell to the director of his Chicago office, a detective
named C.W.Tobie who'd helped crack the Los Angeles Times case, to set up
the Atlanta operation. Shortly after arriving in town, Tobie received an
eight-hour briefing from Dorsey. At the session's close, the solicitor, while
not casting his lot with the Burns agency, came close: "I gladly welcome Mr.
Burns. I welcome his investigator who is now on the job. I will give him and
his staff complete co-operation." In return for such support, the Burns
operative agreed to submit copies of his daily reports to the solicitor.
Predictably, news that William Burns was on the job— and that Dorsey
was glad to have him— did not sit well with Chiefs Beavers and Lanford,
who perceived the development as yet another insult and threat. If possible,
Harry Scott was more upset, as the Pinkertons had recently lost one of their
most lucrative clients— the 11,000-member American Bankers' Associa-
tion—to the Burns Agency.
Consequently, Tobie, despite the glowing advance notices, began work
in a climate of mistrust. Avoiding the press, the detective visited Marietta
to familiarize himself with the dead girl's family and friends, then he trav-
eled to an unidentified South Georgia town to search for a previously
unremarked-upon boy rumored to have accompanied Mary to the factory
on April 26.
By May 20, reporters had smoked Tobie out, and if the statements
he gave are any indication, everything he'd learned tended to reinforce po-
lice findings. "The girl was lured into the rear of the second floor, on which
were found the blood spots and hair strands," he told the Constitution.
"Advances were made. She resisted, attempted to flee. A scuffle ensued.
Blind with madness, she was struck. She fell backward. Her head struck the
lathing machine. While still unconscious, the garrote was formed in the
104 AND THE DEAD SHALL RISE
wrapping cord. The body was lowered to the basement. Hoping to direct
suspicion to another source, the slayer penned the mysterious notes."
In less strained circumstances, Tobie's analysis almost certainly would
have delighted both the police and the Pinkertons. Instead, those by now
understandably defensive men seized on a comment the operative didn't
even make, a remark— prof erred by a powerful Atlantan instrumental in
contracting the Burns Agency— suggesting that contrary to Tobie's own
modest claims, he had in actuality inaugurated "a new phase [in the] inves-
tigation, one entirely overlooked before that will be productive of startling
developments."
Both John Black and Harry Scott were quick to respond to the rebuke
they perceived in the words "entirely overlooked." Declared the city detec-
tive: "We have overlooked nothing. We have run to earth countless thou-
sands of rumors, and we have worked systematically." The Pinkerton man
echoed his friend: "We have overlooked nothing."
Meanwhile, Tobie imported a new fingerprint expert— P. A. Flak, a
Briton with offices in New York— to examine both Leo Frank and Newt
Lee. But before long, the Burns agent hit a wall. With witnesses reluctant to
answer questions and behaving as "if they were under instructions," he
sensed that "some secret" force was "obstructing] his efforts at every turn
of the road."
Tobie's problems didn't stop there. Rumors that he had once abducted a
baby soon began circulating around Atlanta. As it happened, Tobie had in
fact whisked a child out of one parent's hands and into the other's during
a custody case in Kansas, but "kidnapping" was too strong a word for it.
Nonetheless, the operative soon found himself spending as much time
denying accusations as he did investigating the Phagan murder.
Tobie, in short, had stumbled into a conflict that eclipsed the one be-
tween Hugh Dorsey and the police, a conflict that threatened to turn Leo
Frank into a pawn in a battle between divergent factions at war over
Atlanta's future.
The events that not only contaminated the investigation with the stench of
local politics but exacerbated the religious and class tensions inherent in
the affair cannot be understood without addressing the man who'd engaged
the Burns Agency. Thomas B. Felder was one of the best-known lawyers in
the South, an audacious figure both personally and professionally. Every-
thing about the Colonel— as the 48-year-old Felder, in the best Southern
tradition, was known— bespoke grandiosity. In appearance, he was a cane-
carrying popinjay. In conversation, he was a self-promoter. And in society,
he and his wife, Ann— president of the Atlanta Players Club— were on inti-
SKULDUGGERY 105
mate terms with all the quality folk, among them Georgia's first lady of the
theater and her husband, the governor-elect. With Sallie Slaton starring in
the Players Club's spring production of The Importance of Being Earnest,
the Felders and the Slatons were frequently linked in print, whether it was
in an item reporting their presence at a postrehearsal supper party or one
praising the women for loaning their respective silver tea services for use as
stage props.
To his social and financial peers, it little mattered that Felder had played
a pivotal part in one of the day's most outrageous legal escapades. As coun-
sel to Charles W. Morse, Felder represented a man whose name had be-
come synonymous with stock market scandal. Though often referred to
as the "Ice King" for his role in a 1906 plot to corner New York's commodi-
ties market in ice, Morse was best known for his 1907 run on United Cop-
per, a plunge setting off a collapse that bankrupted numerous trusts and
threatened the market itself until J. Pierpont Morgan— in a history-making
show of force— stopped it single-handedly. In 1910, Morse had been con-
victed of tampering with the books of the Bank of North America and sen-
tenced to fifteen years at Atlanta's Federal Penitentary. Enter Felder. In
19 1 2, after examinations by government doctors showed that Morse was
dying of Blight's disease, Felder had applied to President William Howard
Taft for an executive pardon, which Taft had granted.
Even at the time, the Morse pardon exuded a whiff of impropriety. Many
were those who doubted whether Morse was truly suffering from a fatal ill-
ness. As 1912 became 1913 and the Ice King had yet to expire, the doubters
had multiplied. Either the government had employed bad doctors— or
Thomas Felder was an exceptional lawyer. Whichever, Morse recovered,
and the news would eventually emerge that he'd faked the symptoms of
Blight's disease by imbibing a cocktail consisting of various irritating soaps.
Morse would remain among the living until 1942.
Thomas Felder was not judicial timber, although nearly everyone in his
circle was aware of that long before the Morse pardon, for he had floated
into Atlanta society on a veritable stream of alcohol. Just how many brew-
eries, distilleries, distributors and bar owners the Colonel counted as clients
is uncertain (40 was the number critics bandied about), but what it all added
up to was an undeniable reality: Felder was the city's reigning liquor lawyer.
Yet Felder's alliances with Atlanta's racier sorts ultimately ran deeper,
for he was closely associated with that fashionable rake who until just six
months before the Phagan murder had purveyed not only hooch but har-
lots. The Colonel was counsel to Charles C. Jones, proprietor of the Rex and
deposed prince of Mechanic Street— the man who'd been the primary tar-
get of Chief Beavers's campaign against the houses in the city's midst.
Felder's ties went all the way to the office of Atlanta's bibulous mayor.
106 AND THE DEAD SHALL RISE
Jimmy Woodward was also one of the Colonel's cohorts. And what had the
mayor been up to in the months since the restricted district was shuttered?
Most recently, he'd been canvasing members of the police commission to see
if he could secure the votes necessary to topple the Beavers administration.
All of which explains why Beavers and Lanford were dismayed when,
only a week after Mary Phagan's murder, Colonel Felder— who'd never
expressed any interest in the plight of Atlanta's poor working girls and who,
as an associate of Jones, could even be said to be an exploiter of the class
and sex— announced that several of little Mary's Bell wood neighbors had
employed him to investigate the crime. Skepticism mounted following
Felder's May 13 visit to New York, where he engaged the Burns Agency,
then increased further on May 16, when he unveiled a subscription drive
to raise $5,000 that would subsidize the renowned detective. By the time
Felder issued his first statement on the case— the one claiming that the
authorities had "entirely overlooked" crucial clues— Beavers and Lanford
were convinced that he was attempting to use the Phagan probe to promote
his own nefarious agenda.
The debate over Felder's motives came to a head on May 17 when he
released the names of those Atlantans who'd thus far contributed to his
fund. Not that the Colonel was all that forthcoming. For one thing, he said
that many of his backers— among them a dozen "business leaders" and
"society ladies"— had requested anonymity. But of the supporters whom
Felder was willing to identify, one was the aforementioned Charles C. Jones
and the others were Jews, most notably the industrialist and Chamber of
Commerce official William J. Lowenstein and the philanthropist Joseph
Hirsch. For Beavers and Lanford, the connections seemed obvious. Here
was proof that Felder and by extension Burns were allied with a group that
included Frank, his religious and economic peers and the flesh peddlers and
corrupt politicians who'd opposed the police department's war on vice.
Lanford's suspicions were, of course, only that. To discredit Felder, the
detective chief needed evidence, and on May 17, he got some in the form of
a notarized affidavit signed by Mary Phagan's stepfather, John W. Coleman:
The affiant, while at the police station during the coroner's inquest . . . was
approached by a man somewhat under the influence of liquor, [who] said
to the affiant, "I am working for the law firm of T. B. Felder, and I would
like to have you go to his office, as he wants to see you, and I advise you to
employ him." Affiant said, "No, I won't go to his office." The piker then
said, "Will you talk to Colonel Felder if I bring him here?" whereupon the
affiant agreed ... He came back in a few minutes with Felder. Colonel
Felder then said, "I want you to employ me to prosecute this case. It will
SKULDUGGERY 107
not cost you a cent." The affiant told him he did not want to employ
him . . . and affiant did not employ him.
Had the statement concluded here, it might not have raised any eyebrows.
But in a distinctly Lanfordesque addenda, it continued:
Affiant is thoroughly satisfied with the great work done by Chief of Police
Beavers and Chief of Detectives Lanford and the able men working under
them, as he believes, as thousands of others do in Atlanta, that they have
the real murderer in jail . . . The affiant cannot reconcile himself to the
conduct of Colonel Felder, who is posing as a prosecuting attorney and
wanting five thousand dollars from the people of the City . . . The affiant
does not believe [Felder is] anxious to prosecute the men under arrest.
Whatever the affidavit's provenance, Lanford now possessed a docu-
ment that could scuttle Felder. After locking the statement in a safe, the
detective chief made his move.
On Sunday, May 18, Felder picked up the telephone at his home in the
North Atlanta suburb of Buckhead and heard a familiar voice. Arthur S.
Colyar, Jr., a self-described freelance writer and investigator who'd assisted
the Colonel in previous adventures, was calling to say that Lanford had
obtained the Coleman affidavit. Furthermore, Colyar implied that he knew
a disgruntled police employee who for a price would provide Felder with
the item before it could be used against him. His curiosity piqued, the
Colonel invited Colyar to confer with him the following afternoon.
At the appointed hour, Colyar, accompanied by none other than C. Gay
February— Lanford's secretary and the man who'd penned the fake affi-
davits at the heart of the 1910 police scandal— appeared at Felder's office to
broker a deal. The terms: For $1,000 and freedom from prosecution, Febru-
ary would turn over not just the Coleman statement but a graft list reveal-
ing that Beavers and Lanford, their crackdown on the restricted district
notwithstanding, were on the take from a new generation of madams in far-
flung locales. Now genuinely intrigued, Felder agreed to another session,
this one on neutral ground.
Around 3 p.m. on Wednesday, May 21, Thomas Felder entered the
Williams House, an aging but still popular hotel located on Forsyth Street a
few blocks north of the National Pencil Company. Awaiting him in Room
31 were Colyar, February and an innocuous-looking wooden chest. Nestled
imperceptibly beneath a slightly ajar drawer were two transmitters. Several
red wires hidden in the crevices of the chest snaked away from these cun-
ningly positioned bugs, disappearing into the keyhole of a door that opened
108 AND THE DEAD SHALL RISE
into an adjoining room. Behind that door was a Dictograph with its opera-
tor, headphones clamped over his ears, standing by.
After voicing a few pleasantries, Felder broached the subject that had
brought the men together.
"Now what I say to you is strictly confidential," he began. "Day before
yesterday, I saw Woodward."
"You saw Woodward, Monday?" Colyar asked.
"Yes. Woodward says now it is all right for you to get the papers, and we
will pay you for them."
At this point, February entered the discussion.
"Let me understand you. You want this Coleman affidavit and all other
Phagan affidavits that I can get hold of?"
"Yes," Felder answered. "Colyar told me that he was to have the evi-
dence that would get those two chiefs out of commission."
"Will $1,000 be paid if we can get the papers?" Colyar inquired.
"Yes," Felder said.
As swimmingly as it all had gone, the conversation ended on a discordant
note when Colyar proposed the East Lake Country Club, a golfing resort
just beyond city limits, as the spot to consummate the transaction. Fearful of
receiving stolen documents outside Atlanta, Felder blanched. He wanted to
do the deed in town. Thus the talks broke off. Yet prior to departing, the
Colonel agreed to summon several associates to continue negotiations.
Late Wednesday afternoon, the second shift began arriving at the Williams
House. First came one of Felder's associates, E. O. Miles, but when Mayor
Jimmy Woodward and Charles C Jones materialized, the magnitude of Col-
yar's catch revealed itself.
"Do you think Frank murdered that girl?" Colyar was soon asking
Miles.
"I never have believed it," Miles replied. "I think the whole case was
handled badly. They had an extra on the street at 6:30. They should have
never allowed all the persons they did on the premises. Just after the mur-
der there were only a few scents and tracks, and the man who did the mur-
der could have easily been tracked. They should have looked for footprints
and fingerprints."
Colyar then posed the same question to Woodward.
SKULDUGGERY IO9
"Phagan case?" the mayor grunted. "I think it has been mighty mussed
up."
After getting these attacks on the record, Colyar maneuvered his prey onto
even more dangerous grounds.
"Did you tell Tom Felder," he asked Woodward, "that you authorized
Felder that if he got the proof for you, you would see that he got paid
for it?"
"I told Felder," the mayor replied, "that on matters of this kind that I
am satisfied that certain parties would be willing to pay the money."
Woodward, in essence, had endorsed the payoff, but Colyar wanted the
mayor to state that he was willing to countenance theft.
"Only two men can get the evidence," Colyar said. "February and Chief
Lanford."
"Get anything that looks like graft," Woodward answered. "I don't care
who it hits, and especially Beavers."
With that, everything— even the spot where the transaction would be com-
pleted (Miles didn't object to East Lake)— was settled, and Woodward
departed, followed soon thereafter by Miles and Jones, who'd been notica-
bly reticent throughout the meeting.
Charles C. Jones may have been, as one reporter later put it, "too foxy" for
the Dictograph, but Thomas Felder and the others weren't so nimble. Not
that many folks could have outmaneuvered this prototypic electronic sur-
veillance device. Nonetheless, Newport Lanford wasn't taking chances. In
fact, he spent much of the next day securing notarized statements from
everyone involved in the sting. The plan was to arrest Felder, stolen papers
in hand, at the East Lake Country Club, then deluge the press with a bliz-
zard of transcripts and depositions. With one flourish, the detective chief
intended to vanquish not only the individuals who'd expressed doubts
regarding the department's Phagan investigation but the cabal of sin mon-
gerers and cosmopolites who opposed Decatur Street's overall war on
wickedness.
There was, however, a central player in the drama whose motives Lan-
ford had not examined. On paper, 46-year-old Arthur Colyar seemed reli-
able. The son of a former publisher of the Nashville Banner and grandson of
110 AND THE DEAD SHALL RISE
a former governor of Tennessee, he'd said his only interest in the Felder
case was journalistic (he claimed he wanted to write an expose of municipal
corruption), and the detective chief had believed him. This was a mistake.
Colyar was one of the subtlest knaves ever to hit Atlanta, and as with so
many dishonest souls, he infused every mendacity with an element of truth.
His interest in Felder actually was journalistic— just not in the way the
police imagined. Sometime on Thursday, May 22, Colyar paid a call at the
Journal's newsroom. Toting a valise stuffed with copies of the Coleman affi-
davit, the Williams House transcript and other documents connected with
the probe, Colyar was in the market to sell. And as it turned out, the Jour-
nal's editors, desperate to scoop the Georgian, were in the market to buy.
On Friday, May 23— the day before Lanford intended to apprehend his
quarry— Atlanta was once again bombarded with headlines. Roared the
Journals front-page banner:
COL. THOMAS B. FELDER DICTOGRAPHED BY CITY DETECTIVES
Beneath this screamer, the paper ran out everything it had. Here were
enough scintillating comments and juicy depositions to keep Atlantans en-
thralled for days. More significant, the material portrayed Felder as a slick
grafter and intimated that sinister forces were trying to derail the Phagan
investigation.
Though Chiefs Beavers and Lanford were initially incensed by Colyar's
premature publications, they soon realized how utterly their enemies had
been routed and pressed their advantage. Boomed the double-deck banner
atop the May 25 Journal:
"FELDER IS THE MOUTHPIECE OF THE VICE GANG,"
DECLARES CHIEF JAS. L. BEAVERS
Herein, Beavers vowed he would battle the forces embodied by Felder "to
the finish if I die in my tracks," asserting that "the issue is now between the
decent people of the city and the gangsters who have controlled the city for
years. This has outgrown the Phagan case and has assumed the proportions
of the hottest fight in the political history of Atlanta."
And a fierce fight it was. Felder began his defense by distributing a 5,000-
word broadside to all three newspapers. In this statement, the Colonel,
claiming that the Williams House transcripts had been doctored, dismissed
the entire episode as "but the symptom or manifestation of one of the most
diabolical conspiracies ever hatched by a venal and corrupt 'system.' "Then
the Colonel threw his haymaker, accusing his accusers of the very offense of
SKULDUGGERY III
which he stood accused. Namely, he charged Beavers and Lanford with
undermining the prosecution of Leo Frank.
"I would have the people of this community know," the Colonel improb-
ably proclaimed, "that from the day and hour of the arrest of Leo Frank,
charged with the murder of little Mary Phagan, Newport Lanford and his
coconspirators have left no stone unturned in their efforts to shield and
protect the suspect. [They] have winked at forgery, suborned perjury, and
employed every base agency their low and groveling criminal instincts
could contrive and conjure."
As to what possible motive Beavers and Lanford might have had for
deflecting suspicion from Frank, Felder was quoted as having told an asso-
ciate: "This damned fellow Lanford knows that Frank killed [Mary Pha-
gan], but he has sold out to the Jews for big money which he is getting and
has got, and he is trying to discredit myself in his effort to protect this
damned Jew."
The two chiefs didn't let Felder's allegations go uncontested. Regarding
his claim that the Dictograph records had been doctored, Lanford simply
released the name of the operator who'd transcribed the session— George
Gentry, nephew of the president of Southern Bell Telephone. And as for the
accusation that the police were in Frank's pocket, the detective chief tersely
and credibly responded: "It is easy for anyone to see that there is no police
plot to protect Frank." Then, in a sally worthy of Felder himself, Lanford
added: "As for Tom Felder's charges of graft, all Atlanta knows they are
untrue, unfounded and are but the explosions of a distorted brain— a brain
deformed by years of treachery."
Even more damaging to Felder, the press seconded Lanford's dismissal
of the suggestion that the police had sold out to Jewish money. Noted
the Constitution: "Up until the time Mr. Felder had begun to 'bombard'
the public with statements of his belief in Frank's guilt, it was generally
believed he was in the suspect's employ."
For the embattled denizens of Decatur Street, Felder had turned out to
be a blessing. Yet Beavers and Lanford were unable to capitalize any fur-
ther on their good fortune, and this was because of the man who'd enticed
Felder to take part in the Williams House sessions.
"Career of A. S. Colyar Reads Like Some Story in the Arabian Nights,"
declared the headline atop the May 24 Constitution. The paper's antipolice
sentiments notwithstanding, the facts presented in its account were indict-
ing. From youth, Colyar had exhibited a talent for deception. As a young
man visiting Mexico under false pretenses, he'd been received "with great
eclat" at ceremonies attended by the nation's president. What made the
incident something more than a college-boy prank was that Colyar had
112 AND THE DEAD SHALL RISE
then used his bogus credentials to bilk the American ambassador out of a
sum variously reported as between $1,000 and $10,000. Subsequently, Col-
yar was admitted to the Middle Tennessee Insane Asylum. Soon thereafter,
he fled his home state and had henceforth essentially run amuck, making a
living by romancing rich women and hoodwinking church congregations.
Though Colyar did once serve jail time, the Constitution reported that
"probably no man in Tennessee has imposed so successfully upon the pub-
lic and has escaped so lightly."
Within hours after news of his criminal past hit the streets, Colyar was
under arrest on fraud charges stemming from an outstanding warrant, and
Felder and Mayor Woodward were back in business. Through a friend,
Felder accused the police of fraternizing with "a moral degenerate." Mean-
while, the mayor cackled: "Now isn't Colyar a fine specimen to be hired by
the city detectives." Attempting to deflect such barbs, Chief Beavers main-
tained: "He [Colyar] may be a crook, but it is no uncommon thing for one
crook to turn up another." Felder and Woodward, however, would have
none of it. Indeed, the Colonel proposed that Beavers "be stripped naked
and ridden through Atlanta on a cart with a sign reading 'Reform Chief
hung from his neck."
Where once the Phagan investigation had merely been in danger of
becoming a jurisdictional squabble, it was now degenerating into a calum-
nious rhubarb pitting faction against faction, class against class, faith against
faith.
The first casualty was the Burns Agency, which withdrew from the inves-
tigation on May 27. In announcing the decision, C. W. Tobie noted: "This is
a helluva family row and no place for a stranger. I came down here to inves-
tigate a murder case, not to engage in petty politic[s]. All of this stuff seems
to have been brewing for some time, and it has just now come to the sur-
face." With that, Tobie returned to Chicago, and William Burns was denied
the chance to look into Mary Phagan's murder while clues were still fresh.
For Thomas Felder, the repercussions were worse. As far as the Phagan
case was concerned, the Colonel was finished. Though he would later suc-
ceed in getting a grand jury to investigate the Atlanta police, he had
revealed himself to be not just a servant of Bacchus but a cad and a cur.
In the end, however, the Dictograph episode's only true victim was
Frank. The superintendent would always be suspected of having employed
Felder, and though the charge was never proven, it was never laid to rest.
While it was likely true, as Luther Rosser would subsequently assert, that
"Felder does not, nor has he at any time, directly or indirectly, represented
Frank," Frank's counsel failed to address, much less explain, why such
notable Jews as Lowenstein and Hirsch lent their names to Felder's cause.
The most charitable explanation was that these men, fearful for one of their
SKULDUGGERY 113
own, were duped. Even so, what many Atlantans took away from the
episode was the impression that the Jewish community was in business with
the likes of Charles C. Jones. Thanks to Felder the anti-Semitism Atlanta's
Jews had perhaps prematurely feared might enter the case found a place to
hang its hat. This was not, however, the Colonel's most damaging bequest to
Frank. Felder did his real damage at headquarters. As Rosser would later
put it: "Once Felder charged Newport Lanford with favoring Frank, the
detective settled in his mind the guilt of Frank and from that moment bent
every energy of his department, not in finding the murderer, but in trying to
prove to the public that Felder was wrong in charging him with trying to
shield Frank."
The Dictograph scandal was not without survivors. No matter how badly
Beavers, Lanford and Woodward had acquitted themselves, they had done
nothing out of character and were thus seen no differently than in the past.
But there was only one real winner in the affair— Hugh Dorsey. Exhibiting
uncanny dexterity, Dorsey had perched himself not just above the fray but
in a position that allowed him to keep an eye on both Felder and Decatur
Street. Following his initial daylong briefing of C. W. Tobie, he'd met regu-
larly with Felder regarding the Burns Agency's involvement, and if Chiefs
Beavers and Lanford had been sent packing, he would have been ready to
embrace a new police regime. Simultaneously, however, he had advised
Lanford on the legality of Dictographing Felder and had assured the chief
that it was "perfectly legitimate." Dorsey had played both sides, and he'd
done it with verve. When it had briefly looked as if Lanford might be unable
to locate a Dictograph, the solicitor, knowing full well the chiefs intentions,
had contacted Felder and devilishly sought to borrow his. As it turned out,
the Colonel was unable to supply the gadget and was thus saved from being
hoisted by his own petard.
Adroit, brazen, poker-faced— Hugh Dorsey was all these things, but native
cunning could carry him only so far. Weathering the Dictograph storm
was one matter, but presenting a case to the grand jury was another. Con-
sidering the skeptical response accorded the coroner's jury's finding, Leo
Frank's indictment was hardly a foregone conclusion.
While the Felder affair had raged, Dorsey had devoted most of his
efforts to refining his case. Postponing other trials and twice delaying
the grand jury sessions themselves, the solicitor— aided by Starnes, Camp-
bell, the mystery detective Frank Pond and an assistant named Newton
Garner— had interviewed scores of witnesses. Not surprisingly, much of the
intelligence filtering into Dorsey from both the Pinkertons and the police
focused on the charges of sexual impropriety against Frank.
114 AND THE DEAD SHALL RISE
Whatever the ultimate utility of the intelligence, Dorsey now knew that
some of the specific accusations— among them the "joy ride of heaven"
anecdote and the item suggesting that Frank and a girl who looked like
Mary Phagan had created a scene at Terminal Station the day before the
murder —were false, products, in the first case, of an overheated mind; in the
second, according to the Pinkerton files, of an instance of mistaken identity.
Dorsey also had reason to question the story that had convinced many
Atlantans that Frank had lusted after little Mary— the story George Epps
had told to the inquest. In the wake of Epps's testimony, Pinkerton agent
L. P. Whitfield had visited the victim's mother at her Bellwood home. What
she said, had it been made public, could well have recast the investigation:
Mrs. Coleman also stated that she . . . never heard Mary speak of any boy
friends and that the statement that George Epps made . . . that Mary was a
chum of Epps and that he had an engagement with Mary at a local drug
store was to her mind incorrect, as she had heard Mary say that she
detested Epps and Mrs. Coleman is sure that Epps did not have any
engagement with Mary on Saturday afternoon as stated. Mrs. Coleman
further stated that she has never heard Mary say anything about Superin-
tendent Frank only as an official of the Pencil Company.
Owing to the identity of the Pinkerton agent involved, Dorsey may well
have discounted Mrs. Coleman's remarks. As the case had progressed,
Whitfield, unlike his rival Scott, had begun to believe that Frank was inno-
cent. Nonetheless, Mrs. Coleman's statement— which was, of course, also in
the hands of defense attorneys— was not going to go away.
Yet even as some of the allegations against Frank were coming under
attack, other charges were flooding in. On May 1 1, the Constitution devoted
a chunk of its front page to the story of Robert House, a private detective
who alleged that on several occasions in 1912, he'd observed Frank and an
unidentified girl enter a secluded grove near the Druid Hills subdivision.
Eventually, House said, he'd followed the couple, adding that when Frank
realized he and his consort had been spotted, he'd begged for considera-
tion. "I don't want you to see the girl," House recalled Frank saying. "I
admit that we came here for immoral purpose. Please don't make a case
against us or arrest us. It would disgrace us both. We will leave instantly."
According to House, he'd initially let the matter drop, informing the police
of it only after the Phagan murder.
Hard upon the House revelations, Dorsey received a deposition signed
by a madam named Nina Formby alleging that on the night of the murder,
Frank— ostensibly a good customer— had called her looking for a room in
which he could dispose of Mary Phagan's body. The Formby affidavit, dated
SKULDUGGERY 115
May 11 and taken in Newport Lanford's office by Detectives W.T. Chewn-
ing and J. N. Norris, was from the start a subject of dispute. Lanford insisted
that the statement tied the crime to Frank. But in a May 14 interview, a
"boarding and assignation house" proprietor named Etta Mills told a
Pinkerton man that Mrs. Formby was untrustworthy. "I asked Miss Mills
what she knew of the Famby [sic] woman," noted agent W. D. MacWorth,
"and she stated that the Famby woman was fast and a hard drinker, there-
fore, irresponsible for her talk." When reports that her statement was being
questioned hit the press, Mrs. Formby replied that Frank's supporters were
trying to bribe her, telling the Constitution that on several occasions she'd
been offered large sums to leave town until the Phagan trial ended.
After weighing the character evidence, Dorsey ultimately concluded
that Frank had frequently used his position to force himself upon female
employees and that such an attempt had led to Mary Phagan's murder. As
he would later assert: "Extraordinary passion goaded on this man." Just as
surely, however, Dorsey realized that unless the defense introduced the
issue at trial, any references to Frank's past would be inadmissible.
Which was why even as he was trying to sort through the mass of sexu-
ally tinged evidence, Dorsey was preparing a circumstantial— and far more
circumspect— case. At its core, his presentation to the grand jury would
revolve around time: the time Mary Phagan left home, the time she reached
the factory and, most critical, the time of death. Though Dr. Harris had
yet to complete his lab work and Dorsey would therefore be unable to ad-
vance an exact hour to the grand jury, the preliminary examination had sug-
gested that little Mary had died around 12:15— about the time Frank said
she'd departed his office, about the time Monteen Stover said his office was
empty.
The Phagan grand jury convened at 1 1 a.m. on Friday, May 23, with twenty-
one of the twenty-three jurors present. Journalists, of course, were barred
by law from attending, but Dorsey took no chances. To make sure that nei-
ther prying eyes nor Dictographs penetrated the Thrower Building cham-
ber in which the sessions were held, doors and windows were shut tight,
crevices sealed with papers. Yet even if a reporter had managed to evade
the defenses, he wouldn't have learned much, for Dorsey had decided to
present only the bare amount of evidence needed to secure an indictment.
Despite these precautions, some of what went on during the two days of
hearings leaked, for the Journal reconstructed a rough outline of Dorsey's
presentation. Relying on the testimony of R. P. Barrett, the machinist who
discovered the bloodstains and hair on the factory's second floor, the solici-
tor abandoned his flirtation with the basement as the murder site, opening
Il6 AND THE DEAD SHALL RISE
his case by arguing that the crime occurred in the metal room. Dorsey then
called Dr. Hurt to establish the time of death. Hurt was followed by Mon-
teen Stover. Next came B. B. Haslett, one of the detectives who'd assisted in
the investigation, and James M. Gantt, the dismissed bookkeeper. Both tes-
tified to Frank's anxiety— the former on the day of his arrest, the latter on
the day of the killing.
Advancing a motive, however, was not so easy. As had recently been
made public, Dr. Hurt had reached the startling conclusion that Mary Pha-
gan had not been raped. With Dr. Harris still on the sidelines, Dorsey was
forced to lean on the testimony of two nonexperts: Sergeant L. S. Dobbs,
one of the responding officers, and undertaker Will Gheesling.
The thrust of Dorsey's case was straightforward: Frank, after raping
Mary Phagan, murdered her and then attempted to do away with the
remains. According to the Journal, the most telling aspect of the solicitor's
presentation lay not in his theory but in the fact that he evidently did
not adduce any physical evidence. Regarding the results of the tests he'd
ordered on Lee's shirt and the red spots found near Barrett's workstation,
Dorsey was silent. More remarkably, he didn't address what many saw as
the crime's most significant clues— the murder notes.
If the grand jurors were disturbed by this lack of detail, they gave little
indication of it, evidently taking on faith Dorsey's assurances that at the
appropriate moment, he would reveal all. Once the solicitor left the body to
its deliberations, its members needed but five minutes to return an indict-
ment against Frank. As for Lee, whose case had also been under considera-
tion, the jurors deferred action. He would be held as a material witness
should the state need him later.
Thus Hugh Dorsey had cleared the first hurdle, and what made the vic-
tory impressive was the fact that like most such bodies, the grand jury
was comprised of businessmen who might have been expected to sympa-
thize with Leo Frank. The group's foreman, L. H. Beck, was president of
Atlanta's largest hardware concern. More significantly, four Jews— George
A. Gershon, A. L. Guthman, Sol Benjamin and future Chamber of Com-
merce president Victor Hugo Kriegshaber— sat on the panel. While it's not
known how these men voted (only twelve yeas were required to indict), all
except Kriegshaber (who was out of town) had been on hand. This is a
notable fact, suggesting that initially, Dorsey may well have convinced three
of Frank's coreligionists that his case against the superintendent was sound.
Not surprisingly, Dorsey failed to convince many other Atlanta Jews.
Even less surprisingly, he failed to convince the Georgian. "State Faces Big
Task in Trial of Frank," proclaimed the headline atop its piece on the grand
jury's findings. Focusing on the state's lack of physical evidence, the Hearst
sheet predicted that Luther Rosser was going to have a field day in court:
SKULDUGGERY 117
It is regarded as likely that the defense will claim first of all that the
State has failed to establish Frank's connection with the crime. The defense
will represent that the most the State has done is to establish that he had
the opportunity to commit the murder. Frank never was seen with the girl,
either on the day of the strangling or before. It is not known that he ever
spoke to her except in connection with her work. None of Frank's clothing
has been found with blood stains upon it. No finger prints upon the girl's
body or clothes were identified as his. None of his personal belongings
were found near the girl's body. Absolutely nothing was discovered in the
search of the detectives that fastened the crime on him.
The Georgian also pointed out that there were others in the factory at the
time of the slaying, "this fact opening the way to the argument that it need
not have been Frank who did it." Finally, the paper addressed one of the
more recent sexual allegations, arguing that even if verified, it was irrele-
vant:
Should the State be able to prove beyond a doubt that it was Frank whom
the park guard discovered, the defense will still be able to say that this fact
no more connects Frank with the murder than it does hundreds of other
persons.
Though the Georgian was the only paper to question the grand jury's
decision, it is notable that at this critical moment, no one unconnected with
the investigation praised it. No one, in short, proclaimed the case closed. In
fact, the Constitution— whatever its allegiances to Dorsey— didn't even
report Frank's indictment on its front page, playing it, instead, inside.
SEVEN
That any Negro would lead Hugh Dorsey, the investigators and most
Atlantans out of the wilderness of uncertainty and acrimony and
onto the high plain of clarity and accord was strange enough, but
that a shiftless, no-count Negro would emerge at this juncture in the case
and like some Delphic oracle issue pronouncements that would ultimately
be embraced over the word of a white man suggests nothing less than a
miracle.
James Conley had been arrested back on May i after E. F. Holloway, the
pencil company's day watchman, spotted the Negro sweeper standing at a
second-floor factory water cooler washing red stains out of an old blue
work shirt. His startled reaction— he evidently dropped the garment into a
recess in the floor— suggested he had something to hide, but once he was in
custody, he told a straight tale, swearing that he'd just been trying to rinse
away some rust marks because he had nothing else to wear to the coroner's
inquest. Typical, thought the detectives, who agreed to release Conley as
soon as a chemical analysis of the stains was completed.
During the early days of his incarceration, Jim, as Conley was gener-
ally known, had done nothing to attract his captors' attention. Squat and
chunky with a powerful torso and coarsely handsome features framed by
a broad forehead and prominent jaw and dominated by a strong nose
and slabbed lips, he'd seemed unworthy of curiosity. Only later, noting his
creamy ginger-root complexion, mustache and almond-shaped eyes, would
a reporter observe: "Jim Conley isn't a cornfield negro. He's more of the
present-day type of city darkey."
Jim's initial statement to John Black and Harry Scott— a statement the
detectives didn't even bother to take until fifteen days after his arrest— had
merely confirmed what first impressions suggested. In a long recitation of
his murder-day itinerary, he'd told the investigators:
On Saturday, April 26, 1913, 1 arose between 9 a.m. and 9:30 a.m. and ate
my breakfast. At 10:30 I left the house . . . and went to Peters Street and
visited a number of saloons ... I purchased a half pint of rye whiskey from
a negro who was walking along Peters Street about 11:00 a.m., I paying 40
A CLEAN NIGGER 119
cents for this whiskey. I visited the Butt-In saloon and went back to the
pool tables and saw three colored men shooting dice, and I joined them
and won 90 cents from them. I then purchased some beer, paying 15 cents.
I then walked up the street and visited Earley 's beer saloon, purchased two
beers and wine, paying ten cents for same. This was all the money I spent
on Peters Street, and I arrived home at 2:30 p.m. and I found L. Jones
[Lorena Jones, Conley's common-law wife] there and she asked me if I
had any money. I replied yes, and gave her $3.50 (one dollar in greenback,
and the rest silver money). I drew $3.75 from the pencil factory on Fri-
day ... At 3:30 or 4:00 p.m. Saturday, April 26th, I purchased 15 cents
worth of beer and then returned to the house ... I remained at home Sat-
urday night.
Yet even if the police had discovered a discrepancy in Conley's account,
he still would have been free from suspicion, for he swore he could not do
what the Phagan girl's killer or accomplice, one of whom surely authored
the murder notes, could do: write. No, he was just shuffling Jim, dark and
dim. As another reporter noted: "He talks slowly and deliberately with a
kind of African drawl and some of his vocabulary is so peculiarly 'niggerish'
that it is hard to distinguish, at times, what he means."
Little is known about the 29-year-old Conley's youth beyond the fact
that he was born in Atlanta and that his parents worked at the busy Capital
City Laundry on Mitchell Street. But if his job history can be taken as a
guide, his life had been filled with hardship and trouble. During his teens, he
sawed wood at a lumberyard. At twenty-one, he hired on at a South Forsyth
Street stable. After a year grooming horses, he graduated to handling them,
laboring first for Orr's Stationery Company as a delivery boy, then for a
physician as a buggy driver. In 191 1, Jim went to work at the National Pen-
cil Company. Initially, he was assigned to the respected and visible position
of elevator operator, but not long before the Phagan murder he was busted
down to sweeper and was evidently in danger of sinking lower. By all
accounts, he had a drinking problem, and according to E. F. Hollo way, it had
grown intolerable. "About a week before the crime was committed," the
day watchman told the Georgian, "the forelady of the trimming and finish-
ing department, Miss Eulah May Flowers, went to the top floor of the build-
ing to look over the stock of boxes. When Conley was not sweeping, he was
supposed to fill the box-bin with boxes. When Miss Flowers moved toward
the bin to look in she stumbled over a form. She screamed and fell back. It
was Conley. He was dead drunk."
Neither this position— prone— nor this condition— liquored up— was
new to Conley. He had been arrested so many times for drunk and disor-
derly conduct that he'd adopted the alias of Willie Conley in the hope that
120 AND THE DEAD SHALL RISE
he could stay one step ahead of the law. Most of his crimes had resulted in
mere fines, but on several occasions, the offenses (among them a rock-
throwing incident and an armed robbery attempt) had been more serious,
and he had served two sentences on the chain gang. Three months before
the Phagan killing, Jim had fired a shot at Lorena Jones, whom he did
not hold in high esteem. (In his initial statement, he told the police:
"This woman is not my wife ... I have [only] been having intercourse with
Lorine.") Though Jim's aim proved faulty, he did graze another Negro
woman standing nearby. The incident earned him a stay in jail.
Here again, though, none of this prompted questions by the detectives
probing the Phagan murder. To them, ignorance, inebriation and a predis-
position to violent outbursts were common black vices. That Conley might
in reality have been a complex character, that he might have emerged from
a society that had inculcated him with a heritage as various and an intelli-
gence as keen as any white man's, was not considered.
Like the more populous and infinitely more powerful white city it stretched
across, in writer W.E.B. Du Bois's phrase, "like a great dumbbell . . . with
one great center in the east and a smaller one in the west," black Atlanta
was deeply divided along lines of class and wealth. Similarly, the colored
masses not only outnumbered the erudite few, they made the bigger noise.
Vine City— black Atlanta's western hub and Jim Conley's home— lay
just beyond the spires of downtown's Terminal Station. This pie-shaped sec-
tion of eroded red-clay hills and gullies was wedged between a railroad
right-of-way and the all-black Atlanta University complex, which included
not just AU but Clark, Spelman and Morehouse Colleges. The neighbor-
hood had accommodated a majority of the new arrivals who since 1890 had
doubled the capital's Negro population. Here, in shotgun shanties lining
unpaved, refuse-choked streets, unskilled men, women and children lured
from the depressed agricultural counties to the south by, as one put it, "the
smell of money" inhaled instead the acrid aromas of raw sewage and disap-
pointment. Here, human suffering was quantifiable: the average life span
was thirty-five years.
Vine City's primary export to white Atlanta, at least as measured by the
press, consisted of gambling, guzzling and gunplay. The neighborhood was
the site of countless "Negro Monte Carlos," gathering spots, in the Journal's
estimation, for the "colored man who could no more keep out of a crap
game than he could resist a slice of red watermelon on the hottest day of
July." Then there were the section's many "blind tigers," sources of refresh-
ment and, like the illicit casinos, objects of frequent police raids. In these
A CLEAN NIGGER 121
parts, things were lively, and when they were not, they were often deadly.
The April 2, 19 13, Constitution carried a typical dispatch out of Vine City:
After an evening's festival and entertainment, a score of negro merry-
makers at 45 Rock Street were thrown into excitement when shooting
broke out among several of the celebrators and one of them, George Ben-
son, dropped down dead at the hour of midnight. From midnight till dawn
of yesterday morning police and detectives were busy searching the neigh-
borhood arresting all they could find who were known to have been at the
ill-fated carousal.
Sooner or later, many Vine City residents appeared before Judge Nash
Broyles, the longtime magistrate of Atlanta's Recorder's Court. "Jedge
Briles," as he was known to blacks, meted out justice to a disproportionately
high number of Negroes (of 14,045 cases tried in 1900, 9,500 involved
blacks). For reporters, the judge's courtroom was a prime source of mate-
rial, and for novices, a visit constituted a rite of passage. Shortly after
Harold Ross arrived in Atlanta, the Journal dispatched him there. Writing
in his characteristic first-person-plural voice, he recorded what he saw:
Being of that vast class of society which calls itself respectable, we have
never been in police court before and are, therefore, shocked by what con-
fronts us. Negroes— scores of them— banked up on tiers of benches on one
side of a railing which divides the room in half, a dozen policemen lolling in
chairs near the judge's rostrum— all of this is disconcerting. It is not even a
pleasing sight. But we are out to see the police court! So we will subdue for
the nonce our first and decidedly respectable inclination to leave and take
seats among the policemen.
Most reporters who spent time in Judge Broyles's court found the assign-
ment more congenial than Ross's account suggests he did, cranking out
sketches that reinforced white Atlantans' views. A Constitution account of
some byplay that ensued one afternoon in 1910 during a debate between
Broyles and a Negro defendant regarding the identification of a certain
powdery white substance is emblematic:
"Shucks, jedge, I'll just show you dat ain't no cocaine." Two long, black
fingers trembling with eagerness shot across the bar of justice and dipped
into the little black box which Recorder Broyles held in his hand and an
instant later, Ben Green, a denizen of Darktown, was smacking his lips in
absolute disregard of fines or jail sentences. Ben had had his "dose."
122 AND THE DEAD SHALL RISE
Predictably, the citizens of Vine City were not amused by Nash Broyles.
Over the years he had sentenced thousands of them to the Atlanta Stock-
ade. The prison— which even now dominates a high bluff on the city's east-
ern fringes— took its cue architecturally from the Tower, right down to the
crenellated ramparts. But where the Tower merely looked medieval, the
Stockade was a genuine throwback. A 1909 investigation by the Georgian
determined that cell blocks were infested by rats. Inmates wore riveted
shackles, and troublemakers were strapped into the "bucking machine," a
device of the warden's own invention. Among the blacks tortured in this
apparatus was a thirteen-year-old girl who later died. As Judge Broyles
freely admitted, he would never consign white children to the stockade, for
"to do so would mean their complete ruin."
That Atlanta's Negroes did not demand better treatment— that they did
not rise up in protest— was due to the vigilant efforts of the twin hobgoblins
the city's whites had contrived to keep them in their place: Jim Crow and
Judge Lynch.
Atlanta was the capital not only of the New South but of the Jim Crow
South. In 1905, the Georgia general assembly, responding to the influx of
blacks pouring into the city, had enacted one of the region's first Jim Crow
ordinances, the Separate Park Law. Soon thereafter, restaurants, bars, train
cars, barbershops, elevators, the Grant Park Zoo, haberdasheries, even the
Carnegie Library were segregated by race.
Atlanta's Negroes were also held in check by an ominous extralegal
authority. Between 1882 and 1930, Georgia recorded 508 lynchings (only
Mississippi eclipsed this number). "In almost every other state," one his-
torian later noted, "the practice hit a peak between 1880 and 1900 and
remained steady or declined thereafter; however Georgians lynched more
blacks between 1900 and 1920 than they had in the previous twenty years."
Most such atrocities took place in rural communities, but not always.
On a Saturday afternoon in late September 1906, Atlanta's 3 afternoon
newspapers— the Journal, the Georgian and the Evening News (soon to
merge with the Georgian)— had reported the rape of a white woman by a
"black fiend." With the state having just endured a gubernatorial campaign
that turned on the issue of disfranchising Negroes, the stories were incendi-
ary. Still, a disaster might have been averted had it not been for the News. In
the space of just a few hours, the paper issued several extras, each bannered
by irresponsible and fallacious headlines: two assaults, third assault,
fourth assault. By sundown, some 5,000 angry whites had gathered on
Decatur Street. From the top of a car, Mayor Jimmy Woodward had begged
for calm, but the crowd ignored him. By 11:00, the mob had increased to
11,000, and its members were well armed— one hardware store sold $16,000
A CLEAN NIGGER 123
worth of guns and ammunition that evening. It was at this point that shots
rang out. The two black barbers on duty at Herndon's Barber Shop offered
no resistance, but they were murdered anyway, their bodies dumped at the
foot of the Marietta Street monument to the bard of the New South, Henry
Grady. Thereafter, chaos reigned. As one contingent of rioters bludgeoned
a crippled black shoeshine boy in the middle of Peachtree Street, another
stormed a hotel, killing three Negro passersby. A third group breached a
trolley station and began pulling black passengers from their seats. All the
while, the police refused to intercede, and Governor Joseph M. Terrell ini-
tially turned down a request to declare martial law.
By the time the militia was summoned, the worst was over. When Sunday
dawned, 20 Negroes lay dead.
Sunday night, when the reassembled white mob marched again— this
time on Darktown, the east side counterpart to Vine City— the torch-
carrying vanguard was met by a hail of bullets, and its members retreated.
As the evening wore on, several other assaults were similarly repulsed.
Atlanta's Negroes, armed with guns shipped south in caskets earlier in the
summer by a Chicago undertaker, had made their stand. While fighting
would resume on Monday, black leaders cited the defense of Darktown as
the turning point in the conflict. The irony here was not lost on these lead-
ers. In the words of William Crogman, future president of Clark College:
"The whites kill . . . good men. But the lawless element, the element we
have condemned fights back, and it is to these people that we owe our lives."
When the rioting ceased, 25 Negroes were dead, and 150 had been
wounded. (Just one white was listed as killed, although years later a black
mortician asserted that the police, striving to minimize casualties, ordered
him to bury several whites in Negro cemeteries under cover of darkness).
Moreover, a terrifying message had been delivered. A letter to the Geor-
gian's editor put it succinctly: "Let's continue to kill all negroes who commit
the unmentionable crime and make eunichs of all new male issues before
they are eight days old." Though such surgical solutions were not in this
instance implemented, the effect of such talk was profound. In the wake
of the 1906 clash, "good darkeys" bowed and shuffled a bit more obsequi-
ously, while "bad niggers" juked and jived a bit more cartoonishly. Either
way, they kept out of white folks' line of fire by sinking into minstrel show
Negroism. (For those who protested, retribution was swift. Jesse Max Bar-
ber, editor of Atlanta's Voice of the Negro, fled to Chicago after the author-
ities threatened to sentence him to the chain gang unless he retracted a
letter to the New York World accusing Atlanta's newspapers of instigating
the riot.) The extent to which such behavior was an act varied from indi-
vidual to individual, but one thing is certain: Only a damn black fool would
124 AND THE DEAD SHALL RISE
not have acted like a damn black fool had he found himself in Jim Con-
ley's shoes.
Despite the fact that Jim Crow and Judge Lynch were so firmly ensconced,
an altogether different black Atlanta— one of financial and cultural attain-
ment—was arising a few blocks north of Darktown as well as around the
west-side Negro colleges. This community was spurred by catalysts from
both without and within Dixie.
The catalyst from without was the very embodiment of America's Robber
Baron might: John D. Rockefeller. Since 1882, when he donated $250 to the
struggling all-black Atlanta Female Baptist Seminary, Rockefeller, a devout
Baptist, had functioned as the great white angel to the city's education-
minded Negro aspirants. In 1884, when the Standard Oil magnate and his
wife, the former Laura Spelman, visited Atlanta to check on the seminary's
progress, the trustees changed the school's name to Spelman College. In the
wake of this emotional event, Rockefeller began buying land on Atlanta's
west side, providing the real estate not only for Spelman's expansion but for
two new colleges for Negro men— Clark and Morehouse. In 1886, Rocke-
feller Hall, Spelman's first brick building, was completed, and over the years
it had been joined by other impressive structures. By 1913, graduates noted
for their Christian zeal and Victorian manners were marching forth yearly
from these institutions.
The catalysts from within were, in their way, also Rockefelleresque—
visionary black capitalists who saw in the vacuum the Jim Crow South had
created fertile ground for businesses that could provide goods and services
to the neglected Negro market. On April 1, 1913, several hundred well-
dressed Negroes had gathered on Auburn Avenue, Atlanta's Great Black
Way, to dedicate the most visible manifestation of this homegrown Negro
achievement: the $110,000, five-story Odd Fellows Building, the city's first
office structure paid for and built by blacks and as such a symbol of the
race's strivings.
Like several of Atlanta's other notable Negro enterprises— most espe-
cially Standard Life Insurance and Atlanta Mutual Life— the Odd Fellows
offered something blacks could not obtain elsewhere: loans at fair rates. By
1916, the society boasted assets of $1 million.
In most cases, the fiscal well-being of fledgling black concerns like the
Odd Fellows was precarious. In the 1920s, the Odd Fellows, owing to a feud
among members, collapsed into receivership, while Standard Life fell into
the hands of outsiders. Still, that such operations had opened their doors at
all signaled a new day for Georgia blacks, and in the case of Atlanta Mutual
A CLEAN NIGGER 125
Life, which was a genuine and enduring success, the benefits were not just
monetary.
Atlanta Mutual was the brainchild of Alonzo F. Herndon, who domi-
nated not only the black community's finances but its politics (he helped
found the NAACP). And he owed it all to his skills in the tonsorial arts.
Simply put, Herndon gave a stylish haircut.
Born a slave, Herndon had opened his eponymously named barbershop
shortly after arriving in Atlanta in 1882. Due to his deft touch with a blade
and his elegant bearing, Herndon's business prospered from the start,
attracting an all-white clientele that included lawyers and politicians from
every part of Georgia. Eventually, Herndon moved uptown to Peachtree
Street, in 1913 expanding and redecorating his shop. Now Dixie's Beau
Brummels entered this manly sanctum through sixteen-foot mahogany-
and-beveled-glass doors (copies of a pair Herndon had admired during a
vacation to Paris) that opened into a room tiled floor to ceiling in white
marble and lit by bronze electric chandeliers. Lining the walls, twenty-three
chairs attended by liveried Negro barbers beckoned.
By keeping the South's white bosses talcumed and trimmed, Herndon
became a millionaire, and in 1905, he founded Atlanta Mutual. Within six
years, the business had grown from a one-room outfit into a behemoth
boasting 70,000 policyholders and 84 branch offices.
Herndon's enduring legacy to black Atlanta can be seen in the institu-
tions he endowed, institutions that not only provided a setting for Negro
society but cast spiritual and educational light into the firmament. At the
center of his elite black universe stood the First Congregational Church, a
stone chapel that to this day presides over Courtland Street in East Atlanta.
The building was erected in 1908 and featured a library, a small gym and
cooking facilities that were the envy of both black and white Christians
throughout the city. The men and women who filled the sanctuary on Sun-
days included lawyers, educators and doctors who gave their prayers to
God and their votes to the Republican Party. Testifying to the congrega-
tion's ties to the party of emancipation is the fact that President Theodore
Roosevelt attended the dedication services.
In the end, what made the First Congregational Church a force in black
Atlanta was its pastor. The Reverend Henry Hugh Proctor stood six feet six
inches tall, and out of doors he always wore a black Stetson and a long
black double-breasted jacket with a two-button flyaway tail. "When you
saw him walking down the street," recalled his friend and parishioner Kath-
leen Adams, "you knew he was a godly man. Small children pictured God as
looking like him." But Proctor was not godly just in bearing. Son of a Ten-
nessee slave, he was a graduate of Nashville's Fisk University and had stud-
126 AND THE DEAD SHALL RISE
ied at Yale's Divinity School. (He did not finish his doctorate, but he
completed a thesis entitled "The Theology of Slave Songs.")
Despite Proctor's academic affinity for Negro spirituals, his pulpit styl-
ings bore no resemblance to those soulfully gyrating, amen-riddled per-
orations that left congregations in so many of Atlanta's black houses of
worship slain in the spirit. Declared Kathleen Adams: "Reverend Proctor
was a teacher in his pulpit. His language was superb and dignified. The only
man I ever heard who matched him was W.E.B. Du Bois. Church was used
as a schoolroom."
Henry Hugh Proctor's friends included the great Negro leaders of the
era. When visiting Atlanta, Booker T. Washington usually stayed with him.
At the same time, Proctor was on good terms with the renowned educator's
avowed foe, Atlanta University's W.E.B. Du Bois, whose book The Souls of
Black Folk took Washington to task for capitulating to the white man's view
that black colleges should provide industrial as opposed to liberal arts edu-
cations.
That Proctor could maintain a relationship with a radical such as Du Bois
(the author, sociologist and NAACP cof ounder resigned from Atlanta Uni-
versity's faculty in 1910 after his militant opinions led to a clash with the
administration) bespoke great diplomatic skills, for he was himself a concil-
iator when it came to whites. Proctor's sermons were often homilies taken
from the lives of such men as Rockefeller and Roosevelt. Meanwhile, he
regularly solicited funds from the likes of Coca-Cola's Asa G. Candler.
Then there was the fact that his Negro critics accused him, so to speak, of
harboring Caucasians in the woodpile.
The charge against Proctor and his parishioners was based on skin pig-
mentation, but in a broader sense, it went to the heart of the divide that sep-
arated Atlanta's uptown blacks from their poor country cousins. Benjamin
Davis, publisher of the city's most combative Negro newspaper, the Atlanta
Independent, frequently articulated the complaint. In his editorials, Davis
accused Proctor and his flock of "having exclusive mulattoes in their society
and for their associates." He believed that the Congregationalists practiced
their own form of segregation.
Davis was particularly vexed by the sponsors of a 19 14 black medical
convention who asked that "only light-skinned Atlanta negroes" attend
their soiree. He also resented the fact that the Owls, Atlanta University's
most exclusive fraternity, selected members "on color and financial status."
As John Dittmer notes in Black Georgia in the Progressive Era, igoo-1920:
"Mulattoes as a group had economic and educational advantages dating
back to slavery, when they made up a disproportionately large percentage
of house servants and free blacks. As sons and daughters of slaveholders
they often received special training and privileges . . . Subsequent economic
A CLEAN NIGGER 127
success enabled them to educate their own children, who in turn became
doctors, teachers, and business leaders." Recipients of this good fortune dis-
played prejudice toward the rural blacks who by 1900 had begun streaming
into the city. Kathleen Adams spoke for her crowd when she snapped: "I
remember when Martin Luther King [Sr.] came to town in the back of a
wagon." (When the father of the civil rights leader arrived around 1919, he
actually drove a Model T, but by his own confession, he was a "country
bumpkin.")
Yet the hauteur of this light-skinned aristocracy notwithstanding, Ben-
jamin Davis's reasoning collapsed in the face of one inarguable fact: Nei-
ther Jim Crow nor Judge Lynch bothered making the distinctions that so
troubled him. Furthermore, men like Herndon and Proctor, while clearly
sophisticates, earnestly attempted to raise up the very Negroes whom Davis
believed they scorned, and their principal vehicle was education. As Proc-
tor liked to say: "Our church is the mother of Atlanta University."
First Congregational provided Atlanta University's endowment. To be
sure, AU and neighboring Morehouse, Clark and Spelman exposed their
students to a life beyond the ken of the Vine City children who lived within
sight of the AU clock tower. (Freshmen grappled with Cicero's De Senectute
and De Amicitia and Xenophon's Anabasis, while seniors took Du Bois's
Afro-American history class.) But the colleges' alumni and by extension
the Negro gentry did not ignore their unlettered brothers and sisters. Many
graduates of Atlanta University went into Vine City and, in classrooms that
public school superintendent William Slaton, the governor-elect's brother,
termed "a disgrace to civilization and unfit for cattle," taught youngsters to
read and write. Forty-five percent of the city's Negro teachers were AU
products, and most of the others came from Morehouse and Spelman.
It was in this way that Atlanta's black aristocracy ministered to the mul-
titude. Here was how even the unlikeliest of Vine City characters could
have acquired the tools that enabled initiates to decipher and form written
words and enter the larger world.
While it never would have occurred to Detectives Black and Scott to ask,
Jim Conley was one of these initiates. Indeed, he'd been directly touched by
the institutions John D. Rockefeller, Alonzo Herndon and Henry Hugh
Proctor built. In the late 1890s, Jim had attended Mitchell Street Elemen-
tary, Atlanta's best Negro public school. There, he'd been tutored by Alice
Carey (Spelman, 1893) and Ara Cooke (Atlanta University, 1896). Mrs.
Carey was Mitchell Street's principal, Miss Cooke a teacher, and though
they had Jim as a pupil for only two years, by the time he left, he could read
and write.
128 AND THE DEAD SHALL RISE
Just how long Conley thought he could fool John Black and Harry Scott
with his impersonation of a mumbling, subliterate Rastus is unknown. Most
likely, he believed the detectives would never catch on. Yet on Friday,
May 16, the police began to perceive their prisoner if not for who he was,
then at least for who he wasn't.
This revised portrait of Conley might never have emerged had not two
Pinkerton operatives paid a call at the Southwest Atlanta home of Mrs.
Arthur White. Why it had taken the detectives so long to renew their interest
in Mrs. White— who'd figured previously in the investigation due to the fact
that on April 26 she'd dropped by the factory to see her husband, one of the
mechanics who'd been working on the fourth floor— is uncertain. In their
initial meeting, Leo Frank had told Harry Scott that Mrs. White had men-
tioned seeing a strange black man lurking in the lobby during her visit. At the
time, no one followed up, but upon hearing Mrs. White repeat the story ("To
the best of her recollection," the Pinkertons reported, "he was a black negro
and dressed in dark blue clothing and hat"), the agents thought of Conley.
After finishing with Mrs. White, they rushed to headquarters. There, in a con-
ference with John Black, they inquired into the status of the man who at this
juncture had been sitting uncharged in the police lockup for two weeks.
What inspired the detectives' next move has always been disputed. Sub-
sequently, Frank would claim that he was "the man who found out or paved
the way to find out that Jim Conley could write," asserting that upon learn-
ing of the authorities' interest in Conley, he sent a messenger bearing this
intelligence to the Pinkertons. Perhaps so, but in the report the agents sub-
mitted to both defense counsel and the police, they failed to mention
Frank's contribution. They wrote that following their meeting with John
Black, they had gone to the National Pencil Company and questioned E. F.
Holloway and assistant superintendents Herbert Schiff and N. V. Darley as
to Conley's ability to write. It was there, they reported, that "Mr. Holloway
stated that Conley could read and write for he had often seen the negro
with pencil and pad taking stock in the various bins." It was also there that
the operatives learned that Frank had been paying the jewelry firm of
Patrick & Thompson a dollar a week from Conley's salary, which suggested
a previously unknown intimacy between boss and employee.
Acting on the suggestion of either Schiff or Frank, who later contended
that he instructed his emissary to tell the investigators to "look into a
drawer in the [office] safe where they would find the card of a jeweler from
whom Conley bought a watch on the installment," the Pinkerton agents vis-
ited Patrick & Thompson. There, an employee gave them a contract bearing
Conley's signature. Additionally, the employee told the men they would
find similar documents at Saul & Abelson and Jones & Phillips Jewelers.
A CLEAN NIGGER I29
At this point, the agents began to realize the consequence of their discov-
ery, and after securing the other contracts, they returned to the Pinkerton
offices and made a comparison of Conley's signatures with photographic
copies of the notes found beside Mary Phagan's body. According to their
report, the results were conclusive: "The handwriting appears to be identi-
cal, all characteristics being similar."
On the strength of this finding, the Pinkerton agents descended into Vine
City to interview Lorena Jones. The men met Conley's common-law wife at
her 172 Rhodes Street home. She divulged two important clues. First she
said that Conley, contrary to his original claim, owned four shirts, a revela-
tion that gave the lie to his reason for washing the blue one. Then she
alluded to a disturbing incident that occurred a few hours after little Mary's
murder and suggested that at the time her husband was eerily animated. As
the investigators reported it:
About 3:00 p.m. on Saturday, April 26th 1913 she left James Conley sitting
in front of the fire place in her home while she went to a nearby store to get
some snuff; that when she returned to her home she did not see Conley
and she stepped to a washstand . . . and Conley jumped up from behind
the washstand and she said that she screamed and Conley said he hid from
her just to scare her.
By Saturday morning, word of the Pinkerton agents' breakthroughs had
reached nearly everyone connected with the case. But what the detectives
perceived and what Conley revealed still differed. (Indeed, this was the
weekend Conley made the statement maintaining that he'd spent April 26
innocently.) As Harry Scott reported: "We were unsuccessful in having
Conley make any damaging admissions in this case." Moreover, when the
detectives brought Mrs. Arthur White to Decatur Street to view a lineup
that included Jim and twelve other blacks, the results were inconclusive.
First she picked out "a negro wearing a green derby hat," then Conley.
Regardless of the headway the investigators made on Friday, Jim remained
elusive. On Sunday, the police decided to submit him to the specialty of the
station house, the third degree.
On what was otherwise a dull and drowsy afternoon, Harry Scott and John
Black removed Conley from his cell, placed him in a six-by-eight-foot cubi-
cle, beamed a light in his face and actually tossed the key out the open tran-
som into the hallway where the Constitution's ubiquitous Britt Craig was
stationed. From this vantage, Craig managed to hear what occurred in the
130 AND THE DEAD SHALL RISE
tiny room, and his account gave Atlantans the most detailed picture of how
the detectives started to drag a story from Conley:
"Well, Jim," Black began, "we've got the deadwood on you. Better
cough up and tell us something."
"Honest, white folks, I swear 'fore God and high heaven I don't know a
thing," Conley replied.
"Listen," Scott asked as he made a show of pulling a piece of paper from
his pocket, "can you write?"
"Naw, sir, I can't. I never could."
"Will you swear it?"
"I shore will."
"Do you know the penalty for perjury?"
"Naw, sir— what is it?"
"Twenty in the gang— maybe more."
"What's perjury?"
"Swearing a lie."
"But I ain't goin' to swear no lie."
"You will if you swear you can't write," Scott replied, unfolding a watch
contract bearing Jim's signature and handing it to the prisoner.
According to Craig, Conley was momentarily dumbfounded, but after
seeing that the officers indeed had the deadwood on him, he conceded:
"White folks, I'm a liar."
Following this admission, Scott and Black asked Conley to jot down
his ABCs, which he did. Then one of them ordered: "Write, 'that long tall
black negro did this by himself.' " Upon hearing the words, Jim winced,
but slowly, deliberately, he again began scribbling. When he was finished,
his inquisitors collected his work, observing that he favored some of the
same idiosyncratic spellings that graced the murder notes. With no further
ado, the detectives accused Conley of writing the messages found by little
Mary's body.
"I didn't do it," Jim swore. " 'Fore God, I didn't."
This protestation inspired Scott to mutter: "You'll be hung just as sure
as you're a foot high and black."
"But I ain't guilty," Jim again protested. "I don't know a thing about
them notes or that killing— honest, white folks."
To which Black added as if for good measure: "There ain't a jury in the
world— even a nigger jury— that'd believe you didn't kill this girl. They'd
hang you or lynch you— likely lynching."
A CLEAN NIGGER I3I
On that note, the detectives put a halt to the grilling, but instead of
returning Conley to his old quarters, they took him to a basement level iso-
lation cell described in the press as dark and desolate. There, Jim would
ponder the events of the past few hours.
How long Conley remained in solitude is unknown, but on Saturday morn-
ing, May 24— a week after being submitted to the third degree and just
hours before the grand jury indicted Leo Frank— he summoned John Black
and uttered the words that would eventually enthrall all Atlanta: "Boss, I
wrote those notes."
Within minutes, Conley found himself standing in Newport Lanford's
office. There, in the presence of Harry Scott, C. Gay February, Lanf ord and
Black, the Negro enlarged upon his startling admission. Realizing the
import of Jim's testimony, the officers soon escorted him to the Thrower
Building. Hugh Dorsey had earlier been informed that Conley could write,
but he had put little stock in the news. His reaction to this latest revelation
was apparently not much more enthusiastic. (The solicitor did tell the grand
jurors of Jim's contention, but he would later assert that the body returned
its indictment on the strength of the case as he'd presented it.) However, he
was intrigued enough that he sat in with the group from headquarters as
February— who'd figured so prominently in both the 1910 detective depart-
ment scandal and the Felder episode— took Conley 's statement:
On Friday evening before the holiday, about four minutes to one
o'clock, Mr. Frank came up the aisle on the fourth floor . . . where I was
working and asked me to come to his office . . . When I went down ... he
asked me could I write and I told him yes I could write a little bit, and he
gave me a scratch pad and . . . told me to put on there "dear mother, a long,
tall, black negro did this by himself," and he told me to write it two or three
times on there. I wrote it on a white scratch pad, single ruled. He went to
his desk and pulled out another scratch pad, a brownish looking scratch
pad, and looked at my writing and wrote on that himself ... he asked me if
I wanted a cigarette, and I told him yes . . . and he pulled out a box of ciga-
rettes . . . and in that box he had $2.50, two paper dollars and two quarters,
and I taken one of the cigarettes and handed him the box and told him he
had some money in the box, and he said that was all right I was welcome to
that for I was a good working negro around there, and then he asked
me ... if I knew the night watchman and I told him no sir, I didn't know
him, and he asked me if I ever saw him in the basement and I told him no
sir, I never did see him down there, but he could ask the fireman and
132 AND THE DEAD SHALL RISE
maybe he could tell him more about that than I could, and then Mr. Frank
was laughing and jollying and going on in the office, and I asked him not to
take out any money for that watch man I owed, for I didn't have any to
spare, and he told me he wouldn't, but he would see to me getting some
money a little bit later. He told me he had some wealthy people in Brook-
lyn and then he held his head up and looking out of the corner of his eyes
said "Why should I hang?" . . . When I asked him not to take out any
money for the watch, he said you ought not to buy any watch, for that big
fat wife of mine wants me to buy her an automobile but he wouldn't do it;
I never did see his wife. On Tbesday morning . . . before Mr. Frank got in
jail, he came up the aisle where I was sweeping and held his head over to
me and whispered ... be a good boy and that was all he said to me.
Here at last was an answer to the conundrum that had stumped the
police since Sergeant L. S. Dobbs discovered the murder notes on the fac-
tory's basement floor, yet it was an answer wrapped in riddles. Conse-
quently, neither Lanford nor Dorsey expressed much faith in it. To the
contrary, their initial reaction was one of incredulity, even fear, each con-
tending that Conley's rambling tale was untrue and a threat to the chain in
which they'd ensnared the guilty man. The detective chief quickly branded
Jim's disclosure "false in every detail." Meanwhile, the solicitor spent Sat-
urday afternoon quizzing Conley, initiating a catechism that would con-
tinue off and on for two days. As one investigator later declared: "Never has
a witness been put through such a severe cross-examination." But to no
avail. Jim "stoutly maintained" his story.
On Monday, after Black and Scott administered another dictation test
and Conley again spelled key phrases and words (among them "night
watchman" as "night witch") just as they were spelled in the genuine items,
the official skepticism began to diminish. "Conley wrote the notes," one
detective announced. "It doesn't take an expert to realize that beyond a
shadow of a doubt his hand penned the words on the two bits of paper."
Yet despite the growing consensus that Jim wrote the notes, officers still
doubted the rest of his story. For starters, there was the matter of timing.
Observed one reporter: "Conley's delay in making his confession until
Frank's indictment seemed likely is a link against him." Then there was the
fact that no one at Decatur Street believed that Frank would have asked
Jim "Why should I hang?" when to do so would have been to confess in
advance that he was going to commit a capital crime. This objection pointed
to the most glaring implausibility of all— Conley's claim that the notes were
composed a day before the murder. Everything about the evidence sug-
gested that the act had been spontaneous. As the Georgian remarked: "No
theory that has placed the responsibility of the crime upon Frank has held
A CLEAN NIGGER 133
that he planned it deliberately a day before it was committed. The unani-
mous theory of those who have believed Frank guilty is that he did it on the
necessity of the moment to prevent the girl from revealing the attack which
is supposed to have proceeded the killing. If Conley's story is true, it means
that the murder was premeditated." Which is why detectives, while conced-
ing that Jim wrote the notes, were convinced he was lying about the rest
of it.
The squad at headquarters was not alone in expressing such qualms. As a
whole, the press remained similarly unpersuaded. At the Journal and the
Constitution, writers essentially ignored Jim's affidavit. At the Georgian,
meanwhile, the smart money —influenced not a little by the sheet's biases—
was betting that Jim himself would be indicted for the murder. Argued the
Hearst forces: "Careful study of the negro's story has revealed absurdities
in its structure which bring the deed to Conley's door."
Disturbed by the inconsistencies in Conley's exceedingly peculiar tale and
aware that he could as easily ruin the state's case as strengthen it, the detec-
tives now chose a new tack. Over the next three days, Harry Scott persist-
ently accused Jim of murdering Mary Phagan and vowed to see him hang
for it. Meanwhile, John Black commiserated with Conley, bringing him
drinks, pies, sandwiches and consolation.
Not surprisingly, the Georgian accused the officers of manipulating Con-
ley to deliver testimony damaging to Frank: "The police questions were, of
course, all put with the idea of gaining information against Frank. The
police refused to admit that suspicion was turning or should turn to Conley,
who has told one falsehood after another since his arrest. They tried res-
olutely to construe every one of his statements as against Frank and would
not admit that the continued contradictions of the negro made his value as
a witness next to nothing." Simultaneously, however, the Journal contended
that the investigators "questioned [Jim] as if they are convinced he commit-
ted the murder."
Whatever the detectives' motives, their actions left Conley scared and
disoriented. Observed the Constitution: "Conley grew weak, lost appetite,
slept very little." On Tbesday, May 28, the Negro was removed from his cell
and again taken to Newport Lanford's office. There, he confronted two
sights calculated to heighten his distress. One was the person of E. F Hol-
loway, the man who'd spotted him washing his shirt on May 1. Holloway
was there to state that he had also seen Jim somewhere else— at the pencil
factory on April 26. But it wasn't Holloway's presence that undid the
Negro. Rather, it was a copy of that afternoon's Georgian. Boomed the
page-one banner: suspicion turned to conley; accused by factory
134 AND THE DEAD SHALL RISE
foreman. In the story that inspired this screamer, Holloway proclaimed
that he was "thoroughly convinced that [Conley] strangled Mary Phagan
when about half drunk." After reading the article, Jim requested a private
audience with John Black. The next day, C. Gay February notarized what
would be referred to as Conley's second affidavit:
I make this statement, my second statement, in regard to the murder of
Mary Phagan at the National Pencil Factory. In my first statement I made
the statement that I went to the pencil factory on Friday, April 25, 1913,
and went to Frank's office at four minutes to one, which is a mistake. I
made this statement in regard to Friday in order that I might not be
accused of knowing anything of this murder, for I thought that if I put
myself there on Saturday, they might accuse me of having a hand in it, and
I now make my second and last statement regarding the matter freely and
voluntarily, after thinking over the situation, and I have made up my mind
to tell the whole truth . . . without the promise of any reward or from force
or fear of punishment in any way.
I got up Saturday morning, April 26th, between 9 and half past 9. 1 was
at home, 172 Rhodes Street. There is a clock on the Atlanta University and
I looked at that clock after I put on my clothes; I went to the door and
poured some water out of the wash pan . . . Then I washed my face and I
eat some steak and some liver and bread and drank a cup of tea, and then
I sat down in a chair a little while, about ten minutes, I guess, and then I
told my wife to give me back the three dollars and I would get some paper
money to keep her from losing it, to pay her rent with, and she gave it to
me, and I told her I was going to Peters Street, and I went to Peters Street.
[Here, Conley repeated the description of his visits to the Butt-In Saloon
and other haunts.] Then I started to the Capital City Laundry and on my
way there I met Mr. Frank, at the corner of Forsyth and Nelson Streets
going to Montags, and he told me to wait a few minutes, and he asked me
where I was going, and I told him I was going to . . . see my mother, and he
didn't say nothing, only he said to wait a minute until he come back . . . and
I stood there until he come back, he was gone about 20 minutes, I guess. He
come back and told me to come to the factory, that he wanted to see me,
and I went to the factory with him, walking behind him . . . Just to the right
of the steps as you go in, he put a box for me to sit on. There was some great
big boxes back further. He told me to sit down there until I heard him
whistle. He just took his foot and pushed a box over there for me to sit on.
Then he told me not to let Mr. Darley see me. [Here, Conley provided an
account of the people— among them Mrs. White, E. F Holloway, a young
factory girl named Mattie Smith, and N. V. Darley— who came in and out
of the plant that morning.] After . . . about 15 or 20 minutes . . . there . . .
A CLEAN NIGGER 135
wasn't any passing at all, and I sat there on the box with my head against
the trash barrel. I stretched my feet out and put my hat in my lap . . . and
the next thing that attracted my attention, Mr. Frank whistled for me twice,
just like this (indicating), and when he whistled I went on up the stairs and
the double doors on the stairway were closed and I opened them and they
shut themselves, and Mr. Frank was standing at the top of the steps and he
said, "You heard me, did you?" and I said, "Yes, sir," and Mr. Frank grabbed
me by my arm and he was squeezing my arm so tight his hand was trem-
bling. He had his glasses on, and he had me just like he was walking down
the street with a lady, and like he didn't want me to look behind me at all,
and I thought it was because he had me so tight that made him tremble,
and he carried me through the first office and into his private office, and
then he come back in there, and he didn't say nothing, he grabbed up a box
of sulphur matches, and he went back in the outer office, the door was open
between his office and the outer office, and then he saw two ladies coming
and he said to me, "Gee, here comes Miss Emma Clark and Miss Corinthia
Hall" and he came back in there to me, he was walking fast and seemed to
be excited, and he said to me, "Come right in here, Jim," and he motioned
to the wardrobe and I was a little slow about it and Mr. Frank grabbed me
and gave me a shove and put me in the wardrobe and he shut the doors and
told me to stay there until after they had gone, and I just heard Miss Emma
say, "Good morning, Mr. Frank are you alone?" and Mr. Frank said
"Yes." ... I stayed in the wardrobe a pretty good while, for the whiskey I
had drank got me to sweating . . . After a while, Mr. Frank ... let me
out . . . and I said, "I got too hot in there," and he said, "Yes, I see you are
sweating." . . . Then Mr. Frank asked me to sit down in a chair . . . and he
said, "Jim, can you write?" [Here, Conley recounted how Frank, after dic-
tating the murder notes to him, gave him a box of cigarettes.] . . . Then I
asked Mr. Frank if that was all he wanted with me right now, and he said
yes . . . and I went to the beer saloon across the street and opened the cig-
arette box and it had two paper dollars in there and two silver quarters,
and I laughed and said, "Good luck has done struck me," and I bought a
ten-cent double header and then went back to Peters Street . . . and I
walks up there to the moving picture show and looked at the pictures and
they didn't seem to be any good . . . and I struck out for home, and when I
got home it was about half past two o'clock, and I took the bucket and
went to Joe Carr's at Mangum and Magnolia Street, and got fifteen cents
worth of beer in it and came back home and sent the little girl to get a
dime's worth of stove wood and a nickle's worth of pan sausage, and I eat
half the pan sausage up raw, and I give my old lady $3.50, and the other lit-
tle change I kept it, and I laid down across the bed and there is where I
stayed until about half past eight that night, and I got up and set in front of
I36 AND THE DEAD SHALL RISE
the fire a little while and got to swimming at the head and I didn't leave
home no more until Sunday. [Here, Conley detailed how he'd spent the
following day, asserting that he'd not learned that the girl he called
"Mary Puckett" had been murdered until he returned to work on Mon-
day.] . . . On Thursday ... I got my subpoena . . . Then I went down to
wash my shirt so I could have a clean one to wear to court ... I got a little
rust on it . . . They brought me down here and found there was no blood on
the shirt, and give me my shirt back, and that's all I know.
Conley's second affidavit, as opposed to his first, created a sensation.
Both the Journal and the Constitution splashed the Negro's tale across their
front pages. The investigators who had labored so long on the case also
endorsed the statement. Harry Scott insisted that it "had practically cleared
the mystery and was the most important bit of evidence in the hands of the
state." At headquarters, the reviews were just as glowing. "The negro Con-
ley is regarded by detectives as their most material witness," reported the
Constitution. "He is the missing link, they think, which connects the chain of
circumstantial evidence which they have gathered."
Yet for all this, dissenters still could be found. Indeed, there was a nest of
them at the National Pencil Company. Just hours after Conley's second
statement was secured, the Journal interviewed Schiff, Darley and Hol-
loway. With Schiff speaking for all three, the men proposed that the new
affidavit's principal revelation— the news that Jim was at the scene of the
crime on April 26— cast suspicion not on Frank but on the Negro:
Now the theory of the crime we entertain is simply this: Conley came in
following Miss Smith and expected to rob her as she came down with her
money. When Mr. Darley happened to come down with her, Conley gave
up his attempt but continued to wait. Later, he saw little Mary Phagan
come in and waited until she came down. Then he grabbed her and tried to
get her purse. A scuffle by the elevator ensued and the negro knocked the
girl down the elevator shaft. He quickly followed her, going down by the
trapdoor. He found her cut and bruised and unconscious. Then he tied
the cord around her neck and choked her to death. He wrote the notes
himself and then pulled the staple off the rear basement door and left the
place.
In sum, the men hypothesized that the murderer was not, as Hugh Dorsey
contended, motivated by lust but by a pathetic desire to steal the $1.20 in
wages Mary Phagan had collected the day of the crime. To buttress their
point, they asked a simple question: What happened to little Mary's purse
A CLEAN NIGGER 137
and the two half dollars and change she had received only seconds before
her death?
The misgivings cited by the pencil company employees found a sympa-
thetic ear at the Georgian. Remaining true to its pro-Frank stance, the
paper observed: "Three responsible officials of the plant have outlined
plausible theories as to how the negro could have committed the crime.
They have compiled a most laudable explanation of how he killed the Pha-
gan girl. With each cross-examination of the negro by the police in their
attempts to secure more evidence against Frank, Conley has only ensnared
himself."
John Black and Harry Scott, however, did not share such a belief.
Reported the Journal: "Little if any credence is placed by the detectives in
the theory of the officials and employees of the National Pencil Company
that Mary Phagan was killed by James Conley and that his motive was rob-
bery." While the investigators were puzzled by the disappearance of the vic-
tim's bag and pay, they were sure they'd turn up. Still, the doubts tempered
the euphoria at headquarters. Moreover, the police developed some misgiv-
ings of their own. Most vexing was the fact that nowhere in the second affi-
davit did Jim ever indicate that when he wrote the notes, he knew a crime
had been committed. By his account, Frank had simply dictated them out of
the blue. In hopes of getting to the bottom of it all, the detectives decided to
stage a confrontation between the accuser and the accused.
Around 8:00 p.m. on Wednesday, May 28, a delegation consisting of
Chiefs Beavers and Lanford, Harry Scott and Jim Conley marched the few
blocks from 175 Decatur Street to the Fulton County Tower. At the door,
the men spoke to Sheriff Wheeler Mangum, who in turn conveyed their
proposal to his star prisoner, whose friend Milton Klein happened to be vis-
iting. For Frank, the invitation presented a terrible quandary. If he was
guilty, the last thing he would have wanted was to sit down with Conley in
the authorities' presence. Yet there were perfectly innocent reasons why he
would have been wary, chief among them his memories of the disastrous
jailhouse session Scott and Detective John Black had brokered between
Newt Lee and him.
Legally, as Chief Beavers had been instructed before he embarked on
this mission, Frank was not required to see anyone outside his lawyer's
presence— at the time an impossibility, as two days earlier, Luther Rosser
had taken the train to rugged Rabun County where he was representing
the Georgia Railway and Electric Company in its ongoing court fight to
open the Tallulah Gorge power plant. Yet after Frank, using Klein as a
go-between, declined to meet with Conley, the police cited the decision as
evidence of the superintendent's involvement in Mary Phagan's murder.
I38 AND THE DEAD SHALL RISE
"Detectives who pin faith to the negro's story and believe Frank guilty,"
reported the Constitution, "speculate upon the prisoner's unwillingness to
face the sweeper. If he is not guilty, they say, he likely wouldn't object to fac-
ing the negro. They say that it is damaging to his plea of innocence to refuse
the negro an audience." Eventually, Conley himself seconded this opinion,
telling the Journal: "I wish they would let me face Mr. Frank and tell him
just what I have told the detectives. One of us would go down, and it
wouldn't be me."
While such insinuations further blackened Leo Frank's reputation, the
detectives still faced the dilemma that had inspired their attempt to bring
Conley and the superintendent together in the first place. The inconsisten-
cies permeating Jim's depositions had not gone away. Accordingly, the offi-
cers decided to sweat the Negro yet again.
The Thursday afternoon interrogation of Conley lasted four hours and
was, by all accounts, the most ruthless grilling he endured. Beginning about
2:45 in Newport Lanford's office, various officers— among them Lanford,
Beavers, Harry Scott and Pat Campbell— peppered the Negro with a dizzy-
ing barrage of questions, making him vividly aware of the treacherous
ground on which he was treading. Unlike during previous sessions, there
were few outbursts, and perhaps because reporters had been barred, a tense
calm prevailed. Attesting to the importance of the examination was the fact
that Newt Garner— Hugh Dorsey's assistant— shuttled in and out of the
room every few minutes importing lines of inquiry while exporting answers.
At times, Garner literally ran between headquarters and the solicitor's
office. The activity finally came to a halt at dusk when C. Gay February—
present now at the creation of all of Jim's affidavits— was called to notarize
yet another. An hour later, the Negro, his fingers twitching nervously, sweat
streaming off his brow, was escorted back to his cell, and a triumphant group
of lawmen emerged to meet the press. At last, declared Chief Beavers, the
Phagan murder had been solved, and shortly thereafter, the police released
what would come to be known as Conley's third affidavit:
On Saturday, April 26, 1913, when I come back to the pencil factory
with Mr. Frank I waited for him downstairs like he told me, and when he
whistled for me I went upstairs and he asked me if I wanted to make some
money right quick and I told him "Yes, sir," and he told me that he had
picked up a girl back there and had let her fall and that her head hit against
something, he didn't know what it was, and for me to move her, and I
hollered and told him the girl was dead, and he told me to pick her up and
bring her to the elevator and I told him I didn't have nothing to pick her up
with and he told me to go and look by the cotton box there and get a piece
A CLEAN NIGGER 139
of cloth, and I got a big wide piece of cloth and come back there to the
men's toilet where she was, and I tied her up, and I taken her and brought
her up there to a little dressing room, carrying her on my right shoulder,
and she got too heavy for me and she slipped off my shoulder and fell on
the floor right there at the dressing room and I hollered for Mr. Frank to
come there and help me, that she was too heavy for me, and Mr. Frank
come down there and told me to pick her up, damn fool, and he run down
there to me and he was excited, and he picked her up by the feet, her head
and feet were sticking out of the cloth and then we brought her on to the
elevator, Mr. Frank carrying her by the feet and me by the shoulders, and
we brought her to the elevator and then Mr. Frank says, "Wait, let me get
the key," and he went into the office and got the key and come back and
unlocked the elevator door and started the elevator down. Mr. Frank
turned it on himself and we went on down to the basement and Mr. Frank
helped me take it off the elevator and he told me to take it back there to
the sawdust pile, and I picked it up and put it on my shoulder again, and
Mr. Frank, he went up the ladder and watched the trap door to see if any-
body was coming, and I taken her back there and taken the cloth from
around her and taken her hat and shoe which I had picked up upstairs right
where her body was lying and brought them down and untied the cloth and
brought them back and throwed them on the trashpile in front of the fur-
nace, and Mr. Frank was standing at the trap door at the head of the ladder.
He didn't tell me where to put the things. I laid her body down with her
head towards the elevator, lying on her stomach and the left side of her
face was on the ground and the right side of her face was up, and both arms
were laying down with her body, by the side of her body. Mr. Frank joined
me back on the first floor. I stepped on the elevator and he stepped on the
elevator when it got to where he was, and he said, "Gee, that was a tire-
some job," and I told him his job was not as tiresome as mine was, because
I had to tote it all the way from where she was laying to the dressing room,
and in the basement from the elevator to where I left her. Then Mr. Frank
hops off the elevator before it gets even with the second floor and he
makes a stumble and he hits the floor and catches with both hands, and he
went on around to the sink to wash his hands, and I went and cut off the
motor, and I stood and waited for Mr. Frank to come from around there
washing his hands, and then we went on into the office, and Mr. Frank he
couldn't hardly keep still, he was all the time moving about from one office
to the other, then he come back into the stenographer's office and come
back and he told me, "Here comes Emma Clark and Corinthia Hall."
[Here, Conley recounted his soujourn in the wardrobe.] Then . . . Mr.
Frank . . . asked me to write a few lines on that paper, a white scratch pad
140 AND THE DEAD SHALL RISE
he had there, and he told me what to put on there, and I asked him what he
was going to do with it and he told me to just go ahead and write, and then
after I got through writing Mr. Frank looked at it and said it was all right
and Mr. Frank looked up at the top of the house and said, "Why should I
hang, I have wealthy people in Brooklyn," and I asked him what about me,
and he told me that was all right about me, for me to keep my mouth shut
and he would make everything all right, and then I asked him where was
the money he said he was going to give me and Mr. Frank said, "Here is two
hundred dollars," and he handed me a big roll of greenback money and I
didn't count it; I stood there a little while looking at it in my hand, and I
told Mr. Frank not to take another dollar for that watch man I owed and he
said he wouldn't— and the rest is just like I told it before. The reason I have
not told this before is I thought Mr. Frank would get out and help me out,
but it seems that he is not going to get out and I have decided to tell the
whole truth about this matter.
With that, the statement ended, although scrawled on its last page was a
handwritten addendum penned after the text was typed to explain what
happened to the heretofore never mentioned $200:
While I was looking at the money in my hands, Mr. Frank said: "Let me
have that and I will make it all right with you Monday if I live and nothing
happens," and he took the money back and I asked him if that was the way
he done and he said he would give it back Monday.
If the reaction to Conley's first affidavit was disbelief and the reaction
to his second was grudging acceptance, the response to his third was
unchecked enthusiasm. Friday morning, Atlantans awakened to a double-
deck banner atop the Constitution:
CONLEY SAYS HE HELPED FRANK CARRY BODY
OF MARY PHAGAN TO PENCIL FACTORY CELLAR
With this one revelation, dozens of clues gathered during the month since
little Mary's death— fragments that had heretofore refused to coalesce—
suddenly adhered to the powerful pull of the Negro's story. Finally, the hair
on the second-story factory lathe, the blood on the floor and the murder
notes fit together. "The negro's affidavit," reported the Journal, "is regarded
by the detectives as the most important link in their chain of evidence
against the factory official." Echoed the Georgian: "Chief Lanford and
Scott announced Thursday that they considered the negro's final affidavit
A CLEAN NIGGER 141
proof conclusive of the suspected superintendent's guilt and were thereby
ready to place the case on trial." At last, the city was persuaded that Conley
had told all, and the odd thing was, it was his initial dissembling that gave
his ultimate assertions the sharp glint of credibility. As whites saw it,
Negroes were by nature mendacious. Falsehoods and fabrications clung to
them like dirt to a boy. Only by submitting them to the rough scrubbing of
interrogation could the guises and guiles that were their protective col-
oration be washed away. As Jim himself, when asked what had convinced
him to open up, would tell writers: "Finally, the thing got to workin' in my
head so much that I just couldn't hold it any longer. I couldn't sleep and it
worried me mightily. I just decided it was time for me to come out with it
and I did. I . . . told the truth, and I feel like a clean nigger." The next day,
the police would trot out their gleaming black beauty for a triumphant spin
around the block.
Shortly after noon on Friday, May 30, Chief Beavers's limousine eased to a
halt in front of the National Pencil Company. The sight of the vehicle, its
curtains drawn, sent a buzz through the employees milling about on their
lunch break. The buzz intensified when the car's occupants— Beavers, New-
port Lanford and a handcuffed Conley —emerged onto the sidewalk, where
they were soon joined by Detective Campbell, Harry Scott, Herbert Schiff,
E. F Holloway and a trailing phalanx of reporters. Once the group entered
the factory, the police ordered lingering workers to leave, then barred the
door. Though all of Atlanta would learn about it in the newspapers, only a
select few would be physically present for Conley's apotheosis.
After Jim was uncuffed, he walked partway up the stairs leading to the
office floor.
"Where did you first see Frank when he whistled to you twice?" some-
one asked.
"Right here," Conley replied, pointing to the top of the steps. "He asked
me if I wanted to make some money right quick and I told him I did. Then
he said he had picked up a girl back there who had hit her head against
something and he wanted me to bring her body to the elevator."
With all eyes now on him, Conley led his auditors to the rear of the metal
department. There, he pointed out a spot near a men's toilet where he main-
tained he'd discovered Mary Phagan's body lying doubled up, adding— in
his first reference to the cause of death— that the cord apparently used to
strangle the girl had been knotted around her neck, extending at right
angles on both sides.
"When I got back here, I got scared and hollered to Mr. Frank and said
142 AND THE DEAD SHALL RISE
that the girl was dead," Jim explained. "He was standing in that doorway
right there. He told me to get a sack and put her body in that." As if on cue,
Conley began to play out the scene, walking to a box in the middle of the
room and extracting a piece of bagging, which he held up for all to see, com-
menting: "This is jus' like I got that day except that this has got a little more
cotton in it and the other one was slit."
The task of bundling the body in the bagging was hard, Jim recalled, but
loading it onto the elevator was harder still. "He [Frank] picked up her feet,
and I carried her shoulders. Just when we got by the window Frank was so
nervous that he dropped the girl and her feet dragged on the floor."
Conley ushered the group to the lift, speaking along the way of how he'd
waited with the grim cargo while Frank ran to his office to fetch the key that
unlocked the fuse box. Upon the superintendent's return, Jim said, they'd
promptly done what he and the party did now— descend to the basement.
There, Conley resumed his narrative.
"I took her body out of the elevator. Mr. Frank helped me. He told me to
take the body up to the trash pile in front of the furnace. I put the girl on my
shoulders again and walked up there with her and dropped her right there."
Jim indicated the spot a few feet to the left of the furnace where Newt Lee
had found "the package." Then he rushed on: "I pulled the bagging out from
under her and threw it there on the pile of trash in front of the furnace. Mr.
Frank, he waited there at the trapdoor to see if anyone was coming. Before
that I went back upstairs and got her hat and shoes and brought them down
in the basement."
At this point, Chief Beavers interjected: "Show us the way you left the
girl's body." Once again acting out the part, Jim dropped to the cinder-
covered ground. Lying on his left side, he pressed his face into the dirt,
crooked his right arm under him and splayed his left inertly behind him. His
feet pointed to the rear of the building.
Seeing Jim sprawled out that way, Harry Scott whispered to the re-
porters: "You can't help but believe him." No one disagreed.
And there was more. After dusting himself off, Conley directed the
group's attention to the trapdoor at the front of the factory. "Frank climbed
up this ladder," he said, "and I ran the elevator back up. He met me on the
first floor and got in the elevator with me and rode with me up to the second
floor."
That stated, Jim once again began to perform. Just as he said he'd done
on April 26, he switched on the lift, paused in the lobby, then continued to
the office floor. Stopping the car six inches below the lip, he surprised the
men who'd ridden up with him by tripping and falling to his knees as he
stepped out— just as he said Leo Frank had done.
After walking to a sink and washing off —again, just as he said Frank had
A CLEAN NIGGER 143
done— Conley led his audience into the superintendent's office, took a seat
behind the desk and, sticking to the story he'd advanced in his final affi-
davit, started to soliloquize: "Mr. Frank sat down in his swivel chair and
turned and twisted for a moment, turning first white and then red and sort
of gasping as he talked. We heard footsteps outside, and Mr. Frank hurried
me into this wardrobe."
Here, Jim paused long enough to hop in and out of the piece of furniture
before plowing ahead: "He told me to come out of the wardrobe. For a
minute or two he clasped his hands and swayed about in his chair as if he
was sick. Then he turned to me and told me to write on a pencil pad which
was lying on the desk beside me. He dictated and I wrote: 'That long, tall
black negro did this by himself.' "
His hands a flurry of activity, Jim indicated the surface upon which he
said he had penned the murder notes, an inkstand he said Frank had used as
a paperweight to hold down the first one and the drawer from which he said
the superintendent had removed a new, different-colored pad.
"He handed me this pad and then told me to write another note," he
said. "He dictated this note also and as far as I can [remember] it went like
this." Whereupon Conley began to write, producing a rough facsimile of
the second missive:
Dear mother a long tall black negro did this boy himslef he told me if I
wood lay down he wood love me play like the night witch did this boy
himslef.
After recounting once again how Frank had allegedly asked, "Why
should I hang when I have got rich folks in Brooklyn?," Jim concluded his
monologue by racing through the story regarding the $2.50 he'd found in
the cigarette box and the $200 his boss had proffered only to retract.
Sensing that the show had ended, Newport Lanford asked Jim a last
question, one designed to undercut any charges that he had been coerced:
"Have you been abused or threatened by the officers into making this con-
fession?"
"No sir," Conley replied. "The officers have treated me kindly ... I am
telling this because I want to tell it."
Not that the reporters needed any such reassurances. To a man, they
rushed back to their newsrooms and banged out accounts of the production
they had witnessed that accorded it an unassailable legitimacy. Roared the
Journal's double-deck banner:
CONLEY TAKEN TO FACTORY, SHOWS WHERE GIRL WAS FOUND —
HOW THEY PUT BODY IN BASEMENT
144 AND THE DEAD SHALL RISE
Meanwhile, the Georgian, though subtly suggesting that Conley might have
been parroting a story concocted by the police, also applauded:
Conley appeared perfectly composed ... his earnest and apparently truth-
ful bearing gave his dramatic story, told in a matter of fact way, a convinc-
ing power that evidently had its effect on every one who was listening to
his recital . . . [He] did not hesitate for a moment during the entire time he
was showing his part in the crime, and his frankness of speech and clock-
like work impressed the officers that he was at last telling the exact truth.
With Chief Beavers declaring there was no need for further questioning
and Hugh Dorsey announcing that the state would hold Jim as a material
witness, the drama was over. Accordingly, Conley was remanded to the
Tower. There he was expected to remain until it came time for him to testify.
EIGHT
A Tramp Alumnus
n;
p ot since Uncle Remus had a black man's story so enthralled
Atlanta. On street corners throughout the city, newsboys hawking
Friday's afternoon editions cried, conley lays bare phagan
crime, and outside the Tower, congregations of the curious gathered just to
be near the remarkable Negro. At some point early in the evening, an
unlikely couple wended their way through these onlookers. Lorena Jones,
Jim Conley's common-law wife, was bringing a young white lawyer named
William Smith to meet her husband.
On the surface, there was nothing peculiar about the visit. Despite the
fact that Conley's account of little Mary's murder had won widespread
acceptance, he still needed legal counsel. The violent slaying of a virginal
Georgia girl was not the sort of outrage a shiftless black man generally suc-
ceeded in attributing to a college-educated white man in a Southern court-
room.
Yet the true sponsors of this get-together were not especially concerned
with Conley's fate. Several days earlier, an Atlanta Georgian editor had
approached William Smith and offered to pay his fee if he could secure the
state's star witness as a client. Despite the potential for divided loyalties,
such third-party arrangements were not at the time unusual, and the lawyer
had agreed to the proposal. Shortly thereafter, he and Lorena, who was also
in cahoots with the Hearst forces (Conley's wife had served as one of the
newspaper's emissaries to Smith), were standing in Jim's cell.
The pair found Conley in good spirits. Indeed, he was downright giddy
with relief. In the hours since concluding his tour of the factory, he had been
holding forth to an endless stream of gawkers and reporters, dazzling them
with fact and philosophy. Rather bitterly, he'd described his alleged partner-
in-crime's stinginess: "Mr. Frank, he ain't paid me nuthin' yet, like he prom-
ised to do, and the only thing I got out of it was that two dollars he gave me
in the cigarette box." But then, lest he sound motivated by anything other
than noble purposes, he'd added: "I done told the truth 'fore God and high
Heaven. If He was to tell me this very minute that He was going to hit me
with a streak of lightning if I didn't tell the straight of it, I couldn't say a
I46 AND THE DEAD SHALL RISE
thing on earth 'cept what's in that affidavit." The larger Jim's audience, the
more garrulous he seemed to grow.
While William Smith was as captivated by Conley's declarations as the
next man, his overwhelming reaction was one of alarm. From his perspec-
tive, the Negro's indiscriminate jawings not only jeopardized whatever
schemes were afoot in the Georgian newsroom; worse, they opened him up
to people who cared even less about his well-being than Hearst's vultures.
As far as the lawyer could determine, the crowd auditing Jim's remarks
included jailhouse sharpies willing to twist his words for a quick profit, and
friends of Leo Frank hoping to entrap him into making incriminating state-
ments.
Little wonder, then, that Smith, "after receiving from Conley ratification
of my employment," spent the rest of this initial session urging his new
client to keep his mouth shut. "Practically my entire communication at that
time," the lawyer would subsequently recollect, "was relative to a policy of
silence I advised he should adopt."
Conley, however, was in no mood to take such suggestions to heart. The
very next morning, he conducted what amounted to a jailhouse levee for
the Journal's Harold Ross and Harllee Branch, offering up another round
of beguiling clues and reflections— this time from a cozy perch on his bunk.
"The girl must have been dead for about 15 minutes when I saw her for
when I lifted her body to push the crocus bagging under it I took hold of her
forearm and it was cold," he told the reporters. "Her hat, one slipper, a piece
of ribbon and her parasol lay several feet away. I never did see any purse."
Then, striking a comfortably resigned note, Conley added: "When the judge
calls me up before him I am going to ask him not to ask me any questions,
but to simply sentence me. If it's to hang, I'll stick to my story, and if it's life
imprisonment, there'll be no change." Mesmerized by his sudden notoriety,
Jim quite simply could not stop talking.
On Saturday afternoon, William Smith, Hugh Dorsey and Newport Lan-
ford met in the solicitor's office to discuss what had become a mutual prob-
lem. Like Conley's lawyer, the authorities were disturbed by Jim's volubility,
but for a different reason. To them, his pronouncements posed a threat
to the case against Leo Frank. Considering the number of times the Negro
had already contradicted himself, there was ample possibility that he might
offer up an entirely new tale. And even if he didn't change tunes, he was
almost certain to reveal information the prosecution hoped to save for the
trial.
After several hours of deliberation, the men emerged with a solution to
their dilemma. Conley would be transferred from his laxly guarded quar-
ters in the Tower back to the constantly monitored headquarters lockup.
A TRAMP ALUMNUS 147
There, access would be restricted, in Smith's words, "to only such officials as
were approved by me." Dorsey, who was familiar with the Georgian's stake
in all this, felt comfortable with the arrangement. Smith was a friend, and a
friend who happened to represent both the prosecution's principal witness
and the Hearst newspaper deserved consideration.
Despite its patent irregularity— the county jail, after all, was the legal
and proper lodging place for state prisoners— the decision to remove Con-
ley to the station house elicited few protests. In part, the lack of response
was due to ignorance in the newsrooms of the Journal and Constitution as
to the Georgian's role in the matter. Then there was the not inconsequential
reality that on the day the transfer was made, Luther Rosser was still out of
town representing the Georgia Railway and Electric Company in its fight
to open the Tallulah Gorge generating project.
During the next week, however, one man began to despair over the part
he had played in these machinations— William Smith. Conley's lawyer did
not regret the fact that he had helped place Jim out of harm's way. As he'd
subsequently tell the press: "I did this in a sincere effort to protect Conley
from the perjury of his fellows and in an effort to have him given a square
deal." Rather, he rued forming the alliance that brought him into the affair
in the first place, belatedly realizing that the Georgian's emerging pro-
Frank stance could only mean that its editors wished Conley no good. In
unpublished autobiographical notes written years later, the lawyer, while
not elucidating all the dynamics, would acknowledge that he'd misjudged
Hearst's intentions: "In a very short time, I became convinced that the
major interest of the newspaper was to obtain all possible information
about the murder or any facts in relation thereto. I became equally con-
vinced that premature publicity of any possible defensive matter might be
injurious to Conley's interests."
Why Smith ever allowed himself to swallow the notion that the Geor-
gian's purposes could have been otherwise was a subject he never suffi-
ciently addressed, but ambition played its part. Like nearly every lawyer in
Atlanta, he wanted to insinuate himself into the Phagan case, and the news-
paper granted him entree. Yet it really wasn't that simple, for Smith was not
by nature an opportunist. He was, in fact, an idealist of the sort who had dif-
ficulty attributing to others motives less high-minded than his own.
William Smith had been guilty of both self-interest and self-deception,
but once he confronted his mistakes, he quickly extricated himself from the
moral quicksand. Sometime during the first week of June, he appeared in
the Georgian's Alabama Street newsroom. There, in a meeting with the
paper's editors, he stated that it would be impossible for him to furnish
them with any information about Conley's defense. The financial ramifica-
I48 AND THE DEAD SHALL RISE
tions of this sudden about-face were apparently significant. "I sacrificed the
compensation I was to receive from interests worth millions," the lawyer
subsequently told a reporter. Yet he did not regret the decision, for it freed
him to pursue a higher calling.
Almost from the instant he met Jim Conley, Smith had felt duty-bound
to stand by the "penniless and friendless" black man. For one thing, Leo
Frank had already made the grounds of the impending legal battle clear.
"No white man killed Mary Phagan," the factory superintendent had
reportedly told a prison attache upon hearing of Conley's affidavits. "It's a
negro crime, through and through." The Negro to whom Frank was refer-
ring was, of course, poor Jim, and as Smith later phrased it, the accused was
going to use every bit of his "great influence and unlimited financial means"
to bring the point home to a jury.
Yet Smith's resolve was galvanized by more than outrage at Frank's
wherewithal. The simple but profound fact of the matter was that he
believed Conley was telling the truth. As the lawyer would subsequently
write, he "shared the view of the prosecuting attorney, which was that Mr.
Frank was guilty of the crime as the sole principal."
Accordingly, Smith aligned himself with Hugh Dorsey. Later, he would
remember: "My justification for this course was based upon my own belief
that in aiding the State to secure [Frank's] conviction, I was directly serving
the interests of Conley, my own client." William Smith had decided that
the surest way of saving Jim Conley's neck was to assist in breaking Leo
Frank's.
Few Atlanta lawyers were better suited to the task at hand than 33-year-old
William Manning Smith. During his eleven years as a member of the city's
bar, he had developed a reputation as a fierce defender who frequently
represented underdogs. Initially, circumstances had forced him into this
role. "I had a very difficult time in the early part of my career," he sub-
sequently wrote. Smith had scraped for the legal profession's crumbs—
court-appointed assignments representing the destitute, which in Georgia's
capital usually meant Negroes. Over time, he had prospered, and his clien-
tele's pigmentation had lightened. By 1913, most of his clients were white.
Nevertheless, the fact remained that to many, Smith— though he would
have abjured the phrase— was a "nigger lawyer."
In Atlanta's legal hierarchy, nigger lawyers ranked above contempt but
beneath respect. Tliey had more in common with the geegaw peddlers and
insurance salesmen who trod darktown's dusty paths than with the advo-
cates who jousted in the high halls of justice. Not that they didn't fulfill a
A TRAMP ALUMNUS 149
necessary function. With fewer than ten black lawyers practicing in the state
of Georgia, these white attorneys handled nearly all legal transactions
among Negroes and most legal business between the races. Yet there was
little prestige in the work. How could there have been when much of it was
performed in such noisy infernos as Recorder's Court?
Through the years, Smith had spent a good deal of time in Judge Nash
Broyles's courtroom. There, he had defended a plethora of Negro ne'er-do-
wells whose backgrounds were similar to Jim Conley's. Yet his involvement
with Atlanta's blacks did not stop in the lower realms of legal purgatory,
was not confined to those arenas where the best one could achieve for
a client was a reduced sentence in the stockade. While Smith frequently
represented Negroes, what distinguished him from the others— and what
would redound so favorably to Jim Conley— was that he was dedicated to
the race on some deeper level and was willing to champion its members in
the state's higher courts, in the legislature, and even on the stump.
In 191 1, representing an elderly Negro woman known in court docu-
ments only as Rich, Smith took an almost unimaginable step— he sued the
Georgia Railway and Electric Company for damages to cover injuries his
client received during a streetcar scuffle between a white conductor and
a young black man who refused to pay his fare. At the trial, several wit-
nesses testified that the Rich woman was severely bruised when the con-
ductor beat and then pushed the unruly passenger down on top of her.
Though the rail line's counsel disputed these accounts, a jury found that the
conductor had failed to "exercise that extreme care and caution which a
prudent man would exercise" and awarded the plaintiff a small financial
compensation.
Out of penuriousness or, more likely, in an effort to keep the thousands
of black Atlantans who regularly rode the trolley cars— since the 1906 race
riot, a locus of increasing tension— in their place, Georgia Railway and
Electric refused to settle, appealing the verdict to the state's Supreme
Court. On June 29, 191 1, that body issued an extraordinary decision:
We are not unaware of the trying situation in which street-car conduc-
tors in many of our Southern cities are often placed by the insolent and
designedly offensive conduct of that lower element of the negro race
which makes it a point to take advantage of their position as passengers
to use to street-car employees, while on duty, wanton and insulting lan-
guage which they would not dare to use under other circumstances . . . We
know . . . that a bad negro is just about the meanest and most vicious ani-
mal ever created . . . but as judges, we must lay down rules of law which are
applicable to all races alike, and it will not do to say . . . that a railway con-
150 AND THE DEAD SHALL RISE
ductor can be allowed to imperil the safety of his passengers by his acts of
violence, provoked, even though most naturally . . . The evidence fully
authorized the verdict.
Georgia Railway and Electric Co. v. Rich was not the first case in which
William Smith had put himself on the line for a Negro. In 1910, he was
appointed by the court to represent a black man named Roger Merritt who
had been convicted and sentenced to death for raping a white woman. A
worse predicament was almost inconceivable, as the victim had identified
the defendant as her assailant. Yet the presiding judge believed the victim
was lying and had ordered the case retried, instructing Smith to "handle the
matter with great care" or "it would mean death for Merritt," which "he did
not deserve." In the ensuing trial— where the white woman again pointed
out the black man as her assailant— Smith prevailed. As he later put it, he
convinced "the jury that there was a reasonable doubt of Roger Merritt's
guilt."
For Smith, however, Merritt's acquittal was only half the battle. Though
his client was free, the lawyer had requested the court to return the Negro
to the county jail as a place of refuge against the inevitable lynch mob. Then,
Smith had sought advice from an old and considering the times unlikely
associate: the Reverend Henry Hugh Proctor, the pastor of Atlanta's First
Congregational Church and spiritual leader of the city's black elite.
In all likelihood Smith and Proctor met during the 1906 race riot, where
each participated in peacekeeping efforts. (The lawyer, a captain with the
state militia, saw duty when the guard was summoned to restore order,
while the minister joined a biracial committee to mediate grievances.) By
1908, the two were working together to defeat a bill before the Georgia leg-
islature that would have decreased the already negligible sum the state
allotted its Negro schools. And by the early teens— when Proctor appointed
Smith to the previously all-black standing committee that served as his con-
gregation's advisory board— they were friends.
In the matter of Roger Merritt, these improbable allies decided to pur-
sue the only course that offered their recently exonerated charge a fighting
chance against Judge Lynch. After raising the necessary funds, Proctor left
the plan's implementation to Smith. Working in the dead of night, the
lawyer, accompanied by the Fulton County sheriff and several deputies,
escorted Merritt to Terminal Station, arranged rail passage to an out-of-
state city where the black man could establish a new life, then stood guard
until the train pulled away.
William Smith's commitment to Georgia's Negroes arose from more
than a simple willingness— acquired early on when he was struggling— to
take cases others refused. He believed that the Southern white man owed
A TRAMP ALUMNUS 151
his black brethren a great debt. Smith was, in fact, a zealot on the sub-
ject, proselytizing not only to the saved but to the unreconstructed, as
the keynote address he delivered at the 1912 Confederate Memorial Day
observances in Augusta, Georgia, illustrates.
Speaking from a podium overlooking Augusta's Magnolia Cemetery—
the final resting place of thousands of men who had perished defending
slavery— the lawyer who in just a few short months would be preparing Jim
Conley to testify against Leo Frank had the temerity to suggest that his gen-
eration's "chief duty to our honored dead" was to elevate the Negro. With
that, Smith had proclaimed:
Out of this war grew the most serious problem that any defeated people
[have ever been] called upon to face. In my judgement, the ten million
negroes made through Lincoln's proclamation free, independent, Ameri-
can citizens are here to stay. The rightful solution to this problem staggers
the wisdom of our civic students. That it must be solved, no right thinking
Southerner would question. These ten million negroes forcibly exiled from
their native homes ignorant and practically helpless are now, under provi-
dence, wards of the Southland. That we could deal with them other than
honorably is not to be considered. I have faith in the broadminded, sane,
and conservative spirit of our people in the handling of this problem and
believe that [it] will be solved by Southern white men with as heroic a
devotion to principle as that of their fathers who fought in the cause from
which the present negro problem had its birth.
Though Smith stopped short of defining his solution to the racial
dilemma, he was undoubtedly endorsing a position that was far ahead of its
time and place.
Smith's obsession with the black man's dilemma was no passing fancy.
As early as 1898, when he was a mere college sophomore, he'd discoursed
on the issue at Atlanta's Intercollegiate Oratorical Contest, for years one
of the signal events in the lives of Georgia's stripling statesmen. Attended
by thousands of vocal partisans and accorded reams of newspaper coverage,
the annual competition drew entrants from the state's principal colleges—
the University of Georgia; Georgia Tech; Mercer University in Macon; and
North Georgia College, a military school nestled in the mountain town of
Dahlonega.To the victor went the John Temple Graves medal— a gold coin
engraved with the state seal and named for the Georgian's founder, the
contest's patron— and a tacit invitation to enter politics.
Considering the stakes, it's hardly surprising that the debaters usually
elucidated some position upon which everyone in the state already agreed.
Nevertheless, William Smith— clad in the dress grays of his alma mater,
152 AND THE DEAD SHALL RISE
North Georgia— stepped onto the stage of the ornate DeGive's Opera
House, took in the vast throng of lusty-lunged fraternity lads, pretty girls
wearing the school colors of their favorites and sundry political horseflesh
appraisers and began to address "The Negro Problem."
The text of young Smith's declamation is long lost. (In later years, the
lawyer summarized the speech as a "plea to the college men and women of
Georgia for a fair and just deal for the 'Brother in Black.' ") Also lost is any
account of how the address compared to that given by the eventual winner,
a Mercer student who confined his thoughts to "The South's Contribution
to the American Republic." There is, however, a surviving review. It comes
from the office of future Howard University president Wilbur P. Thurkield,
at the time chancellor of Atlanta's Gammon Theological Seminary, an insti-
tution for the training of Negro ministers. Wrote the educator: Smith's dis-
course "was not tarnished by those vilifying flings which orators both young
and old are wont to make."
At the turn of the century, rare was the Southern Cicero who could resist
racism's crowd-pleasing appeal. Over in South Carolina, Senator "Pitch-
fork" Ben Tillman got 'em going by vowing that Negroes were "akin to the
monkey." Meanwhile, in Mississippi, Senator James Vardaman played to the
house by asserting: "Educate the negro, and you spoil a good field hand and
make an insolent cook." It was no different in Georgia. Yet William Smith,
even at the impressionable age of eighteen, even on an occasion crucial to
his dreams, refused to join the chorus. Worse, he purposely sang off-key
("Brother in black?" "A fair and just deal?"). By the time, fifteen years
later, when he took on Jim Conley as his client, Smith had grown even more
impassioned regarding the Negro cause. This, despite the fact that in every
other discernible way, he was as typical a Southerner as ever mixed grits
with gravy.
To anyone who'd met William Smith on the streets of Atlanta in 1913,
sounded him out on his work, political connections and career aspirations,
then visited with him, his wife and his children, the conclusion would have
quickly dawned that here was the Southern beau ideal in midcareer.
For openers, Smith comported himself as an officer and a gentleman, and
even when clad in a business suit, he exuded a martial air. He strode
through life chest out, stomach in, hat cocked over his brow. Though slen-
der and of only medium height, he seemed imposing beyond his size.
Possessed of bright blue eyes and a cannonading voice, he commanded
attention. Yet for all that, one could not say that Smith was a bellicose sort,
for in the best Sir Walter Scott style, he tempered his pugnacity with gal-
A TRAMP ALUMNUS 153
lantry, graciousness and grandiloquence. The man could ladle on the lan-
guage, perfuming conversations with bits of Tennyson, inquiring after your
daddy, praising anything Dixiefied from cotton bolls to watermelons.
Then there was the fact that while Smith may well have started out at the
bottom of the legal profession, he'd eventually become a partner in the firm
of Chambers, Daley and Smith, where he was expected to do much more
than defend Negroes pro bono publico. The idealistic lawyer spent much of
his time litigating prosaic criminal and civil cases. In 1907, he'd lost a nasty
battle to remove the executor of a contested will. Also in 1907, he'd pre-
vailed in a fight over a $75 real estate commission. In 1909, he'd success-
fully petitioned Georgia's Supreme Court to overturn a decision that had
allowed a sheriff to seize a team of mules from an indebted party, auction
the animals, then use the proceeds to pay the claimant. And in 191 0—
proving that, like most lawyers, he wasn't above exploiting a technicality in
defense of a client— he'd managed to get complaints against a check forger
thrown out of court by arguing that the defendant had been indicted under
the general, as opposed to the specific, statute covering the offense.
Chambers, Daley and Smith was concerned with more than just liti-
gation. The senior partner— mustachioed, orotund Aldine Chambers, an
Atlanta city councilman— was building a machine designed to elevate
himself to the city's mayoralty, and he spent most of his energies backing
candidates who might one day help him. Meanwhile, Walter Daley would
eventually be elected president of the Atlanta school board. A readiness to
work the hustings was a job requirement at the firm, which suited the junior
partner just fine.
William Smith aspired to office himself, in particular the one that until
1910 had been occupied by Charles Hill. Like many other Atlantans, Smith
had revered the late solicitor general, and he had sought to emulate him. As
he would later write:
It was then my ambition to eventually become the Solicitor General or
prosecuting attorney. This position was then filled and had been filled for
many years, by Mr. Charles D. Hill. Solicitor General Hill was a remark-
able advocate, an intensely human man, having all the virtues of a great
soul and yet not free from many of the foibles of life. Mr. Hill knew, from
his own experience, the weaknesses of man and woman. He was a great
prosecutor, not only because he was a great lawyer, but because he was a
great soul. I hoped that when Mr. Hill yielded the Solicitor Generalship,
that I might fall heir to it and that I might have the privilege of trying to be
as great a prosecutor as Mr. Hill had been, not only in his deeds, but in his
broad and kindly dealing with his fellow men who were in trouble.
154 AND THE DEAD SHALL RISE
Whatever Aldine Chambers made of Smith's desires and the lofty senti-
ments that animated them, he did not discourage the young lawyer. To a
foxy old pol like Chambers, a well-intentioned, golden-tongued scrapper
was exactly the sort one wanted on the stump promoting one's own affairs
and those of one's cronies.
By 1913, Smith had played key roles in two of the era's fiercest cam-
paigns. The first was Atlanta's 1908 mayoral race. Initially, this contest
had promised little out of the ordinary. In the fall Democratic primary, the
right bibulous Jimmy Woodward had once again captured a majority. But
between the casting of the Democrats' votes and the usually pro forma
general election, Woodward had gone on another bender. The morning
after, he had admitted his transgression (although he claimed he'd imbibed
for medicinal purposes only) and begged forgiveness. The electorate, how-
ever, would not be kind. At a meeting of 25 leading Atlantans, the million-
aire banker Robert F. Maddox was drafted to run against Woodward.
Which was where Smith came marching in.
William Smith's military bearing was no affectation. Not only was he a
graduate of North Georgia (where he'd been cadet major) and an officer in
the state militia, but he was also president of a battalion of civic-minded,
Sousaesque sorts who'd dubbed themselves the Young Men's Marching
Club. As the name suggests, these gumptious gents liked to march, usually
on such occasions as Independence Day, but in the aftermath of Wood-
ward's spree, Smith vowed that he and his troops were going to march
Maddox into city hall.
On the evening of November 28, 1908— four days before the general
election— William Smith's torchlight parade in support of Maddox snaked
its way through the streets of downtown Atlanta. Estimates as to the num-
ber of participants varied (the young lawyer ordered 10,000 torches for the
occasion), but whatever the total, the procession was so long it took twenty
minutes to pass any given point on the route. The Journal called it "one of
the biggest public demonstrations, political or otherwise" in many years,
adding descriptively:
From an eminence the procession looked like a long river of molten
metal flowing through the streets. Incidental to its main purpose— that of
enthusiastic endorsement of Mr. Maddox for mayor— the procession was
one of the prettiest night displays that the city has ever seen.
At the head of that molten river was Smith, and on December 2, when
Maddox defeated Woodward by 4,000 votes, the up-and-coming lawyer
received considerable credit.
A TRAMP ALUMNUS 155
An auspicious political baptism— and one that boded well for Aldine
Chambers, who was reelected to the city council in the Maddox landslide.
In 19 10, however, Smith had plunged into deeper waters: the Georgia
gubernatorial race pitting Journal founder Hoke Smith against incumbent
Joseph Brown. The enmity between Smith and Brown was long-standing.
(In 1908, Brown had defeated the then incumbent Smith in a campaign
fought on the slogan "Hoke and Hunger, Brown and Bread.") And what
gave their ill will an added toxicity was that surrogates broadcast it across
Georgia. Joe Brown was many things, but one thing he was not was a
speaker. Hence he dispatched an army of articulate seconds to stand up for
him throughout the state. Though Hoke Smith thrived before audiences, he
could not be everywhere at once and employed a competing speakers'
bureau, one of whose number in 1 910 was an Atlanta lawyer who happened
to share the same surname.
Young William was no relation to old Hoke, but he stumped up and
down Georgia for his man. And out there in the little crossroads towns at
the forums and barbecues where the war was waged, he often found himself
in verbal battle with one of Joe Brown's soldiers who, like himself, was an
ambitious Atlanta lawyer: Hugh Dorsey.
The campaign-trail sparrings between Smith and Dorsey hardly rivaled
the Lincoln-Douglas debates; nevertheless, they would change both mens'
lives. Most immediately, they made Dorsey's career and scuttled Smith's
dreams, for as it so happened, Joe Brown whipped Hoke Smith by some
60,000 votes, and a few months later, when Charles Hill died, a grateful
Brown rewarded his surrogate by appointing him solicitor general of Ful-
ton County. (Whether Smith ever possessed a chance of attaining this office
is, considering his impolitic views on race, doubtful, although in 1909, he'd
assisted Hill in the successful prosecution of a particularly loathsome mur-
derer and had been written up in the newspapers as a qualified candidate.)
Smith and Dorsey's 19 10 clashes also produced a less predictable result—
the combatants formed a backstage friendship that would influence the
course of events three years later.
Away from the campaign trail, Smith was an avid joiner who knew most of
the secret handshakes and attended many of the rituals of Atlanta's frater-
nal organizations. Worshipful master of the city's Masonic Lodge #96,
chancellor commander of the Knights of Pythias and royal vizier of the
Knights of Khorassan, the young lawyer was forming associations with men
from every walk of life.
Then there was Smith's relationship with his wife and children. The
I56 AND THE DEAD SHALL RISE
lawyer had met Mary Lou Baker in 1903 on a double date arranged by a
mutual friend, an outing that had actually paired Mary Lou with the friend
and Smith with the friend's sister. By evening's end, it was obvious where
true affections resided. Within days Smith was pursuing Mary Lou, within
weeks they were engaged. The couple wed on December 20, 1905, in the
palm-frond-strewn sanctuary of Atlanta's Park Avenue Methodist Church,
and soon thereafter boarded a train headed north. Richmond, Washington,
New York— it was a whirlwind honeymoon, but one moment stood out. At
the Statue of Liberty, Smith insisted upon kissing his bride on every last
landing of the seemingly endless metal stairway spiraling to the top of the
monument.
Like most Southern men, Smith idealized women. In a flight of college-
days poetry, he'd rhapsodized about "beautiful Southern queens, dreams of
loveliness more graceful than any storied nymph." Yet Atlanta-reared Mary
Lou Baker was no typical belle. While lovely in form— brunette hair that
glinted red at the tips, high cheekbones, green eyes— she came from rugged
North Georgia mountain stock and was characteristically strong-willed and
independent. Someday she hoped to teach English.
By 1913, the Smiths had two children— six-year-old Mary Lou (after her
mother) and three-year-old Frank— and they lived on Lucile Avenue in
Atlanta's smart West End section. Their bungalow took a bow to tradition
on its front porch, where chairs and a wooden swing bespoke lazy summer
evenings. Inside, however, the emphasis was decidedly modern: indoor
plumbing, an up-to-date kitchen and a spacious sleeping porch where the
entire brood— in keeping with the rage for fresh air that was sweeping the
nation— could inhale the night breezes. But lest a visitor think he'd entered
the sanctum of some cosmopolite, the backyard would disabuse him of the
error, for this well-worn expanse was the exclusive province of two goats,
Billy and Dan. On Sunday afternoons, Smith hitched carts to the animals,
summoned trusty Caesar— a massive Saint Bernard-collie mix— and orga-
nized excursions for his daughter and son that left no doubt as to his red-
clay origins.
On the surface, then, William Smith was the archetypal Southern male. Yet
on a deeper level— where his concern for racial justice arose— there were
profound differences, and one of the earliest, most dramatic manifestations
of these differences occured far from his native Georgia.
On a summer day in 1901, the streets of Quebec, Canada, were lined with
crowds awaiting the arrival of the duke and duchess of Cornwall— the
future King George V and Queen Mary of England. Guarding the parade
A TRAMP ALUMNUS 157
route was a batallion of red-coated troops, one of whom was a very young
Smith.
Smith's temporary position as a private in Her Majesty's 85th Regiment
had been arranged through the wire-pulling of friends, and it was the high-
light of an adventure that had begun four months earlier. Originally, he
and his University of Georgia Law School roommate were going to spend
two years bicycling around the world, but after graduation the roommate
changed his mind. Smith, however, was not deterred. With $65 in his wallet
and a dirk and pistol in his pocket, he'd climbed atop his machine and ped-
aled away from Athens alone. Existing, as he'd subsequently write, on "half
rations of an inferior grade, sleeping in jails, box cars, unfinished buildings,
church door steps, barns, woods and equine hotels," he'd inched northward,
reaching Washington, then New York City— where for ten days he lived
under a flight of stairs at Broadway and Fourteenth Street— and finally
Quebec.
A crimson uniform, however, was not for Smith. ("If any Southern boy
has inherited a prejudice against the 'stars and stripes,' " he'd later recall,
"he should visit some alien land, and be thrilled through at the sight of his
country's flag.") After performing a few more ceremonial duties connected
with the royal visit, he resumed his peregrinations. From Montreal, he
shipped as a deckhand on the steamboat Hamilton to Toronto. Then he
bicycled to Niagara Falls. Following an unintentionally long stop at the
International Bridge (several days earlier, President William McKinley had
been shot in nearby Buffalo at the Pan-American Exposition, and although
his assassin had been arrested, border crossings were prohibited for a time),
Smith proceeded to Buffalo. There, he took a "cheap trip" through the
exposition. Then he departed for points west, working his way across the
Great Lakes to Chicago on the E. P. Wilbur, a four-stick freighter.
With winter clamping down, Smith turned south, but he was in no hurry
to reach home. Earning money by shoveling coal or unloading freight, the
lawyer hoboed through Illinois, Indiana, Kentucky and Mississippi, eventu-
ally arriving in New Orleans. There, he labored briefly on the docks, but
after hearing that hefty sums could be made "cutting cane on a sugar plan-
tation," he left for the Delta. The work, however, was brutal, so it was on to
Dallas and Mexico.
Sometime during January or February 1902, Smith returned to Atlanta
riding the blinds on a fast passenger train. All told, he had been away seven
months. He was jobless and nearly broke (he'd spent his grubstake, lost his
pistol, and his bicycle and dirk had been stolen), but he considered the
expedition a great success. As he'd later put it, he'd "seen something of
America before settling down," worked side by side with "Chinese, dagoes
I58 AND THE DEAD SHALL RISE
and negroes," and "learned a great deal about his fellow Americans in all
levels and walks of life," especially those "so unfortunate as to have hardly
more than food, clothes, and shelter." Yet what makes the trip crucial to any
understanding of Smith and vital to a comprehension of the bond he felt
with the black race has little to do with experiences gained or sympathies
broadened. Instead, one must ask why Smith embarked on the journey at
all, why he truly was— as the editors of the University of Georgia student
magazine titled the account he wrote of his exploits— "A Tramp Alumnus."
Smith was only 22 when he lit out for the territories, but already he bore
the markings of, if not a future governor, then at least a man destined for a
more auspicious start in life than a law practice dedicated to defending
poor Negroes.
It was at the state university in Athens— where he had enrolled upon
graduating from North Georgia— that Smith had made the sort of noises
that suggested he was a comer. First, he'd joined a fraternity, Sigma Nu,
that, while not as tied to the capitol as such rookeries as Sigma Alpha
Epsilon and Kappa Alpha, included in its 1902 pledge class the lank-locked
boy from Sugar Creek, Georgia, who would dominate state politics for the
next fifty years: Eugene Talmadge. Of greater significance, though, was the
fact that Smith, building on what he'd accomplished at North Georgia, had
quickly risen to the top of the school's preeminent debating society.
To be a champion rhetorician at the University of Georgia at the turn of
the century was to hold nearly as exalted a position on campus as did the
quarterback of the Bulldog football eleven. Week after week, the student
newspaper, The Red and Black, featured the exploits of the college's verbal
warriors, whether in competition among themselves or with teams from
other schools, on its front page. The principal clubs— Phi Kappa and Demos-
thenian— faced each other from opposite sides of the campus's main quad-
rangle in seeming equipoise, but while each had its merits, Demosthenian
had by far the more storied pedigree. In its federalist-period temple dur-
ing the years before seccession, such legendary figures as Robert Toombs,
the firebrand who in 1861 had announced Georgia's intention to leave the
Union by shouting from the United States Senate floor, "Georgia is on the
war path! We are as ready to fight now as we ever shall be," had honed their
rhetorical skills. By the time Smith joined in 1900, Demosthenian's mem-
bers were no longer arguing the need to expand slave territory and were
instead hashing out such contemporary issues as "Resolved that the Inter-
ference with Strikes by Judicial Injunction Is a Menace to the Liberties of
the Working Class." Still, Demosthenian was a shrine to the Old Order, and
as the society's "senior orator," Smith was not only its star speaker but the
carrier of the flame.
Just how utterly William Smith had surmounted this fabled Southern
A TRAMP ALUMNUS 159
institution— and how secure his future must have seemed— had been made
abundantly clear on February 19, 1901, when he'd taken his place in the pul-
pit of the university chapel and facing a packed house that included not
only the entire faculty and student body but the girls of the Lucy Cobb
Institute, delivered one of the school year's most anticipated orations:
Demosthenian's centennial anniversary address. Stylishly outfitted for the
occasion in tux and tails, young Smith had for once told an audience what it
wanted to hear. True, he'd managed to challenge his fellow Demosthenians
to honor the past by confronting the problems of the present, declaring:
"The Northern states with their better educational facilities have out-
stripped us in the race for prosperity. Should treasures be poured into our
coffers, we could aid in the work of educating the sons and daughters of our
State." But first and foremost, he'd paid homage to tradition. Robert E. Lee,
Toombs, the valiant Demosthenians who'd died for the lost cause— all
received bouquets. Furthermore, Smith had indulged in a little atypical
race baiting. Touching on the scientific wonders that the twentieth century,
Demosthenian's second century, would witness, he'd predicted that rocket
travel to other planets would produce a happy result: "Negroes will be ban-
ished as far as possible to Neptune [and] the Caucasian will stay upon this
orb, and the 'Stars and Stripes' will wave over all." In summation, Smith had
borrowed from Thomas More, likening each of his fellow Demosthenians
to a "vase in which roses have once been distilled. You may shatter the vase,
if you will, but the scent of the roses will cling round it still." That scent, of
course, was the scent of an all-encompassing heritage, of Southern history.
For a shining moment, then, William Smith had stood atop the edifice of
the Old South, and by his lights, he should have found a starting place for
himself in the ranks of the state's legal aristocracy. Perhaps an advanta-
geous judicial clerkship would have been in order, or maybe a position with
a venerable Atlanta or Augusta firm. But in the end, Smith— son of Dixie
though he was— was never going to be embraced by the bar's elite, for while
he may have bestrode the symbol of the ancien regime, he had not emerged
from its dusty reality, nor could he have, for quite literally, he had no family.
By the time William Smith had entered law school, he was alone in the
world. His father, William Sr.— a salesman for an Augusta, Georgia, brick
manufacturer— had died in 1889. A few years later, in 1896, Smith's mother,
Dora, followed her husband to the grave. This left just Bill— then sixteen—
and his older sister, also named Dora, then eighteen. Drawing on a small
inheritance, the two had moved to mountainous Dahlonega, where they'd
settled in a rambling boardinghouse owned by a colorful local, one Aunt
Barney. The dream was that brother and sister would attend North Geor-
gia, and in the spring of 1897, they'd begun classes. But this attempt to cre-
ate a semblance of normality was soon dashed, for it was also in 1897 that
l60 AND THE DEAD SHALL RISE
Dora contracted chorea, a debilitating nervous disorder. On August 24, fol-
lowing a nasty fall, she died in her brother's arms.
How William Smith endured these losses can only be imagined, for while
he'd later write perceptively about other painful subjects, he never touched
on this period. Possibly, his childhood had prepared him for such trials, for
his father may have been the sort of profligate who leaves a son no choice
but to grow up fast. At the elder Smith's funeral in 1889, the Reverend
Lansing Burrows, pastor of Augusta's First Baptist Church, had intriguingly
remarked: "Of late the cares and pressures of business had dulled his youth-
ful experience of grace [but] God visited him about four years ago and he
returned to his place beneath the throne." If Smith Sr. fell from grace in the
usual way, if he was an improvident tippler, then one can speculate that
Smith Jr., who eschewed drink, had been fending for himself a long time.
Another clue to the young man's resolve might be found in the ringingly
titled address he gave in Atlanta in 1900 when he again represented North
Georgia at the Southern Oratorical Contest: "The Triumph of Individual-
ism." But however Smith managed it, this much is certain: He not only sur-
vived, he flourished. Yet as he ascended to the pinnacle of college-boy
success, he found that his deprivations had transformed him into what for
the era was a rarity below the Mason-Dixon Line: a young man unbound.
In 1900, the white South— as it still would be on the day Mary Phagan
was found murdered— was rigidly divided into two classes, both based on
family. You could be a patrician, or you could be a cracker. What you could
not be was neither, for while there was some transmigration between these
spheres, so powerful were their respective social, cultural and financial
gravitational fields that few people fell between them, and even those who
did eventually allied with one or the other. The appearance, then, of an
independent being hurtling into adulthood without parents, connections
or money, was seen if not as a threat to the established order then at the
least as the equivalent of an unnamed and hence worrisome comet arcing
through the heavens. Thus when William Smith, even though he'd left the
university trailing clouds of glory, returned from his wanderings, he discov-
ered that the doors to the state's legal establishment were closed to him. As
he would later write:
Upon arriving at Atlanta, I made application to a number of prominent
law firms. Failing in securing an opening in any law office as I was practi-
cally a stranger I decided to open my own law office and did so. No matter
how difficult the way, I determined to go forward.
And so William Smith hung out his shingle and started looking for
clients, and while he never put it in so many words, as he surveyed the
A TRAMP ALUMNUS l6l
bumptious turn-of-the-century capital of the New South, he saw thousands
of Negro freedmen— at the time, only 39 years removed from bondage. The
gulf between this young lawyer— this white freedman— and these blacks
was vast, yet not so vast that gazing across it, each could not perceive a kin-
dred spirit. It was in that instant of recognition that the path to Jim Conley 's
jail cell began.
NINE
Skirmishes
Just days after Jim Conley signed his final affidavit, a series of shrieks
and protestations loud enough to penetrate a closed door exploded
from Hugh Dorsey's office. The source of these cries was Minola
McKnight, the 20-year-old black woman who cooked for the Franks
and the Seligs. Only a few minutes earlier, Minola had been taken into cus-
tody at the 68 East Georgia Avenue home the families shared and brought
to the Thrower Building. Though at first blush this frightened creature did
not seem the sort who could have shed light on the Phagan case, the solici-
tor had reason to believe that she possessed a critical piece of information—
the time Leo Frank arrived home for lunch on April 26.
To Dorsey, the precise minute Frank sat down at the table the afternoon
of the murder had suddenly become a matter of utmost importance. During
the past week, the solicitor had determined that if, as Conley insisted, Frank
began dictating the murder notes at 1:00 p.m., he could not possibly have
finished the task, rushed upstairs to confer with the laborers Arthur White
and Harry Denham regarding the status of their work, escorted Mrs. White
out of the factory and then made a ten-minute trolley trip across town—
all before 1:20, the hour that not only he but his parents-in-law swore
he reached home. There was, however, an ostensibly far more objective
authority yet to be consulted— the dutiful black soul who'd prepared and
served Frank's meal.
The interrogation of Minola McKnight was, by all accounts, an ugly spec-
tacle. According to the Georgian, Dorsey submitted the woman to "the
severest sort of grilling." In this, he was assisted by Detectives Starnes and
Campbell. Yet these intimidating white men bothered Minola less than a
supposedly sympathetic black man who also participated in the session.
That man was her husband, Albert. It was Albert who'd informed his supe-
riors at work— who in turn called Dorsey— that his wife had told him Frank
didn't arrive home until after 1:30 on April 26, and it was now Albert who
was most unrelenting in the effort to persuade Minola to confirm this ver-
sion of events.
But Albert's exertions were to no avail. Despite his entreaties and admo-
SKIRMISHES 163
nitions, Minola not only refused to verify her husband's account, she
accused him of lying to the authorities. The two had recently quarreled, she
maintained, and Albert had fabricated his tale in an attempt to get back at
her. From this rock, Minola would not budge. Following several fruitless
hours, Dorsey ordered her arrest on the charge of suspicion. While the
prospect of going to jail further upset the cook, it didn't change her mind.
As she was being booked, she repeatedly shouted to the boys at headquar-
ters: "I don't know a thing about it." And long into the evening, she kept
up a defiant chatter out her cell window, proclaiming her innocence and
Frank's, too.
A night behind bars apparently failed to soften Minola's resolve, but the
next afternoon, something did. The process began when Campbell and
Starnes reappeared and led the prisoner from her cell to a room adjacent to
the detectives' third-floor bullpen. There, Albert McKnight was again wait-
ing, this time in the company of a lawyer named George Gordon, and two
white businessmen— Ernest H. Pickett and Roy L. Craven— each of whom
had a decided interest in this matter. Noted the Constitution:
Both men are employees of the Beck & Gregg hardware concern, the head
of which, L. H. Beck, is foreman of the grand jury which indicted Leo
Frank. Significance is attached to this connection of the jury's foreman.
The veil of mystery is lifted [further] by the fact that Albert McKnight, hus-
band of the imprisoned servant, is also a porter at the Beck & Gregg estab-
lishment.
In other words, Albert worked for Pickett and Craven, who in turn worked
for a man without whose cooperation Dorsey could not have secured an
indictment against Frank. It was all very cozy, so much so that after Attor-
ney Gordon obligingly retired to a hallway, the detectives surrendered
Minola to the Beck & Gregg contingent's care, not returning until a couple
hours later, at which point, following a brief conversation with the woman,
Starnes produced pen and paper, then summoned a familiar figure —
departmental secretary C. Gay February. Shortly thereafter, Minola gave
her statement, whereupon she was freed.
Had Hugh Dorsey succeeded in plugging the leaks that had plagued the
state since day one, the contents of the piece of paper to which Minola's
name was now affixed might not have been revealed until the trial. In fact,
soon after the affidavit was obtained, the solicitor told the Constitution: "I
will not talk regarding the McKnight woman. Too much publicity at this
stage will do inestimable injury." The higher-ups at 175 Decatur Street did
not, however, share Dorsey's reticence. Quite to the contrary, Newport
164 AND THE DEAD SHALL RISE
Lanford was so eager to publicize the coup that he instructed a typist to
pound out carbons of Minola's statement for all three newspapers, and
within hours extras were rolling off the presses. Boomed the Georgian:
cook's sensational affidavit
The most sensational aspect of Minola McKnight's statement concerned
not the time Frank had appeared for lunch on April 26 but the time he'd
departed. Minola still clung to the family line that the superintendent had
arrived home at 1:20, but in a devastating revision, she'd added that he'd
rushed off ten minutes later without touching his food, a direct contradic-
tion of Frank's testimony at the inquest, where he'd sworn that he'd spent
half an hour at the house conversing with Lucille and his mother-in-law
before they left for the opera, dining with his father-in-law, then, once lunch
was finished and the older man had strolled into the backyard, stretching
out on the living room sofa for a cigarette and a nap. According to Minola,
however, the superintendent had done none of these things, had in fact
quickly made himself scarce. As to why he'd been in such a hurry, the cook
didn't say, but the clear implication was that he and Jim Conley had unfin-
ished business back at the factory.
For all of this, Minola's affidavit would not have prompted the Constitu-
tion to term it "fully as startling as the recent confession of James Conley,"
had it not been for her other revelations, which involved what purportedly
transpired in the house at 68 East Georgia Avenue the weekend of the mur-
der and in the days that followed.
On the subject of Frank's behavior the night of Saturday, April 26,
Minola painted a picture tending to confirm the detectives' theory— born
of Lucille's comment the next morning to John Black regarding the deple-
tion of the house liquor cabinet— that the superintendent had been drunk:
Sunday, Miss Lucille said to Mr. Selig that Mr. Frank didn't sleep so
good Saturday night. She said he . . . wouldn't let her sleep with him, and
she said she slept on the floor on the rug by the bed because he was drink-
ing. Miss Lucille said Sunday that Mr. Frank told her Saturday night that
he was in trouble, that he didn't know the reason why he would murder,
and he told his wife to get his pistol and let him kill himself. I heard Miss
Lucille say that to Mrs. Selig. It got away with Mrs. Selig mighty bad. She
didn't know what to think.
Then there was the vexing matter of the many days that had passed
between Frank's arrest and Lucille's return visit to the Tower, a matter that
Minola said dismayed her, too:
SKIRMISHES 165
I don't know why Mrs. Frank didn't come to see her husband, but it
was a pretty good while before she come to see him, maybe two weeks.
She . . . said: "Minola, I don't know what I am going to do."
Finally, Minola alleged that her employers, upon hearing that Hugh
Dorsey planned to question her, tried to buy her silence:
When I left home to go to the Solicitor General's office they told me
to mind how I talked. Up to the time of the murder I was getting $3.50
a week. But last week she paid me $4, and one week she paid me
$6.50 . . . One week Mrs. Selig give me $5, but it wasn't for my work.
They just said, "Here is $5, Minola," but of course I understood what
they meant even if they didn't tell me anything ... I understood it was a tip
for me to keep quiet. They would tell me to mind how I talked, and Miss
Lucille would give me a hat.
While Dorsey would have preferred the publication of Minola Mc-
Knight's affidavit to have been delayed, now that it was in print, he at-
tempted to seize the tactical advantage. In one stroke, he declared, he had
not only buttressed Conley's story but torn the roof off the Franks' home,
revealing that Leo's anxiety the morning Mary Phagan's body was discov-
ered was but the half of it. Moreover, he had teased out another simmering
issue— Lucille's failure to visit her husband behind bars— and introduced a
new one: the family's purported attempt to bribe a witness. By all rights, the
solicitor should have again been able to proclaim victory. Yet he could not.
Even as the McKnight statement was being splashed across Atlanta's
front pages, the overwhelming reaction was that Dorsey had overplayed his
hand. The Georgian, its decision to showcase the story notwithstanding,
scoffed at the affidavit, cautioning in a subhead:
Incoherent Statement by Employee of
Frank Household That Must Not
Be Taken as Legal Evidence Until
Heard and Corroborated in Court.
And the Hearst sheet wasn't alone in its skepticism. Noted the Journal:
"The affidavit is nearly all hearsay evidence, and therefore inadmissible in
court." Even more worrisome, added others, was the role Albert McKnight
and his superiors at Beck & Gregg had played in the drama. Most damag-
ing, though, was the fact that fewer than twenty-four hours after the state-
ment appeared, its author repudiated it.
Following her release from headquarters, Minola had returned to the
l66 AND THE DEAD SHALL RISE
tiny shack she and her husband shared several blocks from the Franks'
house. It was there that a Georgian reporter spoke to her:
"Did you sign any affidavit in the office of Chief Lanford?" was the first
question asked of the McKnight woman.
"No, sir, I never had a pen or pencil in my hand," she replied.
"Have you read what this affidavit says as it was published in the
papers?"
"It was read to me; I can't read."
"Is there anything in there that you said?"
"No, sir; it's most all a pack of lies."
"Where did they get all that stuff, then?"
"I don't know sir; I don't know."
When Hearst's man pressed Minola as to why her counsel had allowed the
investigators to put words in her mouth, she bristled: "I ain't got no lawyer,
'cept God. He's my lawyer. You jus' put that in the paper. You jus' tell them
that I ain't got no lawyer, 'cept God."
Minola's affidavit could not, of course, be made to go away simply
because she now disavowed it. Furthermore, the authenticity of her recanta-
tion was undermined by the fact that it appeared in a paper whose propen-
sity to embellish the truth was well known and whose prodefense leanings
were continually growing more apparent. Nonetheless, Minola's renuncia-
tion—which was picked up prominently by the Journal and even grudg-
ingly acknowledged by the Constitution— called into question both the
methods detectives had used in obtaining her statement and those they'd
used in obtaining others, particularly Conley's. For the first time since seiz-
ing control of the investigation, Dorsey found himself overexposed and
vulnerable.
The same day Dorsey ordered Minola McKnight's arrest, Luther Rosser
refused comment to a Journal reporter trying to divine the defense's pre-
trial strategy. "Luther Z. Rosser maintains his sphinxlike attitude and
declines to discuss the theory of the defense," the paper observed. Such
taciturnity by Frank's counsel— "Luther Z. Rosser maintains his usual
silence," echoed the next morning's Constitution— had become common-
place in the month since the inquest concluded. Not only had Rosser said
nothing to contest the rumors of sexual misconduct swirling around Frank,
but he'd made no effort to rebut Conley's affidavits. In part, he may simply
have wanted to avoid repeating the mistake he'd made earlier when by
speaking out he antagonized the police. Then again, he may have been dis-
SKIRMISHES 167
tracted by other business. After all, the week Conley unburdened himself,
he'd been away in Rabun County helping the Georgia Railway and Electric
Company push its Tallulah Gorge power project through the courts. In the
aftermath of the McKnight debacle, however, Rosser found his voice. It
belonged to his client's wife.
Lucille Frank's open letter to the citizens of Atlanta ran in all three
papers the day after the McKnight affidavit appeared. By turns aggrieved,
exasperated and exhortatory, the letter made it plain that Rosser— who was
doubtlessly speaking through Lucille— was ready to take the offensive:
The action of the Solicitor General in arresting and imprisoning our
family cook because she would not voluntarily make a false statement
against my innocent husband brings a limit to patience. The wrong is
not chargeable to a detective acting under the necessity of shielding his
own reputation against attacks in the newspapers, but of an intelligent,
trained lawyer whose sworn duty is as much to protect the innocent as to
punish the guilty. My information is that this Solicitor has admitted that no
crime is charged against this cook and that he had no legal right to have
her . . . imprisoned.
That the Solicitor, sworn to maintain the law, should thus falsely arrest
one against whom he has no charge and whom he does not even suspect
and torture her, contrary to the laws, to force her to give evidence tending
to swear away the life of an innocent man, is beyond belief.
Where will this end? My husband and my family and myself are the
innocent sufferers now, but who will be the next to suffer? I suppose the
witnesses tortured will be confined to the class who are not able to employ
lawyers to relieve them from the torture in time to prevent their being
forced to give false affidavits, but the lives sworn away may come from any
class . . .
It is not surprising that my cook should sign an affidavit to relieve her-
self from torture that has been applied to her for four hours ... It would be
surprising if she would not, under such circumstances, give an affidavit.
This torturing process can be used to produce testimony to be published
in the newspapers to prejudice the case of anyone the Solicitor sees fit to
accuse ... It is hard to believe that practices of this nature will be counte-
nanced anywhere in the world outside of Russia.
Lucille's arraignment of Dorsey concluded, her tone softened. After
denying the charges advanced in Minola's affidavit ("My husband was
home for lunch and in the evening at the hours he has stated on the day of
the murder . . . Neither on Saturday nor Saturday night, nor on Sunday, nor
at any other time, did my husband by word or act . . . demean himself oth-
l68 AND THE DEAD SHALL RISE
erwise than as an innocent man"), she described the hardships she'd suf-
fered since Leo's arrest:
I have been compelled to endure without fault, either on the part of my
husband or myself, more than it falls to the lot of most women to bear.
Slanders have been circulated in the community to the effect that my hus-
band and myself were not happily married, and every conceivable rumor
has been put afloat that would do him and me harm.
Then, in closing, Lucille did something she'd heretofore not done. She
publicly proclaimed her faith in Leo:
I know my husband is innocent. No man could make the good husband
to a woman that he has been to me and be a criminal . . . Being a woman, I
do not understand the tricks and arts of detectives and prosecuting offi-
cers, but I do know Leo Frank, and his friends know him, and I know, and
his friends know, that he is utterly incapable of committing the crime that
these detectives and this Solicitor are seeking to fasten upon him.
The most effective thing about Lucille's letter was that it left Dorsey
almost no room to operate. If he fired back, he ran the risk of appearing to
badger a long-suffering woman. If he said nothing, he implicitly endorsed
her allegations.
Once again, though, Dorsey proved himself to be nimble. Speaking off-
the-cuff shortly after Lucille's communication was made public, he brushed
aside the notion that his investigators were pressuring witnesses. "Minola
McKnight was not 'sweated' while she was in my office, nor was she
'sweated' anywhere else," he told the Journal "Merely she was confronted
with her husband." Then, in a formal response released the next day to all
the papers, the solicitor danced away from the substance of Lucille's
charges entirely. Coolly, pointedly, he sought to present himself as a disin-
terested public servant simply carrying out the at times disagreeable tasks
dictated by his office:
I have read the statement in the Atlanta newspapers over the signature
of Mrs. Leo M. Frank, and I have only to say, without in anywise taking
issue with her premises, as I might, that the wife of a man accused of crime
would probably be the last person to learn all of the facts establishing his
guilt, and certainly would be the last person to admit his culpability ... A
bill of indictment has been found by the Grand Jury, composed of impar-
tial and respected citizens of this community, and as Solictor General of
this circuit, charged with the duty of aiding in the enforcement of our
SKIRMISHES 169
laws ... I welcome all evidence from any source that will aid an impartial
jury, under the charge of the court, in determining the guilt or innocence
of the accused. Perhaps the most unpleasant feature incident to the posi-
tion of prosecuting attorney arises from the fact that punishment of the
guilty inevitably brings suffering to relations who are innocent of partici-
pation in the crime, but who must share the humiliation flowing from its
exposure.
This, however, is an evil attendant upon crime, and the courts and their
officers cannot allow their sympathies for the innocent to retard the vigor-
ous prosecution of those indicted for the commission of crime, for were it
otherwise, sentiment, and not justice, would dominate the administration
of our laws.
Dorsey wasn't finished. The McKnight episode had also presented him
with a splendid opportunity to thrust a dagger through the heart of a par-
ticularly loose-lipped demon— Newport Lanford. The moment Minola's
affidavit had appeared in print, the solicitor had written the detective chief
"urging him to take steps to prevent [more] 'leakage.' "Then, following the
publication of Lucille's letter, he went further, calling on the grand jury to
investigate 175 Decatur Street. In order to stave off such a probe, Lanford
quickly caved in, commanding his men, himself presumably included, to
stop discussing the case with reporters. The Constitution, whose disdain for
the police hierarchy was only heightened by its pro-prosecution stance,
applauded, editorializing:
If the Phagan tragedy shall produce no other result than the recent
"shut-up" order of the detective department it will not be entirely lacking
in compensation.
Yet for all Dorsey's deftness, there can be no doubt that the McKnight
episode had hurt the state's case, doing for the defense what the defense
had seemed incapable of doing for itself —creating a platform from which
Rosser could both cast aspersions on Dorsey's methods while beginning
the task of reversing a month's worth of bad publicity about Frank. As the
Georgian's Old Police Reporter put it: "To be strictly truthful, I must say
that the man in the street believes Leo M. Frank guilty of the murder of
Mary Phagan but the statement in defense of her husband given out by Mrs.
Leo Frank had a steadying effect and has cleared the atmosphere consider-
ably." Hoping to capitalize on the change of climate, Rosser jumped right
back into the papers with a second open letter from Lucille to the citizens
of Atlanta. This time, the obvious intention was to nail the solicitor with his
own words:
170 AND THE DEAD SHALL RISE
I think fairness to Mr. Frank requires that the public should clearly
understand Mr. Dorsey's position as stated by him in his reply to my state-
ment that he proposes to use testimony which comes from witnesses as the
result of torture.
His real position, as gleaned from his card, can be stated in the following
sentence which he employed:
"I have only to say without in anywise taking issue with her premises as
I might . . . that I welcome all evidence from any source that will aid an
impartial jury, under the charge of the court, in determining the guilt or
innocence of the accused."
That is to say, he thinks it unnecessary to waste time in disputing the fact
that the detectives are procuring testimony from witnesses by torture. He
considers this point immaterial. He believes he is thoroughly justified in
using tortured testimony if it is turned over to him, for he says: "I welcome
all evidence from any source."
The Journal and the Constitution stated that he had my cook arrested
and carried to his office and quizzed to such an extent as to drive her into
hysterics, and that after this he sent her screaming to the police sta-
tion . . . After she left his office she was taken to the detectives' torture
chamber, and, according to the Atlanta Constitution, she there had the third
degree applied to her to the point of exhaustion, after which, she made an
affidavit, which the detectives . . . gave out to the papers.
The solicitor had no charge against this cook and did not suspect her of
any crime. Yet Mr. Dorsey waves this aside as trivial . . . because he says: "I
welcome all evidence from any source," clearly implying that he will take it
from the torture chamber if it is offered to him.
When Mr. Dorsey introduces this third degree evidence to the jury, can
it be supposed that he will at the same time tell the jury that it comes direct
from the torture chamber?
Lucille's new statement made it even harder for Dorsey to elude the
charge that he was strong-arming witnesses, and it transformed his evasive
rhetoric into an issue in its own right. All of which may explain why the
solicitor let the salvo pass and failed to respond to an interview Lucille sub-
sequently gave to the Georgian's Old Police Reporter in which she reaf-
firmed her belief in Leo's innocence, praised his character ("He has always
been the most kind, the most generous, the most thoughtful, the most con-
siderate, and the most affectionate of men") and pointed proudly to his
many charitable affiliations. While Lucille did confess that her husband was
"no saint," the sole failings she could recall were that he smoked cigarettes
and drank beer— although never to the point of intoxication. Otherwise,
SKIRMISHES 171
she said, "He ever has been just the plain, more or less studious and serious
minded, Leo, gentle and thoughtful, sincere and true. He is my husband, and
I love him very much."
Lucille Frank's avowed belief in Leo's moral integrity could not, of
course, explain away the numerous salacious stories to the contrary or
expunge the charge against him. Furthermore, as the superintendent's wife
admitted in her second letter, her comments carried no legal weight: "Mr.
Dorsey and the detectives know that I cannot go on the witness stand and
deny the affidavits they have published in the newspapers. Under the law
a wife will not be permitted to testify either for or against her husband.
The law puts this absolute seal upon my lips." Still, she had what for now
amounted to the last word.
During the early days of June 1913, Luther Rosser basked in the glow of
accomplishment and acclaim. Quite aside from his successful campaign to
give Dorsey a taste of his own medicine, the lawyer had finally vanquished
the hillbilly John Muirs who'd opposed the opening of the Georgia Railway
and Electric Company's Tallulah Gorge power station. Now the plant's tur-
bines could generate electricity, industries across the state could expand
and, not incidentally, wealthy Atlantans could build vacation homes over-
looking the crystalline lakes that backed up behind the project's dam. God,
in short, was in Rosser's heaven, and if things developed as he intended, the
man who posed the most serious threat to Leo Frank would be indicted for
the murder of Mary Phagan before he could ever utter a word in court.
Rosser launched his attack on Jim Conley just two days after Lucille
Frank's last letter appeared in print by issuing yet another statement to the
newspapers. This time, though, he spoke for himself, and as was his style, he
made no attempts at diplomacy. The state's star witness was "a very ordi-
nary, ignorant, brutal negro not unacquainted with the stockade [who]
began to talk, and negro-like, to talk so as to protect himself." Newport
Lanford, meanwhile, was if not "insane" then "temporarily out of his head."
Had the detective chief and his officers "kept open minds seeking only the
murderer and not seeking to vindicate their opinions, the negro would have
by this time told the truth." Then there was the process whereby the police
had secured Conley's affidavits, a process for which the defense counsel
reserved his deepest scorn:
Conley made one statement. It did not meet the announced opinions of
Lanford. He made another. This second was not up to the mark; it did not
sufficiently show Frank's guilt. Another was made, which was supposed to
172 AND THE DEAD SHALL RISE
be nearer the mark. Whereupon there was great rejoicing. Forgetting all
others, this last statement— reached through great tribulations— was pro-
claimed the truth, and that there would be no other statement . . .
But what a statement! So full of contradictions, so evidently made for
self-protection and wherein was so easily apparent the guiding hand of
detectives.
Rosser's intent was not so much to brutalize Conley or ridicule Lanford
as to persuade the judge who would preside at Frank's trial— 68-year-old
Leonard Roan, a well-respected jurist who in the 1890s had been Rosser's
law partner— to order the Negro's transfer from the station house back to
the Fulton County Tower. As long as the state's star witness remained in
police custody and thus in the hands of officers with a vested interest in
securing Frank's conviction, the lawyer argued, the truth would never
emerge:
This negro is not to give any other or further statement if the detective
department can prevent, unless made under their supervision and direc-
tion. He must, at all times, be under the influence and control of Lanford.
He must have Lanford's sucking bottle at all times to his lips, sucking Lan-
ford's views and theories of this case.
Roan's response to Rosser's sortie was swift and sure. Early the next day,
he informed Dorsey that he was inclined to return Conley to the Tower. On
this point, the judge asserted, the law was explicit: The Negro was a material
witness, and material witnesses belonged in the county facility, where Sher-
iff Wheeler Mangum was charged with shielding them from anyone—
detectives included— bent upon influencing their testimony.
The defense was, of course, elated by the news, for Rosser believed that
once Conley was freed from what the Georgian termed "police petting,"
he'd revert to form and talk to the press, becoming not only his own worst
enemy but the prosecution's, too, for inevitably, he would slip and reveal
what actually happened on April 26, which, by the lawyer's reckoning, was
this: That Saturday morning, desperate for cash and "made passionately
insane by liquor," Jim had been lurking in the pencil factory lobby. When he
spotted Mary Phagan, mesh purse in hand, descending the stairs from
Frank's office, temptation overcame him. He struck the girl, dropped her
body into the basement through the elevator shaft, then clambered down
the scuttle hole ladder. Upon discovering that the child wasn't dead, Conley
gagged her with strips of cloth ripped from her underskirt, tied her around
the neck with a length of twine fished from the floor and dragged her to the
rear of the cellar. There, he strangled her. As to the issue of rape, Rosser
SKIRMISHES 173
considered it either inconvenient— its mention could rekindle the charges
of impropriety swirling around Frank— or irrelevant, as he'd concluded Jim
had been motivated less by sex than by greed. That is, the lawyer believed
that Conley's reason for attacking little Mary had been to rob her. Other-
wise, why had her purse, an item whose $1.20 in contents could hardly have
interested Frank, disappeared? Finally, there were the murder notes, in
Rosser's view the unalloyed product of the Negro mind. Only a Negro
could have concocted a scheme to pin the crime on some other Negro, and
only a Negro could have imagined that anyone would swallow the notes'
logic. It was all clear, and Rosser was certain that once Conley was no
longer being force-fed his lines by Newport Lanford, the grand jury would
see. This, at least, was how things were supposed to work.
Shortly after Roan expressed his inclination to transfer Conley to the Tower,
Hugh Dorsey— joined by William Smith— appeared in Judge Roan's cham-
bers and filed a petition meant to derail the defense lawyer's plans. Yet
exactly what the solicitor had in mind was hard to comprehend, for his peti-
tion was peculiar. He argued neither against Conley's return to the county
facility nor for his continued incarceration at headquarters. Instead, he
asserted that Jim was not a material witness and should be released from
custody altogether.
Rather than grant or deny Dorsey's strange request, Roan set a hearing
on the matter for two days hence.
During the brief interim, the logic behind Dorsey's move became appar-
ent. He still regarded Conley as a material witness, yet he realized that if the
Negro retained that status, Roan had no legal alternative but to remand
him to the Tower. To avoid such an outcome, the solictor intended to engi-
neer Conley's release, then rearrest him as a suspect— though he suspected
him of nothing— and hold him at headquarters indefinitely. And the beauty
of it was, Rosser couldn't do a thing about it. Should Frank's lawyer fight
the petition on its merits, he would find himself arguing that the Negro
should be held to testify against his client. If he contested the final plan, he
would be forced to maintain that the Negro was not a suspect.
Dorsey's petition had checkmated the mighty Rosser. Still, both sides
had to go through the charade of Roan's hearing and accordingly, a small
army of lawyers and reporters convened in his chambers at 10:00 a.m. on
Friday, June 13. Though the solicitor's position didn't need bolstering,
William Smith nevertheless produced an affidavit from Conley in which the
Negro asserted that threats had been made against him during his brief stay
in the Tower. Smith also tendered a statement of his own maintaining
that the county lockup was often protected by only a single guard and was
174 AND THE DEAD SHALL RISE
therefore accessible to anyone intent on harming his client. Meanwhile,
Rosser submitted a statement to Roan as well, but the defense lawyer
appeared resigned to the inevitable. In fact, he termed his communication a
"protest," acknowledging that he was running up the white flag even as he
denounced Dorsey's petition as a "farce meant to continue the present ille-
gal confinement," accused the state of "winking" at justice, archly congratu-
lated Smith for his "wise" decision to abandon Conley to the prosecution's
whims, then raked Newport Lanford over the by now familiar coals:
That the detectives should wish to keep Conley in custody and enter-
tain him at the city's expense is not at all surprising. They have already
extracted from him extravagant, unthinkable confessions, three or four in
number. To these statements they have given the widest publicity, and to
the credibility of the last one they have staked their reputations and hope
of place
Can any fair-minded man believe that Lanford is a fair man to be the
custodian of this ignorant negro? What chance would he have to retract
any lie he may have told, or if in a repentant mood he should wish to tell
the truth? This negro in the city prison, in the power of Lanford, apart from
all questions of truth, would be just as dangerous as Lanford would wish
him to be. No one knows that better than Lanford, and no one would feel it
as acutely as will this negro.
For six indignant pages, Rosser carried on this way, yet in the end, his obser-
vations had no bearing on Roan's thinking. Neither, for that matter, did
Smith's. In fact, without reading either man's submission, the judge asked
the lawyers if any of them considered Jim Conley to be a material witness.
Though Dorsey considered him to be exactly that, he said nothing. As for
Rosser, he, too, kept his opinion to himself. With everyone in such seeming
accord, the judge promptly granted the solicitor's petition. It all took under
ten minutes.
Accordingly, at n a.m., Friday, June 13— less than an hour after Roan
made his decision— Newport Lanford appeared at the door of Conley 's sta-
tion house cell and announced: "Well, Jim, I am going to release you."
Though Conley received the news with a bewildered look, he silently
accompanied the detective chief to the desk sergeant's office. After opening
the docket book to the Negro's name, Sergeant A. J. Holcombe entered the
following notation:
Released, June 13, 1913, by order of Judge L. S. Roan, of the superior court,
Stone Mountain Circuit.
SKIRMISHES 175
This formality observed, Lanford took Conley by the arm and walked him
through a door opening into an enclosed auto passageway, then up an al-
ley to Decatur Street. There, as a small crowd watched, the detective chief
relaxed his grip. Jim was a free man. Yet before the Negro could so much
as move, Detective J. F. McGill— who "by some peculiar chance," as the
Journal dryly put it, was stationed on the sidewalk looking for "suspicious
personages"— rearrested him, whisking him back into headquarters, where
Holcombe was, of course, waiting with his docket book. Once the new
charge — "suspicion" — was noted, Lanford returned Conley to his cell, which
was fine by Jim. "I didn't want to get out anyhow," he told his captor— and
that, likely as not, was the truth.
With Conley off-limits, Dorsey was ready for court. He ordered his assis-
tants to organize the guts of his case— the Negro's affidavits, a chart detail-
ing the principals' movements on April 26, depositions regarding Frank's
alleged peccadilloes, chunks of inquest testimony and Dr. Harris's autopsy
report (which the state had finally received but whose contents would not
be revealed until trial). He also hired Frank Hooper— an ex-prosecutor
from Americus, Georgia, who boasted an impressive conviction record— to
serve as his associate. Things, finally, were falling into place, so much so that
despite the date now set for the proceedings to begin— June 30— being
practically upon him, Dorsey decided to take a vacation. After securing a
promise that the grand jury would resist any defense effort to use his
absence to engineer Conley's indictment, he began packing. Yet even with
this contingency covered, the solicitor needed to confer with one last indi-
vidual before leaving town.
Saturday, June 14. In just a few minutes, the afternoon train for New
York would pull out of Atlanta. Up and down the covered sidings that
extended back from the great Moorish fortress of Terminal Station, passen-
gers hurried to their cars. In the distance, a smoke-wreathed locomotive
groaned. Yet standing off to the side, seemingly oblivious to the blur of
activity and the fast-approaching hour of departure, Hugh Dorsey huddled
in conversation with William Smith. The two had a critical piece of business
to discuss. As a matter of course, any lawyer whose client is held more than
a few days on such nebulous grounds as suspicion will initiate habeas cor-
pus proceedings. But Smith, in return for the solicitor's pledge— contingent
on Frank's conviction— to go easy on Conley, agreed to take no such action.
The Negro would remain in jail. Only after consummating this deal— which
amounted to an insurance policy on the state's star witness— did Dorsey
climb aboard.
I76 AND THE DEAD SHALL RISE
In the wake of Hugh Dorsey's hornswoggling of Luther Rosser, the aware-
ness dawned among such Frank supporters as Sig Montag and Herbert
Haas that the solicitor was a more formidable enemy than had at first been
imagined. Though this realization didn't prompt second thoughts about
Rosser— who, after all, was known less for his sleight of hand than for his
ability to argue a case— it did suggest that it wouldn't hurt to bring in some
new legal blood.
If the mighty Rosser was the gladiator Atlanta's wealthy employed to
smite their foes, Reuben R. Arnold was the envoy they dispatched to
cement business relationships, diffuse conflict and, generally speaking, lend
an air of civility to the transactions through which discreet people adjudi-
cate their differences and secure their fortunes. Grandson of a two-term
Whig congressman from the Tennessee mountain town of Greeneville and
son of a Confederate colonel who, following the Civil War, migrated to
Atlanta and prospered at business and at the bar, Arnold grew up in a world
of privilege at Deerland, the elegant home his father built on Peachtree
Street just north of town. After attending the University of Georgia, he
returned to Atlanta to practice law.
By the summer of 1913, the 45-year-old Arnold had made his name and
his fortune as the principal in a firm whose most lucrative client was the
Atlanta Journal. The lawyer's relationship with the newspaper had its roots
in his long-standing association with its founder, Georgia's junior United
States senator, Hoke Smith. Arnold was one of the politician's most trusted
lieutenants. In fact, the men were so close that in 1910, when Smith took
sick the day before he was scheduled to announce his candidacy against
Joseph M. Brown for the state's governorship, Arnold delivered the cam-
paign kickoff address.
That Hoke Smith tapped Arnold to make such a speech was no surprise,
as the lawyer often served as a mouthpiece for his friends and his class. Dur-
ing the first months of 1913 alone, he'd debated an Anti-Saloon League offi-
cial bent on seeing Georgia's 1908 prohibition law enforced not just at
cheap near-beer saloons but at such august watering holes as the Piedmont
Driving Club; published a statement attacking a provision in the tax laws
that gave tenant farmers (most of them Negro) power to take deductions
that landlords (most of them white) opposed; and— sharing the dais with
Rabbi David Marx— gave the keynote address at the Atlanta Chamber of
Commerce's annual banquet.
What made Arnold an effective presence on either the stump or the
after-dinner podium wasn't so much his speaking ability— although, like
most Southern lawyers of his generation, he could turn a phrase— but the
fact that in words and being he articulated the values his social and financial
SKIRMISHES 177
peers held most dear: property, prosperity, propriety. One of those men for
whom the word "solid" was invented, Arnold stood six feet tall with broad
shoulders and a thick middle and gazed out at an audience through a reas-
suringly bland face animated by soft blue eyes and topped by short blond
hair parted on the side and combed over the ear. He was impressive but not
threatening, handsome but not affected.
All of this, however, is not to say that Arnold was the sort of counsel who
served chiefly as window dressing. He was a good book lawyer, the type
who off the top of his head could dictate, say, the documents necessary to
place a struggling company into receivership. He was also a superb litigator,
more dangerous in court than one might at first imagine. As the Constitu-
tion put it:
The sting of Reuben Arnold is as sharp as an adder. He's mighty polite
about it— injects the poison skillfully, without mussing up the patient's
clothing or causing him any unnecessary loss of blood, but the poison
works just as surely. He is also some goat getter— a sort of polite purloiner
of goats, is Reuben.
Moreover, Arnold possessed an expertise in medical evidence that could
prove of value in a trial where the interpretation of autopsy reports might
determine guilt or innocence.
Still, Mister Rube, as he was deferentially known, was better suited to
winning over a jury than pummeling a witness, more skilled at building up a
misunderstood client than attacking the state. He was the perfect comple-
ment to Luther Rosser.
Word that Reuben Arnold was affiliating with Leo Frank's defense hit
the front pages while Dorsey was out of town. "I hazard not a thing in say-
ing that there is no reason to believe Mr. Frank guilty of this horrible mur-
der," the lawyer declared in his first public comment on the case. Then,
underscoring the assumption at the heart of the defense's thinking, he
added: "I do not believe that any white man committed the crime." Yet for
all the credibility Arnold lent his new client, the fact remained that the non-
white man to whom he was alluding was safely ensconced at the station
house, his allegations unshaken, his presence overshadowing everything
that lay ahead. Whatever it took, the defense had to do something to cripple
Jim Conley's effectiveness before court convened.
On the swelteringly hot afternoon of June 24— six days prior to the date
the trial was scheduled to start— Luther Rosser and Reuben Arnold ap-
I78 AND THE DEAD SHALL RISE
peared in Judge Leonard Roan's chambers. In mid- July, Frank's law-
yers explained, they were both due in court in the distant hamlet of Swains-
boro in connection with the J. W. McNaughton murder case. (In 191 1,
McNaughton, a physician, had been convicted of poisoning his mistress's
husband with arsenic.) Citing the likelihood of a scheduling conflict, the
men sought a postponement. Nonsense, replied Hugh Dorsey, just back
from vacation and on hand to oppose the request. The Frank proceedings
would be history by mid-July. The defense was stalling. Whatever the
virtues of either side's positions, Roan paid them little heed. If the trial
began on June 30, he interjected, it would by necessity be held in the judi-
cial system's cramped and airless temporary home, the Thrower Building.
However, if it could be delayed a month, there was another option. A court-
room in the old Atlanta City Hall— a brick and marble confection at the
corner of Pryor and Hunter streets just across from the nearly completed
Fulton County Courthouse— would be available. While itself dowdy and
undersized, the alternate venue boasted numerous windows— during a
southern summer, no small attribute. There was also, the judge confided,
something else: "Gentlemen, some months ago I promised my wife that I
would take her to the seashore on the week of July 4 and spend some days
there with her."
Such was the aversion toward the prospect of conducting a lengthy trial
in the stultifying Thrower Building and such was the respect for Roan—
who, complaining of fatigue, had added that he could use a break as well—
that the matter ended here. Dorsey dropped his objections and joined
Rosser and Arnold in an enthusiastic discussion of the judge's trip. The
press responded just as congenially, with the Journal splashing a photo-
graph of an implacable-looking Mrs. Roan atop its front page beneath the
headline: she really postponed the frank trial. Yet the bonhomie
and bon voyages aside, all concerned knew that Roan's decision to delay
the proceedings by a month— court would now convene on July 28— consti-
tuted a break for Frank, giving the defense one last opportunity to neutral-
ize the state's star witness.
Unlike the first attack on Jim Conley, which had been predicated on the
notion that the Negro, if left to his own devices, would implicate himself,
the attack Rosser and Arnold now unleashed was carefully calculated and
aggressive. Henceforth, they would operate less like lawyers than investi-
gators, building their case much as the police would against a suspect.
The goal, even at this late hour, remained Conley's indictment for Mary
Phagan's murder. Barring that result, the attorneys hoped to amass such a
body of evidence that come July 28, they could turn the tables on the pros-
ecution, in effect establishing Frank's innocence by proving the Negro's
guilt.
SKIRMISHES 179
The opening shot in the assault on Conley was fired in the July 9 editions
of the Georgian under the front-page banner:
NEW PHAGAN EVIDENCE FOUND
The development that occasioned this headline was the discovery of a piece
of pay envelope bearing Mary Phagan's employee number in the factory
lobby near where Frank's accuser admitted he was sitting on the day of the
killing. The clue, the Hearst sheet argued, pointed "more strongly than ever
to robbery as the original motive for the attack upon the girl," focusing
"suspicion more directly upon Conley." What the Georgian failed to men-
tion, however, was that this piece of evidence was neither new nor univer-
sally agreed upon as reliable.
Both the prosecution and the defense had known of the existence of the
pay envelope scrap for two months. It was part of a cache of equally intrigu-
ing finds located on the afternoon of May 15 in the factory lobby by Pinker-
ton operatives L. P. Whitfield and W. D. MacWorth— the same detectives
who had secured, respectively, the statement from Mrs. Coleman tending to
discredit George Epps and the statement from Etta Mills tending to dis-
credit Nina Formby. According to the report submitted by MacWorth, this
is what the men discovered:
At the trap door I found what I took to be blood stains and also several
pieces of cord used to tie bundles of pencils, and which was entwined in the
pipes of a radiator adjoining the trap door. I also picked up a roll of paper
and on examining it, found it to be the end of an envelope. I could see the
number #186 stamped in the left-hand corner and a name written in lead
pencil. I gave the paper to L.P.W. to take to the daylight, and he returned,
saying that the name on the envelope was M. Phagan. Below the name
could be seen the tops of figures, the plainest of which is the last, an aught.
And there was more. As Whitfield noted in his file, the two also located one
last object:
We then secured an electric light and searched the floor around the trap
door for blood stains, and we found several places that appeared to be
spotted with blood. We also found a club with blood on it.
While the implications of the Pinkerton agents' finds were clear, their
provenance was not. Yes, the club— a stout rolling-pin-like implement used
by draymen to scoot heavy boxes across the floor— could have been wielded
in the attack upon little Mary, inflicting the wound above her left ear. And
l80 AND THE DEAD SHALL RISE
yes, the tangle of cords— one of which showed indications of having been
freshly cut by a knife— could have provided the length employed to stran-
gle her. And yes, the piece of pay envelope (the "aught" visible beneath the
name corresponded to the zero that would have concluded the line denot-
ing the victim's wage: $1.20) could have been the victim's. But as Lanford
and Dorsey had been asking since the discoveries were made, why hadn't
any of the numerous detectives who'd scoured the factory during the nearly
three weeks that passed between the murder and the day Mac Worth and
Whitfield struck gold noticed these clues? Furthermore, how was it that two
agents who seemed to sympathize with Frank had made the finds? From
the start, the police believed the items were plants.
Yet in the days following the Georgian's exclusive, only the subtlest
hints— the Constitution and Journal failed to run the story, while simultane-
ously rumors began circulating that a rogue faction of Pinkerton detectives
had allied with the defense— indicated there were doubts as to the finds'
authenticity. Around town, the word was that new evidence implicating
Conley had surfaced. Which was just as Frank's lawyers wanted it.
Hard upon the revelation that the dead girl's pay envelope had been
recovered came the news— again courtesy of the Georgian— that an eye-
witness to Mary Phagan's murder had been located. This was Will Green, a
39-year-old Negro carnival worker from St. Louis, whose story, at least as
the paper reported it, did everything but name Jim Conley as the killer:
I was in Atlanta for a few days. I was shooting craps on the first floor [of
the pencil factory] with this negro that Saturday. This fellow was half drunk
and was losing money to me. He got mad and cursed his luck.
Before long a little girl went upstairs. This negro said he was going to
take her money away from her when she came down. I thought he was
fooling at first, but when she came down he started for her. I yelled at him
not to do it, but he kept right on. Then I skipped out, for I didn't want to get
mixed up in any trouble. I stayed around town until the next Monday, and
then I read all about how a little girl had been killed . . . and I knew that
she was the one I had seen come downstairs at the factory.
I got out of town right away and went back to St. Louis.
Will Green's narrative was also not without flaws. As with the clues
located in the factory lobby, the carnival worker's existence had been known
to the police since May, when an informant had wired headquarters from St.
Louis. At the time, the detectives— who'd yet to question Conley and thus
had no reason to believe he had been at the plant on April 26— had reacted
coolly. Later, in the wake of Conley's affidavits, the defense had recognized
SKIRMISHES l8l
Green's import. By then, though, the carnival worker had vanished. During
June, a posse comprised of Pinkerton operatives and Hearst stringers pur-
sued Green down the Mississippi from St. Louis to Cairo, Illinois, then into
Kentucky, Tennessee and finally Birmingham, where, according to the Geor-
gian's July 13 exclusive, the man had been cornered. But the paper had
glossed over the inconvenient fact that Green was not actually in custody,
that he'd merely been traced to the Alabama city. Moreover, its account had
failed to mention the equally salient point that Green's allegations were
hearsay. The Negro had supposedly passed them on to a friend who'd in
turn telegraphed the police. In the brain-numbing glare of the headlines,
however, the holes in the Georgian's tale seemed minor. Most Atlantans
believed that the carnival worker would be in court on July 28 to testify
against Conley. Which, again, was exactly how Frank's lawyers wanted it.
With fresh evidence in hand and an eyewitness allegedly en route, all the
defense needed to complete its case against Conley was a confession, and
by mid- July it was claiming to be in possession of exactly that. William H.
Mincey, a 43 -year-old country schoolteacher who worked weekends for the
American Life Insurance Company, had declared that on the afternoon of
the murder, a drunken Jim Conley had told him he'd killed a girl earlier in
the day. Intense and thin with deep-socketed eyes and a theatrical mus-
tache, Mincey had made a favorable impression on Luther Rosser, and his
sworn affidavit seemed to represent a genuine breakthrough. "We place the
utmost reliance in it," Frank's counsel proclaimed. "It forms one of the
strongest foundations for our belief in the guilt of Jim Conley."
Attesting to the significance of Mincey's statement was the fact that even
the Constitution and Journal gave it ample coverage, yet as with all news
auguring well for Frank, it was the Georgian that played the story hardest,
portioning out chunks of it in a series of increasingly frenzied extras that
culminated with the July 14 publication of a first-person account authored
by Mincey himself. Screamed the front-page double-deck banner:
mincey's own story
Tells How Conley Confessed Killing Girl
As Mincey recounted it, he had watched the Confederate Memorial Day
parade on April 26 and then, hoping to drum up business, walked to Vine
City, the territory he'd been assigned by American Life. Entering the neigh-
borhood on Mitchell Street, he said he'd made calls at homes on Electric
Avenue and Rhodes Street before heading up a dirt path that gave onto
Carter Street. Like most "policy men"— as insurance agents were known to
blacks— Mincey believed he had a gift for recognizing customers. Yet in the
l82 AND THE DEAD SHALL RISE
Negro "with his head leaning down on his chest" sitting in front of a house
off Carter Street, Mincey believed he'd found someone who behaved less
like a prospect than a suspect:
I stopped and got into a conversation with the negro about insurance.
He told me his name was Jim Conley. I saw at once there was something
wrong with him. He was nervous and excited, and tried to put me off and
get rid of me by telling me to come to 172 Rhodes Street next week and he
would take insurance. But as the negro had excited my curiosity by his
incoherent, scattering way of talking and his nervous and excited manner,
I remained standing there firing questions at him.
He told me he was in trouble. I asked him if they had had him in jail or
the stockade. He said no, but he was expecting to be in jail, and that right
away. I asked him what for.
He said, "Murder, I killed a girl today."
I said: "Oh, I see! You are Jack the Ripper."
The thought that occurred to me was that he meant he had killed some
negro woman, and the only thing that seemed peculiar to me was that he
said "girl" instead of "woman."
I said: "Why did you kill her?"
He began to get angry and I saw he was drunk.
He said: "Now, that is for me to know and you to find out."
I did not attach much to what he was saying, thinking it was the bab-
bling of a drunken negro; but his restless, quick glancing around and his
keeping his eyes on me, and the wild, unnatural glare in his eyes caused me
to want to press him further to find out really what he had been doing.
I said: "Let me write your insurance this afternoon," and started down
to where he was.
He said: "Don't you come down here," speaking this in an angry, threat-
ening manner. This caused me to press him the more.
I said: "No, I will take your application now," and continued.
He said: "I tell you not to come down here."
When he saw I was coming on anyway, he jumped up, and as he went
round the corner of the house he said: "I have killed one today and I don't
want to kill another."
I said: "Well, one a day is enough; that is 365 a year," turned and walked
off.
Gripping as this account was, it, too, was problematic, undermined by
Mincey's spotty chronicle of his early attempts to alert the authorities to
Conley's confession. On the TUesday after the murder, he claimed he'd vis-
ited the factory only to find that no one would listen to him, and had left
SKIRMISHES 183
"thoroughly disgusted." Following the Negro's arrest, he maintained he'd
stopped by headquarters, where an officer whose name he couldn't remem-
ber had allowed him to question Jim, who denied meeting him. Finally, he
contended he'd mailed an anonymous letter to Dorsey informing him of
what Conley said and urging him to take action. Only when nothing hap-
pened, he added, had he contacted Rosser.
In sum, Mincey appeared to be both self-dramatizing and self-pitying, an
insight that didn't escape the state's lawyers. In response to the tale, Frank
Hooper declared: "I sincerely doubt if [the] Mincey affidavit will ever be
heard from as a seriously considered piece of evidence in the Phagan case.
The statement was undoubtedly made and sworn to, but the prosecution
will be able to disprove it if its signer is called as a witness."
Still, William H. Mincey had struck a nerve, and the prosecution couldn't
hide it. Not only did his affidavit force Dorsey to reinterrogate his star wit-
ness (conley in sweatbox again, raved the Georgian in a circus-type
banner), but it led to another outing for Jim, this time to Vine City. There,
Detectives Starnes and Campbell led the prisoner around the neighbor-
hood to see if anyone could recall seeing him in a tete-a-tete with Mincey
on the day of the crime. (No one could, although the factory's day watch-
man, E. F. Holloway, would soon confirm that Mincey had visited the plant
on the Tuesday after the murder.) Meanwhile, Dorsey's staff was said to be
tracking down acquaintances of Mincey for an assault on his credibility.
All in all, Luther Rosser and Reuben Arnold had pulled off an impressive
feat. Leaving aside the myriad questions concerning methodology and
veracity, they had built a case against Jim Conley grounded in physical evi-
dence, supported by an eyewitness account and topped by a confession. At
the least, the lawyers insisted, their new evidence warranted a hearing, but
the prospect of receiving one was slim. In the history of Fulton County, not
only had no grand jury indicted a suspect against a solicitor's wishes, no
grand jury had met to consider such action against a solicitor's wishes. And
there was no doubt as to the wishes of this particular solicitor, who'd made
it plain from the outset that he'd fight any move aimed at undermining
Conley's effectiveness in court.
Yet despite Hugh Dorsey's opposition, if ever there was a moment in
which opposing counsel might persuade a grand jury to act against a solici-
tor's will, that moment was now. In early July, the term of the panel that had
indicted Frank had expired, and a new panel— whose twenty members had
not heard the prosecution's case— had taken its place. This group could
prove sympathetic to the argument that the evidence connecting the Negro
to the crime was stronger than the evidence on which Frank was indicted.
184 AND THE DEAD SHALL RISE
Which was why even as Mincey's affidavit was dominating the papers,
Rosser and Arnold were lobbying the just-seated jurors to confound prece-
dent and take up the case against Conley.
Predictably, the Georgian spearheaded the campaign. By this date,
Hearst's sheet had largely abandoned objectivity, completing the process
that had started in mid-May when it began flirting with a pro-Frank stance.
As Herbert Asbury would recall in the American Mercury:
Although evidence was constantly piling up against [Frank], toward the
end we worked as hard trying to prove his innocence and build up senti-
ment for him and against the Negro, Jim Conley, who had confessed to
helping Frank hide the body, as we did to find legitimate news of the case.
The Constitution and the Journal turned more or less against Frank,
though never violently so, largely because the Georgian had taken the
opposite position.
Every Sunday, the Old Police Reporter— the Georgian's pseudonymous
man on the Phagan beat— weighed in either to attack the state's case or
build up the defense's. On July 6, he analyzed the evidence with an eye
toward highlighting all facts pointing toward Conley as the murderer.
According to his calculations, there were eighteen such facts. A week later,
he analyzed the same evidence looking for facts damning to Frank. Here,
however, he could come up with only three, each of which he dismissed as
sheer coincidence, whereupon he seized the opportunity to readdress the
facts against Conley, proclaiming:
If it can be shown to the Grand Jury that Conley did say to Mincey, "I
have killed one girl today, and do not wish to kill another," and that he
was in a half-drunken stupor when he said it, that, in connection with the
other evidence against Conley unquestionably would seem to make it
the present Grand Jury's positive DUTY to indict Conley, without further
ado!
In his next column, the Old Police Reporter argued that past history
notwithstanding, the grand jury was not answerable to the solicitor —was, in
truth, answerable only to itself:
It would be unusual for the Grand Jury to indict Conley with an indict-
ment already standing against Frank for the same offense. It would not be
an unheard-of thing, however.
Grand Juries are laws unto themselves. They may indict whom they
please and when they please.
SKIRMISHES 185
Indeed, the law and their oaths make it imperative that a Grand Jury
indict ALL persons they believe deserving of an indictment, regardless of
whether that indictment affects pending cases advantageously or disad-
vantageous^.
Relentless as the Georgian's propagandizing was, the defense did not
rely solely upon the paper in its efforts to influence the grand jury. Rosser
and Arnold knew where to apply pressure, and they did, sponsoring a
letter- writing campaign in which correspondents— many hiding behind the
cloak of anonymity— beseeched the grand jurors to take up the case against
Conley.
On July 18, W. D. Beatie— the realtor who'd been appointed foreman of
the newly empaneled grand jury— arrived at Dorsey's office and, in a move
that shocked the Atlanta bar, asked the solicitor to call the body into ses-
sion to consider the new evidence suggesting that Jim Conley had mur-
dered Mary Phagan. When Dorsey refused Beatie 's request, the foreman,
as the Constitution gravely recounted, "went over the head of the state's
legal representative in Fulton County" and ordered the jury to convene on
Monday, July 21, a week before Frank's trial was scheduled to begin. For
the solicitor, the defeat was the worst sort of affront, threatening his case
while flouting his authority. Afterward, all he could manage was a terse
statement:
The meeting's only purpose will be to exploit the evidence and embar-
rass the State, and I hope the Grand Jury when it meets will decide to leave
the matter alone.
The indictment of Conley at this time will be a useless procedure that
will not stop the trial of Frank.
Conley is in jail and is going to stay there for some time. He is where the
authorities can put their hands on him, and he can be indicted much more
properly after the Frank case has been disposed of than before, and by the
delay there is no danger of a miscarriage of justice.
Just two days would pass between Beatie's announcement and the con-
vening of the grand jury, making the fight for the jurors' loyalties as brief as
it was intense.
Sallying forth for the prosecution was William Smith. In a statement pub-
lished in the Constitution and Journal, Conley's lawyer, after alluding to "an
unseen force" that had bullied the jury into taking up the case, attempted to
reassure Atlantans as to his client's honesty while simultaneously hinting
darkly that it was the silent man in the Tower who'd been less than forth-
coming:
l86 AND THE DEAD SHALL RISE
Jim Conley has been dealing fairly with the state of Georgia. His story
has been an open book to the sworn, trusted prosecuting officers of this
state. He is not skulking coward-like behind the protection of iron bars, nor
have his lips been sealed with tomb-like silence, until he can spring sud-
denly in a court a well-prepared statement, which the state has no oppor-
tunity to investigate and disprove. Conley allows himself to be grilled,
cross-examined and unceasingly questioned by the representatives of the
state. He is talking and talking now. Conley says to the state of Georgia,
here is my story, investigate it, sift it, and prove it a lie, if you can.
What more could the grand jury ask? Conley is giving the state a
square deal; Conley is remaining a voluntary prisoner, and no honest citi-
zen doubts that he will be held to account for his part in this terrible
tragedy.
Smith's duty to Conley discharged, he then praised Dorsey, painting a
picture of an independent prosecutor at war against the entrenched inter-
ests of capital and privilege:
If the grand jurors do not want to please Frank and his friends, if they do
not want to help clear Frank, they had better leave this alone, for the pres-
ent. The good people of this county elected Hugh Dorsey as the solicitor
general. Under the law, this makes him the legal adviser of the grand jury.
There is not a businessman on the grand jury that does not follow in his
own affairs the advice of the lawyer ... to whom he goes for counsel. Let
the grand jury do with the public business what they would do with their
own matters . . .
Does the grand jury think their legal judgement or their personal
integrity above that of our solicitor general, or do they doubt the profes-
sional or private character of Hugh Dorsey? The people of this county
know that Dorsey is straight; that in this case he is fighting brains, money
and influence. I know that he is standing by what he thinks right, and with
constant threats thrown at him that they will defeat him at the next elec-
tion and with every handicap thrown in his way in the discharge of his duty
in prosecuting a white man who has wealth and influence.
While Dorsey let Smith do his lobbying, Rosser and Arnold did their
own. In a joint statement published Sunday in all three papers, Frank's
lawyers again asserted that the solicitor possessed no authority to dictate
the grand jury's actions:
The Grand Jury is an independent body; it is under the control of no one.
A Solicitor General is the adviser of that body as to legal principles
SKIRMISHES 187
merely, but he has no right to exercise any sort of control in determining
who shall or shall not be indicted.
To permit a Solicitor General to use the position intrusted to him by the
people to decide for himself who shall not be indicted is a danger too great
to be contemplated.
With that, Rosser and Arnold accused Dorsey of prosecuting their client
merely for the "gratification of his professional pride," charged him with
withholding evidence and suggested that he had manipulated the previous
jury in such a way as to deny it access to Conley's affidavits prior to Frank's
indictment. Finally, after dismissing Smith's remarks ("It is appropriate that
he should bolster up the Solicitor, as he depends mightily upon the Solicitor
to protect his negro."), the lawyers warned the jurors that if they did not
indict Conley, the "community would resent the rank favoritism shown this
confessed criminal."
The atmosphere inside the Thrower Building conference room the Monday
morning the jurors convened to take up the case against Jim Conley was
explosive. As one reporter put it, not since the days immediately after Mary
Phagan's body was found had there been as much electricity in the air. With
eighteen jurors— just enough for a quorum— present, Foreman Beatie shut
the doors and Dorsey took the floor. The solicitor began by citing legal
precedents. Tbrning to the appropriate authority, he read:
The Solicitor General is to determine whether or not to commence a
particular prosecution, or to continue a particular prosecution or to dis-
continue one already begun. The Solicitor General draws the bill of indict-
ment and examines the witnesses, not with a view to the interest of any
client, but alone to subserve public justice.
The whole prosecution from the time the case is laid before him is
under his direction, supervision, and control.
Dorsey did not, however, stop here, proceeding to address the substance of
his case against Frank and the reasons why he believed Conley's indictment
would threaten it. After an hour on his feet, he sat down. Minutes later,
the jury voted not to indict Conley. Considering the fact that the panel
once again contained several Jews— among them Oscar Elsas, president
of the Fulton Bag and Cotton Mill, which, not insignificantly, was a client
of Rosser 's firm— this was a stunning victory for the solicitor. When he
emerged shortly after noon, he could not resist chiding the defense for the
manner in which it had tried to go over his head:
l88 AND THE DEAD SHALL RISE
I am requested by the Grand Jury to say that no action will be taken at
this time on the James Conley matter, and that that body will not pay any
attention whatever to anonymous communications.
Thus this final pretrial skirmish ended in triumph for the state. Not sur-
prisingly, the defense attempted to downplay the defeat. Declared Reuben
Arnold: "It made absolutely no difference to us. It was purely a technical
point that would have been in our favor." But such soft-pedaling could not
hide the magnitude of the loss.
During the remaining few days before court convened, the inevitable
parrying and thrusting continued, shifting the advantage to the defense
here, the prosecution there. Boding well for Frank was Chief Lanford's
announcement that one of the state's most anticipated witnesses— Nina
Formby, the madam who'd charged that Frank had phoned her on April 26
seeking a room— would not testify. According to the newspapers, the police
no longer placed any credence in the woman's story. Meantime, the prose-
cution received a boost when Reuben Arnold made the mistake of asking
the judge assembling the panels from which the Frank jurors would be
drawn to select those panels not from the vast pool of petit jurors to which
all registered voters belonged but from the smaller pool of grand jurors
comprised of Atlanta's most inflential citizens. The judge not only rejected
the request, but Dorsey seized upon it, branding the defense both elitist and
desperate.
Such exchanges, however, were now the exception. The season of con-
tentious preparation had ended. All was in readiness, and all eyes focused
on the cells where the antagonists awaited.
At the Tower, Leo Frank, as he'd done almost from the first days of
his incarceration, surrounded himself with friends and business associates.
The afternoon before court convened, Frank's wife, his mother (who'd
just arrived from New York), his friend Julian Boehm and a dozen other
well-wishers gathered. Lucille brought hors d'oeuvres and fresh Georgia
peaches and the mood was confident, reassuring. Had it not been for the
surroundings, it would have been hard to imagine that the guest of honor
would the next morning go on trial for his life.
Meanwhile, several blocks to the west at the headquarters lockup, Jim
Conley was readying himself in quite a different way. Since late June, Con-
ley had been participating in a series of late-night tutorials that would come
to be known as the "midnight seances." These sessions were divided into
separate sections— one focusing on the content of the Negro's upcoming
testimony, the other on the delivery. The faculty charged with ironing out
SKIRMISHES 189
the substance of Jim's stories included Detectives Black, Starnes and Scott,
Chief Lanford and Dorsey.
When it came to public speaking, however, Conley had but one instruc-
tor: William Smith. Over many long evenings, the lawyer edified his pupil on
the rules of discourse, stressing the importance of enunciation, timing and
maintaining eye contact with an audience. Then Smith, a fair mimic, gave
the Negro a taste of Luther Rosser's corrosive manner, preparing him for
the inevitable courtroom encounter. On the eve of the trial, Smith was
breathing the heritage and fire of the South's oratorical tradition into this
unlikeliest of Negro students. Not that the lawyer would have phrased it so
grandly. Years later, describing what he'd hoped to accomplish, he bluntly
stated: "to render Conley impervious to cross-examination."
TEN
And so July 28 came— hot, with high clouds and the temperature ris-
ing. Outside the redbrick pile of the old Atlanta City Hall this Mon-
day morning, the crowd was so thick that the intersection of Pryor
and Hunter was nearly impassable. Trolley cars could make the turn only
with a squealing of brakes and clanging of bells. Yet for all its number, the
throng was orderly and quiet, its members content simply to gaze at the
windows behind which the great battle would now transpire.
Inside, the mood, depending on one's location, fluctuated wildly. In a
vestibule just off the second-floor courtroom, Leo Frank paced back and
forth, flicking a rolled-up newspaper at the furniture. To avoid the crush of
curiosity seekers, Frank had been whisked into the building at 7:30. Since
arriving, he'd made a brief statement predicting his acquittal to a reporter,
then devoured the breakfast his brother-in-law Charles Ursenbach had
brought him. Around 9:15, his wife and mother appeared. At the sight of
the women, Frank smiled and raised his hands, and there followed a series
of embraces. After Lucille took her husband in her arms, kissing him and
fondling his hair, his mother grabbed his chin and shook it as if to say he
couldn't lose. The gesture elicited a confident laugh from Frank, yet nothing
appeared to truly ease his mind. Noted the Journal: "Hardly once during
this morning did Frank sit down."
Up on the third floor in the rooms— one for whites, the other for
Negroes— set aside for witnesses, there was also little sitting, but not due
to any anxiety on the part of those assembled. To most of the 120-some peo-
ple whose testimony would determine Frank's fate, this was a holiday.
With what amounted to the entire workforce of the National Pencil Com-
pany subpoenaed, the halls were packed with blushing girls in summer
dresses. Young male employees lounged in the doorways, smoking ciga-
rettes. Though some of those summoned evinced a sober mien, giddiness
prevailed. Observed the Journal: "The men and girls [were] laughing and
chatting as if they were at a pleasure party. There is none of the morbid
curiosity of the street crowd here."
In the courtroom itself, a refreshed-looking Judge Leonard Roan sat in
his high-backed leather chair behind the bench exchanging pleasantries
PROSECUTION 191
with the opposing counsel. At the defense table, Luther Rosser and Reuben
Arnold, both in white linen suits, were the picture of patrician Southern
lawyers even if Rosser, true to form, had forsaken neckwear. Hugh Dorsey,
however, was not so elegantly turned out. From his blue cotton suit to his
black brogans, the solicitor was every inch the people's advocate. What
these sartorial differences suggested, sheer numbers reinforced. Swirling
around Rosser and Arnold was an army of legal talent the likes of which the
Atlanta courts had rarely seen. All told, the defense employed eight attor-
neys—among them Herbert Haas, of counsel to the pencil factory; Rosser 's
partner Stiles Hopkins, son of the president of Emory College; Rosser's
son, Luther Jr.; and Oscar Simmons and Paul Goss, engaged solely to assist
in picking a jury and carrying notebooks crammed with information to help
them do so. Against this silk-stockinged legion stood Dorsey, his associate
Frank Hooper, Assistant Solicitor Ed Stephens, William Smith— who was
present not only in his capacity as Jim Conley's lawyer but as Dorsey's jury
consultant— and office clerk Newt Garner, who lugged the guts of the
state's case in two beat-up valises. Also sitting at the prosecution table,
looking uncomfortable in his Sunday best, was a final interested party, Mary
Phagan's stepfather, John W. Coleman.
The room in which the trial would take place had formerly been used for
city council meetings. Hanging from the pressed tin ceiling, the clustered
globes of a dozen electric chandeliers cast a soft glow throughout. Bisecting
the hall laterally, a row of fluted columns formed a boundary between the
gallery and the field of battle. These reminders of civic grandeur were
not, however, what initially caught the eye. Perched at intervals along the
room's horseshoe-shaped rail were six ozonators, precursors of the air con-
ditioner. The machines reoxygenated the chamber and, in combination with
the electric fans that were bolted everywhere to the walls, were expected to
blunt the crushing heat. Confidence in the devices was such that exterior
windows were shut. The Georgian predicted that the courtroom "probably
will be the coolest and best ventilated place in Atlanta."
Yet despite its antiquated charm and innovative preparations, the old
city hall facility was sorely lacking in one regard: size. Inside the tiny arena,
the principals found themselves sitting in ladder-back chairs jammed prac-
tically on top of one another. The teams of opposing lawyers were barely an
arm's length apart. The court reporters squatted on the lip of the podium
supporting the judge's bench, their notebooks balanced on their knees,
their feet braced against the witness stand. The press was consigned to a
cramped table in a corner piled high with copy paper and contiguous to the
jury box. Meanwhile, the 250-seat spectator section— today filled chiefly by
prospective jurors— tightly embraced the room on three sides, creating a
fishbowl effect.
192 AND THE DEAD SHALL RISE
At precisely 9:58 a.m., following an hour given over to the impaneling of
the veniremen, Dorsey announced the case of the State versus Leo M. Frank
for the murder of Mary Phagan, whereupon the swearing of witnesses—
a procedure that in Georgia in 1913 was conducted at the opening of a
trial— commenced. After the solicitor called his list, bailiffs escorted the
men and women upon whose testimony the prosecution would rely to the
bench, and the familiar do-you-solemnlies reverberated through the cham-
ber. What occurred next, however, was unexpected.
Approaching the bench, Rosser and Arnold stunned the courtroom by
asking Judge Roan for a special dispensation to swear their witnesses at a
later hour. The defense list, they maintained, was as yet fragmentary, and to
complete it this morning would occasion a long delay. Immediately, Dorsey
was on his feet, protesting that it would be unfair to the state if opposing
counsel was so indulged. Judge Roan agreed with the solicitor, rejecting the
request but granting Frank's lawyers unlimited time to prepare, which, as it
turned out, was no time at all.
Within an embarrassingly brief five minutes, Rosser and Arnold had
fleshed out their list, and as Stiles Hopkins began to call the names, it
instantly became clear why they had been loath to show their hand: They
were contemplating the risky tack of introducing Frank's character as a
part of their case. There was no other way to explain the scores of Atlanta
Jews who had been summoned. Nor was there any other way to account for
a delegation of Cornell faculty members and graduates from Ithaca and
elsewhere in the North. Plainly, this list of well over one hundred names was
more than just a list— it was a theory of the defense, one that carried with it
the prospect that in rebuttal, the state could introduce witnesses to testify
to Frank's bad reputation.
Hence before a word of testimony was uttered, the defense had suffered
a tactical setback, although the damage was mitigated by the fact that the
prosecution did not emerge from the process unscathed. Aside from Jim
Conley, whom Dorsey had pointedly not called because he wanted to keep
him at headquarters until the last instant, Albert and Minola McKnight
were the state's most sensational witnesses. Their story of what allegedly
transpired in the Selig home on April 26 destroyed Frank's alibi. Yet as
nearly everyone in the courtroom noticed, when the clerk invoked Albert's
name, no one answered. Bailiffs were quickly dispatched to search for the
wayward Negro, but if his wife's disposition was any indication, his absence
may have been a blessing to the prosecution. After Minola was sworn, she
again disavowed her notorious affidavit.
Emotions in the little courtroom were still mildly atingle from these
developments when Leo Frank, his wife and his mother made their entries.
For Frank, this was his first public appearance since the coroner's inquest
PROSECUTION 193
two and a half months earlier. Before he reached the defense table, he was
surrounded by friends. The outpouring of affection was so intense that for
several minutes the proceedings ground to a halt, giving the reporters at the
press table the chance to scribble madly. To one of the Georgian's men, the
factory superintendent was the image of poise:
If there was any fear in the heart of the young prisoner, it did not show
in his calm features. He seemed perfectly assured and self-possessed.
Yet to a Constitution writer, he seemed overwhelmed:
Frank looked quickly about him as he came into the crowded room. He
appeared, as a person frequently is, unable to take in all at once the scene.
As he made out the straining faces and searching eyes, it seemed to dawn
upon him that he was the man for whom the crowd had gathered and at
whom all eyes were turned. His expression seemed to indicate that he was
telling himself, "It's my appearance that has brought this stir and what can
these people be thinking about me?"
Whatever the disagreement regarding Frank's state of mind, there was
accord regarding his attire, which the Georgian termed "natty." For this
momentous day, he had chosen a light gray mohair suit set off by charcoal
pin stripes and a "fancy" black-and-white tie. The look was dignified but
hardly reserved. Lucille, too, was sober yet stylish. Black hat trimmed in
black chiffon and netted by a pulled-back veil, black suit smartly tailored,
beribboned black-and-white watch fob peeking out from a white silk waist,
she was the definition of understated refinement. The couple made a strik-
ing impression. No one else in the chamber was so well dressed.
Once the Franks took their seats in a tight semicircle of chairs that linked
the defense table to their right with the judge's bench to their left and
looked directly across the packed courtroom at the jury box, order was
restored, and the voir dire began.
One panel at a time, the veniremen filed into the box, and to each group,
Hugh Dorsey posed the same carefully worded questions to determine
whether any preconception as to guilt or innocence existed. Many of the
potential jurors admitted outright to a prejudice, disqualifying themselves.
Others, however, were not so forthcoming.
When a master plumber named A. F. Bellingrath confidently swore that
he possessed an open mind regarding Frank, Reuben Arnold, who spoke
for the defense throughout this process, consulted the notebooks prepared
by Simmons and Goss.Then he was on his feet.
"Haven't you formed an opinion from reading the newspapers and
194 AND THE DEAD SHALL RISE
haven't you expressed your opinion to the effect that Frank is guilty?"
Arnold asked. "Didn't you express such an opinion in the presence of Mr.
Brent?"
Confronted with this incident, Bellingrath allowed that he had said it
"looked that way," and Judge Roan announced: "I think he should be set
aside for his own sake."
Yet for every venireman shown to be leaning against Frank, there
seemed to be another partial to him, as Dorsey demonstrated during his
questioning of a shoe salesman named W. W. Hemmett.
"Haven't you recently expressed an opinion that Frank is innocent and
Conley is guilty?" the solictor asked Hemmett.
"No, I never have," Hemmett answered, whereupon Dorsey referred to
notes furnished by William Smith, then reminded the prospective juror of a
"certain talk he had with acquaintances," forcing him to admit that he had
indeed said he would need to hear some pretty good evidence before he'd
convict Frank. With no further ado, Roan rejected the man.
Thus were dozens of potential jurors found wanting. During these vol-
leys, the Franks could not have responded more differently. Throughout the
morning, Lucille seldom removed her gaze from the solicitor's face. Anger
appeared to blaze from her eyes and seeming scorn curled her lips. Con-
versely, Leo was utterly engrossed in the process. When a new panel was
brought in, he looked intently into the face of each man, beginning at the
upper row and shifting his gaze from one to another until he had scruti-
nized them all. Like the engineer that he was, Frank was calculating angles
and dynamics, attempting to identify in bone structure or expression the
torque of latent hostility.
For both the prosecution and the defense, there was, of course, a final
recourse should a venireman whom either side found objectionable survive
the initial questioning. Each camp was allotted twenty preemptory strikes,
and it was with an eye toward advising his counsel when to exercise the pre-
rogative that Frank studied physiognomies. As the Georgian observed:
Not infrequently, when the Solicitor had closed his examination and
had said, "Juror, look on prisoner; prisoner, look on juror," Frank would
turn to Attorney Arnold and an instant later the announcement would be
made, "Struck by the defense." Frank evidently was playing a large part in
the striking of jurors.
In contrast, Dorsey based his decisions on more objective criteria—
striking, for instance, all veniremen opposed to capital punishment. Addi-
tionally, the solicitor chose not to strike any of the Negroes on the panels.
PROSECUTION 195
Hence when Earl Davis and E. E. Hawkins took their spots in the jury
box— a place that blacks occasionally ended up in because, though barred
from the all-important Democratic primary, they were allowed to vote in
the usually meaningless general election and were thus eligible for jury
duty— Dorsey accorded them his blessing, forcing the defense to expend
two of its strikes or else find itself in the unenviable position of having to
persuade an integrated jury that Jim Conley was a liar.
Of the twelve veniremen who composed the first panel, all were dismissed.
The fourth, sixth and seventh panels also failed to yield a single juror. Yet the
slow start notwithstanding, the process would not be unduly long. According
to one observer, a majority of the candidates had "weighed the gravity of
the situation" and were "prompt and intelligent" in answering their inter-
rogators' queries. At 11:20, the first juror— Atticus H. Henslee, a traveling
salesman with the Franklin Buggy Company of Barnesville, Georgia— was
selected, and from that point forth, the group fell into place. By 1:25, when
court recessed for lunch, the task was finished. In addition to Henslee, the
body that would sit in judgment of Frank included F. V.L. Smith, an electrical
manufacturing rep; Monroe S. Woodward, a salesman at King's Hardware;
Deder Townsend, a bank teller; J. F. Higdon, a contractor; Marcellus Johen-
ning, a shop foreman; F. L. Wisbey, a cashier; Fred Winburn, a railroad freight
agent; XT. Ozburn, an optician; W. S. Metcalf, a circulation clerk at the Geor-
gian; W. M. Jeffries, a realtor; and Charles Bosshardt, a pressman at the Foote
& Davies printing firm. Eleven of the men were married— one for just a few
weeks — and five were fathers. For their trouble, each would earn $2 a day. All
would be sequestered at the Kimball House for the duration.
Predictably, the boys at the press table knocked themselves out trying to
size up the jurors. Commented a Constitution reporter:
Of the many juries called upon to serve in famous cases in Fulton
County, none has classed higher in intellectual fitness or physical appear-
ance than the men who make up the Frank jury. For the most part the jury
is composed of young men this side of 40— men who have the appearance
of having succeeded in life and who give promise of still greater success.
Considering the jurors' occupations, this analysis seems inflated. Yet even
the defense's fiercest champion, the Georgian's James B. Nevin, gave the
group high marks:
The jury apparently is much above the average— it was plain enough all
along that the defense was seeking a jury of high intelligence, and a city
jury, moreover.
I96 AND THE DEAD SHALL RISE
When court reconvened Monday afternoon, Hugh Dorsey called Mrs. Fan-
nie Coleman. In her black hat and veil, the victim's mother could not have
made a more piteous first witness:
"When did you last see Mary Phagan alive?" the solicitor began.
"On the morning of April 26, at my home."
"When did she get up, and when did she have breakfast?"
"She got up about 11:00 and had breakfast right afterwards."
"What did she eat?"
"She ate some cabbage and some bread."
"What time did she leave home?"
"About a quarter to 12:00."
Despite its restraint, Dorsey 's catechism was leading to an operatic pass, for
as he was conducting it, his clerk was standing in front of the witness stand,
laying out the items that in a matter of speaking would reincarnate the vic-
tim and evoke her horrible demise.
The clothes Mary Phagan had been wearing when Newt Lee found her
body in the National Pencil Company basement made a heartrending dis-
play: bloodstained dress, torn hose, scuffed pumps, battered straw hat. At
the sight, Mrs. Coleman broke down and sank back in her chair, her face
hidden by a large palm-leaf fan. After the officer in charge of courtroom
security fetched the poor woman a glass of water, she collected herself, but
not for long. The grim tableau was too much to bear, and not just for her.
Observed the Journal: "Many spectators in court were affected. Mrs. Frank,
mother of the accused, put her own hand before her face and bowed her
head." Evidently, however, Leo Frank's response was not so empathetic. As
the Constitution acidly noted:
During [Mrs. Coleman's] mental suffering, Frank carefully kept his eyes
away from her, although he sat facing her and the jury. He seemed either
unwilling or unable to view the mother's grief.
For the state, the case could not have opened more perfectly. Understand-
ing that a mother's tears spoke louder than words, Dorsey promptly ended
his examination, thereby appearing the soul of consideration but in reality
putting the defense in a bad spot. At this juncture, the last words Frank's
lawyers wanted to hear were: "The witness is with you."
When Luther Rosser approached the stand, Mrs. Coleman was still crying.
The lawyer started his cross-examination in as kindly a way as possible. He
PROSECUTION 197
inquired softly if "Miss Mary's hat" appeared as it had on the morning of
April 26. No, Mrs. Coleman replied. On that Saturday, it had been adorned
with a ribbon and red flowers. Then he asked if Mrs. Coleman had actually
observed her daughter board the streetcar to town. Again, she replied no. The
stop was at a little store two blocks from their home. Gingerly, Rosser had
succeeded in touching on a vital defense assertion— that the victim had been
robbed of items Frank simply would not have taken— while also casting
doubt on the state's murder-day timetable, which to work as Dorsey intended
had to begin at 1 1 45. Yet for all the lawyer's care, he'd reached his limit:
"Do you know a boy named Epps?" he asked, referring to young
George, the newsie who'd told the coroner's inquest that Mary confided to
him that Frank had made lascivious remarks to her.
"Yes."
"Was he a friend of Miss Mary's?"
"Yes, to a certain extent, he was."
"Did you not talk to a certain gentleman on May 3 . . ."
Before Rosser could complete the question, Dorsey was on his feet, object-
ing. The solicitor knew that on May 3, Mrs. Coleman had told Pinkerton
detective L. P. Whitfield that her daughter "detested" Epps. Since Dorsey
intended to call the boy, he had no intention of letting his opponent continue
in this vein, although for the court's consumption, he argued that Rosser's
line of inquiry was immaterial unless he was trying to impeach Mrs. Coleman.
In response, the defense lawyer denied that he was trying to impeach anyone
and twice attempted to rephrase the question, but each time, Judge Roan sus-
tained Dorsey's objection, leaving Rosser no choice but to quit the field.
From the instant the state's second witness, the aforementioned George
Epps, bounded to the stand, the pall that just moments before had hung
over the courtroom lifted. Not only was the fifteen-year-old barefoot, but
his shiny noggin looked, in one reporter's words, "as though a barber had
passed a razor across it that very day."
Epps's testimony was not as Tom Sawyerish as his appearance. At least
not initially. Under Hugh Dorsey's examination, he gave a straightforward
account of his April 26 activities, swearing that he'd been on the English
Avenue car when Mary Phagan boarded that morning at 1 1:50 and that the
two had ridden to town together. At 12:07, he claimed, they'd disembarked
at the corner of Marietta and Forsyth streets. After promising to meet him
at 3:00 to watch the Confederate Memorial Day parade, Mary, the boy said,
had walked south on Forsyth to the pencil factory to pick up her wages.
I98 AND THE DEAD SHALL RISE
In essence, this was the narrative Epps had told the coroner's jury. How-
ever, he wouldn't be allowed to address the subject that had shocked the
inquest, for when Dorsey posed his next question, the one everyone was
awaiting, Rosser fiercely objected, prompting the solicitor to withdraw it
and sit down. Consequently, Dorsey 's final query— "What did she say to
you on the car in reference to L. M. Frank?"— hung in the air unanswered,
floating on the periphery of the jurors' consciousness, either a bomb that
hadn't exploded or a bubble that should have been pricked.
Yet the substance of Epps's testimony was ultimately of less import to
the state than his ability to provide a needed comic interlude, one that came
during the defense's cross-examination and at Rosser's expense, for true to
his looks, young George was a hayseed jester capable of turning an over-
bearing lawyer's queries into unintended straight lines:
"How did you know what time it was when Mary Phagan joined you
going downtown that morning?" Rosser began.
"I looked at a clock just before I took the car," Epps replied.
"You didn't say anything about a clock when you testified before the
coroner's jury."
"Nope, but I looked at one just the same."
"How did you know what time it was when Miss Mary left you?"
"I estimated it from the time she got on the car, and I told it by the sun.
I can tell time by the sun." This, with evident pride.
"You can tell the time to within seven minutes by the sun, then?"
"Yes, sir, I can," came back a childish treble.
"Did Mary get off the car with you?"
"Yes, sir."
"You went to sell your papers then?"
"Yes, sir. I thought I could sell them by 3:00 and meet her as she had
agreed with me to do."
"Had you sold out by 4:00?"
"No, sir, I finished sellin' out at the ball grounds."
"What time was it when you finished selling your papers?" Rosser was
plainly baiting a trap.
"I don't know, sir," Epps replied.
Sensing his quarry's obliviousness, Rosser pounced: "Couldn't you tell
by the sun?"
"No sir, the sun had went down by that time," Epps retorted brightly,
not only escaping, but winning over the courtroom.
Observed the Constitution: "The positive way in which little Epps replied,
and the stress upon the 'had went' caused a general ripple of laughter." This
PROSECUTION 199
mirthful wave had yet to diminish when, a second later, Epps, having
tweaked the nose of Atlanta's legal Goliath, was excused.
Shortly after Monday's final witness, Newt Lee, took the stand, the pro-
ceedings were interrupted by an explosion of flash powder from the south
side of the gallery, behind the press table, where half a dozen photographers
were set up. The cameramen had been patiently waiting for the right shot,
and now that it had come— Dorsey on his feet, hands in pockets, facing old
Newt; Frank, arms folded across his lap, gazing impassively upon the jurors;
reporters nibbling pencils; spectators leaning in— they opened their lenses.
The resulting images would be stripped across the next day's front pages.
These pictures, however, did more than freeze a moment. Their taking
marked the end of the trial's first-day fanfare and the onset of genuine hos-
tilities. Prior to this disruption, Dorsey had been merely setting the stage.
Yes, Fannie Coleman and George Epps had caused a stir, but aside from
enabling the solicitor to establish the contents of Mary's last meal and the
approximate time she'd left for town, they'd failed to contribute anything
substantive. From this point forth, the state's deponents would be capable
of delivering testimony that if not refuted could spell doom for Leo Frank.
While little of what Newt Lee had to say was actually new, he would
make a forceful witness. In part, his tale simply continued to fascinate.
Of equal importance, however, was his attitude. At once humble yet revel-
ing in the fact that as he sat on the stand in his store-bought suit, "dem
big lawyers," as the Georgian phrased it, "was pay[ing] him respecks," the
Negro cut an engaging figure, one Hugh Dorsey knew exactly how to exploit.
After quickly establishing Lee's presence at the factory at 4:00 on the
afternoon of the crime and the fact that on the previous day, Frank had
specifically instructed him to arrive at that hour, the solicitor went to work:
"When you appeared at the factory to report on afternoons what did
you generally do upon going up to the second floor where Mr. Frank's
office is situated?"
"Say, 'Howdy, Mr. Frank.' He usually called, 'Hello, Newt,' and if he
wants anything he calls me into his office."
"What did he do when you went to the second floor on Saturday,
the 26th?"
"He came to the door, rubbing his hands and saying he was sorry I had
come so early. I told him I needed sleep and was sorry, too. He said go out
in town and have a good time because I needed it."
"Could you have slept in the factory?"
"Yes sir. In the packing room."
200 AND THE DEAD SHALL RISE
Having completed one station of the cross, Dorsey directed Lee to the
others. Regarding a topic he intended to make a major issue— the alleged
skips in Lee's April 26 time slip— the solicitor's questions revealed that he
suspected Frank of setting the Negro up from the outset:
"What did Frank say when you came back?"
"I went to the door and told him I was back, and he says, 'What time is
it?' And I says, 'It lacks two minutes of 6:oo.' He says, 'Don't punch yet,
there is a few worked today and I want to change the slip.' "
"What did he do then?"
"Put in a slip for the time clock. It took him twice as long this time than
it did the other times I saw him fix it. He fumbled putting it in while I held
the lever for him and I think he made some remark about he was not used
to putting it in."
From here, Dorsey danced Lee through the rest of the familiar narrative.
Once again, Newt related how Frank had "jumped back frightened" upon
meeting James M. Gantt on the sidewalk. Once again, he delivered the
parable of the shoes, which began with Frank informing Gantt that his two
pairs had been swept out and ended with Gantt, upon entering the plant,
easily finding them. And once again, he told of Frank phoning at 7:00 to ask
if things were all right, reasserting that the superintendent had never called
before.
At this juncture, Dorsey was ready to elicit Lee's account of the discov-
ery of the body, but before introducing the topic, he wanted to make certain
that the Negro and, more important, the jurors could visualize the crime
scene, which was why he unveiled a diagram of the pencil factory drawn for
him by the Georgian's Bert Green, hanging it on a wall to the judge's right
where all concerned could see.
An elaborate poster-sized production, the illustration was a showstop-
per. And no wonder. During the celebrated Harry Thaw trial in 1907,
Green, a New York Journal alumnus, had dazzled Manhattan with his depic-
tions of murder victim Stanford White's apartment. For Dorsey, Green had
created something just as provocative. The work's centerpiece was a cut-
away rendering of the pencil factory picturing everything from Frank's
office at the front of the structure to Mary Phagan's workstation at the rear
to the now infamous elevator shaft, lobby scuttle hole and basement toilet
from which Lee said he'd spied the body. Overlaying this architectural
skeleton were three dotted lines in different colors, one charting dimen-
sions, the other two— as a key at bottom left explained in no uncertain
terms— representing paths "the accused" had traversed while committing
the crime. Located at critical junctures along these black, red and green
PROSECUTION 201
route markings were scarlet pinpoints and Maltese crosses that, as the key
also helpfully explained, denoted such areas of interest as where blood had
been discovered or "where Girl was murdered on Office Floor." As a final
touch, several close-up photographs of details like the sliding basement
door and a previously unmentioned lock on a metal-room door had been
attached to the sketch's borders, lending both gloss and credibility to the
whole.
The "Diagram of Phagan Murder— Venable Building" (as Green had
labeled it) gave the state a potent piece of graphic firepower, and Dorsey
wasted no time guiding Lee through it. The Negro indicated various sec-
tions of the building he'd entered while making his rounds the Saturday
night of the murder and reiterated that the gas jet in the basement had been
burning no brighter than a "lightning bug." Proud of his analogy, Lee elabo-
rated: "Has you ever seed one whut's been hit with a stick? Hit jest do
shine. Well, dat was dat light. Hit just was shinin', and dat's all." Then, he
pointed out where he'd found the victim.
The factory tour complete, Dorsey steered Lee back to the topic of
Frank. First, he brought up the matter of Newt's predawn effort to call his
boss, eliciting the news that the telephone had rung eight minutes without
anyone picking up. Next, he introduced Lee's Sunday-morning encounter
with Frank, touching once more upon the time clock and securing testimony
contradicting the superintendent's subsequent assessment that Newt's slip
had been incorrectly punched:
"When did you see Frank?"
"I saw Mr. Frank Sunday morning at about 7:00 or 8:00. He was coming
in the office."
"How did he look at you?"
"He looked down on the floor and never spoke to me. He dropped his
head down this way."
"Was any examination made of the time clock?"
"Boots Rogers, Chief Lanford, Darley, Mr. Frank and I were there when
they opened the clock. Mr. Frank opened the clock and said the punches
were all right."
"What did he mean by all right?" To this, Rosser objected, but Roan
overruled him, allowing Lee to answer.
"Meant that I hadn't missed any punches."
Finally, Dorsey asked Lee about his much debated late-night meeting with
Frank at the police lockup on April 29, giving the Negro the chance to
repeat his version of the encounter, which ended, of course, with Frank,
exasperated by Lee's denials of involvement, cautioning: "If you keep
202 AND THE DEAD SHALL RISE
that up, we will both go to hell." The solicitor could not have scripted a bet-
ter exit line.
Luther Rosser's attempt to undo the damage Lee had done to Frank would
not be entirely ineffective. During the first hours of a cross-examination
that would spill over into the next day, the lawyer managed to extract a
good deal of helpful testimony. As in the course of Dorsey's examination,
much of what Lee had to say— his acknowledgment, for instance, that
Frank, having just fired Gantt, had an innocent reason to be flustered by the
man's appearance at the factory on April 26— merely restated information
he'd revealed at the inquest. But Rosser also succeeded in eliciting several
new tidbits that boded well for his client. On the afternoon of the murder,
Newt told the lawyer, anyone could have entered or exited "that great
big old rambling" building without Frank knowing. Then there was Lee's
admission that Frank, unlike someone with something to hide, had not
instructed him to avoid the basement during his rounds. In fact, the Negro
confided that had he gone into the cellar every half hour as Frank expected
rather than only occasionally, he'd have found the body sooner. And then
there was Lee's insistence that he saw nothing out of place in the metal
room during his passes through it that night.
Yet such successes notwithstanding, Rosser's approach to Lee seemed
unproductively disputatious. He contested, for instance, the wording of his
assertion that on the afternoon of the murder Frank had told him to go out
and have "a good time," suggesting that what Frank had actually said was to
go out and have "fun." Similarly, he took issue with his vivid lightning bug
analogy, and during a particularly nasty string of questions— each beginning
"How many times" and all implying that Newt had related his story so often
he'd become confused— he came close to flat-out badgering the witness. In
fact, when Lee at last cried, "I don't know, sir; there were so many blim-
blamming at me so much that I couldn't keep count," he appeared to be
accusing the lawyer of the same behavior. This, however, was just the start.
Rosser's Tiiesday morning cross-examination of Lee would take only two
hours, but in that brief span he would have at the Negro with a vengeance.
The interrogation, a Georgian reporter would later note, "reminded me
much of a big mastiff worrying and teasing a huge brown rat grimly bent
eventually upon the rat's utter annihilation." Yet for all Rosser's forceful-
ness, this second round of questioning would reveal more about the lawyer
than Lee, begetting doubts regarding not just his approach to Negro wit-
nesses but the defense's theory of the crime.
PROSECUTION 203
Everything about Rosser's treatment of Lee was intended to intimidate
him. Rosser began by asking about the events leading up to the discovery of
Mary Phagan's body, honing in on the disparity between the Negro's claim
that the girl was lying on her back and the responding officers' contention
that she was stomach down. This was hardly a topic dear to Lee's heart,
for it reintroduced one of the circumstances that had originally cast suspi-
cion on him, but he met it head-on, explaining that by "back" he'd meant
"side." Newt and the police had apparently seen the same thing. Not having
broached this matter to obtain information favorable to Lee, Rosser
changed the subject.
"You said yesterday that Mr. Frank jumped back when he met Mr.
Gantt?"
"Yes sir."
Here, Rosser picked up a copy of the inquest transcript from the defense
table and read aloud from Lee's testimony. The Negro had not mentioned
Frank "jumping back."
"Well, they got that wrong," Newt exclaimed when the recitation ended,
sending a buzz through the courtroom but providing Rosser with an open-
ing he couldn't resist.
"That was a bad stenographer down there, wasn't he?"
At this, Hugh Dorsey objected. Rosser, however, was in no mood to be
corrected by his younger counterpart, snapping: "Of course, this gentleman
on account of his age is entitled to lecture me."
Judge Roan, seeking to appease both parties, ruled that as long as Rosser
did not ask Lee to express opinions, he could question him about any incon-
sistencies between his remarks to the coroner's jury and his trial testimony.
Yet before Rosser could get going again, Dorsey's associate Frank Hooper
set the pot back to boiling by requesting that Frank's lawyer specify the ses-
sion of the inquest to which he was referring. The body had convened three
times to discuss the Phagan murder.
"I am always glad to accommodate these men whenever I can," Rosser
responded airily.
To which Hooper retorted: "You have got to accommodate me."
Whereupon Rosser exploded, "No, I haven't. The man never was born
whom I have got to accommodate."
Despite Rosser's outburst, Judge Roan ordered him to comply with the
state's request— not that this changed anything.
Resuming his threatening stance before Lee, Rosser took up another dis-
crepancy between the witness's direct testimony and his statements at the
inquest. "You said yesterday," he began, "that when Frank put on the clock
tape that Saturday it took twice as long as it did the other times you saw him
do it. Why didn't you tell the coroner it took twice as long as it did before?"
204 AN D TH E DEAD SHALL RISE
"I did tell them it took longer."
"Then all this record here is wrong?" Rosser asked incredulously, hold-
ing up his copy of the transcript.
"I can't help about those records," Newt shot back, sending yet another
quiver through the gallery.
If Luther Rosser had never met a white man he would accommodate,
he'd surely never met a Negro he was going to let best him, and he wasted no
time putting this one in his place, firing off a round of questions implying—
no matter how irrelevantly —that Lee, prior to his arrest, had been shacked
up with the woman who cooked for him. Though Newt denied the charge,
his response was beside the point. The insinuation had been made.
Satisfied that he had gotten to Lee, Rosser took up the topic that had
increased early suspicions against him.
"Were you down in the basement when the police found some notes?"
"They said something about a book."
"They read you something about the night watch doing it?"
Before Newt could answer, Dorsey objected. His grounds were proce-
dural. The murder notes had yet to be introduced into evidence and were
thus off-limits. Ridiculous, Rosser replied, and began to state his reasoning,
whereupon Dorsey asked the judge to withdraw the jury. Roan so ordered,
paving the way for a series of arguments by Frank's lawyers that not only
presented their rationale and explained Rosser's treatment of Lee but sug-
gested they were blindly rolling the dice.
After Dorsey produced the murder notes, Reuben Arnold introduced
the defense's intentions:
The defense expects to show that the two notes found in the basement
of the National Pencil Company were very obscure notes and the police
were trying to read them in the presence of Lee.
They read this one: "He said he wood love me laid down played like the
night witch did it but that long tall negro did buy his self."
In an instant, Lee said, "That night witch means me." It showed famil-
iarity with the notes. Isn't it strange that a negro so ignorant and dull that
Mr. Rosser had to ask him a question ten times over could in a flash inter-
pret this illegible scrawl?
More explicitly, Luther Rosser added:
We've got to commence somewhere and at some time to show the
negro is a criminal and we might as well begin here as anywhere else.
PROSECUTION 205
In other words, the defense hoped to establish that Lee was involved in
Mary Phagan's murder, specifically, that he was somehow connected to the
murder notes. Though Rosser did not elaborate further, the Georgian
reported that Frank's lawyers were laying "the groundwork for their theory
that Jim Conley was the murderer of Mary Phagan and that Lee assisted in
writing the notes."
Not surprisingly, Hugh Dorsey scoffed at the defense's logic, but after
pondering it all, Roan ruled that Rosser could continue, and the jury was
returned.
Considering the build-up, what now occurred was not only anticlimactic
but revealed that the defense hadn't thought its gambit through.
"When he said 'the night witch,' didn't you say, 'Boss, that's me?' "
Rosser resumed.
"No, sir," Newt answered. "I said, 'Boss, it looks like they are trying to lay
it on me.' "
This was the explanation Lee had advanced all along, and he enunciated
it now with such certitude that after a couple of meaningless follow-ups,
Rosser sat down, turning the witness back over to Dorsey. During the solic-
itor's redirect examination, he quickly established that Newt had not met
Jim Conley until a month after the murder, when both were in jail, thus
undermining the defense's contention that the men were accomplices. That
settled, Dorsey approached Bert Green's diagram of the pencil factory. He
intended to lead Lee through it one more time.
Before Dorsey could get started, however, Reuben Arnold was on his feet.
"I object to that picture," he protested. "It is nothing but Mr. Dorsey's theory
of the case. He's got all kinds of marks here." Why it had taken the defense so
long to speak up about the diagram is unclear, but the protest fell on deaf
ears. Roan ruled that since Dorsey was alluding to the work for reference
purposes only, he could proceed, which he did with a flourish, using the
umbrella Mary Phagan had been carrying April 26— the umbrella that had
been discovered in the factory elevator shaft the next morning— as a pointer.
Rosser, as well, got a final shot at Lee, but it seemed unduly harsh.
Returning to a tack that had already failed once, he tried to show that the
Negro had been quizzed so continuously that he'd become bewildered:
"The policemen and detectives talked to you all the time, didn't they? They
fired a pistol beside you, didn't they? My friend John Black and those fel-
lows talked to you day and night, didn't they? They cussed you and they
praised you, didn't they?"
To all this, Lee allowed that the police had questioned him a good deal,
but then, seizing a final chance to correct Rosser, he added: "Sir, they didn't
praise me none." Shortly thereafter, he was excused.
206 AND THE DEAD SHALL RISE
As Lee descended, the gallery, noted one writer, "smiled an applause as
gracious as bowing prima donna or stentorian tragedian ever received."
Outside the courtroom, the Negro was asked if there was anything he
wanted. Throat parched from the ordeal, he responded, "A chew of 'bacca,
any kind," prompting an outpouring of quids and plugs.
The consensus among the newspapers was that Lee's testimony— partic-
ularly his account of Frank's nervousness on Saturday afternoon and the
unexpected call later that night— had greatly aided the state. The bulk of
the analysis, however, was devoted less to the substance of Newt's words
than to the resiliency he had shown in the face of Rosser's blasts. Observed
the Constitution:
Seasoned courthouse officials and old reporters marveled at the way the
negro held out against the crossfire of questions, all aimed at confusing him.
Added the Journal:
The negro appeared to hold his own remarkably well under the rigid cross-
examination by Mr. Rosser. He argued with the attorney without hesitancy
and took open issue with the inquest record whenever the attorney con-
tended that it conflicted in minor ways with his testimony in court.
Yet it was the Georgian's James B. Nevin who contributed the sharpest
critique, commenting not just on Lee's grace under pressure but on the
miscalculations at the core of Rosser's approach. Regarding the lawyer's
attempts to tie the Negro to Mary Phagan's murder, Nevin wrote:
As for the examination of Newt Lee by Mr. Rosser, it impressed me
often as a mere shooting in the dark, hoping to hit something.
Regarding the ferocity with which Rosser had gone after Lee, Nevin was
even more dismayed:
Time and again, Lee rallied and came back at his tormenter with telling
effect— it is likely altogether that more than once the jury's sympathy went
out to Lee in large measure while Rosser was grilling him— and to the
darkey's occasional sallies and adroit sidesteps, the spectators in the court-
room frequently responded readily with approving titters and guffaws.
Nevin's most pointed remarks, however, were premonitory, casting an omi-
nous light on Rosser's impending engagement with a "far more important
sable figure," Jim Conley:
PROSECUTION 207
Will Conley be as nimble-witted as Lee was?
Will he be able to withstand the onslaughts of Rosser and Arnold even
approximately as well as Newt stood them?
If he does
At this juncture in the proceedings, Conley, of course, was still in the
future. For Hugh Dorsey, the immediate task was to continue erecting the
scaffolding of evidence that his star witness's testimony would cap, thus no
sooner had Lee stepped down than he called Sergeant L. S. Dobbs. From
Dobbs, the solicitor secured the familiar yet harrowing account of what the
responding officers found in the factory basement. "The girl was lying on
her face, the left side on the ground, the right side up. Her face was punc-
tured, full of holes, and was swollen and black. The cord was around her
neck, sunk into the flesh. Her tongue was protruding." After the sergeant
identified the murder notes (which he had located), the cord and the strips
of fabric that had in turn been looped over it, Dorsey asked him to demon-
strate how the noose had been fashioned. On cue, Dobbs took the cord and
tied it around the solicitor's outstretched arm.
In his examination of Detective John Starnes, Dorsey elicited a recita-
tion of his guarded Sunday phone conversation with Frank, a comparison
(over Arnold's objection) of Frank's nervousness with Lee's calm that
morning and a description of the red stains discovered on Monday in the
metal department. All of this was also well known, but what followed was
not. First, Dorsey asked Starnes to detail an experiment he'd conducted
with the plant clock that revealed that someone intent upon fabricating a
time slip implicating Lee could have done so in minutes. Next, Dorsey
ascertained that cord of the sort used in the crime had often been left dan-
gling from a nail near little Mary's knurling machine. Finally, he established
that a previously unremarked-upon door opening into the second-floor
chamber where he contended Frank committed the murder was usually
kept bolted (hence the photograph of the lock tacked to Green's diagram),
isolating the spot from the rest of the building.
Though the defense did not stand idly by as the state advanced its points,
Luther Rosser initially seemed at a loss on how to proceed. He started his
cross-examination of Dobbs, for instance, by taking a last stab at pinning
the crime on Lee. Considering Dobbs had supervised the test that indicated
the night watchman's lantern was so smudged he could not have made out
the body as he claimed and must have known more than he'd let on, the line
of questioning was not inexplicable. It was, however, ill-advised.
Once Rosser spit Lee from his craw, however, he began to counterattack
effectively along several fronts, serving notice that he intended not only to
tear apart the prosecution's case but to attach enough contradictory addi-
208 AND THE DEAD SHALL RISE
tions to transform anything left standing into an evidentiary scaffolding of
his own— one from which he planned to hang Jim Conley. For starters,
Rosser got Dobbs to mention the trail running the length of the basement
over which Mary Phagan's body had apparently been dragged. This was
hardly news. Everyone acknowledged that the body had been dragged—
everyone, that is, except Conley, who in his last affidavit had sworn he'd car-
ried it on his shoulder. While Rosser failed to persuade Dobbs to take the
next step and agree to the proposition that the trail began beneath the scut-
tle hole ladder (a proposition that had the sergeant confirmed it would have
undermined the state's thesis that the body had been transported in the
elevator), he didn't let this setback slow him down, moving quickly to intro-
duce a number of other details Dorsey had ignored. First, he obtained
the admission that the basement contained enough pads and pencils for the
murder notes to have been written there. Then he secured the fact that the
basement door had been crowbarred— again, a well-known particular, but
for the state a vexing one, as Frank would have had no reason to take such
action. Finally, he induced Dobbs to confess that he had casually examined
Mary's underpants and consequently couldn't recall whether they had been
slit with a knife or torn by hand. Why Rosser raised the distinction, he
didn't say, intimating that all would be explained in time.
With Starnes, Rosser took essentially the same tack, beginning by trying
to determine if there were further facts concerning the crime scene that the
state had slighted. For openers, he focused on the basement door, specifi-
cally the metal staple that had been pulled from it. Had Starnes noticed
that the staple was bent? Yes, the detective replied— which was exactly
the answer Rosser wanted, suggesting, as it did, that whoever escaped out
the back had used a considerable degree of force. Rosser then attacked the
most damaging elements of Starnes's direct testimony. He started by assail-
ing the detective's recollections of his Sunday-morning phone conversation
with Frank, peppering him with questions designed to elicit discrepancies
between his trial account and the version he'd given at the inquest. As
he'd done when Rosser used the strategy against Lee, Dorsey frequently
objected, but Judge Roan allowed the examination to continue, and while
the differences it produced were inconsequential, Starnes eventually con-
fessed: "I cannot give the words of the conversation between myself and
Mr. Frank." This admission secured, Rosser tore into the rest of Starnes's
story. Could the detective swear that the red spots discovered on the metal-
department floor were blood? "I don't know that the splotches that I saw
there were blood," Starnes conceded. Weren't cords like those located near
Mary's workstation also to be found in the basement? Not exactly, Starnes
responded. Those cords had been "cut up in pieces" shorter than the length
used in the crime. Then how about elsewhere in the plant? Yes, Starnes
PROSECUTION 209
acknowledged, "there generally were pieces of cord in all parts of the build-
ing." Finally, Rosser asked the detective to critique the responding officers'
performance, earning the concession that they had overlooked such clues
as Mary's hat.
Rosser had at last begun to exhibit his vaunted prowess, yet as Dorsey
briskly demonstrated when the witnesses were turned back over to him
for redirect examination, the prosecution was not going to surrender any
ground.
During his second pass at Dobbs, Dorsey did his best to derail the idea
that the body had found its way to the basement other than via the elevator.
"A man couldn't get down that ladder with another person," Dobbs testi-
fied. Then Dorsey mocked the notion that the basement door would have
required any great strength to jimmy, eliciting the statement that the staple,
far from being bent, was straight and smooth as if from frequent removals.
During his second go at Starnes, Dorsey attempted to bolster the point
that no matter the exact words, Frank's demeanor on the morning the body
was discovered had been suspicious. This he did by glossing over the phone
call and focusing on some of Frank's later behavior at the factory, specifi-
cally his effort to joke with his coworker Darley regarding the fact that he
wasn't wearing his typical brown suit but was instead clad in blue. ("Did
anyone else joke that morning?" the solicitor inquired. "No," Starnes re-
plied.) Then, in an attempt to combat the doubt generated by Starnes's
inability to say whether the red spots discovered in the metal room were in
fact blood, Dorsey produced several chunks of stained wooden floor, which
the detective identified as the pieces chipped up the Monday after the mur-
der. Having thereby established the evidence's tangibility, if not its chemical
composition, Dorsey hurried on, ending his exam by using Starnes to intro-
duce what would be a recurring theme— the alleged preferential treatment
accorded Frank since his arrest. Dorsey was subtle here, merely asking the
detective to recall how Frank, prior to his transfer to the Tower, escaped
confinement in the headquarters lockup by securing a private room adja-
cent to Chief Lanford's office.
With the conclusion of Starnes's testimony late Hiesday, the pattern that
would prevail for the next several days had been set. The battle would
seethe back and forth as one side, then the other, fought to get across its
theory of the crime. As in most circumstantial evidence cases, these theories
rested on numerous, conflicting details, none more prone to dispute than
those concerning the murder scene itself. Which was why the significance of
a skirmish that took place once Starnes stepped down was immediately rec-
ognizable.
Afternoon shadows had begun to fall when Judge Roan asked opposing
counsel if they had any business to conduct before he called the day's ses-
210 AND THE DEAD SHALL RISE
sion to an end. Yes, Dorsey replied, he wanted to enter some material into
evidence. The murder notes, the length of cord, Mary's clothing— all were
acceptable to the defense. A final item, however, was not. After examining
Bert Green's factory diagram, Luther Rosser exclaimed: "Oh, no, this will
never go into the evidence. If my brother wants to insist on it, why I ask that
the jury be excused while we argue it."
Once the jurors departed, Rosser resumed: "Your honor, this thing is not
admissible." Then, turning to Dorsey, he added: "I didn't think you or my
friend Hooper would try to put such a thing as this over me— seriously." Yet
beneath his jocularity, Rosser was in deadly earnest. Here was a work that
depicted Frank meeting Mary Phagan in his office, accompanying her to the
metal room, then carrying her body to the basement in the elevator. Here,
in other words, was a work that presented some of the case's most debat-
able points as if they were proven facts, and on the heels of Rosser's protest,
an outwardly chastened Dorsey conceded: "I realized that the plat was
inadmissible." Accordingly, Roan ordered the solicitor to remove "anything
argumentative" from the illustration, bringing the session to its close.
Yet when court reconvened Wednesday morning, the issue had not
been resolved. All printed matter had been excised from the diagram, but
the Maltese crosses and the colored lines remained. Leaping to his feet,
Reuben Arnold objected: "You don't have to label a horse to see it is a
horse." In response, Dorsey acknowledged that the markings represented
theories. But he then produced several precedents dug up for him by
William Smith, who since the trial's first day had been posted in the solici-
tor's law library. "As issues arose," Smith later recalled, "I would make a
rapid examination of the authorities and send Mr. Dorsey a brief sum-
mary." In this instance, Smith's research showed that Georgia judges had
previously accepted similar works into evidence, and Roan ruled that
"State's Exhibit A" could be admitted without further alteration. Conse-
quently, the illustration would hang in the jurors' view until the state rested
and abide in their minds for who knew how long.
The trial's atmosphere would now grow more heated in every sense of
the word— for, as by this juncture was apparent, the much heralded ozona-
tors were a bust. On Tuesday, the temperature inside the courtroom had
reached 91 degrees. Consequently, Wednesday found spectators falling
back on an older but more reliable technology, the handheld fan, and
reporters removed their suit jackets. To the request that attorneys be al-
lowed to do likewise, Judge Roan humorously demurred. "Lawyers must
wear coats," he said. "If I let them go in shirtsleeves, they'd feel so comfort-
able this trial might never end." Roan did, however, order the windows
PROSECUTION 211
opened. The cooling effect of this action, if any, was offset by making the
proceedings accessible to the multitudes, transforming a row of contractor's
sheds lining the construction site across Hunter Street where Atlanta's new
courthouse was rising into a spillover gallery. For the duration, a veritable
knothole gang would colonize the sheds' rooftops, intensifying the sensa-
tion for those within that the eyes of the city weighed palpably upon them.
Stultifying though the courtroom was, Hugh Dorsey pressed resolutely
ahead, beginning his examination of Wednesday's initial witness, Boots
Rogers, by inquiring into the scene that had greeted him and Detective
John Black in the parlor of the Franks' Georgia Avenue home the Sunday
the body was discovered. Here, the solicitor was presenting some of the
case's most ambiguous material, but he marched his witness through it as if
nothing was in doubt, not just securing the expected account of Frank's
anxiety but playing up new nuances, among them the possibility that the
superintendent had been hungover. This Dorsey did merely by asking:
"Was anything said about whisky?" "Yes," Rogers replied, first recalling
Black's suggestion that Frank, far from needing the much discussed cup
of coffee, actually needed a drink, then Lucille's response that her ailing
father had downed the contents of the house's only bottle that very night.
In the wake of Minola McKnight's affidavit, such recollections could only
have sparked the most obvious inference.
Dorsey next elicited Rogers's version of the morning's subsequent
doings. First, there was the stop at the morgue: "Mr. Gheesling caught the
face of the dead girl and turned it over towards me. I looked then to see if
anybody followed me and I saw Mr. Frank step from outside of the door
into what I thought was a closet." Then the visit to the factory.
Of the many details regarding Frank's behavior that Sunday, none were
potentially more damaging than those pertaining to the hour he spent with
Rogers, Black and Assistant Superintendent N. V. Darley at the plant,
and under Dorsey 's questioning, the witness ticked them off— the several
requests for a cup of coffee, the comments regarding the connection
between insurance regulations and the unlocked fuse box, and the difficulty
starting the elevator. After securing an account of the tour of the basement,
the solicitor directed Rogers to the most damaging detail of all— Newt
Lee's time slip:
"What did you do then?"
"Mr. Frank says/I had better put in a new slip, hadn't I, Darley?' Darley
told him yes, to put in a slip. Frank took his keys out, unlocked the door of
the clock and lifted out the slip, looked at it and made the remark that the
slip was punched correctly."
"Where was Newt Lee?"
212 AND THE DEAD SHALL RISE
"Lee was right behind me, handcuffed."
"Where was Darley?"
"He was right there."
"What happened next?"
"Mr. Frank went to his office, brought out a new slip. He took out the
old slip and wrote on it 'Removed 8:26.' "
"What did he do with it?"
"He folded it once and went into his office."
"Did you see that slip?"
"Yes, I glanced at it. The first punch was 6:01 and the second at 6:32.
There did not appear to be any skip in it."
Thus once again, Frank's ultimate assertion regarding Lee's punches was
contradicted. After obtaining a last mention of the superintendent's anxiety
that morning, Dorsey turned the witness over to the defense.
Luther Rosser began his cross-examination by immediately establishing
that Rogers had never seen Frank before the Sunday the body was discov-
ered and couldn't know "whether his nervousness was natural to him or
not." Then, after a few other questions designed to put a generally less sin-
ister spin on Frank's actions that morning, the lawyer reintroduced the mat-
ter that Dorsey had so insinuatingly broached:
"Was anything said about a little drink doing you all good?" he asked.
"Yes. Black said something about a drink. Mrs. Frank called to Mrs.
Selig and she said there was no whisky in the house; that Mr. Selig had an
acute attack of indigestion the night before and used it all."
This was the reply Rosser had been seeking. "He had an attack of acute
indigestion and drank up all the liquor," he repeated. "Well, I have those
attacks occasionally myself." Coming from the mighty Rosser, such self-
deprecation, no matter how calculated, was disarming, and the courtroom
dissolved into laughter in which, to everyone's surprise, Leo Frank joined.
FRANK LAUGHS FOR FIRST TIME DURING TRIAL WHEN HOME INCIDENT
is told, boomed the Georgian's headline. And no wonder. Not only had
Frank never previously laughed during the proceedings, save for the flicker
of interest during the jury selection process, he hadn't exhibited any emo-
tion at all. Observed the Georgian's Fuzzy Woodruff : "Arms akimbo, glasses
firmly set, changing position seldom, Leo M. Frank sits through his trial
with his thoughts in Kamchatka, Terra del Fuego, or the Antipodes, so far as
the spectators in the courtroom can judge ... To those who believe Frank
PROSECUTION 213
guilty, his personality is not one to arouse pity." Yet now, Frank removed the
mask just long enough to reveal that he had a sense of humor.
From here, Rosser's interrogation of Rogers degenerated. Though he
exacted the concession that there was a chance Frank had seen Mary Pha-
gan's body at the morgue, and secured the fact that the factory elevator was
"noisy," he expended most of his energy battling Dorsey for literal domi-
nance of the courtroom. The fight started when Rosser positioned himself
in such a manner that the solicitor could no longer see the witness. To
Dorsey's request that he move, he replied: "Get a stick, Hugh, and keep me
punched out of the way." With that, Rosser barreled ahead, but in his ela-
tion at this successful bit of school-yard bullying, the lawyer ignored two
vital points. First, he did nothing to counter Rogers's testimony regarding
Lee's time slip. Second, he paid no heed to a statement the witness made
near the end of his cross-examination concerning a most enigmatic clue:
In the elevator shaft there was some excrement. When we went down on
the elevator, the elevator mashed it. You could smell it all around. It
looked like the ordinary healthy man's excrement . . . that was before the
elevator came down. When the elevator came down afterwards it smashed
it and then we smelled it.
However upset Leo Frank may have been the Sunday Mary Phagan's
remains were discovered, and however compelling the evidence located in
the factory metal room was, Hugh Dorsey knew that to win a conviction, he
would have to move beyond these concerns to the matter of motive. He had
to prove that Frank had been acquainted with and attracted to little Mary.
Which was why once Boots Rogers left the stand, Dorsey called Grace
Hicks.
Sixteen-year-old Grace, a cherub-cheeked girl in a white dress adorned
at the neck and elbows by blue ribbon, had, of course, identified Mary Pha-
gan's body, and Dorsey opened his examination by gently returning her to
that horrific moment. Yet after posing just a couple of questions regarding
the topic, he dropped it. For the task at hand, the witness's recollections of
Mary dead were less important than those of her alive:
"Was she pretty?"
"Yes. She was fair-skinned, had light hair, blue eyes, and was well devel-
oped for her age."
"Where did you work?"
"In the metal room."
"How often was Mary at the factory?"
214 AND THE DEAD SHALL RISE
"Nearly every day."
"Where was Mary's workplace?"
"Right next to the dressing room."
Here, Dorsey briefly abandoned this line of inquiry to introduce the fact
that the Monday following the murder, Grace had seen the red spots on the
metal-department floor near the dressing room. Then he resumed:
"A person going from the office back to the rear of the second floor
would have had to pass the dressing room, the place near where Mary Pha-
gan worked, wouldn't they?"
"Yes."
"Did Frank pass there every day?"
"Almost every day. He would come back two or three times a day to see
how the work was going on."
"When was Mary at the factory last to work?"
"The Monday before April 26."
"Why didn't she work that week?"
"The metal hadn't come."
"Where was the metal kept?"
"In a little closet under the stairway."
"When was the regular payday?"
"Saturday at 12."
"Was anyone paid off Saturday, April 26?"
"Most of them were paid off the Friday night before, as Saturday was a
holiday."
As to why Mary Phagan hadn't been among those who'd received their
wages on Friday, Dorsey didn't ask, preferring to conclude on this allusive
note.
No matter how much Grace Hicks's testimony appeared to have advanced
the state's case, by putting the girl on the stand Dorsey had provided the
defense with an opportunity, and once Rosser took the floor, he wasted no
time initiating what would prove to be a devastating cross-examination:
"You worked at the factory a year?"
"I worked there five years. Mary worked there a year."
"In those five years, how many times did you speak to Mr. Frank?"
"Three times."
"How many times did you see him speak to Mary Phagan?"
PROSECUTION 215
"I never saw Mr. Frank speak to Mary Phagan or Mary Phagan speak to
Mr. Frank."
"Did he speak to the girls when he came through the metal room?"
"No. He just went through and looked around."
"What did he say when he spoke to you?"
"He was showing a man around and I was laying on my arm mighty
near asleep and he says: 'You can run this machine asleep, can't you?' And
I said, 'Yes, sir.' The other times he spoke to me on the street."
Had Rosser gone no further, he already would have exposed Dorsey's
attempt to use Grace to suggest a link between Frank and Mary Phagan
for the flimsy enterprise that it was. But the big man was just limbering
up. In Grace, he had at his disposal a state's witness who could do more
damage to the state than to the defense— and he intended to see that she
did. First, there were those worrisome red stains on the metal room floor.
While Rosser did not ask about them per se, he did ask about the floor,
eliciting the admission that not only was it "awful dirty" and not only did
the "white stuff used in the department get all over it but that the polish-
ing room, where paint was stored, happened to be nearby. Conceded
Grace: "I have seen drops of paint on the floor. I have seen it leading from
the door straight across from the dressing room out to the cooler where the
women come out to get water. The floor all over the factory is dirty and
greasy. And after two or three days, you can hardly tell what is on the
floor."
The prosecution's blood evidence further undermined, Rosser then used
Grace to strike a preemptive blow at that other avidly awaited exhibit of
scientific proof— the strands of hair discovered on a metal-department
lathe the Monday following the murder. Dorsey, of course, was reputedly
ready to argue that the hair had come from Mary Phagan's head, but after
what this witness would testify, such a theory was going to be more difficult to
advance.
"Miss Grace," Rosser began, "there is a place up there where you comb
your hair, isn't there?"
"Yes."
"Where is it?"
"Sometimes, we sit over at the machine and comb our hair and some-
times when I want to curl my hair with a poker or anything I go over there
to the table right by the window and light the gas and curl my hair."
"How far from the machine where you sit and comb your hair is the
lathe where the strands of hair were found?"
"About fifteen feet."
2l6 AND THE DEAD SHALL RISE
"Was there another girl who sat near Mary who had hair like hers?"
"Yes, Magnolia Kennedy sat on one side of her and I sat on the other.
Magnolia's hair was sandy, too."
During his redirect, Dorsey salvaged what he could, but regardless of
the fact that Grace told him she'd never seen any red paint in the metal
room, and despite her admission that she still worked at the factory —which
implied that she was beholden to Frank— the damage was done. Headlines
told the tale. Cried the Georgian:
GIRL'S STORY HELPS FRANK
Echoed the Journal, albeit more soberly:
Defense to Claim Strands of Hair Found
Were Not Mary Phagan's
Only the Constitution abstained. By the time the morning sheet's Thursday
editions went to press, Grace's story would be subsumed by far more dra-
matic news.
The state's next witness, Detective John Black, was highly anticipated.
From the beginning, he'd been involved in every aspect of the investigation,
and Dorsey intended to use him both to firm up the foundation of his case
and to contribute a few new pieces.
Unlike the other officers summoned the morning Mary Phagan's body
was discovered, Black testified, he'd already been acquainted with Leo
Frank. Prior to that Sunday, he averred, he'd twice met the superintendent
when visiting the pencil factory on routine police business. On neither oc-
casion, he added at Dorsey's behest, had Frank betrayed a particularly
excitable nature.
Black's psychologizing prompted an objection from the defense, and
Judge Roan admonished the solicitor to stick to the facts. But this reproof
notwithstanding, Dorsey had enhanced the detective's credibility on a vital
issue, paving the way for the assault that now followed:
"When you saw Frank the morning of April 27 did he seem nervous?"
"Yes."
"Why?"
"Because he had some considerable trouble putting on a collar. It
seemed that he couldn't tie his necktie."
PROSECUTION 217
"What did he say about going to the factory?"
"He kept on insisting on getting a cup of coffee, and I finally told him
that I had been up until one o'clock the night before and had then been
aroused at four o'clock in the morning and hadn't had any coffee or break-
fast, either. I told him we'd better go to the factory and get that over with."
Which, of course, was Dorsey 's destination, too. After a nod to the events
at the morgue (Black, too, maintained that Frank couldn't have seen the
victim's face), he introduced the subject of the factory tour, dwelling on the
incident to which he'd so consistently returned:
"Did you see him go to the clock?"
"Yes. He looked at it, made an examination, and said it had been
punched correctly up until 2:30 a.m."
"Did Frank state at any time that the clock was inaccurate?"
"He said on Tbesday that the clock had been passed three times."
"Did Frank produce a time slip at that time?"
"Yes, a slip which he gave to Chief Lanford on Monday."
"What became of the slip he had Sunday?"
"He carried it into his office on Sunday morning."
"Who was present Sunday morning when he stated the slip had been
punched regularly?"
"Detective Starnes, Chief Lanford, Newt Lee, Boots Rogers and
myself."
"When did you first hear Frank state the slip was incorrect?"
"I cannot swear. It was Tuesday or Monday, one or the other."
"Who was being held at that time under suspicion of the crime?"
"Newt Lee."
"Frank was not then under arrest?"
"No."
The solicitor's intimation couldn't have been more pointed.
Dorsey was not finished with Black. As the detective's testimony regard-
ing Lee's time slip brought home, what made him so valuable to the state
was his ability to discuss the developments that over an interval of days had
increased suspicion of Frank, and it was with the intention of putting more
such material before the jury that the solicitor now inquired if Frank had
engaged counsel prior to being taken into custody. Despite the de rigueur
defense objection, Judge Roan sustained Dorsey, and the detective replied:
"When Mr. Frank was down at the police station on Monday morning, Mr.
Rosser and Mr. Haas were there. About 8 or 8:30 Monday morning Mr.
Rosser came to police headquarters." This circumstance thus pegged to a
2l8 AND THE DEAD SHALL RISE
period twenty-four hours before Frank's arrest, the solicitor delved into the
role the lawyers had initially played:
"Did you hear Haas make a statement in Frank's presence?"
"Yes. Haas demanded of Chief Lanford that the officers accompany Mr.
Frank out to his residence and search his residence."
"What were Haas's grounds for making such a demand?"
"He stated that he was Mr. Frank's attorney and demanded to show
that there was nothing left undone."
"What time was that?"
"About 11:30."
That Dorsey was contemplating suggesting a link between the visit to
Frank's home and the subsequent visit to Lee's shack (where the police
found the infamous bloody shirt), there can be no doubt, but significantly,
he did not at this juncture go further. Instead, he broached several other
matters, among them the arrest of James M. Gantt, eliciting the statement
that the ex-bookkeeper was not apprehended until Frank fingered him.
Finally, he asked if Frank's bearing had altered from day to day. Replied
Black: "After his release Monday, he seemed very jovial. OnTUesday he was
sullen." Something amiss thereby implied, the solicitor sat down.
Whatever good Black seemed to have done the state's case, within thirty
seconds Luther Rosser was ripping away the integument of expertise and
probity in which the man cloaked himself and exposing the sinew of incom-
petence and deceit that many believed constituted the inner fiber of the
entire Atlanta Police Department:
"You didn't release Mr. Frank," Rosser began innocently enough, "until
the word was given from the chief of detectives, did you?"
"I suppose not."
"Do you mean anything by the word release?"
"I spoke before I thought when I uttered it."
"Wasn't his detainment equivalent to arrest?"
"I can't say so."
"Then you retract a thing you said under oath?"
"Yes, I retract the word release."
Just that easily, Rosser had suggested why Frank had retained counsel on
Monday. Moreover, he'd bewildered Black. This, though, was merely the
overture:
PROSECUTION 219
"Wasn't it 10:00 before I got to the station?" Rosser now asked, know-
ing full well he had indeed arrived at that hour.
"No . . . you got there between 8:30 and 8:00."
"Will you swear it?"
"I won't swear it ... I don't know."
And just that easily, Rosser had suggested that Black's memory was unreli-
able. This, though, was still merely the overture:
"Who was present when you talked to Frank on the time previous to
Sunday?" Rosser now inquired, referring to Black's professed earlier con-
versations with the superintendent.
"I don't remember."
"As a matter of fact, you can't swear truthfully that you spoke to him at
all, can you?"
"Not positively."
With that, the dam burst. What time had Detective Starnes phoned Frank
on Sunday morning? Black didn't know. What time had he arrived at the
Franks' home? Black didn't know. What kind of tie had Frank experienced
such difficulty with? Black didn't know. Then:
"Hurry and scurry is an enemy to memory, isn't it?"
"Yes."
Black was collapsing. "The detective's features flushed crimson," noted
the Georgian. "He mopped his face which was running with perspiration.
Then he held his handkerchief up by two of its corners to dry in the breeze
from an electric fan." Still, Rosser had at him, particularly regarding the evi-
dence relating to the crime scene. First, he took up the purported blood-
stains:
"You went through the factory with Frank?"
"Yes."
"Who else went?"
"I don't know— several people."
"And none of you saw the splotch said to be blood?"
"No, sir."
"How many of you went over the building?"
"I don't know exactly."
"Perhaps thirty people?"
"I don't know."
220 AND THE DEAD SHALL RISE
"This large horde made up of officers and curiosity seekers went over
the factory and nobody saw these alleged blood spots?"
"No, sir."
"How long was the factory open on Sunday morning— till about 12:00,
was it not?"
"I don't know."
"How many times did you go to the factory that morning?"
"Twice."
"Detective Starnes went over the factory with you, did he not?"
"Yes."
"Campbell and Beavers, too?"
"I don't know about Beavers, but Chief Lanford did."
"And no blood spots were discovered that day?"
"Not so far as I know."
Then Rosser addressed, at long last, the matter of Lee's time slip:
"You saw Frank at the clock?"
"Yes."
"He opened the clock and took out a slip?"
"Yes."
"When did Frank turn over this slip that he took out of the clock?"
"I don't know."
"Didn't you tell Mr. Dorsey a few minutes ago that he turned over the
slip on Monday morning?"
"I don't remember."
"Look here, Black. Is your memory so bad you can't remember what
you told Dorsey twenty or thirty minutes ago? And yet you attempt here
to state the words of conversations that occurred more than three months
ago?"
There was no answer.
Having tarnished Black's credibility concerning the matters to which he
had testified, Rosser would now tackle the matters to which he had not tes-
tified. The hope here was to steal a march on Dorsey, who by earlier letting
Black off the hook regarding his search of Frank's home and all that fol-
lowed had unwittingly opened himself to attack.
Rosser sprang his offensive by asking Black if he'd been at headquarters
Monday when Frank disrobed. Not surprisingly, Dorsey objected to this,
but Judge Roan, noting that the solicitor had flirted with the subject during
his direct examination, allowed the question, and simple as that, Rosser had
co-opted a key portion of the state's case. Now Frank's counsel would
PROSECUTION 221
determine how the murky series of occurrences that had ended in the dis-
covery of the bloody shirt at Lee's would be presented to the jury, and he
started by asking Black if the station house striptease had inspired the trip
to Frank's home. Yes, the detective replied, adding: "We went out there and
examined the clothes he'd worn the week before and the laundry, too. Mr.
Frank went with us and showed us the dirty linen." Rosser then grilled
Black about a later outing:
"You also went to Lee's house?"
"Yes."
"What did you find?"
"A bloody shirt."
"Where is it?"
"Mr. Dorsey has it."
At this, Rosser asked the solicitor to produce the shirt, which he was obliged
to do, handing it to his adversary, who then displayed it to the witness:
"Is that the shirt, Mr. Black?"
"Yes, sir."
"What time did you find it?"
"Tuesday morning, about 9:00."
The Hugh Dorsey who now undertook Black's redirect examination was
not the same man who'd heretofore so coolly withstood Rosser's taunts.
Visibly agitated, he tried to introduce a line of inquiry that would suggest
Frank had inspired the search of Lee's home, but when Rosser sharply
objected, he looked to Roan for help, exclaiming:
Our contention is that this shirt was a plant and Frank's request was a ruse
to get the police to search his house and then Newt Lee's house and thus
throw suspicion on the negro.
As soon as these words left Dorsey's mouth, the Georgian's James B. Nevin
glanced at Rosser and, as he put it, "saw what I expected to see— a momen-
tary flicker of a smile about the lips and eyes."
Dorsey, however, was oblivious, and when Roan ruled that he could con-
tinue, he secured a couple of statements that seemed to confirm his claim that
Frank had engineered the expedition to Lee's. To wit: Black swore that Frank
had not only informed him that he believed the night watchman had failed to
divulge everything he knew about the murder but that the missed punches
showed he would have had "an hour to have gone out to his house and back."
222 AND THE DEAD SHALL RISE
On the surface, Black's testimony appeared to buttress Dorsey's thesis,
but the reason for Rosser's smile— and the likely reason the solicitor had
avoided getting into this subject at the start— became plain once Dorsey
asked the detective when Frank had said such things. Black's answer
couldn't have been more disastrous: "I don't remember whether that was
before or after I went out to Lee's house and found the shirt."
Realizing what had just occurred, Dorsey blanched. Under his question-
ing, his witness had undermined the surmise atop which a part of his evi-
dentiary construct stood, suggesting that the links between anything Frank
had said or done and the search of Lee's house were tenuous at best. And
while the solicitor would attempt to recover, eventually exacting Black's
assurance that Frank's remarks regarding the missed punches had preceded
the trip to Lee's, such an admission was of little help. Dorsey had suffered a
self-inflicted wound, and all he could do was cede the floor.
For the first time since the trial began, Luther Rosser held the advantage,
and he used it. "Don't you know, Black," he began his last assault, "that as a
matter of fact, that shirt was found before Frank ever said anything to you
about the misses in that time tape?"
The detective opened his mouth, but no answer came forth.
"Don't you know it?" Rosser persisted.
Still no answer.
Whereupon Rosser extracted his pocket watch and held it before the
witness. After an excruciating minute or so, the judge attempted to inter-
vene, but Rosser urged: "Give him time to answer, your honor."
A few seconds later, Black confided: "I don't remember." Then he bale-
fully added: "I don't like to admit it, but I am so crossed up and worried that
I don't know where I am at."
At this, Rosser snorted, "Come down."
Once again, headlines told the tale. Declared the Georgian:
Collapse of Testimony of Black Great Aid to Defense
Seconded the Journal:
Detective John Black "Goes to Pieces"
But it was Dorsey's supporters at the Constitution who played the story
hardest. Beneath the page-one banner defense riddles john black's
testimony, the morning paper reported:
PROSECUTION 223
When Wednesday's session of the Leo M. Frank trial had come to a
close, the friends of the accused were filled with high hopes for his acquit-
tal. They were nothing short of jubilant . . .
The feeling was based on the fact that the testimony of John Black . . .
who had worked up a large share of the evidence against Frank, fell to the
ground . . .
Time and again, Black contradicted himself . . .
Solicitor Dorsey had stated that he expected to show that Black had
gone to Lee's house only after Frank had informed him that several punches
were missing from the time slip taken from the register clock . . . that after
Frank's house had been searched for incriminating evidence at the sugges-
tion of Herbert Haas, that Frank sought to have Lee's house searched and
that the bloody shirt was really a "plant."
Black's answers failed to bear out the contention of the solicitor.
The verdict was unanimous. As the Georgian's James B. Nevin observed:
There is a feeling, growing more fixed every day, I think, that the State,
if it hopes to win, must set up something more than it has yet made public!
If the State has some big cards up its sleeve, if it is prepared to surprise
the defense . . . then the case yet is in its infancy and the real charge against
Frank still is to be made out.
If the State has no unrevealed evidence and is NOT prepared to strike
the defense heavy and unanticipated blows, it is but the simple and honest
truth to say here and now that the feeling, vague and elusive enough, but
unmistakably there, [is] that acquittal eventually will come to Frank . . .
The Black debacle, according to still another reporter, "was enough to
stun any man," but Hugh Dorsey righted himself immediately. He started
the process in the waning minutes of Wednesday's session by calling James
M. Gantt, the dismissed pencil company bookkeeper. Predictably, Dorsey
asked Gantt to reiterate his account of Frank's nervous reaction to their
encounter outside the factory the afternoon of the murder. Then he guided
his witness to new territory:
"Did you know Mary Phagan?"
"Yes, I knew her when she was a little girl."
"Did Leo M. Frank know Mary Phagan?"
"Yes."
"How do you know that?"
"One day she had been in the office talking to me about a mistake in her
224 AND THE DEAD SHALL RISE
time. When she left, Mr. Frank turned to me and said, 'You seem to know
Mary pretty well.' "
Gantt's assertion, of course, contradicted Frank's denials that he'd been
acquainted with the girl, and Dorsey followed up with a series of inquiries
suggesting that Frank had manufactured the bookkeeper's $2 payroll short-
age to get rid of someone he regarded as an impediment to his lecherous
designs. During cross-examination, Luther Rosser sought to discredit Gantt
by compelling him to admit he'd told the inquest he had never seen Frank
with little Mary and was unaware he knew her. Yet such concessions, dam-
aging though they were, did not negate Gantt's story. Dorsey had deftly
reintroduced the idea that Frank had been eyeing his victim all along,
checking the defense's momentum.
Thursday morning, Dorsey began building some momentum of his own.
Pinkerton agent Harry Scott, though serving at Frank's behest, had helped
John Black collect much of the prosecution evidence, and after taking the
stand, he dropped a bombshell, reversing himself regarding a crucial com-
ment Frank made during their initial conversation. Heretofore, in both his
first report and at the inquest, Scott had maintained Frank stated that after
paying Mary Phagan on April 26, he'd answered her parting query as to
whether a metal shipment had arrived with an unequivocal "no." Now the
detective proclaimed: "He replied that he didn't know."
This shocker, implying that Frank had responded ambiguously to little
Mary in an effort to lure her to the metal room, contributed mightily to the
state's theory of the crime. Yet as Dorsey realized, the defense could chalk
up anything Scott said to his being in league with the authorities; thus
before he went further, he endeavored to persuade the jury that the Pinker-
ton agent's true allegiances were more complex. The solicitor did so by pos-
ing some seemingly straightforward inquiries regarding Frank's mood
during the pair's inaugural meeting and a bid he supposedly made to direct
suspicion at Gantt. When Scott, in turn, professed ignorance of such mat-
ters, an outwardly exasperated Dorsey looked to Judge Roan: "Your honor,
I have been misinformed as to what the witness would testify. I have
been misled." Toward that end, the solicitor requested the opportunity to
"refresh" Scott's memory.
Immediately, Rosser sensed something wrong. "Questions like these
grate on my ears like the false notes from a piano," he roared, adding that
unless the solicitor intended to impeach Scott, he was on shaky ground. To
this, Dorsey responded that impeachment was the furthest thing from his
mind, insisting that he merely wanted to hold Scott to his word. Then he
brazenly stated his case: "Your honor, if there ever was a time when a wit-
PROSECUTION 225
ness should be led, it is now with this detective who was hired by the pencil
factory and has been working with the attorneys for the defense. When I
talked with him and he told me things and now he testifies differently, I
have a right to lead him."
After consulting precedents, Roan ruled that while Dorsey could not
lead the witness, he could reacquaint him with specific points of his story.
The upshot: Scott was soon recalling that at the meeting in question, Frank
took deep breaths and his eyes were "large and piercing." Moreover, he
added that Frank laid "special stress" on Gantt's attentions to Mary Phagan.
And so by dint of pettifoggery, Dorsey managed to have it both ways
with Scott, distancing him from the police and tying him to Frank even as he
exacted more damaging testimony. Nonetheless, the solicitor still wasn't
satisfied. In a final attempt to insulate Scott, he asked: "Was anything said
by one of the attorneys for Frank about you suppressing evidence?"
Here again, Rosser objected, but while Roan sustained him, he allowed
Dorsey to rephrase the question, and soon Scott was revealing: "The first
week in May, Superintendent Pierce [Scott's boss] and I went to Mr. Her-
bert Haas's office . . . and had a conference with him as to the Pinkerton
Agency's position in the matter. Mr. Haas stated that he would rather we
would submit our reports to him before we turned [them] over to the
police. We told him we would withdraw before we would adopt any practice
of that sort."
With that, Dorsey managed to have it a third way with Scott, making it
appear that whatever his connections to 175 Decatur Street, they were
rooted in the interest of justice; and on that note, he returned the agent to
the subject of the investigation itself, eliciting his account of Frank's station
house encounter with Newt Lee: "Frank hung his head the entire time the
negro was talking to him, and finally in about thirty seconds, he said, 'Well,
they have got me too.' Mr. Frank was extremely nervous at that time. He
was very squirmy in his chair, crossing one leg after the other and didn't
know where to put his hands."
Dorsey could not have staged a stronger comeback, and after securing
Scott's profession that in the early days of the probe he'd conducted a
"thorough search" of the factory lobby and "found no pay envelope or
bludgeon" and, more vitally, his assertion that a week after the murder,
Frank told him he'd been at his office desk "every minute" between 12:00
and 12:30 the afternoon of April 26, he returned to his chair.
Luther Rosser opened his cross-examination of Scott with a flurry, estab-
lishing that while Herbert Haas may have requested advance copies of the
226 AND THE DEAD SHALL RISE
agent's reports, he'd also indicated "he wanted the murderer caught regard-
less of who it was."
Yet from this point forth, Rosser would struggle, for as the Georgian
noted: "Scott refused to be cowed." The Pinkerton agent easily evaded
Rosser's thrusts. Why hadn't he reported Frank's attempt to incriminate
Gantt? "Because the day I made this report Gantt was released from police
headquarters and was regarded as no longer a suspect." Why hadn't he told
the inquest of Frank's anxious station house interview with Lee? "You
should remember, Mr. Rosser, that I was answering only questions that
were asked me by the coroner, and that he didn't draw out and cross ques-
tion me."
Similarly, Scott was unflappable in the face of Rosser's stabs at portray-
ing him as a police toady:
"Your agency works with the police, does it not?"
"Yes, on criminal investigations."
"You always hook up with the police and go down the road with them,
don't you?"
"We work in harmony with the police."
The only time Rosser again laid a glove on Scott came after he reminded
the detective that another factory official— Assistant Superintendent Dar-
ley— had accompanied Frank to their all-important first get-together. Con-
fronted with this fact, Scott was forced to confess that he didn't know which
man had brought Gantt's name into play. "I am not sure whether I got the
statement about Mary Phagan being familiar with Gantt from Mr. Darley
or Mr. Frank," he admitted.
That, however, was that. Though Rosser had Scott dead to rights when it
came to his last and most significant line of questioning, he couldn't make
anything stick:
"Mr. Scott, you say now that Mr. Frank told you when the little girl
asked him if the metal had come, Mr. Frank replied, 'I don't know'?"
"Yes."
"Didn't you swear before the coroner that he said, 'No'?"
"Yes. I have said about half and half all the time."
"Didn't you say in a report to me that he said, 'No'?"
"Yes."
"Did you mean I don't know? Don't you know that the meanings of the
words are quite different?"
"It was just a grammatical error. I now swear positively he said, 'I don't
know.' "
PROSECUTION 227
In the face of such resolve, there was nothing Rosser could do but sit down.
As the Journal flatly concluded: "Scott proved a difficult witness for Mr.
Rosser."
The 14-year-old girl who replaced Harry Scott on the stand made a fetching
picture. Blond hair piled beneath a broad-brimmed hat, cheeks flushed but
expression composed, tan cotton dress cut well above the ankles, Monteen
Stover was yet another pretty factory girl. She was also one of the state's
most important witnesses. If the story she swore to just a week after the
murder stood up, she could not only establish the prosecution's time line
but undermine Frank's claim that he'd been in his office "every minute" be-
tween 12:00 and 12:30 the afternoon of April 26. Dorsey promptly steered
her to the issue at hand:
"Did you go to the factory on the Saturday Mary Phagan was killed?"
"Yes, sir."
"What time?"
"12:05 o'clock."
"How long did you stay?"
"Five minutes."
"What did you go for?"
"To get my pay."
"What floor did you go to?"
"The second."
"To where?"
"To Mr. Frank's office."
"Did you see Mr. Frank?"
"No."
"Did you look at the clock when you went in?"
"Yes. I walked up to it. It was 12:05."
The implications here couldn't have been blunter, and after securing the
seemingly meaningless fact that the girl wore tennis shoes on April 26 and
the recollection that the double doors opening into the metal room had
been ominously shut that day, Dorsey turned her over to the defense.
Rosser did what he could with Monteen. Perhaps, he suggested, she'd
failed to enter the inner chamber where Frank usually worked, stopping
instead in the anteroom. No, she replied, "I went through the first office into
the second." All right then, Rosser rejoined, what did the furniture look
like? The desks? The wardrobe? The girl couldn't recall, but as opposed to
what her interrogator was trying to imply, this inability was not owing to
228 AND THE DEAD SHALL RISE
heedlessness on her part. As she explained: "I was looking for a person
and didn't notice any of these objects." Monteen was not going to be con-
tradicted, and while Rosser did exact the concession that the metal-
department doors were often shut on off days, he again had little choice but
to retire.
Following the Stover girl was the 18-year-old factory machinist R. P. Bar-
rett. One of those young men who seem both dull and cunning, Barrett had
lived a hard life and, in turn, had been hardened. From Dorsey's vantage,
however, Barrett was the salt of the earth, for he had discovered the evi-
dence upon which the state's theory of where the murder took place rested.
The red stain on the metal room floor, the white stuff smeared atop it— the
solicitor swiftly secured the particulars. Then, rather than ask Barrett to
relate in words how he'd located the accompanying hair samples, Dorsey
handed him pencil and pad and asked him to draw what he'd seen. The
resulting sketch depicted the strands the machinist said had been twined
around his lathe handle, and on its strength, the solicitor took a crack at
connecting those strands to Mary Phagan:
"Did anyone else see the hair?"
"Yes," Barrett responded.
"Was Magnolia Kennedy there?"
"Yes."
"Did she identify the hair?"
Before Barrett could reply, Rosser exploded: "It would be only hearsay.
Only the God of the universe could identify the hair." Roan sustained the
objection, thus the jurors wouldn't hear Magnolia's widely reported asser-
tion that the hair had come from little Mary's head. Not that Dorsey
allowed the setback to slow him down. Betraying no dissatisfaction, he
obtained Barrett's assurance that neither the red stain— which the machin-
ist insisted was blood— nor the hair had been present at quitting time the
Friday before the murder. Then he introduced a new and potentially devas-
tating piece of evidence— a scrap of pay envelope that Barrett claimed he'd
spotted beneath Mary Phagan's machine several days after the killing.
Printed atop the scrap was a partially visible "p" or "g." As Dorsey had
known it would, "State's Exhibit U" rocked the courtroom, providing him
with the perfect ending point.
Once again, Rosser gamely rose to his feet, and while he failed to get
Barrett to back down regarding the red stain ("I could tell it was blood") or
the hair, he did persuade him to concede that the envelope scrap could have
PROSECUTION 229
belonged to anyone. "There is no number or amount on the envelope, no
name on it, just a little loop, a part of a letter." Having exacted that admis-
sion, Rosser then asked the machinist if he'd aided Dorsey in his investiga-
tion. When Barrett all too eagerly answered yes, Rosser returned to the
defense table. He'd done what he could— which wasn't much. According to
the Georgian, "Barrett made probably the best witness the state called dur-
ing the forenoon."
The striking young woman who unexpectedly took a seat among the spec-
tators at the start of Thursday's afternoon session may have been, as she
claimed, another of the Atlantans for whom the trial's allure was irre-
sistible. But this explanation strained credulity. The last time Callie Scott
Applebaum had been in a courtroom, she had herself been on trial for mur-
der. What's more, her highly publicized acquittal had inspired widespread
misgivings regarding the prosecutorial skills of Hugh Dorsey. No, Mrs.
Applebaum, fashionably turned out and professing faith in Frank's inno-
cence, was in the gallery as part of a defense ploy to rattle the solicitor.
That Frank's counsel had resorted to such a tactic was the first indication
that Dorsey had begun to worry them, but the solicitor resfused to be
shaken. Picking up where he'd left off Thursday morning, he spent the day's
remaining hours presenting witnesses who could bolster his contention that
the crime had occurred in the factory metal room. Mel Stanford, a plant
janitor, corroborated Barrett's testimony that neither the red stains nor
the hair discovered the Monday following the murder had been present
the preceding Friday. Dr. Claude Smith, chemist for the city of Atlanta,
resolved any doubts as to the composition of the stains, declaring that
microscopic examination had shown them indeed to be blood. (Smith also
reinforced the state's theory that the shirt found at Newt Lee's house had
been a plant, echoing the view that the garment had been purposely wiped
over a bloody surface.) And Mrs. George Jefferson, a polishing-department
employee, affirmed Detective Starnes's assertion that twine of the sort used
to choke Mary Phagan was stored in the metal room.
The defense had at each of these witnesses, but the only one Luther Rosser
managed to shake was Dr. Smith. During a pointed cross-examination, the
chemist confessed that the tests he'd performed on the wood chipped up
from the metal room floor had yielded but four or five corpuscles of blood of
indeterminate origin. Reported the Journal: "He admitted that the blood
might have been from a mouse."
Smith's revelation regarding the state's blood evidence would not, how-
ever, constitute the only defense triumph during Thursday's waning hours.
As his last witness of the afternoon, Dorsey summoned E. F Holloway, the
230 AND THE DEAD SHALL RISE
factory's day watchman. In an affidavit taken during the investigation, Hol-
loway had told Detectives Starnes and Campbell that prior to leaving work
the evening before the murder, he had locked the second-floor electric
switch box. The assertion gave the lie to Frank's claim that the box, due to
an insurance company edict, was kept unlocked, and the solicitor expected
Holloway to repeat it. Such testimony would pave the way for the prosecu-
tion's argument that Frank had unlocked the box the day of the crime so
that he and Conley could turn on the elevator and transport Mary Phagan's
body to the basement. Yet when Dorsey posed the question, Holloway
unexpectedly offered a different story, declaring that while he had locked
the box late Friday, he had unlocked it Saturday morning for Denham and
White, the two workmen laboring on the building's top floor, to plug in a
saw.
These setbacks notwithstanding, there can be no doubt that Dorsey had
regained the upper hand. Noted the Georgian: "The state fared better
Thursday than any other day during the trial."
Thursday night, thundershowers drenched Atlanta, cooling and clearing the
air. But the relief lasted only a moment. August had come, and Friday morn-
ing the city awakened to what now seemed its constants— the heat and the
trial. By 8:40, the sweltering building at the corner of Hunter and Pryor
streets was already filled to capacity, as were the coveted perches atop the
adjacent construction sheds.
The day's session opened with Hugh Dorsey testing his luck. Leo Frank's
closest business associate, N. V. Darley, was a reluctant witness. Nonetheless,
the solicitor called the assistant factory superintendent. Dorsey was gam-
bling that he could wrest the sort of admissions from Darley that the man's
loyalties would make all the more devastating.
First, the solicitor wanted corroboration of earlier claims by various wit-
nesses as to Frank's anxiety on the morning Mary Phagan's body was dis-
covered. "Was he done up?" he asked. To this and several similar inquiries,
Darley tendered equivocal responses, making it plain he would rather not
say anything that might incriminate his boss. But Dorsey hammered away,
eventually eliciting the statement: "I could perceive that his whole body
was trembling."
Next, the solicitor wanted support for the prosecution's contention that
the mysterious club located in the National Pencil Company lobby in mid-
May was as much a plant as the bloody shirt found earlier at Newt Lee's
house. After obtaining Darley's acknowledgment that the factory had been
well cleaned in the murder's immediate aftermath, Dorsey turned to the
PROSECUTION 23I
prosecution table, retrieved the club and hurled it to the floor in front of
the witness stand.
"Was any club of this sort turned up during the cleaning?" he demanded.
"No," Darley replied.
"And was not this a thorough cleaning?"
"It was."
With that, the solicitor sat down.
From the moment the affable Reuben Arnold rose to his feet to conduct
his first cross-examination of the trial, it was clear that the defense intended
to make the prosecution pay for having put someone so sympathetic to
Frank on the stand. Mister Rube began by asking Darley if he realized that
both the state's blood and hair evidence had been discovered by "Christo-
pher Columbus Barrett." Understandably, Dorsey objected to this sarcastic
question, but after Arnold explained that he hoped to show Barrett had
been less interested in the truth than in the reward money, Judge Roan
allowed it, and Darley replied: "It is my understanding that Barrett has
been doing most of the discovering done in the building. He has lost quite
some time since the murder, and buys quite some extras and reads them."
Having thereby cast doubt on Barrett's motives, Frank's co-counsel pro-
ceeded to use Darley to attack Barrett's findings themselves. For openers,
there were the spots on the metal room floor. Such spots, the witness stated,
were actually common due to the fact that female workers experiencing the
onset of their menstrual cycles had to walk through the area to reach the
nearest women's restroom, as did injured workers seeking first aid. Then
there were the strands of hair found on Barrett's lathe handle. Declared
Darley: "I don't think there were over 6 or 8. It was pretty hard to tell the
color." Finally, there was the scrap of paper purportedly torn from Mary
Phagan's pay envelope. As Darley described it, the shop was often littered
with such scraps. This because, upon receiving their wages from the nearby
payroll window, employees eagerly ripped open the envelopes, scattering
pieces everywhere.
The assault upon Barrett's discoveries thus completed, Arnold directed
Darley's attention to several other claims the prosecution had adduced as
proof that the crime had been committed in the metal room. According to
Detective John Starnes and Mrs. George Jefferson, twine of the sort that
had been used to choke Mary Phagan and paper of the sort upon which the
murder notes were written could be found chiefly on the plant's second
floor. Yet as assistant superintendent, Darley was better qualified than any-
one to speak to these subjects, and he did, telling the lawyer: "I have seen
these cords that we tie up slats and pencils with in every part of the factory.
I have raised sand about finding them in the basement." Then, after being
232 AND THE DEAD SHALL RISE
handed one of the murder notes: "Yes, I have seen all kinds of papers down
in the basement. The paper that note is written on is a blank order pad. That
kind of little pad is used all over the factory. The foreladies make their
memorandum on that kind of tablet. They are all over the building."
Had he simply quit, Arnold already would have succeeded in marring
the foundation of Dorsey's case, but Darley's thorough knowledge of plant
operations made him the ideal witness to introduce the defense's con-
tention that Frank's workload on April 26 had been so heavy that he could
never have completed it had he just committed a murder. Hence, Arnold
asked for an account of the tasks Frank normally undertook on Saturday
afternoons, receiving in reply a description of the computations involved in
preparing the weekly production and sales report. "A skillful, clear-headed
man," Darley informed Mister Rube, would need three hours, and as of 9:40
on the morning of the slaying, Frank had not started. Yet upon arriving at
the factory early the next day along with the investigating officers, Darley
said he found the report finished.
By this juncture, Hugh Dorsey realized what was happening, and in a
pained voice asked, "Are you through with him, Mr. Arnold?" But his
opposing number wasn't about to let up, replying, "Oh, no, no. We haven't
got a good start with him yet." Darley was just the man to launch the argu-
ment that the factory elevator was so creaky that if, as Conley had sworn in
his affidavits and was expected to testify, it had been used to take Mary Pha-
gan's remains to the basement, the two workmen laboring upstairs at the
time would have heard it. He was also just the man to debunk the claim that
the metal shop provided a secure place to conduct a tryst or commit a
crime. "There is no lock on the metal room doors," he testified, meaning
that the department's main entry— as opposed to the secondary one de-
picted on the prosecution diagram— could not be secured. Finally, Darley
could credibly advance the thesis that Frank's behavior on the morning
Mary's body was located, far from being suspicious, was typical. Recalling a
day several years before when Frank arrived at work after having seen a
child run over by a streetcar, he told Arnold: "He came in about 2:30 and he
couldn't work any more on his books until a quarter after four. He trem-
bled just as much on that occasion as he did on the Sunday after Mary Pha-
gan was killed."
Mercifully for the state, Judge Roan chose this moment to recess for
lunch, bringing an end to the rout. Upon commencing Friday's afternoon
session, Arnold at last handed Darley back to Dorsey for redirect, but try
as he might, the solicitor could not undo the damage. For all of that, how-
ever, Dorsey did not seem upset about the way things had gone. The wit-
ness had, after all, been a calculated risk. Yet apart from this awareness,
the solicitor had another reason not to agonize. Like a shrewd cardplayer,
PROSECUTION 233
he'd divested himself of most of his weak suits and would finish out the
game dealing trumps.
As soon as Dr. Henry Fauntleroy Harris, medical bag in hand, approached
the witness stand, the crowd inside the packed courtroom tensed. During
the months since Harris supervised the exhumations of Mary Phagan's
body, speculation as to what light science would shine on the crime had only
increased. Save for Jim Conley, no witness was more avidly awaited.
Thin and pale, skin tautly drawn over high cheekbones, rimless specta-
cles camped atop a sharp nose, Harris appeared at once vulnerable and
severe. Which he was. For the past week, he had been suffering from the flu,
and it was with difficulty that he had risen from bed. Yet now that he was
before the jury, he did his best to affect the unassailable posture common to
his profession, at the solicitor's request crisply enumerating his degrees and
honors.
From the outset, Harris did all that Dorsey asked and more, delivering
testimony that not only completed the state's circumstantial case against
Frank but provided solid medical rationales for several points Conley was
expected to make later. Regarding Mary Phagan's badly bruised right eye,
the doctor contended that his examination had shown that the blow causing
the injury had been inflicted before death by a "soft instrument," most
likely a fist. Regarding the jagged wound behind the girl's left ear, he said it,
too, had been suffered while she was alive, most likely when she had fallen
backward into a sharp object. The surrounding tissue had been "shoved
upward slightly," a circumstance that would not have obtained had she been
clubbed. Though Harris believed the traumas were sufficient to have
knocked the child out, he didn't think they killed her. "Strangulation," he
declared, "was beyond a doubt the cause."
Having thus secured support for his theory of where and how the murder
had been committed, Dorsey directed Harris to the question of when. After
obtaining the doctor's acknowledgment that he had examined the dead
girl's stomach and removed 160 cubic centimeters of cabbage and biscuit,
the solicitor asked how far the material had progressed toward digestion.
"Very slightly," replied Harris, reaching into his bag and extracting a vial
that held several pieces of nearly intact cabbage floating in a preservative
medium. "This," he said, "is some of what I removed from the stomach."
As Harris displayed the vial to the jury, Dorsey asked how long the cab-
bage had been in Mary Phagan's system before death. "I am confident,"
answered the doctor, "that it could not have been there for more than half
an hour." While the weight of this assertion— which recalled both Mrs.
Coleman's testimony that her daughter had eaten just past 1 1 a.m. on April
234 AND THE DEAD SHALL RISE
26 and Monteen Stover's claim that Frank was not in his office at 12:05 —
hung in the air, Harris removed two other vials from his bag. Both were
filled with a pasty, unrecognizable substance. Displaying them to the jury,
the doctor announced that they contained cabbage taken from the stom-
achs of "normal persons" after an hour of digestion. The demonstration
provided the backdrop for Harris's definitive utterance as to the time of
death: "She was either killed or received the blow upon the head thirty or
forty-five minutes after her last meal."
Compelling as all this was, it was Dorsey's succeeding area of inquiry
that electrified the courtroom. The question:
Dr. Harris, did you ever examine the vital organs of Mary Phagan's body?
The answer:
I made an examination of the privates of Mary Phagan. I found no sper-
matozoa. On the walls of the vagina there was evidence of violence of
some kind. The epithelium was pulled loose, completely detached in
places, blood vessels were dilated immediately beneath the surface and
there was a great deal of hemorrhage in the surrounding tissues. The dila-
tion of the blood vessels indicated to me that the injury had been made in
the vagina some little time before death. Perhaps ten to fifteen minutes. It
had occurred before death by reason of the fact that these blood vessels
were dilated. Inflammation had set in and it takes an appreciable length of
time for the process of inflammatory change to begin. There was evidence
of violence in the neighborhood of the hymen.
Though Harris did not spell it out, his testimony clearly conveyed the
state's position— Mary Phagan had suffered some sort of sexual violation
that, while leaving no seminal fluid, constituted rape.
There was, at this juncture,more that Dorsey wanted to explore, but before
he could proceed, Harris, complaining that he was "utterly exhausted,"
abruptly asked to be excused. After receiving the doctor's assurances that he
would return as soon as he was able, Judge Roan assented. At first blush, Har-
ris's departure seemed another setback for the state. But as the solicitor well
knew, the doctor's leavetaking, which denied the defense the chance to get a
timely crack at him, was a gift. As he told the Constitution: "It is perfectly plain
sailing from now on. We have a mass of evidence and it is only a question of
knitting it together."
Dorsey's confidence was borne out by Friday's remaining witnesses.
From Mrs. Arthur White, he secured the information that she had seen an
unidentified Negro lurking in the factory lobby on the day of the murder
PROSECUTION 235
not, as had been initially reported, at noon but around 1 p.m., a time consis-
tent with the claim Conley had made in his first affidavit that this was the
hour Frank had summoned him upstairs to write the murder notes. From
Albert McKnight, whom the bailiffs had finally tracked down, he elicited
the anticipated assertion that not only had Frank not eaten lunch on the
afternoon of the crime but that he'd returned to work after spending just
ten minutes at home. Though Luther Rosser eventually obliged McKnight
to recount a few of the dismaying details relative to the procurement of his
wife's infamous affidavit, the defense was able to do little else with either of
these witnesses.
Determined to build on Friday's victories, Dorsey kicked off Saturday's
half-session by calling Helen Ferguson. Hair neatly plaited into braids that
fell down the back of a white dress adorned by a bow at the neck, this 16-
year-old factory worker was familiar to all who had followed the investiga-
tion. On the morning Mary Phagan's body was discovered, she had informed
Fannie and John W. Coleman that their daughter had been killed. Now she
had been summoned to deliver one of the state's most damaging bits of
information, and the solicitor wasted no time eliciting it.
"Did you see Frank on April 25, the Friday before the murder?" Dorsey
began.
"Yes," Ferguson replied.
"At what time?"
"At about 7 o'clock in the evening."
"What was said?"
"I asked Mr. Frank for Mary Phagan's money."
"Well, what did he say?"
"He told me that I couldn't get it; that Mary would be there Saturday
and she could get it then all right."
"Had you ever got Mary Phagan's money for her before that?"
"Yes, on two occasions."
Though Helen would subsequently tell Luther Rosser that both times she
had picked up Mary's wages she had received them from someone other
than Frank, and while she would admit that on April 25 she had forgotten
her friend's payroll number, possibly explaining Frank's refusal, neither
acknowledgment softened the blow. As she reiterated to the defense lawyer
when he asked her to repeat Frank's response to her request: "He said that
she'd be there Saturday."
Hugh Dorsey next called Dr. J. W. Hurt, the Fulton County medical
236 AND THE DEAD SHALL RISE
examiner. Though the solicitor fully expected Dr. Harris, once recovered, to
put the finishing touches on the medical portion of his case, he wanted to
reinforce the main points while they were still vivid in the jurors' minds.
Which was what he did, obtaining Hurt's endorsement of Harris's findings
that the wound to the back of Mary Phagan's head had been made by
a "blunt-edged instrument" striking "from down upward," that her right
eye had been blackened by someone's fist and that she had died of strangu-
lation.
Yet much as Hurt helped the state, he would also harm it. As the news-
papers had already reported, he and Dr. Harris were in dispute regarding a
key matter, and rather than let the defense raise it, Dorsey attempted to
defuse the issue by doing so himself, concluding his examination by asking
the doctor if little Mary had been raped. Replied Hurt:
I discovered no violence to the parts. There was blood on the parts. I didn't
know whether it was fresh blood or menstrual blood. The vagina was a lit-
tle larger than the normal size of a girl that age. It is my opinion that this
enlargement of the vagina could have been produced by penetration
immediately preceding death.
Frank's lawyers, of course, would have preferred to secure Hurt's uncer-
tain answer to this vital question themselves, but despite the prosecution's
effort to pull the sting, they were not about to leave it alone. Indeed,
Reuben Arnold, whose hiring had been in part predicated on his medical
knowledge, sharply cross-examined the doctor on the issue. Ever so deli-
cately, Mister Rube posed a series of questions designed to suggest that lit-
tle Mary, contrary to widely held and deeply felt convictions, had not been a
virgin. Eventually, the doctor confided: "Her hymen was not intact, and I
was not able to say when it was ruptured. I saw no indication of injury to the
hymen."
Arnold wrapped up by directing Hurt's attention to one other critical
topic— the wound on the back of Mary Phagan's head. As the doctor now
acknowledged, the wound had not necessarily been inflicted by a fall against
Barrett's lathe. It could as easily have been suffered during a tumble down
the factory elevator shaft.
During his redirect examination of Hurt, Hugh Dorsey had every inten-
tion of putting the pieces back together again, but he was almost denied the
chance, for it was at this pass, following a brief recess, that the trial of Leo
Frank nearly ended. As spectators were settling down and lawyers were
huddling, Judge Roan emerged from his chambers carrying the Georgian's
latest extra. Blared the red banner: state adds links to chain. When
Reuben Arnold noticed jurors not only reading the headline but craning
PROSECUTION 237
their necks to make out the underlying story, which detailed the prosecu-
tion's late-Friday triumphs, he and Rosser approached the bench. Roan,
upon being informed of what had occurred, ordered the twelve-man panel
from the room.
The debate over whether a mistrial should be declared raged until
Frank's lawyers, revealing that they expected to prevail in the present pro-
ceedings, announced they would be satisfied if Roan simply instructed the
jury, as Rosser put it, "to disregard this headline." Though Dorsey coun-
tered that no admonition was necessary, maintaining that the panel had
been previously exposed to newspaper coverage damaging to the state, the
judge seized upon the defense's proposal. After recalling the jurors, he
advised:
Gentlemen, it has been said by some that you have been able to see some
writings or headlines in the newspapers that might influence you. If you
have seen anything in the newspapers or heard anything, I beg of you now
to free your mind of it, regardless of whether it be helpful to the state or to
the defense.
The crisis thereby averted, Hurt returned to the stand and Dorsey went
back to work, quickly extracting statements that negated some of what
Arnold had accomplished during his cross-examination. Yet for all intents
and purposes, the argument sparked by Judge Roan's indiscretion had
brought the day's abbreviated session to a conclusion. The first week was
over.
Late Saturday, as Hugh Dorsey plotted strategy in his Thrower Building
office and Leo Frank rested in his cell, police officers escorted Jim Conley
into a secluded courtyard behind the station house where, as the Constitu-
tion's Britt Craig put it, they "turned a liberal hose" on him until he was as
"shiny as the brass trimmings on a 19 14 model auto." Then, courtesy of
William Smith, the Negro was treated to a haircut and a shave. Finally, he
was outfitted with a new suit of clothes and a pair of dress shoes.
Conley's turn on the stand was at hand, and if anything, it was regarded
as more critical to the trial's outcome than ever. To be sure, the prosecution
had by this juncture presented a mass of circumstantial evidence against
Frank. Even the Georgian's James B. Nevin, in a summary of events to date,
conceded as much:
The State HAS definitely shown that Leo Frank might have murdered
Mary Phagan and that he DID have the opportunity to accomplish it.
238 AND THE DEAD SHALL RISE
Having shown that the OPPORTUNITY was there, and that the mur-
der likely was consummated during the time limits of that opportunity, the
elements of the case need but be knitted properly together to make dark
the outlook for Frank.
Yet the defense had badly roughed up several of Dorsey's witnesses. More-
over, Frank had not been connected to Mary Phagan in anything other than
a cursory fashion. The issues at the heart of the matter remained unre-
solved. Looking ahead to when court reconvened, the Georgian declared:
The questions to be thrashed out are these:
Did Leo Frank, between 12 o'clock and the time he left the pencil fac-
tory, after paying Mary Phagan her pittance of wages, lure or follow her
into the back of the second floor, there assault her and kill her? Did he
then secure the services of Jim Conley to conceal the body?
Or did Jim Conley, half drunk, loitering in the dark hallway below, see-
ing little Mary Phagan coming down the steps with her mesh bag in her
hands, brooding over his lack of funds wherewith to get more whisky, find
in this setup an opportunity to secure a little money— the violent killing of
the girl following?
About Conley— ever and always about Conley— the Frank case re-
volves, and will revolve until it ends.
Would-be spectators began arriving at the old city hall at 6:30 Monday
morning, and by 9:00 the line stretched single file down Hunter Street to the
state capitol a quarter mile to the east. The scene, noted the Journal, was
reminiscent of that before a World Series baseball game. Shortly after
the 250 available seats had been allotted, Hugh Dorsey cried, "Bring in
Jim Conley." The request sparked a smattering of applause, but deputies
quickly restored order, and following a brief delay, Chiefs Lanford and
Beavers led the Negro into the courtroom, William Smith bringing up the
rear. As Conley passed the defense table, he gazed evenly at Frank, who
returned the gaze in kind. Once the witness was seated and sworn, Dorsey
went right to work.
"Do you know Leo Frank?" the solicitor asked.
"Yes, I know him. There he is," Conley replied, indicating the bespecta-
cled figure who sat between his wife and mother ten feet away. At this,
Frank turned to Lucille and whispered a few reassuring words.
"Did you have any conversation with Mr. Frank on Friday, April 25?"
Dorsey continued.
PROSECUTION 239
"Yes, sir," Conley answered. "About three o'clock, Mr. Frank come to
the fourth floor where I was working and said he wanted me to come to the
pencil factory on Saturday morning at 8:30."
"Had you ever been back there before on Saturdays?"
"Yes, sir. Several times."
"How often?"
Immediately, Rosser objected. The subject, he said, was immaterial.
Roan concurred, and the solicitor returned to the Saturday in question.
"Who got there first? You or Mr. Frank?"
"We met at the door and I followed him in."
"What conversation did you have?"
"Mr. Frank said that I was a little early. I told him it was the time he'd
said for me to come. He said I was a little too early for what he wanted me
to do. I asked him what he wanted. He said he wanted me to watch for him
like I had on other Saturdays."
"What had you been doing on other Saturdays?" Dorsey asked.
Again, Rosser objected, but this time Roan overruled him and Conley
responded, "I had watched for him while he was upstairs talking to young
ladies."
Lest anyone miss the point, Dorsey demanded a description of the job's
responsibilities.
"I would sit down at the first floor and watch the door for him," Conley
replied.
"How often had you done this?"
"Several times."
"Was Frank up there alone on those Saturdays?"
"No, sometimes there 'd be two young ladies and another young man. A
lady for him and one for Mr. Frank."
"Was Mr. Frank ever alone there?"
"Yes, sir. Last Thanksgiving day."
"Who came then?"
"A tall, heavy-built woman."
Having thus managed not only to introduce the first strong whiff of sex-
ual impropriety but to suggest a pattern of relevant past dealings between
Frank and his accuser, Dorsey steered the examination back to the Satur-
day of the murder. According to Conley, upon being told that he'd arrived
ahead of schedule, he asked the superintendent for permission to visit his
mother at the Capital City Laundry. The understanding, he said, was that
later that morning, he and Frank, who also had some outside business,
would meet on a prearranged street corner opposite the Montag Paper
240 AND THE DEAD SHALL RISE
Company. This, he added, they did, whereupon the two returned to work,
the superintendent walking so briskly that he nearly bowled over a man
carrying a baby.
"Now, when you got to the factory," Dorsey asked, "what happened?"
Here, Conley pivoted toward the jury and exhibiting the polish he'd
acquired under Smith's tutelage (Jim spoke "with the voice of a young
teacher of elocution," noted the Journal) unburdened himself of his story's
most critical details. "We went in," he began, "and Mr. Frank told me about
the lock on the front door. 'If you turn the knob this way, nobody can get in,'
he said. Then, Mr. Frank told me to come over and said, 'Set on this box.' He
said there'd be a young lady up here pretty soon and 'We want to chat
awhile.' Mr. Frank said, 'When I stomp, that's her, and you go shut the door.
And when I whistle, you can go and unlock the door and come up and say
you want to borrow some money and that will give her a chance to get out.' "
Conley's positioning the morning of the crime thereby established,
Dorsey asked him to name the people who'd subsequently entered and
exited the building, and he did, mentioning Assistant Superintendent Dar-
ley, the factory employee Mattie Smith, a "peg-legged" Negro drayman, an
unidentified woman who worked on the plant's fourth floor, watchman
Holloway and Lemmie Quinn. Then he said: "The next person I saw was
Miss Mary Perkins. She came in and went upstairs."
"Who is Miss Mary Perkins?" Dorsey inquired.
"That's the lady that's dead," Conley answered, revealing for the first
time that he'd seen the victim alive the day of her murder. "I heard her foot-
steps going toward the front of the office, and then I heard steps going
toward the metal room. The next thing I heard was her screaming."
"Then what did you hear?" asked the solicitor.
"I didn't hear anymore."
As Conley related these assertions, Frank continued to exhibit little
emotion, but neither of the women at his side could conceal their feelings.
Lucille bowed her head as if she'd absorbed a blow, while his mother gazed
up, in the Georgian's phrase, "with an expression of pathetic pleading at the
negro witness."
There would, however, be no relief. For starters, Conley informed the
court that the next person he saw pass through the lobby was Monteen
Stover. When asked how she was dressed, he confirmed what the girl had
herself testified, replying, "She was wearing tennis shoes and a raincoat."
Conley then told of Monteen's departure, which was followed, he said,
by the sound of "tiptoes coming from the metal department" and, after a
brief pause, "tiptoes running back" toward the same place. Once the noise
ceased, Conley added, he had fallen asleep, not awakening until "I heard
Mr. Frank stomping over my head."
PROSECUTION 241
"Then what happened?" asked Dorsey.
"I heard Mr. Frank whistle."
"Well, what did you do when you heard Mr. Frank whistle?"
"I unlocked the door just like he said and went upstairs. Mr. Frank was
standing at the head of the stairs shivering. He was rubbing his hands
together and acting funny."
"Show the jury how he was acting."
Evincing the same skill for charades with which he'd captivated re-
porters during his tour of the pencil factory two months earlier, Conley
bounced to his feet, knees knocking, arms shaking. Then he sat back down,
and Dorsey resumed.
"What did Frank have?"
"He had a little cord in his hands— a long wide piece of cord."
"Did you look at his eyes?"
"Yes, sir."
"How did they look?"
"His eyes was large. They looked funny and wild."
"Did Frank say anything to you?"
"Yes, sir, he asked me if I saw a little girl pass along up there. I told him
yes, I saw two but one went out; but that I didn't see the other come out."
"Well, then what did Frank say?" Dorsey asked. The question was no dif-
ferent than those that had preceded it, but it elicited an answer unlike any
thus far:
He says, "Well, that one you say didn't come back down, she came into
my office a while ago and wanted to know something about her work and I
went back there to see if the little girl's work had come, and I wanted to be
with the little girl, and she refused me, and I struck her and I guess I struck
her too hard and she fell and hit her head against something, and I don't
know how bad she got hurt. Of course, you know I ain't built like other
men." The reason he said that was, I had seen him in a position I haven't
seen any other man that has got children. I have seen him in the office two
or three times before Thanksgiving and a lady was in his office, and she was
sitting down in a chair and she had her clothes up to here, and he was down
on his knees, and she had her hands on Mr. Frank. I have seen him another
time there in the packing room with a young lady lying on the table, she
was on the edge of the table when I saw her.
With that, Conley had gone further than he had in any of his affidavits,
flatly asserting what had previously been merely intimated— namely, that
Frank had pursued Mary Phagan sexually, killing her when she resisted his
advances. Even more damning, however, were his allegations regarding the
242 AND THE DEAD SHALL RISE
factory superintendent's sexual preferences. To accuse Frank of attempted
rape and murder was bad enough, but to imply that due to some unspecified
physical abnormality he had tried to perform what most Atlantans would
have considered an act of perversion and what Georgia law regarded as the
capital offense of oral sodomy was devastating. Spectators and jurors, noted
the Georgian, "strained forward in their seats," while reporters silently
speculated as to why the defense did not object to the new and by every
legal standard inadmissible charge. "Apparently," concluded the Constitu-
tion, "they were willing for him to go the limit, depending on breaking him
down later and discrediting the whole story."
Dorsey now initiated a line of questioning designed to elicit the well-
known but essential guts of Conley's story. The sight of little Mary lying
dead outside the factory metal room, the bundling up of the body, the toting
of the awkward load the length of the building, the help ultimately lent by
Frank— to all of these things did the Negro attest. So, too, did he reaffirm
other critical elements of his tale, among them those concerning the trans-
portation of the remains to the basement, the return trip to the second floor
(complete with a description of Frank's fall when exiting the elevator)
and the sweaty minutes he claimed to have spent closeted in the office
wardrobe during the unexpected visit by Emma Clark and Corinthia Hall.
The final matters to which Dorsey directed Conley's attention involved
Frank's alleged attempt to cover up the crime. Much of this material—
particularly as it related to the composition of the murder notes— was also
familiar, but the Negro did illuminate several murky points. Regarding the
origination of the scheme, he asserted: "Mr. Frank says, T can tell you the
best way for us to get out of this. You write what I tell you.' " As to why he
cooperated, he declared: "I was willing to do anything to help Mr. Frank,
him being a white man and my superintendent, too." Yet a desire to accom-
modate his boss was not Conley's sole motivation. Profit was also a factor,
and he took this occasion to provide a fuller account of the cash offer Frank
purportedly made only to withdraw later. The $200 payment, the Negro
claimed, was contingent not just on his penning the notes but on his per-
forming one more task— burning the body. The prospect, however, terrified
him. "I was scared and I told Mr. Frank to come down with me and watch,"
he testified. "Mr. Frank said he couldn't go down there, and then Mr. Frank
said to hand him that money. Ts that the way you are going to do me?' I
asked Mr. Frank and he said, 'You just keep your mouth shut.' " According
to Conley, it was shortly after shushing him that Frank looked to the ceiling
and exclaimed: "Why should I hang? I have wealthy people in Brooklyn."
And it was shortly after making this statement, the Negro added, that the
superintendent once again beseeched him to help dispose of the remains.
" 'Can you come back this evening and do it?' " he said Frank asked, prom-
PROSECUTION 243
ising: " 'I will fix the money.' " Conley confessed that he agreed to the
request the second time around, but he said that upon leaving the factory,
he went to a saloon and drank a doubleheader, then stumbled home and
fell asleep. As to how the murder notes ended up beside the body, he main-
tained ignorance. He said he next saw his boss three days later at work. "He
walked up and said, 'Now remember, keep your mouth shut,' and I said, 'All
right,' and he said, 'If you'd come back on Saturday and done what I told
you to do with it down there, there wouldn't have been no trouble.' "
On that line, Dorsey might have ended, yet in order to ensure that the
jurors could visualize Conley's story, he instructed the Negro to indicate
various important spots on Bert Green's factory diagram. Then, sending the
first signal that he would call witnesses to support Conley's claims regard-
ing Frank's sexual misconduct, he asked the Negro to name the woman
who'd been in the superintendent's office on Thanksgiving 1912. Conley
responded that he could not remember, but when the solicitor followed up
by asking him to identify the man who'd joined Frank for several of his
other purported trysts, the Negro replied: "Mr. Dalton." Shortly thereafter,
Dorsey returned to his seat.
Just how well Luther Rosser and Reuben Arnold comprehended the enor-
mity of the job confronting them was evidenced by the fact that rather than
launch directly into Jim Conley's cross-examination, they requested a recess
and retired to an anteroom to discuss strategy. As everyone who had heard
his narrative understood, Conley would not be easily broken down. "The
negro forgot nothing, omitted nothing that he had told before," observed
the Georgian. "He never was confused." Yet this is not to say that his latest
version of events was regarded as unassailable. Several of the very factors
that had made the account gripping raised doubts as to its veracity. "Jim's
story was so completely at the tip of his tongue— even the minutest things—
that his testimony had a recitative air," reported the Journal, echoing a mis-
giving that had met earlier tellings. Then there were the many details that
had not appeared in what had heretofore been viewed as Conley's definitive
utterance— his last affidavit. Finally, however, there was the overarching
issue of race. "Jim Conley has upset traditions of the South," declared the
Georgian's Fuzzy Woodruff. "A white man is on trial. His life hangs on the
words of a negro. And the South listens to the negro's words. But the South
has not thus suddenly forgotten the fact that negro evidence is as slight as
tissue paper. The South has not forgotten that when a white man's word is
brought against a negro's word, there is no question as to the winner." All of
which explains why when Frank's lawyers returned, Hugh Dorsey could be
seen shifting nervously in his chair.
244 AND THE DEAD SHALL RISE
Luther Rosser began by gently querying Conley regarding his personal
and job history. After obtaining a few unremarkable particulars, the lawyer
shifted to the topic of the Negro's education. When Jim claimed to be not
much of a reader ("I can't read the newspapers good," he said), the big man
merely grinned.
"You can make out some words in the newspaper, can't you?"
"Yes, sir, little words like 'dis' and 'dat.' "
"You can spell 'dis' and 'dat,' can't you?"
"Yes, sir."
"Can you spell 'cat'?"
"Yes, sir, I can spell that word."
"Well, how do you spell it, with a 'c' or a 'k'?"
"With a 'k.'"
"Why, sure you do." Rosser beamed, ignoring the gallery's titters. "Jim,
you and I understand each other thoroughly, don't we?"
"Yes, sir, we sho' does, sir," Conley replied, although his expression sug-
gested differently. But what was lost on him was not lost on others. Noted
the Constitution:
Wise lawyers in the courtroom saw what was coming. They realized that
Mr. Rosser was reaching out for Jim like a small boy does for a dog he
wants to get his hands on when the dog is rather shy and refuses to let him-
self be approached.
Like the boy who stoops down and chirps at the dog and shows friend-
ship on his face, the shrewd lawyer [was] conspiring to get his hands on the
witness.
The defense had decided to flatter and encourage Conley, hoping that his
natural gregariousness— the trait that had always worried Dorsey and
Smith— would, over time, lead him to incriminate himself.
Patiently, then, the ordinarily impatient Rosser wooed Conley, and in
short order, he achieved some impressive results, ascertaining several facts
the state had hoped would not surface. For one, the Negro admitted that
despite earning a steady salary, he was often in debt. For another, he
revealed that to escape the creditors who routinely gathered around the
pencil factory on payday, he frequently departed through the basement
door. The wobbly circumstances of Conley's financial life were, of course,
vital to the defense's theory of the crime. So, too, was the news that he used
the plant's rear exit to make getaways.
Yet promising as this approach initially seemed, the defense was taking a
risk. While the Negro might implicate himself, he almost certainly would
PROSECUTION 245
further implicate Frank. Though Rosser was aware of the danger, he hadn't
anticipated how quickly he would encounter it. Following a few more ques-
tions regarding various aspects of Conley's employment, the lawyer raised
the topic of the extracurricular duties Jim claimed to have performed for
Frank, asking: "When was the first time you watched for him?"
"July," Conley matter-of-factly replied.
"Was a lady with him?"
"Yes, Miss Daisy Hopkins."
"What time was it they came that first time?"
"About 3:00 or 3:30 in the afternoon."
"What were you doing?"
"I was sweeping when they came in but Mr. Frank called me to his office
and asked me if I wanted to make some money, and then he told me to
watch the door for him. I went down and watched, and pretty soon the
other lady came with Mr. Dalton. They came upstairs to Mr. Frank's office,
stayed there ten or fifteen minutes. They came back down and went into the
basement. I don't know how long they stayed [but] Mr. Dalton went out
laughing and the lady went up the steps. Then the ladies came down and
left, and then Mr. Frank came down. He gave me a quarter and I left."
Hugh Dorsey hardly could have scripted an exchange more injurious to
Frank. In a matter of seconds, Conley —by providing the name of one of the
superintendent's alleged strumpets— had significantly bolstered the state's
case. But Rosser stuck to his course, hoping that the Negro would eventu-
ally trip and fall. In the same amiable tone, he continued to quiz Conley
regarding his further experiences as Frank's lookout. The results, however,
didn't change. On a subsequent Saturday, Jim said, Frank and Daisy had
met alone in the office. His tip was 50 cents. Then there was Thanksgiving,
which marked the visit of the aforementioned heavy-built woman. Conley
couldn't recall her name, but he did provide a vivid description:
The lady had on a blue skirt with white dots on it and white slippers and
white stockings and had a gray tailor-made coat with pieces of velvet on
the edges.
He also recalled the amount of his tip — $ 1 .25 — and with abundant pride, he
recited the compliment he claimed Frank paid him in this elegant creature's
presence:
After the lady came down, she said to Mr. Frank, "Is that the nigger?" And
Mr. Frank said, "Yes," and she said, "Well, does he talk much?" And he
says, "No, he is the best nigger I have ever seen."
246 AND THE DEAD SHALL RISE
And so the remainder of this Monday morning went, right up to 12:35 when
court recessed for lunch. During the break, Leo Frank informed friends that
his accuser's story was "the vilest and most amazing pack of lies ever con-
ceived in the perverted brain of a wicked human being," and he expressed
every confidence that Rosser would soon demonstrate as much. Others,
though, were not so sure. Observed the Georgian's James B. Nevin:
The crossing of Conley, upon which this case unquestionably will turn,
will be either Rosser's victory or Rosser's defeat.
Moments before the proceedings reconvened Monday afternoon, Judge
Leonard Roan startled the gallery by ordering all women from the court-
room, the sole exceptions being Frank's wife and mother. "I am doing this,"
Roan said, "on account of the character of the evidence"— meaning, of
course, that he believed Conley's testimony was unfit for female ears.
Understandably, the 175 spectators at whom the edict was directed reacted
angrily. Flashes of resentment darkened the faces of grandmothers, middle-
aged housewives, chorus girls, even, according to the Constitution's Britt
Craig, "a painted-cheek girl with hollow eyes who bore the unmistakable
stain of crimson." But despite the smoldering looks, no one voiced a protest.
Soon enough, the seats that had been occupied by members of the fairer sex
were filled by men, and the trial got back under way.
From the instant Luther Rosser, having learned that Conley spent his
lunch hour with William Smith and Detectives Starnes and Campbell,
snorted that the group probably devoted more time to rehearsing stories
than eating, it was plain he was through making nice. Gone were the helpful
nods and pleasant smiles. Moreover, rather than merely ask the Negro for
additional instances when he had served as Frank's lookout, the lawyer tried
to pin him down to exact dates, hoping to catch him in a lie. Yet here again,
Conley defied expectations; his powers of recall, so acute prior to the break,
abruptly vanished. Questioned as to how he'd occupied himself the Satur-
day before first watching for Frank, he said he didn't recollect. Questioned
as to the Saturday afterward, he said the same thing. And so on and so forth
until finally, following seven similarly fruitless forays, Rosser barked: "You
don't remember any of these dates, Jim?"
"No, sir," Conley replied, only too happy to agree with his inquisitor.
Worrisome as Conley's sudden forgetfulness was to the defense, his ap-
parently inexhaustible glibness engendered even greater concern, for far
from wilting under Rosser's newfound aggressiveness, he seemed to bloom.
Pressed about his past, he unabashedly confirmed that he'd been frequently
incarcerated and was a heavy drinker. Grilled as to when he'd initially spo-
ken with Frank other than on business, he calmly related a history of "jok-
PROSECUTION 247
ing" and "jollying" around the factory, asserting that the superintendent
would often "goose" him. Then there was more regarding Daisy Hopkins.
"Do you know where she lives?" demanded Rosser.
"No, sir."
"Is she married?"
"I don't know."
"What's the color of her hair?"
"Don't remember."
"What's the color of her complexion?"
"What's 'complexion'?"
"You're dark complected— I'm white complected."
"Oh, she was white complected."
"What kind of ears did she have?"
"Ears like folks."
"I didn't expect her to have ears like a rabbit," Rosser snapped, putting
an end to this absurd volley but also betraying a first sign of frustration.
Shortly thereafter, the defense, anxious to regroup, sought another recess.
As Luther Rosser reapproached the witness stand, he held before him a
sheaf of typewritten documents. Jim Conley's four affidavits— starting with
the one of May 18, in which he falsely claimed not to have visited the
National Pencil Factory on the day of Mary Phagan's murder— composed
the text from which the defense would work for the rest of the afternoon.
The intention was to confront the Negro with the statements' many fabrica-
tions.
"At police headquarters," Rosser began, glancing over the first of the
documents, "you told Black and Scott that you got up at 9:30 on the morn-
ing of the 26th, didn't you?"
"Yes, sir," replied Conley.
"That wasn't so, was it?"
"No."
"You lied, didn't you?"
"Yes, sir."
"You told them you left home that morning about 10:00. That wasn't
true, was it?"
"No, sir."
"The truth is, you lied all the way 'round?"
"I told some stories, I'll admit."
"Didn't you tell Black and Scott that you bought half a pint of whisky
on Peters Street at 10:00?"
248 AND THE DEAD SHALL RISE
"No, sir. I told Mr. Black about 10:30."
"Well, that was not so, was it?"
"No, sir."
"Didn't you tell them that after you bought some liquor at 11:00 you
went to some other saloon?"
"I don't remember saying anything about 11:00, but I told them I went
to Earley's Saloon."
"Well, didn't you tell them you went to the Butt-In Saloon after that?"
"Yes."
"Then you told some things that were not true, did you?"
"Yes, sir."
"Did you look them straight in the face and lie?"
"No, sir. I hung my head."
There was just one more thing Rosser wanted to know about that initial
statement: "Didn't you tell Black and Scott some things that were true and
some that were not?"
Yes, Conley replied mildly, he'd done exactly that. Then, throwing a
punch his adversary did not expect, he added: "I didn't want to give Mr.
Frank away [so] I held back some of the truth, but I wanted to tell some and
let him see what I was going to do and see if he wasn't going to stick to his
promise as he had said."
Rosser tried not to flinch. "Oh, well," he said lightly, "we'll get to that
later on." But he was plainly stunned. He had allowed Conley to articulate
the state's rationale for the mendacities that marred both the first affidavit
and all the others. Now there was little choice but to slug it out. Which was
what he attempted to do, pummeling Conley with a series of derisive
queries about his May 18 session with the detectives. "Did you look 'em in
the eye?" he snarled. "Did you hang your head?" Then, finally: "Jim, what
are some of your other lying habits?" To all of this, the Negro could do no
more than state: "Sometimes, I played with my fingers."
The damage thus papered over, Rosser turned to Hugh Dorsey and
boasted: "You've had your day. Now, I'm going to have mine." Then he
turned back to Conley, asking: "Tell me why it was you sent for Black
on May 24?" What Rosser was hoping to hear was the Negro's account
of the genesis of his second statement, the one in which he revealed how
he'd taken down the murder notes. But again, Conley caught the lawyer
unawares, replying: "Well, I wanted to tell something. I hadn't heard from
Mr.F "
This time, Rosser was quicker to cover up, cutting Conley off before he
could finish, and immediately, Dorsey was on his feet. "The witness has a
right to explain his answers," he objected. "He said he had heard nothing
PROSECUTION 249
from Frank and he was waiting for some word." Judge Roan, however,
overruled this solicitor, and a shaken Rosser returned to his original topic
of interest.
The details attendant to the creation of Conley's May 24 affidavit were
crucial to Leo Frank's cause. This document had enabled the police to link
the superintendent to the murder notes. In a sense, the prosecution's entire
case flowed from it. Yet here, too, the defense was handed a setback, for no
sooner did Rosser get started than the Negro once more lapsed into deep
forgetfulness. Following another litany of "I don't remembers," his nemesis
wearily remarked, "Jim, you've got a poor memory." And that, essentially,
brought Monday's proceedings to a close, although before court adjourned
for the evening, the defense did accomplish something it had long advo-
cated, convincing Judge Roan to transfer Conley back to the Tower. Con-
sidering all that had transpired during the months since the Negro was
placed in police custody, the move seemed too late to make any difference,
although not everyone thought so. "This man, as your honor knows, has
been through a most severe ordeal," protested William Smith, fearful of
what might befall his client at the county facility. In response, Sheriff
Wheeler Mangum, who happened to be present, promised Roan that Con-
ley would be well treated. But Smith was not so sure. "Isn't it true," he
asked, "that Mr. Frank has additional food served to him?" With that,
Rosser had endured enough. "You send him something extra if you want
him to have it," he bellowed. "That's what I want to do," answered Smith.
Which was why as darkness fell on this hot August evening, Conley found
himself not only sitting down to a steak supper courtesy his lawyer but
in receipt of an exceedingly personal gift from him— a crisp new pair of
undershorts to replace the ones he'd sweated through on the stand.
Tuesday morning began much as Monday had ended. Confronted by Ros-
ser with his May 28 declaration that on the day of the crime he'd eaten a
leisurely breakfast at home— an assertion his direct testimony contra-
dicted— Conley readily conceded that the initial story was untrue. Asked to
recollect an incident he'd sworn to in another of his statements, he cited his
weak memory. Pushed to account for his exceeding forgetfulness during the
cross-exam thus far, he explained: "When I told a lie I knew it wouldn't fit
and I'd have to change it, so I didn't remember much about it." Within an
hour, Conley had admitted to a multitude of falsehoods and a dozen times
claimed lapses in recall— none of which tarnished his major allegations.
Though Rosser's anger was increasingly evident ("Don't you know a
nigger never had sausage on the table without eating it?" he snapped dur-
ing the exchanges regarding the witness's murder-day repast), so, too, was a
250 AND THE DEAD SHALL RISE
new strategy. Where on Monday, the defense's lead counsel had addressed
Conley's affidavits one at a time, he would now shift abruptly among not
just all four of them but also the trial record in an attempt to grind Jim up in
his own widely divergent and still-evolving narratives. "I'm going to see if
he can tell the same lie twice," the lawyer remarked in response to Hugh
Dorsey's unsuccessful objection to the tactic.
At first, Rosser's change of approach seemed effective. The sequence
of events that had brought Conley and Leo Frank together on April 26,
the amount of time he'd subsequently waited for Frank outside the Mon-
tag Paper Company, Frank's description of the task at hand— about each
of these matters Jim gave (or acknowledged having given) conflicting
accounts. Yet despite such minor stumbles, the Negro refused to be either
entangled or flustered. Sometimes defiant, sometimes mocking, occasion-
ally even bored, Conley seemed to have taken Rosser's measure. And on
those occasions when the lawyer appeared to have found an opening, the
Negro shut him down by employing what would eventually be regarded as
a signature phrase:
"Jim, all these lies— I won't call them lies; I'll call them stories— did you
notice them before you went to jail or afterwards?"
"I disremember."
"Jim, to whom did you make your first change in your confession?"
"I disremember."
"You disremember a whole lot, don't you?"
To which Conley said nothing, although shortly thereafter, during a
sifting of one of his other utterances, he gave the same answer: "I disre-
member."
By 11:00, it was plain that Rosser was not only never going to undo his
quarry in this way but that if he stuck with the strategy any longer he'd
lose the sole audience that counted. Reported the Georgian: "During Mr.
Rosser's questioning, a number of the members of the jury were inatten-
tive." Thus it was that as noon approached, Rosser resumed a more conven-
tional line of attack, zeroing in on several improbable points in Conley's
direct testimony concerning the actions he and Frank had purportedly
undertaken at the factory during the minutes just before and just after Mary
Phagan's murder:
"You said yesterday that Frank showed you that day how to unlock the
door, didn't you?"
"Yes, sir."
"Well, hadn't he showed you before?"
PROSECUTION 25I
"Yes, on Thanksgiving day."
"Well, why did he do it again?"
"I don't know."
Similarly:
"You say he told you he was going to stamp on the floor and when you
heard him whistle to unlock the door and come upstairs?"
"Yes, sir, he told me that after he told me to sit down on the box."
"He had told you about these signals before, hadn't he?"
"Yes, sir, on Thanksgiving."
"Why did he repeat it?"
"I don't know, sir."
Yet once more, the forward momentum of Frank's counsel was short-lived,
for on the larger issues, Conley would not be shaken. Indeed, his answers to
Rosser's succeeding questions were essentially verbatim to those he'd given
Dorsey. How did Frank look in the crime's immediate aftermath? "He had
a cord and was trembling." What did he say? "He asked me if I saw that lit-
tle girl come up here a while ago, and I told him yes, sir. I saw two of them
come up and I saw only one go out. He said, 'Uh, huh. That little girl that
didn't go out came up to the office. She went back to the metal room to see
about some work. I went back there with her. I wanted to be with her and
she refused me.' " Just that quickly, Conley had reiterated some of his most
damaging assertions. Worse, he had lost none of his brashness. After direct-
ing the Negro to his rendition of the disposal of little Mary's body, Rosser
asked:
"You got some burlap, didn't you?"
"Yes, sir."
"How big a piece?"
"Well it was longer than me."
"How wide was it— about two feet?"
"I don't know, sir."
"Well, what do you call two feet?"
"This is what I call two feet," cried Jim, putting the toe of his right shoe
against the heel of his left and lifting them high off the floor.
The sight of Conley thrusting his feet in his interrogator's face prompted
laughter throughout the gallery. Once order was restored, court adjourned
252 AND THE DEAD SHALL RISE
for lunch, concluding the morning on what for the defense was an igno-
minious note symbolizing the futility of its entire enterprise. Observed the
Journal:
When a recess was ordered, Jim Conley had been [under] cross-
examination for eight hours. Beyond showing to the jury that the negro
had lied in the several affidavits given by him to the police and that by
his own admission he had drunk a mixture of wine and beer on the morn-
ing that Mary Phagan was murdered, Luther Z. Rosser had made little
progress. Questions hurled at [the witness] with a view to trapping him
were without effect.
Shortly after court reconvened Tuesday afternoon, Judge Roan, acting at
the defense's request, ordered the jury out, allowing Reuben Arnold to
introduce an audacious motion that indicated he and Luther Rosser now
despaired of breaking down the most inflammatory parts of Jim Conley's
story. "We move first," declared Mister Rube after citing grounds of irrele-
vancy, "to exclude the testimony of Conley relative to watching for the
defendant, and we withdraw our cross-examination on the subject."
"We also desire to withdraw from the record," Arnold added after glanc-
ing at a section of transcript and citing the same grounds, "that part of Con-
ley's statement in which he tells of Frank having told him that 'he was not
built like other men.' " The lawyer then began to quote the pertinent pas-
sages, but after uttering just a few words, he noticed that Lucille Frank,
dreading what was to come, had started to cry, and he stopped. "Your
honor," he said, indicating Frank's wife and mother with his hand, "I would
prefer not to read this in the presence of these two ladies, and I therefore
pass it to your honor that you may read it in silence."
For the next few moments, the courtroom was inordinately quiet. Yet
once the judge looked up, the battle was loudly and contentiously joined,
for as each side understood, the trial's outcome could very well hinge on
who prevailed here.
From the state's perspective, Conley's account of having stood guard for
Frank and his description of what he'd witnessed while doing so was any-
thing but irrelevant, and right off the bat, Hugh Dorsey emphasized the
point:
The value of this evidence certainly is apparent to your honor. This evi-
dence in all manner will be amply corroborated. This evidence goes to
show who killed little Mary Phagan. Our case if this evidence is expunged
will have been done inestimable damage.
PROSECUTION 253
That said, the solicitor turned to the legal issue at hand. Yes, he conceded, as
"an original proposition," the testimony in question probably was inadmis-
sible. But, he added pointedly, by failing to make "a timely plea," by, in fact,
cross-examining Conley on the self-same testimony, the defense had for-
feited the right to seek its removal. "Is it just," an indignant Dorsey asked in
conclusion, "to let these men give this negro a gruelling examination and,
after they have thrashed it out, to let them expunge his statement? Has it
come to this?"
Such was the force of Dorsey's argument that Reuben Arnold immedi-
ately attempted to turn it right back around:
There is no use in getting wrought up over this matter. I could, if I
wanted to, tear up a little turf myself. The person who is hurt is the defen-
dant. He is done grievous injury by this vile evidence.
Then Arnold called attention to the underlying weakness in the solicitor's
logic:
The state admits that it is illegal evidence. The only ground that they
want it retained on is that we didn't make timely objection. In a criminal
case, you can never try a man but for one crime. That is the old, Anglo-
Saxon way. I am coming under a general rule when I say this ought to be
ruled out.
And so the question was framed, but any prospect of a speedy resolution
was quickly dispelled. "I will reserve my decision until I thoroughly con-
sider" both positions, Judge Roan announced from the bench, whereupon
the jury was returned.
Though the gallery and a raptly attentive city knew that at least insofar as
it concerned Conley's allegations of sexual misconduct and perversion,
Leo Frank's lawyers had thrown themselves upon the mercy of the court
(defense moves to strike most damaging testimony, screamed the
Journal's banner), the twelve men who would decide the case remained
unawares. Hence Luther Rosser pressed ahead at what the Georgian
termed "his hopeless task." The transportation of Mary Phagan's body to
the factory basement, the dispersal of her belongings in the trash, the return
trip to the superintendent's second-floor office, the surprise appearance of
Emma Clark and Corinthia Hall, the writing of the murder notes— Rosser
challenged Conley's testimony on all of these matters. And each time, the
254 AND THE DEAD SHALL RISE
Negro withstood the onslaught, darting away here, delivering consistent
responses there.
Following so closely on the stumbles and rebuffs of the morning, this lat-
est series of failures proved almost more than Rosser could bear, and as the
afternoon wore on, he grew downright confrontational. Indeed, he often
seemed motivated less by a desire to elicit information helpful to Frank
than by a consuming need to unnerve Conley. During a sequence of ques-
tions regarding the Negro's assertion that in the course of his grisly labors,
he'd dropped little Mary's body on the metal room floor, Rosser cracked:
"You are twenty-seven years old. Do you mean to tell me you can't carry
1 10 pounds?" Returning to the subject of the cloth in which Conley claimed
to have wrapped the child's lifeless form, the lawyer, in an attempt to
pin down the sort of fabric from which it was made, snorted: "I suppose
you don't know whether cloth is woven or knitted or just grows." Then
there was the much commented upon topic of Jim's recently refurbished
wardrobe. Whatever others may have thought of the makeover, Rosser
viewed it as another indication of fraudulence, grumbling: "They put some
new clothes on you so the jury could see you like a dressed-up nigger." The
only thing the lawyer got out of Conley by way of these jibes was the admis-
sion that it was he who'd defecated at the base of the elevator on the day of
the murder. "As to how that dung came to be in the shaft," the negro
recalled, he had gone down the ladder at the suggestion of the previously
mentioned peg-legged drayman, stopping "right by the side of the elevator,
somewhere about the edge of it." Yet what, if anything, Frank's lead counsel
made of this intelligence is uncertain, for as with the earlier testimony con-
cerning the unsavory substance, he did not follow up.
Rosser concluded his work Tuesday by laying the groundwork for the
appearance of the defense's most anticipated witness— W. H. Mincey. Tak-
ing pains to get Conley on the record regarding the smallest details in the
insurance agent's much publicized affidavit alleging a suspicious April 26
run-in with the Negro, the lawyer inquired:
"Did you meet a man named Mincey [who] said you promised to take
some insurance with him?"
"No, sir."
"Didn't you tell him that you could not take any insurance— that you
were in trouble?"
"No, sir."
"Didn't you say that you had killed a girl and that you didn't want to kill
any more people?"
"No, sir."
PROSECUTION 255
"Didn't he say that one a day would be 365 a year?"
"No, sir."
For Rosser, Conley's denials— contradicting, as they did, the key points in
Mincey's story— provided reason for optimism. So, too, did the fact that
while making them, Jim evinced his first signs of anxiety. Reported the
Georgian: "He moved uneasily in his seat. He refused to meet the eyes of
his inquisitor. He fidgeted with his hands." Now more than ever, in short,
the defense was justified in believing that in the insurance agent, it had at its
disposal a powerful antidote to the state's Negro.
Tliesday ended, then, with a triumph for Rosser and Arnold, although
the day's earlier innings belonged decisively to Dorsey. There was, however,
no clear victor here, nor could there be until Judge Roan rendered his deci-
sion regarding the admissibility of the sexually charged portions of Con-
ley's testimony. Observed the Constitution:
Would Judge Roan rule for the state or the defense? This was the ques-
tion which was asked by everyone of his neighbor. Would the state be
allowed to still further press the advantage it had made, or would it have to
close deprived of this evidence? The air was full of doubt and uncertainty.
By nine Wednesday morning, a throng more than double the court-
room's capacity had congregated in front of the old city hall, filling the side-
walks and spilling into the streets. Once again, however, Atlanta would
have to wait. Shortly after gaveling the session to order, Judge Roan an-
nounced that he was still studying the defense motion, deferring his deci-
sion until following the noon recess.
Thus, during the next few hours, the trial would proceed in a climate of
unbearable anticipation, but proceed it did, for a key piece of business
remained unfinished.
By way of wrapping up his cross-exam of Jim Conley, Luther Rosser
devoted a substantial chunk of time simply to reading the Negro's affidavits
aloud, ending each installment with the question "This is what you swore,
isn't it, Jim?" Repeatedly, Conley would answer, "Yes, sir," whereupon the
lawyer would pause, allowing the jury to ponder the glaring discrepancies
among the various statements. Then, following a few inquiries into Jim's
behavior around the pencil factory in the days after Mary Phagan's murder,
inquiries plainly designed to set the stage for several more defense wit-
nesses, Rosser at last returned to his seat.
Not that Conley's interminable turn upon the stand was done. In fact, as
soon as his tormentor sat down, Hugh Dorsey was on his feet, initiating a
256 AND THE DEAD SHALL RISE
brief but critical redirect examination. Its purpose: to present a solution to
one of the case's most vexing mysteries, a puzzle that from the start had
stumped investigators and lawyers alike.
"Did you ever see Mary Phagan's pocketbook or mesh bag?" the solici-
tor began.
"Yes, it was on the desk in Mr. Frank's office when I went there to write
the notes."
"Describe it."
"It was a wire-ish looking pocketbook like the ladies carry, light-colored
and had little chains on it for the ladies to hold to."
"What did Frank do with it?"
"He put it in the safe."
Having thereby elicited testimony that if true not only further implicated
Frank in the murder but destroyed the defense's theory that Conley had
stolen the purse, Dorsey had gotten everything he had wanted from his
Negro and turned him back over to Rosser.
"Why didn't you tell all of this when you were telling the whole truth to
the detectives?" Frank's counsel demanded incredulously.
"I don't think they asked me."
"When did you first tell any detective about it?"
"I don't remember."
Upon hearing this exceedingly tired retort, Rosser's face darkened with
rage. But he said nothing, and following a couple of innocuous final queries,
the state's star witness was excused.
The time was 11:10, and all told, Conley had testified for more than 15
hours, over 13 of them under cross-examination. Still, his ordeal was not
done, for no sooner had he been escorted from the courtroom than he
found himself surrounded by reporters. "Jim," advised William Smith, who
by this point had reached his client's side, "don't you say a word to anybody,
do you hear?" The newspapermen, however, made such a noise that the
lawyer— on the condition that he got to do the questioning— relented.
"How did you like it, Jim?" Smith asked.
"I liked it fine."
"What do you think of Rosser?"
"He shore goes after you, don't he."
"What did you want most, Jim, while Rosser was grilling you?"
"Outside of wonderin' when he was goin' to quit," Conley replied with a
wide smile, "I guess I wanted to smoke most."
With that, Smith produced a cigarette, and Jim fired up, exhaling slowly.
Shortly thereafter, the lawyer, realizing that his client was exhausted, dis-
missed the press, leaving Conley alone with a stack of newspapers in which,
contrary to his countless assertions that he could not make sense of the
PROSECUTION 257
printed word, he quickly immersed himself. Meanwhile, several deacons
from the Reverend Henry Hugh Proctor's First Congregational Church—
which, as it had done with other poor black clients of Smith's, had agreed to
pay for representation for Conley— arrived on the scene and handed the
lawyer an envelope containing his fee in full— $40.
Court reconvened at two Wednesday afternoon outside the jury's presence.
Over lunch, Judge Roan had studied several conflicting legal precedents,
among them one provided by Hugh Dorsey in which a Georgia court had
overruled a defendant's belated objection to prejudicial testimony, allowing
it to stand. The magistrate in that action: Leonard Roan. Yet poorly as this
fact augured for Leo Frank, it was balanced by the report that entering into
his deliberations, the judge had confided that he considered the allegations
in question to be, at heart, immaterial.
Which was why, when Roan looked down from the bench and an-
nounced, "I have serious doubts as to the admissibility of this testimony as
an original proposition," the defense had good reason to believe the ruling
was favorable. But in his next breath, the judge dashed any such hopes. "I
am going to allow this testimony to remain," he declared. "It may be
extracted from the record, but it is an impossibility to withdraw it from the
jury's mind."
Before Roan could say another word, the packed courtroom exploded
in what one reporter described as "a riot of applause." Some spectators
hooted, others pounded their feet on the floor, still others shouted the news
out the windows. The demonstration was so spontaneous and intense that
the judge initially appeared too astonished to react. After a few seconds,
Reuben Arnold leaped from his seat, roaring, "I will ask for a mistrial if this
continues." But upon realizing that with the jury withdrawn, such a motion
was groundless, the lawyer amended his request, sputtering, "I shall ask that
the court be cleared." Soon enough, however, Roan recovered his wits, and
by sternly admonishing the gallery while directing deputies to remove the
most vociferous offenders, he restored order. Yet there could be no mistak-
ing the significance of what had transpired. Not only had the decision done
severe damage to the defense (roan's ruling heavy blow, boomed the
Georgian), but the throng's boisterous response indicated that Atlanta's
sympathies had turned overwhelmingly against Leo Frank.
With Jim Conley's testimony fully on the record, Hugh Dorsey, intent upon
completing a crucial examination that had been cut short the previous week,
resummoned Dr. Henry F Harris, and for the remainder of the afternoon,
258 AND THE DEAD SHALL RISE
the still-ailing physician, ensconced in an upholstered armchair brought in
for his comfort, further detailed the microscopic observations he'd made
during Mary Phagan's autopsy. Considering the pulse-quickening quality of
Conley's turn upon the stand, Harris's cool assertions regarding the time of
the child's murder (a lack of hydrochloric acid in the stomach offered added
proof that death had occurred within 45 minutes of eating) came across as a
touch academic. Yet in a sense, this was just the note the state wanted to
strike. The Georgian's Fuzzy Woodruff observed that Jim Conley's story was
"a ragtime composition, with the weirdest syncopations, and then came Dr.
Harris right on his heels and gave evidence full of soundness and learned-
ness.To the spectators, it seemed that they had just heard 'Alexander's Rag-
time Band' played and then a Bach fugue for an encore."
And what made the move all the more effective was the fact that during
his cross-examination of Harris, Reuben Arnold struggled. Yes, the physi-
cian admitted, "the science of digestion is rather a modern thing." And true,
he added, "every individual is almost a law unto himself." But save for these
broad concessions, Harris stuck to his position. Noted the Constitution:
"Arnold failed to develop anything of material benefit to the defense."
Thursday morning, Hugh Dorsey produced the white witness whose job it
was to verify Jim Conley's assertion that Leo Frank regularly entertained
prostitutes in his pencil factory offices.
About 35 years old, brown-haired, with heavy eyebrows, a thin mous-
tache and tightly compressed lips, C. Brutus Dalton, a carpenter for the
Western and Atlantic Railroad, gave every appearance of being a hard
case— considering the purpose of his testimony, just what the solicitor
wanted.
"Do you know Leo M. Frank?" Dorsey began.
"Yes."
"Do you know Daisy Hopkins?"
"Yes."
"Do you know Jim Conley?"
"Yes."
"Did you ever go to Frank's office with Miss Daisy Hopkins?"
"Yes."
"Was Frank there?"
"Yes."
"Did you ever go down in the basement?"
"Yes."
"Where in the basement?"
PROSECUTION 259
To this, Dalton took a pointer and turning to Bert Green's diagram indi-
cated the plywood enclosure where following Mary Phagan's murder the
police had discovered a cot and numerous female footprints.
"Did you ever see Conley on those visits?"
"Yes."
"Who was with Frank?"
"Why, sometimes two and sometimes one young woman."
With that, Dorsey turned the witness over to the defense.
From Luther Rosser's perspective, Dalton presented a now familiar
problem— a vague and disreputable witness whose very vagueness and dis-
reputability ended up validating his allegations. Nonetheless, the lawyer did
what he could with him, rapidly ascertaining that not only was he unsure of
the dates he'd visited Frank's office but that he could not say with certainty
whether the women he'd seen there— far from being fallen creatures— were
not such employees as the plant stenographer. A couple of aspects of Dal-
ton's story thus blunted, Rosser turned his attention to a topic that Dorsey
had purposely ignored. To call the witness a career criminal would have
been harsh but not overly so. As he now admitted, he had been arrested
numerous times for offenses ranging from stealing corn and cotton from
farmers to burglarizing a machine shop, along the way serving a sentence on
the chain gang. Rosser's point: Dalton wasn't the type with whom Frank
ordinarily consorted.
The last word, however, belonged to Dorsey, who during his redirect
examination obtained several damning particulars. For one, Dalton backed
up Conley's account of how the office trysts worked, asserting that the
Negro had stood guard in the lobby and generally received a quarter tip for
his services. For another, he revealed that Frank kept "Coca-Cola, lemon
and lime and beer" on the premises. Finally, as to the possibility that the
women present on the Saturdays in question might have been there in an
official capacity, he simply stated: "I never saw the ladies in his office doing
any writing."
Once Dalton left the stand, Dorsey, indicating that his work was almost
done, undertook the task of placing various exhibits— among them the bot-
tles containing cabbage extracted from Mary Phagan's stomach— in evi-
dence. Then he asked Rosser and Arnold to produce the National Pencil
Company's financial records, including the factory cash and bank books.
Upon receiving the lawyers' assent, the state rested, leaving the defense in
an awful spot. Reported the Georgian:
Every single thing that Solicitor General Hugh Dorsey declared in
advance that he would get before the jury is there now.
260 AND THE DEAD SHALL RISE
One by one the prosecutor has forged the links in the chain that he
maintains fixes the guilt of the Phagan murder on Leo Frank and Leo
Frank alone.
And the strongest of these links was, of course, Jim Conley's testimony,
which in the end dazzled even the Georgian's James B. Nevin, who con-
ceded that its many minor mendacities aside, the Negro's account could in
the main be true, concluding:
If the story Conley tells IS a lie, then it is the most inhumanly devilish,
the most cunningly clever, and the most amazingly sustained lie ever told
in Georgia!
ELEVEN
Leo Frank's lawyers, declared the Georgian, now faced a single task:
"the undoing of conley. Without Conley, the State is rendered
helpless." In the same breath, however, the same paper argued that
"the biggest element in the case is the time element," asserting that if the
defense could establish that Mary Phagan met her death at some point later
than 12:05 on April 26, the narrative Hugh Dorsey had so seamlessly woven
would unravel. Others, though, believed that the damage inflicted by
the prosecution was such that Luther Rosser and Reuben Arnold had no
choice but to pursue a more dangerous tack. "Not one in a hundred defen-
dants place their character in issue when on trial for murder," noted the
Constitution, "but a condition has arisen in the Frank case which may cause
his attorneys to think it wise to take this step. It came when James Conley
testified to misconduct on the part of the defendant which would brand him
as an outcast among men." The alternatives were various and risky. All
of which may explain why when Dr. Leroy Childs, the first man up for
Frank, walked into the courtroom just before noon on Thursday, Arnold
told reporters: "Further than this witness, I do not know what line we will
pursue at the present."
A 1906 graduate of the University of Michigan medical school, Childs
had been in surgical practice in Atlanta for five years. His appearance on the
stand indicated that the defense would initially attack the state's time line.
Hoping that the young surgeon could counter Dr. Henry F Harris's critical
findings regarding the hour of Mary Phagan's demise, Arnold directed his
attention to the foodstuff upon which the calculations were based, inquir-
ing: "Is cabbage considered a hard food to digest?"
"It is generally considered the hardest," replied Childs, citing the veg-
etable's high cellulose content.
Whereupon Arnold produced the vial containing the cabbage removed
from little Mary's stomach, which Harris maintained had been ingested no
more than 45 minutes before the girl died. "Look at this cabbage," the
lawyer instructed. "Was it well masticated?"
"Not very well."
"Where does cabbage begin to be digested?"
262 AND THE DEAD SHALL RISE
"In the mouth, when ptyalin in the saliva acts on it."
"Does it keep up in the stomach?"
"No, the acids of the stomach neutralize the ptyalin."
"Then where is cabbage really digested?"
"In the small intestines."
"When it goes out of the stomach, it is really undigested, is it not?"
"Yes. It may pass out of the body entirely in the undigested form."
"Are there a great many things that retard digestion?"
"Yes, the psychic causes— fright, anger and sudden mental excitement."
Here, Arnold once again held up the vial containing the cabbage in ques-
tion. Then, in a query constructed so as to remind the jury of the lengthy
period that had elapsed between the date of Mary Phagan's murder and the
date her remains were autopsied, he demanded: "Take a human body that
has been interred nine days. Take out the stomach and in the contents find
cabbage and certain remnants of wheat bread. Could you hazard an opin-
ion or guess that the person had taken it into his stomach one-half or three-
quarters of an hour before death?"
"I certainly could not," answered Childs.
"How long would you say it was possible for cabbage like this to stay in
the stomach?"
"I have seen cabbage less digested than that which had been in the stom-
ach for twelve hours."
From the defense's perspective, Childs's observations could not have
been more helpful, and after eliciting a couple of other tidbits (among them
that the bruise to little Mary's eye could have been caused by a lick to the
back of her head and that the inflammation in her vagina could have been
produced by a digital examination made by Dr. J. W. Hurt during his pre-
liminary postmortem), Arnold turned the surgeon over to Dorsey for what
proved to be an ineffectual cross-examination. Childs held to his position
that the time of Mary Phagan's death could not be pinpointed with any-
where near the precision claimed by the state. Reported the Georgian:
"Childs's testimony if believed by the jury served utterly to demolish the
most sensational declaration by Dr. Harris."
Having delivered a strong first blow to the prosecution's murder-day
chronology, Frank's lawyers called a familiar and problematic figure. Dur-
ing his initial turn upon the stand, Harry Scott had given the defense fits, but
it would now use him to launch its assault on Jim Conley. After establishing
that the Pinkerton agent had been at headquarters in mid-May when Mrs.
Arthur White tentatively picked Conley out of a lineup as the Negro she'd
seen lurking in the pencil factory lobby on April 26, Luther Rosser in-
quired: "Was there any effort on Jim's part to change his features as if he
desired to escape identification?" Though Dorsey successfully objected to
DEFENSE 263
the wording of this question, once Frank's counsel rephrased it, Scott
replied: "He was chewing his lips and twirling a cigarette in his fingers. He
didn't seem to know how to hold on to it. He could not keep his feet still."
The implications could not have been clearer. Conley had been more nerv-
ous at the prospect of being placed at the scene of the crime than had been
previously made known.
Rosser's primary interest, however, was in four subsequent headquarters
gatherings in which Scott had played a role. These, of course, were the ses-
sions that produced Conley 's conflicting affidavits. The lawyer's hope was to
cast doubt on the entire process, accomplishing what he had so plainly
failed to achieve during his cross-examination of the Negro.
"Didn't Conley verbally deny to you on May 18 that he had any con-
nection with the murder?" Rosser began after glancing at Jim's statement
of the same date.
"Yes."
"Give us a picture of what you and [John] Black did to him."
"We talked pretty rough to him."
"You gave him the third degree, didn't you?"
"I wouldn't say that we use the third degree."
"Didn't one of you wheedle him and the other sympathize with him?"
"I'll admit that we used a bit of profanity."
"How long was the grilling you gave him that Sunday?"
"Two hours."
A sense of the detectives' techniques thereby conveyed, Rosser began to
question Scott on the topic of how Conley's narrative had evolved. After
reaffirming that in his affidavit of May 24, Jim, while confessing to a part in
the affair, had asserted that Frank dictated the murder notes the Friday
before the crime, the lawyer asked: "On May 27, how long did you sit with
him?"
"Five or six hours."
"You impressed upon him the fact that his May 24 statement was not
plausible and that his story of writing the notes on Friday would show pre-
meditation, didn't you?"
"Yes."
"You saw him again on May 28?"
"Yes."
"You stayed with him all day that time, explaining that his statement
was absolutely unbelievable?"
"Yes."
264 AND THE DEAD SHALL RISE
"On this day, he made another statement?"
"Yes."
"This time, he changed his dates from Friday to Saturday?"
"Yes."
"He said it was his last statement, didn't he, and that he had made up his
mind to tell the truth?"
"Yes."
Scott was not relating much that was new here, but Rosser was bringing
attention to the investigators' participation in the shaping of Conley's story.
For the first time, the jury was hearing a straight version of how it had all
worked, one unencumbered by the evasions and memory lapses that had
marked the Negro's telling of the tale. Accordingly, Rosser steered the
Pinkerton agent to the subject of the May 29 affidavit, the one that Jim had
sworn was the affidavit to end all affidavits.
"In that statement, he said nothing about watching for Frank, did he?"
"No."
"Did you try to get him to tell about the mesh bag of Mary Phagan?"
"Yes. He denied having seen it."
"Did he tell you anything about Frank putting it in his safe?"
"He told me nothing about it."
"Did he tell you he'd seen Mary Phagan that day?"
"No."
"Did he tell you he heard someone tiptoe to Frank's office?"
"No."
"Did he tell you he heard somebody stamp, and that then he went to
sleep and the next thing he heard was the whistling?"
"No, sir."
"Did he tell you about Frank showing him how to lock the door?"
"No, sir."
Each of these responses ran counter to an allegation Conley had ulti-
mately leveled from the stand. After touching on several other instances in
which the Negro had evidently held back on the detectives, Rosser returned
to his seat, and Dorsey initiated what proved to be another unavailing
cross-examination. True, the solicitor secured Scott's endorsement of Con-
ley's final version of what had transpired on April 26. But he could not
reverse the overall impression, meaning that when the Pinkerton agent
stepped down and court recessed for the day, the defense had succeeded in
introducing a note of skepticism regarding the manner in which the all-
important affidavits had been obtained. Observed the Constitution: "Scott's
DEFENSE 265
statement created a telling effect, and it is said to have caused the wavering
of opinion [concerning] the negro's story."
On Friday, Frank's lawyers brought to the stand the woman whom Conley
claimed had been one of the superintendent's paramours. Daisy Hopkins
was an angular country gal clad in a yellow straw hat and a striped cotton
dress that, according to the Georgian, "looked a bit too short." While taking
the oath, she initially raised her left hand, and throughout her testimony, she
chewed gum. But lack of refinement notwithstanding, this rag and bone and
hank of hair was, as Reuben Arnold quickly established, married. More-
over, from October 191 1 through June 191 2, she had worked in the second-
floor packing room of the National Pencil Factory, and during that time, she
told the lawyer, Frank never spoke to her and she "never did speak to him."
That said, Arnold asked: "Did you ever go into Frank's office and drink beer
and cold drinks with other women?"
"No. I never went into his office, and I don't drink."
"Do you know C. B. Dalton?"
"I know him when I see him."
"Did you ever go to the pencil factory with Dalton?"
"No. I never did."
"Did you introduce him to Mr. Frank?"
"No, I did not."
"Did you ever go into the factory basement with Dalton?"
"No. I don't even know where the basement is. I never have been in it."
Considering the havoc Conley's assertions regarding Daisy and Frank
had wrought, her blanket denial of any untoward involvement with either
the superintendent or Dalton gave every promise of constituting a sig-
nal victory for the defense. Yet no sooner had Dorsey started his cross-
examination than this victory was all but snatched away. Right off the bat,
the solicitor, by inquiring into whether the woman recalled the place where
she had exchanged vows or even knew her husband's initials, insinuated
that she may have been wed in name only. Then the solicitor expressed
interest in a certain medical condition for which "Miss Hopkins"— as he
insisted upon calling her— had been seeking treatment. Dorsey was imply-
ing that Daisy suffered from venereal disease, an implication her hesitant
and vague reply of "stomach trouble" merely reinforced. Finally, the solici-
tor asked point-blank: "Have you ever been in jail, Miss Hopkins?"
"No, sir," she answered after a long pause.
"Why, Miss Hopkins, didn't this man get you out of jail?" Dorsey
rejoined, indicating his assistant, Newt Garner.
266 AND THE DEAD SHALL RISE
"No, sir, but he was along."
"Well, you were in jail now. And who got you out?"
Here, Daisy pointed to William Smith, who, as it happened, had repre-
sented her.
"What were you in jail for, Miss Hopkins?"
"Somebody told a tale on me," Daisy responded.
"Weren't you there for reasons of immorality?"
"They accused me," the woman at last admitted, "of fornication."
Though Arnold succeeded in subsequently establishing that Daisy had
never been convicted and was released after paying a fine, the fact that her
trustworthiness and character were so plainly questionable rendered her, in
the end, of dubious value, and she stepped down having, in all likelihood,
marginally reinforced Conley's story.
In the wake of Daisy Hopkins's disappointing turn upon the stand, the
defense called W. M. Matthews, the motorman on the English Avenue trol-
ley that brought Mary Phagan to town on April 26, and Arnold again set
about attacking the state's time line, eliciting the potentially pivotal asser-
tion that little Mary did not get off the car until 12:10— a full five minutes
after the prosecution contended that she was dead. Frank's lawyer then
directed Matthews to a topic of nearly equal import, obtaining his assur-
ance that the girl's self-professed beau George Epps, far from sitting beside
her on the ride, wasn't on board. With that, Arnold turned the motorman
over to his counterpart.
Dorsey took issue with just about everything Matthews had said, scoffing
at his ability to remember four months after the fact the precise hour Mary
Phagan had exited the trolley and forcing him to concede that if asked to
describe Epps, he would be hard-pressed to provide any distinguishing
characteristics. Yet these triumphs notwithstanding, the solicitor's efforts to
undermine the motorman's testimony ultimately failed. For one thing,
Matthews evinced no doubts regarding the details of his April 26 run, even
recollecting a conversation he'd had with little Mary. For another, once
the motorman stepped down, Arnold summoned W. T. Hollis— on the day
of the murder, the conductor on the English Avenue car— who corrobo-
rated his coworker on every significant point, including the one about the
Epps boy not being on the trip. All of which, of course, augured well for
the defense, not only raising the hoped-for doubts regarding the state's
chronology but shining a harsh light on the claims of two of its most impor-
tant witnesses. Reported the Georgian:
If the testimony of the street car employees is accurate, it completely
upsets Jim Conley's story that he saw Mary Phagan enter the factory
DEFENSE 267
before Monteen Stover came in. By the Stover girl's own testimony she
entered the factory at 12:05 o'clock and left at 12:10 o'clock. Thus, she had
gone by the time the Phagan girl arrived.
It also serves to destroy the significance of the Stover girl's testimony
that Frank was absent from his office when she arrived there. As Mary
Phagan had not yet arrived, according to the testimony of the street car
men, it could hardly be regarded as a suspicious circumstance that Frank
was not in his office, if it develops that he really was not.
Heretofore, through a myriad of witnesses but primarily through the fac-
tory diagram produced by the Georgian's Bert Green, Hugh Dorsey had
determined what the jury knew about the layout of the crime scene. The
plant basement, metal department and office— in the eyes of the twelve
men who would determine Frank's fate, these spaces existed only as the
solicitor had pictured them. Now, however, the defense would challenge
the prosecution's portrait. It started by calling a practitioner of that most
exacting profession, civil engineering.
Within minutes of taking the stand, Albert Kauffman was unscrolling
blueprints of the National Pencil Factory on the jury-box rail and, at Reuben
Arnold's direction, pointing out potentially significant elements of the
plant's design that the state had failed to mention. To begin with, at the rear
of a long hallway leading back from the first-floor elevator lobby, a previ-
ously unremarked-upon five-foot-wide chute opened into the basement
only a few yards from where Mary Phagan's remains were found. Chiefly
used for sliding heavy boxes to the lower level, this chute, declared the engi-
neer in a phrase that made the implications obvious, "was big enough for
one or two human bodies or even a pony." Then there were the swinging
doors through which employees entered and exited the metal department.
As Kauffman's schematics plainly revealed, the doors were glassed in at the
tops— yet another impediment to the room's utility as a trysting place. Simi-
larly, the plans showed that Frank's office was hardly the spot for afternoon
beer parties with women of ill repute— the windows lacked curtains or
shades. Last but not least, there was the matter of the office safe. "The safe is
four and one-half feet high," the engineer asserted, adding that "a person
five feet and two inches tall could not see over [it]." Simply put, even if the
superintendent was seated at his desk on April 26, Monteen Stover could
well have missed him if the safe's door was open.
In his examination of his next witness, a photographer named John
Quincy Adams, Arnold again treated the jury to a visual display, this time in
the form of eight-by-ten glossies of the factory. First came a shot of Frank's
inner office, the view of the desk blocked by the open safe door. Then one of
the metal-department floor that brought home the close proximity of the
268 AND THE DEAD SHALL RISE
women's restroom to the spot where bloodstains were discovered. Finally,
an image of the gears and pulleys at the top of the elevator shaft, stilled
here but in the jurors' minds, or so the defense hoped, a clangorous rebuke
to Jim Conley's claim that he and Frank had managed to transport little
Mary's body in the lift without anyone having heard.
Though the state did not concede the testimony of Kauffman or Adams,
Frank Hooper— who henceforth would alternate with Dorsey in the con-
ducting of cross-examinations— was able to do little with either witness.
True, he got Kauffman to admit that the famous factory scuttle hole was, at
two feet by two feet three inches, too small for someone to have carried
Mary Phagan's body through. And yes, he induced Adams to allow that dur-
ing the several months that elapsed between April 26 and the day he took
his photographs of the plant, someone could have rearranged the office fur-
niture so that the open safe door obscured Frank's desk. But as court
recessed for lunch, the consensus was that at the least, Arnold had suc-
ceeded in challenging the prosecution's depiction of the crime scene, and at
the most, had laid the groundwork for a new theory of what had transpired.
Proclaimed the Constitution's page-one headline:
Defense Will Seek to Show That Mary Phagan's Body Was Tossed Down a
Chute in Rear of Pencil Factory And Not Taken Down by Elevator as the
State Insists.
Shortly after the proceedings reconvened Friday afternoon, Frank's
lawyers unveiled the exhibit that they believed would settle the matter
of the crime scene's appearance and configuration for all time— a six-
and-one-quarter-foot-long scale model of the National Pencil Factory con-
structed out of pasteboard by an expert pattern maker. Like Bert Green's
diagram, the model provided an exposed view of the plant's inner workings.
Also, it was intricately detailed, featuring everything from dollhouse-sized
furniture in the superintendent's office to a miniature boiler and trash pile
in the basement. Yet unlike Green's diagram, the model was free from such
editorial embellishments as Maltese crosses, dotted lines and written keys.
From the defense's vantage, here was a three-dimensional representation
based solely on the facts, and once it was situated on the courtroom floor in
front of the jury box, Reuben Arnold summoned assistant plant superin-
tendent N. V. Darley to elucidate the ways in which those facts undermined
the prosecution's theories.
Darley had done Leo Frank a world of good when testifying for the state,
and he came through for his boss once again. Arnold began by directing his
attention to a previously undiscussed section of the factory building— a
self-contained first-floor enclosure running from the rear of the elevator
DEFENSE 269
shaft to the back wall. For several years, this space had comprised the work-
room of the Clark Woodenware Company, a manufacturer of cartons
and boxes, but since January, when the concern moved to quarters across
town, it had been vacant. Though the empty chamber's connection to the
Phagan murder initially seemed obscure, Mister Rube immediately zeroed
in on the relevant detail— a presumably sealed entrance just behind the
spot where Jim Conley claimed to have been sitting on the morning of
April 26.
"Has this door been kept locked, Mr. Darley?"
"We kept it locked after the Clark Woodenware Company moved out,
[but] two or three days after the murder we found it broken open."
Arnold then asked whether the former Clark Woodenware location pro-
vided any access to the basement. Yes, it did, responded Darley, indicating
an opening that represented a never before mentioned second scuttle hole.
Here was yet another conduit through which little Mary's body could have
been dropped into the cellar. When several of the jurors stood to get a bet-
ter look, it became plain they were at least contemplating the possibility
that one of the prosecution's central hypotheses might be in error.
During his cross-examination of Darley, Hugh Dorsey labored to quell
such doubts. But despite his eliciting the admission that for all the assistant
superintendent knew, it could have been the investigating officers who
broke into the long-shuttered Clark Woodenware space, the main point
remained unchallenged. For now, at least, the defense's version of reality
was ascendant, and though more remained to be said on the topic, once
Darley stepped down, the factory model was removed from the courtroom.
Arnold used Friday's concluding witness, the National Pencil Company
day watchman E. F. Holloway, to resume the assault upon Jim Conley,
obtaining in rapid succession statements that undercut a number of the
Negro's most deleterious charges. After asserting that he had not missed
work since June 191 2, Holloway declared that he had never seen the fac-
tory's front door locked on a Saturday. "I always kept the door," he said. "I
never turned it over to Conley or anyone else." Holloway also scoffed at the
Negro's claim that Daisy Hopkins visited the plant on weekends. "I have
never known Mr. Frank to have any woman on Saturday excepting his
wife," he testified. "She came there on Saturdays and went home with him
about once a month." And besides, he added in response to a related ques-
tion, so many factory employees— among them salesmen bringing in orders
and laborers servicing machinery— dropped by unannounced on weekends
that even had Frank been thus inclined, the office would have been the last
place to indulge in "immoralities." Then there was Conley's story alleging
wild goings-on in the plant on Thanksgiving Day 1912. Holloway utterly
dismissed this tale. Not only had he been there until noon on the holiday,
270 AND THE DEAD SHALL RISE
and not only had he not seen the white-shoed, white-stockinged creature
the Negro had sworn was the guest of honor, but the likelihood that a
female would have been out in such a summery getup was slight— Atlanta
had been hit by a snowstorm that afternoon. Finally, Arnold asked Hol-
loway if he'd ever witnessed any of the horseplay between Frank and Con-
ley to which the Negro had attested. Replied the day watchman: "I never
saw Mr. Frank goose, pinch or joke with Conley."
Holloway's testimony constituted the most potent attack yet on the
state's Negro, but by the time Dorsey finished with him, his motives— if not
his veracity— would be in serious dispute. Though Holloway's pro-Frank
sympathies had been apparent since late May when, along with several
other pencil company employees, he'd proclaimed his belief in Jim Conley's
guilt, the solicitor suspected that the day watchman, far from simply taking
sides, had tried to tamper with the prosecution's case. Specifically, he
believed that Holloway had attempted to persuade Newt Lee's predecessor
as night watchman to announce that the superintendent had been in the
habit of telephoning him at work after hours, a declaration that would, of
course, have made the much discussed call to the factory the evening of
Mary Phagan's murder seem less sinister. Hence the solicitor began by
grilling Holloway as to this point, and while the day watchman denied any
impropriety, he was, according to every account, badly rattled. This, how-
ever, was just the prelude. Dorsey followed up by accusing Holloway —who
had, after all, spotted Conley washing the infamous red stains from his
shirt— of being actuated by nothing more than a desire for the reward
money. Here again, the day watchman repudiated the charge, but when the
solicitor asked him whether he'd told the police that Jim was "his nigger,"
thereby implying that if Conley was convicted he should be the financial
beneficiary, he conceded that he'd made such a statement. Bluntly put, Hol-
loway was anything but a disinterested party, and regardless of the good
he'd done the cause at the outset, he departed the stand, in the Georgian's
estimation, having "partly spoiled" what was otherwise a "very favorable
day for the defense."
Saturday's half-session opened with the return of the barefooted newsboy,
George Epps. Initially, the subject of Reuben Arnold's examination— an
interview George and his sister Vera had given to the Georgian's John
Minar on the Sunday little Mary's body was discovered— appeared not to
promise much. But after establishing that the boy recalled meeting with the
reporter, the lawyer promptly led him onto thin ice, demanding: "Did he
ask you and your sister when was the last time you saw Mary Phagan, and
did your sister say Thursday?"
DEFENSE 27I
Confronted by this direct challenge to his story of having seen the victim
on Saturday, April 26, Epps hastily replied, "I wasn't there then," adding
that just before Minar initiated the exchange at issue, he'd momentarily
ducked out.
"Weren't you there when he asked that question?" Arnold pressed.
"No. I was not."
While Frank's counsel believed he had caught George in a crucial lie, he
would leave it to his next witness to bring the point home.
Like most of the Georgian's journalistic mercenaries, John Minar was a
veteran of numerous Hearst newspaper battles, and Arnold used him to
maximum effect by posing essentially the same question he'd posed to
Epps. The reporter's response was that George had very definitely been
with his sister as he'd asked them when they last saw little Mary. Vera, he
confirmed, had answered Thursday.
"When did George Epps say he saw her?"
"The boy said he saw her occasionally going to work in the mornings."
"Did he claim or breathe a thing about seeing her after Thursday?"
"He did not."
During his cross-examination of Minar, Frank Hooper endeavored to
cast aspersions on the reporter's reliability by emphasizing the Georgian's
pro-defense editorial stance, at one point inquiring: "Haven't you had direc-
tions to get everything possible that is favorable to the defendant?" Yet this
line of attack accomplished little, for as Minar coolly reminded Dorsey's
assistant, at the time of the Epps interview, Newt Lee was the primary sus-
pect. Whereupon Hooper returned to his seat, having done nothing to blunt
the burgeoning impression that young George's account of riding into town
with Mary Phagan on the day of the murder was a fabrication.
Not only was Herbert Schiff, the National Pencil Company's other as-
sistant superintendent and Saturday's final witness, well versed in details
relevant to factory operations, he possessed a winning and convincing
personality. Arnold hoped to accomplish a great deal with him. After estab-
lishing that Schiff had missed just two Saturdays at the office since June 1,
191 2, and that he generally worked alongside his superior, the lawyer
asked: "Did you ever see Jim Conley on Saturday afternoons?"
"No."
"Did you and Frank ever have women up there?"
"No."
"Did Mrs. Frank ever come to the factory on Saturday afternoons?"
"Quite often."
"Did you know this man Dalton?"
"Never saw him."
"Do you know Daisy Hopkins?"
272 AND THE DEAD SHALL RISE
"Yes."
"Did you ever see her come back on Saturday afternoon alone or with
anybody else?"
"I did not."
Nearly a year of Saturdays thus innocently accounted for, Arnold
directed Schiff s attention to the holiday on which Conley maintained Frank
had indulged in his most outrageous debauch. After obtaining confirmation
of E. F. Holloway's assertion that Thanksgiving 191 2 had indeed been "cold
and snowing," Arnold startled the courtroom by eliciting the fact that Jim
actually had been in the building that day. "I ordered Conley to come back
to clean up the box room," Schiff recalled. Far from hurting Frank, however,
this news ultimately helped him, for as the assistant superintendent added,
the Negro had finished his labors at 10:30 and left before noon— before, in
short, the elegant, white-shoed woman purportedly arrived.
"When did Frank leave?" the lawyer followed up.
"About twelve. We left together. I saw Frank to his car for home."
By Schiff s account, then, neither Conley nor Frank was at the plant at
the time of the alleged frolics. But lest there be suspicion that the superin-
tendent might have returned later, Arnold inquired: "Do you remember
anything Frank had to do that day?"
"Yes," Schiff replied. "He went to a B'Nai Brith affair."
Coming so quickly on the heels of his refutation of Conley's charges
regarding Frank's Saturday activities, Schiff s debunking of his account of
the Thanksgiving romp suggested an inevitable line of inquiry.
"Do you know Jim Conley's general character for truth and veracity?"
Arnold demanded.
"Yes."
"What is it?"
"Bad."
"Would you, knowing his character, believe him on oath?"
"I would not."
With that, Arnold was momentarily finished with the subject of Conley
and pointed Schiff to his other principal area of interest— the amount and
kind of office work Leo Frank had completed on the Saturday of Mary Pha-
gan's death. Though the defense had, of course, touched on this topic during
the trial's opening week, no one save the accused himself could speak more
authoritatively than Schiff to the computations the factory's weekly finan-
cial sheet entailed. Which was exactly what the lawyer asked him to do.
After glancing over the April 26 sheet, Schiff began a painstaking account:
Under the heading "Material Costs," the first figure 2719 and l A represents
the number of gross that we manufactured for that week. To get that figure
DEFENSE 273
Mr. Frank had to enter all his packing reports for Thursday containing two
or three pages, each of them containing 12 to 15 or 18 items. He had to cal-
culate and have a separate report as to each kind of pencil and then add
them up. We manufacture over a hundred kinds of pencils. That week we
dealt with about 35 different kinds. To do this you have to add, multiply,
classify and separate each pencil into a different class.
And these equations, Schiff added, covered only finished pencils. The dif-
ferent raw materials— slats, rubber, lead— had to be similarly broken down.
Same with packing supplies— boxes, wrappers and the like. Initially, the
assistant superintendent's atomization of all this may have struck the jurors
as overly detailed, but as he proceeded, speaking of deliveries processed
and orders fulfilled, a potentially exonerating vision of Frank's activities on
the day of the crime came to life. In it, the factory boss, far from resembling
the sexual deviant depicted by the state, emerged as a paragon of modern
management, a dispassionate, attentive executive busily balancing columns
of numbers and presiding over engines of production. After carefully citing
a few last figures, Schiff, confirming an earlier witness, proclaimed: "I think
it would take about three hours to go through the calculations and com-
plete the sheet." At which point Arnold produced a bundle of previous
reports written by Frank. After the assistant superintendent pronounced
the one compiled the afternoon of little Mary's demise to be identical to the
others in all relevant aspects, the sheets were placed in evidence: proof, or
so the defense hoped, that the Saturday of the killing had been no different
for Frank than scores of Saturdays before.
Arnold concluded by eliciting several pieces of information that while
not earthshaking in and of themselves added up to a forceful volley. First,
Schiff testified that it was he— not Frank— who'd manned the payroll win-
dow the Friday prior to the murder, which cast terrific doubt on Helen Fer-
guson's claim that Frank had rebuffed her request for Mary Phagan's pay
that evening. Schiff also confirmed that just as his superior had told Black
and Starnes the morning little Mary's body was found, the pencil com-
pany's insurance agent had ordered that the factory's electrical switch box
be kept unlocked. Moreover, he suggested yet another way in which the
girl's remains could have been transported to the basement, telling the
lawyer that the elevator's metal doors could be pried open by hand, mean-
ing that someone could be pushed through the opening without activitating
the motor. Finally, Schiff declared that when he came to work the Monday
following the crime, the office safe was open, and there was no mesh purse
inside. On that note, Arnold sat down.
Hugh Dorsey began his cross-examination not by attacking the sub-
stance of Schiff s testimony but by trying to paint him as a shameless pro-
274 AND THE DEAD SHALL RISE
Frank loyalist. The solicitor sought to convey this impression through a
series of questions designed to suggest that in the days immediately follow-
ing Mary Phagan's murder, the assistant superintendent had maligned the
dead girl's character by telling various officials she was pregnant and about
to lose her job. Reuben Arnold, however, would not countenance such a
line of inquiry and neither, it turned out, would Judge Roan, who sustained
each of the defense's many objections. Dorsey then changed tacks, honing
in on the amount of time Schiff contended was necessary to complete the
factory's financial sheet. Here again the solicitor came up short. Yes, he got
the assistant superintendent to concede that he'd never actually clocked
Frank doing the job. But that was it. In fact, when Dorsey presented the
April 26 report to Schiff and asked how he could be certain Frank had not
prepared it in advance, he was informed that as of quitting time the previ-
ous evening, work on the sheet had not started. Of course, Dorsey wasn't
about to let such a rebuff stop him, but with the lunch hour now at hand, he
did not protest Roan's decision to adjourn for the week. As the newspapers
agreed, the prosecution was spinning its wheels. Reported the Constitution:
"Saturday was by far the best day the defense in the Frank trial has had."
And most observers expected better days ahead. Noted the Georgian in its
Sunday editions:
As all interest centered in the dramatic story of Jim Conley while the
case of the prosecution in the Frank trial was being presented, so the pub-
lic now is awaiting with the keenest expectancy the tale that W. H. Mincey,
pedagogue and insurance solicitor, will relate when he is called this week
by the attorneys for Leo M. Frank.
Conley swore as glibly as though he were telling of an inconsequential
incident in one of his crap games that Frank had confessed to him the
killing of Mary Phagan.
Mincey will tell a similar story, except that Conley will be named as the
man confessing the crime.
The trial's third week started exactly as its second had ended— with
Hugh Dorsey trying to break down Herbert Schiff. During the course of
Monday's first two hours, the solicitor thoroughly sifted the assistant super-
intendent, eventually obtaining several seemingly significant admissions. To
begin with, Schiff acknowledged that Leo Frank could have finished the fac-
tory's financial sheet the Saturday morning of the murder. Then, in response
to a question implying that Jim Conley received special treatment at the
plant, he conceded that the Negro's untrustworthy reputation notwith-
standing, his superiors never considered firing him. Finally, he allowed that
had Mary Phagan's body been dropped into the basement through the
DEFENSE 275
Clark Woodenware space's scuttle hole, it would have landed in a location
where Newt Lee would have spotted it far earlier than he did.
By the time Reuben Arnold completed his redirect examination, how-
ever, most of the damage had been repaired. Regarding the financial sheet's
preparation, Schiff declared that during the five years he'd worked at the
National Pencil Company, Frank had without exception written up the doc-
ument on Saturday afternoons. As for not dismissing Conley, Schiff offered
a rationale that few who heard it would have rejected, asserting that trust-
worthy Negroes were simply hard to find. Considering that Dorsey had
made a concerted effort to discredit Schiff, the survival of his testimony's
main points represented a great triumph for the defense. But it would not
be without a cost, for from this moment forth, the solicitor would conduct
himself far more fiercely.
No sooner had Arnold finished examining his next witness— Dr. George
Bachman, a French-born physiology professor at the Atlanta College of
Physicians and Surgeons who continued the assault on Dr. Harris's autopsy
findings— than Dorsey gave an initial indication of just how rough he now
intended to play.
"Are you an expert chemist?" the solicitor began.
"I am so far as the body is concerned."
"What is amidulin?"
"I never heard of the word."
"Well, if you have never heard of amidulin, did you ever hear of ery-
throdextrin?"
"Write it out."
And on it went, with Dorsey firing fifty other medical tongue twisters at
Bachman, only a few of which the professor could decipher and several of
which occasioned outbursts of laughter from a gallery that delighted in
watching an erudite furriner be made to appear ignorant. Though some of
the terms had to do with digestion and were therefore relevant to the issue
at hand, the solicitor's goal was to divert attention from the substance of the
professor's testimony.
Whatever pause Hugh Dorsey's treatment of Bachman may have given
Frank's lawyers, they began Monday's afternoon session by calling yet
another physician, Dr. Thomas Hancock, chief of medicine for the Georgia
Railway and Power Company. A graduate of Columbia University who had
been in practice for 22 years, Hancock projected the sort of certitude that
made him just the man to speak to an ugly allegation. Hence, Reuben
Arnold opened his examination by inquiring: "Have you made a physical
examination of Leo M. Frank?"
276 AND THE DEAD SHALL RISE
"Yes."
"Is he normal?"
"I have examined the private parts of Leo M. Frank and found nothing
abnormal. As far as my examination disclosed he is a normal man sexually."
Having thereby gone a long way toward debunking Conley's claim that
Frank "was not built like other men," Arnold directed Hancock's attention
to the substance of Dr. Harris's testimony, swiftly securing one more
learned dissent before turning the witness over to his counterpart.
Dorsey's cross of Hancock was even more worrisome than his examina-
tion of Bachman, for with his very first question, he introduced an issue that
would not only negate any good the venerable physician had done Frank
but would further tarnish the accused's character.
"You don't mean to say," the solicitor commenced, "that homosexuality
is confined to defected patients?"
"In my experience, I have not touched on that line," Hancock responded
in a puzzled tone.
"Didn't you say that you had examined Frank?"
"Yes, but I judged merely from his outward appearance."
"You know but little, then, of homosexuality?"
To this, Hancock could do no more than shrug. Whereupon Dorsey sat
down, having brazenly sailed another line of objectionable questioning past
the defense.
Realizing, albeit belatedly, that the state's insinuations regarding Leo
Frank's sexual orientation could not be left unchallenged, Arnold began
the examination of his next witness, Dr. Willis Westmoreland, a socially
well-connected Atlanta physician, by demanding: "Did you at our request
on yesterday examine Leo M. Frank?"
"I did."
"Did he appear to be a normal male human being?"
"From the examination of the private parts of Leo M. Frank he appears
to be a perfectly normal man."
Having thus elicited at least a reaffirmation of Hancock's findings on this
point, Arnold steered Westmoreland to the topic of Dr. Harris's autopsy
report, securing not only one more denunciation of the health board secre-
tary's work but getting into the record a vital yet heretofore unpublicized
fact: Harris had discarded Mary Phagan's stomach following his post-
mortem, destroying any opportunity for an independent analysis. The usual
custom, declared Westmoreland, was to save at least a portion of such
organs.
Though Westmoreland's testimony seemed irrefutable, Dorsey was not
deterred. Right out of the chute, the solicitor honed in on the fallacy of
DEFENSE 277
judging a book by its cover, inquiring: "Aren't sexual inverts normal so far
as physical structure is concerned?"
"Yes."
Plainly, Dorsey was not going to let the issue of Frank's purported
deviancy drop. Yet he briefly put it aside, concluding his questioning by
grilling Westmoreland regarding his relationship with Harris. As it turned
out, the witness, while serving as president of the Georgia Board of Health,
had instigated an investigation into Harris's response to a malaria outbreak
in the central part of the state. When the probe exonerated Harris, West-
moreland had resigned from the board. The solicitor's point could not have
been clearer: Westmoreland's criticism of Harris's handling of the Phagan
autopsy grew out of a professional grudge.
During his redirect examination of Westmoreland, Arnold did what he
could to ameliorate the damage, obtaining the physician's assertion that he
bore Harris no ill will. Their dispute had been purely scientific. That said,
the lawyer took a shot at discrediting an insinuation rooted in Conley's tes-
timony, asking whether trauma of the sort evident in Mary Phagan's sexual
organs could have been inflicted by cunnilingus. Replied Westmoreland:
"The human tongue could not produce any signs of violence in the vagina."
As Monday's final witness, Arnold summoned a renowned accountant to
reiterate the most significant portion of Herbert Schiff s testimony. Joel
Hunter's Atlanta-based business attracted clients from across the country,
and by his calculations, Leo Frank could not have completed the 150
distinct computations involved in the preparation of the pencil factory's
weekly financial sheet in under 172 minutes. Not surprisingly, Dorsey vigor-
ously challenged Hunter's assessment, demanding to know whether the
superintendent's familiarity with plant operations might have enabled him
to balance the numbers more quickly. But to the solicitor's chagrin, the
accountant replied that Frank's superior knowledge probably caused him
to take longer, as at the bottom of every column, he had to stop and con-
sider what the results meant in terms of the performance of various depart-
ments and the status of outstanding orders. Hunter's assertions lent further
legitimacy to Frank's version of his activities on the afternoon of the mur-
der. Which was why, despite the session's many reversals, the Constitution
termed it "the best the defense has thus far had."
Tuesday morning opened with yet another accountant on the stand. Ac-
cording to C. E. Pollard of the American Audit Company, the pencil fac-
tory's weekly financial sheet was even more complicated than Joel Hunter
allowed, involving 209 computations and requiring 191 minutes to prepare.
278 AND THE DEAD SHALL RISE
While Pollard did contradict Hunter on one key point, conceding dur-
ing Frank Hooper's cross that "a man can do his own books more quickly
than a third party," in the end, his testimony more than confirmed the
defense's contention regarding the task's time-consuming nature. Now
Reuben Arnold needed to verify that Leo Frank did not start the job on
April 26 until after returning to his office from lunch. Which was why he
called the stenographer for the Montag Brothers Paper Company as the
day's second witness.
Unlike most of the women summoned thus far during the trial, Hattie
Hall was a brisk and efficient professional, and no sooner had she taken her
seat than she was telling Arnold that Frank had practically begged her
to come in on April 26, informing her "that he had work that would take
him until 6 o'clock." Though Hugh Dorsey objected to the stenographer's
recounting of the superintendent's comment, Judge Roan overruled him,
enabling Hall to go on at greater length. As she told it, her first conversation
with Frank that Saturday had occurred early in the morning by phone when
she'd advised him that her duties at Montag Brothers— her primary respon-
sibility—were such that she wouldn't be able to get away. Yet by 10 a.m.,
when Frank appeared at the paper factory to pick up the mail and again
asked for help, she had made enough progress to answer affirmatively, and
sometime between 10:30 and 11:00, she made the five-minute walk to
Forsyth Street. Upon reaching Frank's office, Hall said she'd immediately
pitched in, filling out a number of order acknowledgments and taking dicta-
tion on several letters, which she then typed and handed to Frank for his
signature. Altogether, she added, the tasks had required about an hour.
Having thus traced Hall's activities on the day of the murder until nearly
noon, Mister Rube handed her the critical document.
"Was Frank doing any work on this financial sheet when you were there
that morning?" he inquired.
"No, sir. Throughout the time I was there, he did no work on the financial
sheet."
This was the response Arnold had been seeking, and on its strength he
sat down.
During his cross-examination, Dorsey tried to induce Hall to admit that
she really wasn't sure what Leo Frank had been doing in his office between
1 1 and noon on April 26, but she held her ground, asserting: "When I was in
there he was at work on a pile of letters." Similarly, when the solicitor
attempted to get the stenographer to concede that Frank had spent previ-
ous Saturday mornings preparing the financial sheet, she again resisted,
maintaining that on the occasions with which she was familiar, the superin-
tendent had never done so. Then there was the matter of a $4.50-per-week
pay hike Hall received on August 1. The obvious implication here was that
DEFENSE 279
Sig Montag had given the raise to influence its recipient's testimony. Once
more, however, Hall demurred, responding that the increase had long been
scheduled and was, in truth, a condition of her employment. Whereupon
Dorsey returned to his seat.
For Arnold, Hall was the perfect witness— competent, steady and
informed— and during his redirect, he used her to even more telling effect.
First, in answer to a question regarding whether Frank had telephoned any-
one while she was in his office on April 26, the stenographer stated that he
had called a salesman named Harry Gottheimer and suggested that he drop
by after lunch. Then Rube asked whether the superintendent said anything
to Hall before she departed for the day. "He asked me," she replied, "to stay
all afternoon and help him, that he was busy." Neither of these actions was
consistent with the thinking of a man planning a midday tryst. And that, of
course, was the point.
After his success with Hall, Arnold shifted his focus from the Saturday
of the murder to the Saturdays that preceded it, summoning a series of
witnesses whose sole function was to discredit the testimony of C. Brutus
Dalton. Each of these individuals, all of whom were from Dalton's home
county east of Atlanta, was, in the Constitution's phrase, "a sturdy farmer or
fairly well-to-do citizen," and none of them had a good thing to say about
the man the state had put up to substantiate Jim Conley's charges regarding
Leo Frank's past liaisons. To a one, they said they would not believe Dalton
on oath. Confronted by such unanimity on the subject, Hugh Dorsey de-
clined to conduct a single cross-examination.
Next up for the defense was the National Pencil Company's 14-year-
old office boy. Arnold's hope was that Alonzo Mann, who though he'd
worked only half a day on April 26 typically remained on the premises until
4 p.m., could further undermine Dalton's and Conley's allegations regarding
Frank's Saturday afternoon assignations. But while the youngster stated that
he'd never seen Dalton around the place, much less witnessed Frank bring-
ing women in for drinks, and while Dorsey, during a brief cross-examination,
failed to shake these assertions, his testimony was marred by the fact that he
seemed unduly nervous. Noted the Journal: "He was frightened by his expe-
rience in court, and the stenographer had difficulty in hearing his answers."
Following on the heels of the halting and shy Alonzo Mann came a confi-
dent and effusive factory inspection department employee who, as he
approached the stand, stopped at the defense table and made a sweeping
bow to a beaming Leo Frank. As it turned out, Wade Campbell's testimony
would give the accused even more reason to smile. As the brother of Mrs.
Arthur White, he was in a position to recount his sister's original assertion as
to what she'd witnessed at the plant during her critical midday visit on April
26. "She told me," he informed Arnold, "that she had seen a negro sitting at
280 AND THE DEAD SHALL RISE
the elevator shaft at 12:00 on Saturday." During the state's presentation of
its testimony, Mrs. White had, of course, maintained that the hour was 1 p.m.
For the prosecution, Campbell presented a familiar problem, and
Dorsey confronted it in a familiar way, emphasizing the witness's sympa-
thies for Frank. Hence, Campbell was soon revealing that he had formerly
been roommates with one of Frank's principal partisans, assistant plant
superintendent N. V. Darley. Yet notwithstanding this admission, Campbell
did not waver during the solicitor's repeated attempts to get him to say that
his sister had told him she'd seen a Negro sitting near the factory elevator
shaft not at 12:00 but at 1:00. Again and again, Campbell repeated that the
time she'd stated was noon, leaving Dorsey with little choice but to sit
down, whereupon Judge Roan gaveled the morning session to a close.
Of all the testimony the prosecution had presented to bolster its allegation
that Leo Frank had intentionally lured Mary Phagan to his office on April
26, none had been more persuasive than that of Helen Ferguson, and it was
in the hope of countering her claim that the defense began Tuesday after-
noon's session by putting up yet another factory girl:
Getting right to the point, Reuben Arnold asked Magnolia Kennedy,
"Were you there when Helen Ferguson drew her pay Friday night?"
"Yes. I was behind her, and had my hand on her shoulder."
"Was Mr. Frank there?"
"No."
"Who was there?"
"Mr.Schiff."
"Did she ask Mr. Schiff for Mary's money?"
"No."
"Would she have had any business going to Frank for Mary's money
when Schiff paid off?"
"She wouldn't have any."
Having thus scored what the Journal termed "a direct contradiction of
Helen Ferguson's testimony," Arnold was done.
Hugh Dorsey responded to the Kennedy girl's injurious revelations by
changing the subject, using the witness to introduce a damaging assertion
that the defense had thus far managed to keep out of the record:
"Were you at the pencil factory on Monday, April 28?" he inquired.
"Yes, sir."
"Did you discover any hair around the metal room anywhere?"
DEFENSE 28l
"Mr. Barrett discovered some on the lathe."
"You identified it, didn't you?"
"Yes. It looked like Mary's hair."
With that, the solicitor directed Magnolia's attention to the substance of
what she'd told Arnold, obtaining not only her admission that she had not
been with Helen Ferguson every hour of Friday, April 25, but her conces-
sion that workers who missed their pay sometimes collected it from Frank.
Considering how the Kennedy girl's testimony started, Dorsey had reason
to feel pleased that this was how it ended.
In the wake of Magnolia's appearance, the defense called the pencil fac-
tory's former office boy. A self-assured 15-year-old, Philip Chambers was
the antithesis of Alonzo Mann, and after establishing that he had always
remained in the building on Saturday afternoons until 4:30, Arnold sought
his point-by-point rebuttal of Dalton and Conley's allegations regarding
Frank's weekend activities. The boy's responses:
"Mr. Frank never did have any women in there."
"I never saw any drinking there."
"I have never seen Dalton come in there."
"I have never seen anybody watching the door on any Saturday that I
was there."
"I have never seen Mr. Frank familiar with any of the women in the
factory."
"I have never seen him talk to Mary Phagan at all."
For Dorsey, Chambers's myriad refutations constituted a genuine threat,
yet rather than attack any of the particulars, the solicitor again reversed
fields, returning to the volatile topic that had obsessed him the previous
day:
"You and Mr. Frank were pretty friendly, weren't you?" he began.
"Just like a boss should be."
"Did you ever complain to J. M. Gantt that Frank had made improper
advances to you?"
"No, sir."
"You didn't tell Gantt that Frank had threatened to discharge you if
you did not comply with his wishes?"
"No."
As Dorsey started to pose yet another question on the subject, Reuben
Arnold at last objected, moving to rule out everything that had just been
282 AND THE DEAD SHALL RISE
said. Not surprisingly, the solicitor countered, arguing that he had a right to
show the relationship between the witness and the accused. At this, an
incensed Arnold rose to his feet and facing the bench declared:
It's the most unfair thing I've ever heard of in a court proceeding. It's the
vilest slander that can be cast upon a man. If courts were run this way it
could be brought against any member of the community— you, me or the
jury. No man can get a fair showing against such vile insinuations. If this
comes up again, I will be tempted to move for a new trial.
Judge Roan's decision to strike the entire exchange from the record
could not have been more cut-and-dried, but whether in so doing he
removed it from the jurors' minds was hard to say. Either way, with this
avenue of inquiry closed, Dorsey returned to his seat, allowing Chambers
to depart.
Minola McKnight's repudiation of her infamous affidavit regarding Leo
Frank's comings and goings on April 26 and the atmosphere in the family's
household during the succeeding days had, of course, been given the widest
circulation. Nonetheless, the Negro cook's story focused such a damning
light on the methods employed in the case by the Atlanta police— not to
mention undermining the state's time line— that Arnold chose this moment
midway through the afternoon to put her on the stand. The decision was
inspired, for within minutes Minola was indignantly describing her mis-
treatment at the hands of the detectives, recounting how they had thrown
her in what with inadvertent aptness she called "the control wagon" and
driven her to headquarters, where they "worried and threatened" her until
she made a false statement. The truth, she reaffirmed, was that Frank, just as
he maintained, had returned home for lunch on the day of the crime at 1:20
p.m., eaten his meal, then left at 2:00. As for her charges of subsequent wor-
risome activity at 68 Georgia Avenue, she once more disavowed them, too.
During his cross-examination of Minola, Dorsey— as he'd done when
news of her renunciation broke— invoked the name of Albert McKnight,
demanding to know whether this figure had not simply "confronted" her
with "what you had told him about things you had seen and heard around
the house." Yet as she'd done before, the woman denounced her husband,
his coworkers at Beck & Gregg Hardware and the detectives. These men,
she reasserted, had tried to get her "to tell a lie," keeping her "locked up"
until she did. So insistent and unwavering was Minola in this contention
that the solicitor had little choice but to cede the floor.
No sooner had Dorsey sat down than Arnold summoned a pair of wit-
nesses whose purpose was to resume the assault on Jim Conley. Corinthia
Hall and the young woman who followed her, Emma Clark, were the
DEFENSE 283
factory foreladies who, according to Conley, had appeared at the plant
office on the afternoon of April 26 in the immediate aftermath of Mary
Phagan's murder, necessitating his hasty banishment to a sweaty wardrobe.
But as they both told it, while they did visit the building that day, they
arrived at 11:35 A - M - an( 3 left about 11:45, which meant, of course, that
they'd come and gone well before the crime occurred, well before Leo
Frank, even if he were the killer, would have needed to hide an accomplice.
The women's stories were replete with so many convincing specifics (each
recalled seeing Hattie Hall, who went home at noon, at work at the super-
intendent's desk) that in the space of just a few minutes they had negated
one of Conley's most vivid claims, in the process raising doubts as to the
credibility of his entire account. Which explains why Hugh Dorsey, resort-
ing to a favorite strategy, let their testimony enter the record essentially
intact, asking Hall just a couple of unavailing questions, then waiving his
right to cross-examine Clark. From the solicitor's vantage, the less said
about any of this, the better.
Arnold called Lucille's parents as Tuesday's final witnesses, and first
Emil, then Josephine, Selig testified that Leo Frank had exhibited no anxi-
ety either at lunch on April 26 or at a poker party later that evening. In fact,
they maintained, he'd been cheerful and lighthearted; both recalled that
during the card game, he'd delighted the table by reading aloud a humorous
item from Metropolitan magazine concerning the misadventures of a base-
ball umpire. Finally, the Seligs swore that they could not remember the
telephone— which Arnold took pains to emphasize was downstairs in the
dining room— ringing early the next morning, contending that once they
and their daughter and son-in-law were upstairs with bedroom doors shut,
the device was difficult to hear.
Lucille's parents hardly seemed targets for a productive cross-
examination, but Dorsey, perceiving a point of vulnerability, promptly
elicited damaging admissions from them regarding their understated reac-
tions to the news of Mary Phagan's death.
"Do you mean to tell this jury," the solicitor demanded of each, "that a
girl had been found murdered in the basement of the factory of which your
son-in-law is the superintendent and yet you paid no attention to anything
said about it?"
"Yes," the Seligs in turn replied, conceding that on the Sunday the body
was discovered, the crime went undiscussed in their house.
For Dorsey, there could have been no better stopping point, but before
Mrs. Selig could step down Arnold, realizing that he had to do something,
leaped to his feet.
"The facts in this case were harrowing, and you didn't want to know
about them, and you were ill, besides?"
284 AND THE DEAD SHALL RISE
"Yes."
"You had an operation the next day, did you not?"
"Yes, I was ill."
In the end, however, what had been said had been said, and the day con-
cluded with the impression having registered that Leo Frank's well-known
Atlanta family had responded callously to an unknown child laborer's
death.
Though Wednesday began with Reuben Arnold summoning still another
respected physician to take issue with Dr. Harris's findings, then putting up
one more batch of small-town elders to cast aspersions on C. Brutus Dal-
ton's veracity, by midmorning the proceedings had reached a critical turn-
ing point, for it was at this juncture that the defense called its first character
witness.
A 15-year acquaintance and Pratt Institute classmate of Leo Frank,
Alfred J. Lane, had journeyed to Atlanta from New York, where he worked
as a merchant, to deliver but one piece of testimony, and he did it, noted
the Journal, "with emphasis," proclaiming the defendant's character to be
excellent.
Immediately following Lane to the stand came several other equally
enthusiastic New Yorkers, among them another of Frank's classmates from
Pratt and one from Cornell. Like their predecessor, these old friends all
spoke highly of the accused factory superintendent, but ultimately, the con-
tent of their testimony was of less import than the fact of their appearance,
which signaled that the long-anticipated battle over that most subjective
determination, a man's good name, had begun.
Not that there weren't several remaining rounds that the defense in-
tended to fire at the substance of the state's case. Once the last of this initial
group of character witnesses stepped down, Arnold briefly resumed his
attack by calling a time and motion expert to discredit Jim Conley's claim
that he and Frank had dragged Mary Phagan's body from the factory metal
room to the elevator, transported it to the basement, then concocted the
murder notes in under half an hour. As Dr. William Owens told it, studies
he'd conducted at the plant using stand-ins for the alleged participants and
a 107-pound bag of sand for the victim proved that the task would have
required at least 36 minutes. Which meant that had the two begun, as Con-
ley maintained, at 12:56 p.m., it would have taken them until at least 1:32—
nearly a quarter of an hour after the superintendent arrived home for
lunch. Though Frank Hooper, in his cross-examination, succeeded in get-
ting Owens to concede that because he'd been fiddling with a stopwatch
DEFENSE 285
during his experiment, the actual events could have unfolded more rapidly,
the main point remained intact— time wise, the Negro's account did not
add up.
Hard upon Owens's appearance, Arnold summoned yet another former
factory office boy. Sixteen-year-old Frank Payne's task was to complete the
demolition of one of Conley's most colorful allegations, and he promptly
obliged, informing Mister Rube that on Thanksgiving 1912, he'd worked
alongside Jim at the plant and that the two had finished their tasks and
departed by 10:30 a.m. In short, the Negro was simply not on the premises
during the hours he claimed Frank was alone in the office with the white-
shoed woman. True, in his cross-examination, Dorsey forced Payne to admit
that he had not actually seen Conley leave the building that holiday morn-
ing, but in the end, this concession was of minor note. The boy's testimony
had achieved its purpose.
Then came Lemmie Quinn, who was on the stand when court adjourned
for lunch Wednesday and back when it reconvened, rehashing the story of
his surprise appearance at the factory on the afternoon of April 26. After
eliciting Quinn 's account of finding Frank working at his desk around 12:20,
thereby casting more doubt on the state's murder-day chronology, Arnold
turned his attention to the motivation of one of the case's most debated fig-
ures, inquiring: "Did Mr. Barrett ever make any statement to you as to the
reward if Mr. Frank should be arrested?"
"Yes, he mentioned it several times."
"What sums, if any, did he mention to you?"
"He mentioned $2,700 and $4,500."
"How many times did he mention the reward to you?"
"I don't remember. It was so numerous that I can't recall them."
Dorsey went after Quinn with a vengeance, but while he managed to get
him to repeat the well-known yet still vexing fact that Frank had initially
not remembered his April 26 visit, and though he secured the further
admission that Quinn had not mentioned the visit to the police until a week
after the slaying, he could not shake him regarding the essential point. He
steadfastly maintained that he'd dropped by the factory and found the
superintendent immersed in work near the hour the prosecution contended
little Mary met her death.
This renewal of the defense's onslaught on the state's case notwithstand-
ing, one needed to look no further than the afternoon's principal witness to
realize how utterly the focus had shifted— and how perilous the new course
would be. John Ashley Jones was an Atlanta representative of the New
York Life Insurance Company. Eighteen months before Mary Phagan's
murder, he had ordered a report on Frank preparatory to writing a policy.
286 AND THE DEAD SHALL RISE
The results, he told Arnold, had proven the factory superintendent to be
"first class physically as well as morally." Responding to the lawyer's final
question, the agent swore that Frank's character was good.
If there were any doubts as to how Hugh Dorsey planned to combat such
testimony, his cross-examination of Jones laid them to rest. "Mr. Jones," the
solicitor began, "don't you know of Frank's relations with the girls down
there at the factory?"
"I have never heard any talk of Mr. Frank's practices with the girls
there," replied the insurance agent.
"Then you didn't hear that he took girls in his lap down there at the fac-
tory?"
Before Jones could answer, Arnold was on his feet. "That is outrageous,"
he shouted. "I shall move for a mistrial if such a question is asked again. It is
unjust and prejudicial that the gossip of crack-brained extremists should be
allowed to come before this jury."
Countered Dorsey: "I'm not four-flushing. I'll bring witnesses here to
prove all I have charged."
Following a moment's consideration, Judge Roan— bound by the fact
that the defense had introduced the issue of character— rejected Arnold's
objection. Whereupon the solicitor resumed his questioning of Jones,
demanding: "You never heard that Frank went to Druid Hills with a little
girl, did you?"
"No."
"Didn't you hear about twelve months ago of Frank kissing girls and
playing with the nipples of their breasts?"
At this, Rae Frank rose from her seat at the defense table and shaking a
trembling finger at Dorsey shrieked: "No, nor you either." The suddenness
and intensity of the outburst brought the trial to a halt as spectators, oblivi-
ous to the judge's rapping, rushed to the rail. Meanwhile, the elder Mrs.
Frank, defying the family members attempting to restrain her, kept up her
tirade. Later, it would be widely reported that she cast aspersions on the
solicitor's faith, dismissing him as either a "Gentile dog" or a "Christian
dog." But the confusion was such that her exact words were lost. All that
can be said for certain is that once order was restored and the woman was
led from the courtroom, she could be heard to sob, "My God, my God."
Rae Frank's indignant eruption served merely to goad Dorsey on. In
fact, no sooner had she been packed into a taxi and sent to her in-laws'
Georgia Avenue home than the solicitor picked up where he'd left off, ask-
ing Jones: "Did you ever hear L.T. Coursey or Miss Myrtice Cato say Frank
would walk into the dressing room without offering any explanation for his
intrusion?"
"No," came the reply.
DEFENSE 287
"You didn't hear how he stood and looked at poor little Gordie Jack-
son?"
"No."
"You didn't hear what he tried to do to Lula McDonald and Rachel
Prater?"
"No."
"You didn't hear what he said to Mrs. Pearl Darlson when he stood talk-
ing to her and her daughter with money in his hand, and you didn't hear
how she hit him with a monkey wrench?"
"No."
Following several similarly insinuating queries, Dorsey sat down, and
shortly thereafter, court adjourned for the day. Subsequently, Arnold
termed the solicitor's behavior vile and slanderous. Dorsey, on the other
hand, viewed himself as the aggrieved party, telling reporters: "They have
abused me." Either way, something poisonous had entered the air. Boomed
the banner atop the next morning's Constitution:
MOTHER OF FRANK DENOUNCES SOLICITOR IN COURT
The first hour of Thursday's session found each side seeking relief from
Judge Roan for what both perceived as the excesses of the previous after-
noon. Before the jury was seated, Hugh Dorsey requested that Rae and
Lucille Frank be excluded from the proceedings for the duration, while
Reuben Arnold asked that the testimony of John Ashley Jones be stricken
from the record. "I appreciate the feelings of the wife and mother of the
defendant," stated the solicitor, "but there is going to be much more testi-
mony that will be very objectionable to them. I must ask your honor's pro-
tection." Responded Frank's counsel: "The solicitor's examination of Mr.
Jones yesterday was wholly unwarranted and much more reprehensible
than the act of this man's mother. He tried to get before the jury in an ille-
gal way acts he could not get before it in a legal way. The jury system is very
lame if this sort of evidence is admitted." As it turned out, however, Roan
disappointed all comers, ruling that the two Mrs. Franks could remain while
overruling the objection to Jones's testimony. At which point the twelve
men who would determine the defendant's fate filed in, and the examina-
tion of witnesses resumed.
With a cooling-off period in order before the topic of Leo Frank's char-
acter was reintroduced, the defense chose this moment to buttress the
superintendent's account of his activities during the early afternoon of
April 26. Attesting to the fact that Frank left the factory by 1:10— which
contradicted Conley's allegations— was a stenographer for an Atlanta med-
ical supplies firm. As young Helen Kerns told it, she was shopping at Kress's
288 AND THE DEAD SHALL RISE
that Saturday and had just looked at a clock in front of a nearby jewelry
store when she noticed the superintendent, with whom she'd once inter-
viewed for a job, standing at the corner of Alabama and Whitehall awaiting
a trolley. Lending credence to this testimony was that of the Franks' across-
the-street neighbor. According to Mrs. Albert Levy, she was sitting on her
porch at 1:20 when she saw Leo get off the car and walk into his home. The
state did its best to discredit these witnesses, but to no avail.
Frank's version of his preprandial peregrinations on April 26 thus
corroborated, the defense sought to better establish his movements a bit
later on. From Lucille's Athens kin, Jerome and Mrs. M. G. Michael, and
from Hennie Wolf sheimer— all of whom were standing outside Mrs. Wolf-
sheimer's house a few doors from the Franks' that Saturday afternoon—
Arnold confirmed that following lunch Leo boarded a 2:00 trolley back
to town, a fact that gave the lie to Albert McKnight's claim of an earlier
departure. Reinforcing this point, Rebecca Carson, forelady of the pen-
cil company's sorting department, swore that she saw Frank near Rich's
Department Store around 2:25 and then at Jacob's Pharamacy ten minutes
later. Here again, the state failed to shake any of these witnesses. Moreover,
Carson provided the defense with an ancillary victory by relating a story
about some suspicious behavior on Jim Conley's part the Monday after
Mary Phagan's murder. As she told it, several factory employees were dis-
cussing the crime and their whereabouts at the time it occurred. When Con-
ley's turn to speak came, she said he announced: "I was so drunk I don't
know where I was or what I did." Later in the same conversation, she
added, Conley quit the room when someone offered that the killer was
most likely the Negro whom Mrs. Arthur White had spotted at the bottom
of the plant stairwell on the day of the tragedy.
Momentum having shifted back to the defense, Arnold secured tributes
to Frank's good character from a Brooklyn lawyer who'd known him since
boyhood and from his Cornell roommate. Though Frank Hooper mocked
the Cornell alum's assertion that his old school chum "associated with the
finest class of students," he failed to damage his or his predecessor's positive
assessments.
Pleased as Frank's lawyers were to have successfully revived their risky
new strategy, there were still a few more pieces of direct evidence they
wanted to get before the jury. Which was why Mister Rube chose to con-
clude the morning's session by summoning the man to whom Frank re-
ported at work.
As principal stockholder in the National Pencil Company and president
of a thriving paper manufacturer, Sigmund Montag was the imperious
embodiment of Atlanta's Jewish elite. The story Arnold elicited from him
DEFENSE 289
initially seemed to cast many of Frank's actions in the immediate aftermath
of the murder in a more sympathetic light. Montag testified that on the
morning Mary Phagan's body was discovered, he was at least as nervous as
Frank. "I was very much agitated and trembled," he allowed. Next, he
addressed the circumstances surrounding how the factory superintendent
acquired legal representation before being charged. As Montag told it, he
was solely responsible. When he heard on the Monday following the crime
that Frank— whom he characterized as being of "very limited acquain-
tance"— had been taken to headquarters, he called Herbert Haas. "Mr.
Haas answered that he didn't like to leave home that morning, that his
wife was expecting a new arrival, so I sent my automobile after him. He
then telephoned for Mr. Rosser." Finally, Montag took on the issue of the
Pinkerton Detective Agency's role in the probe, insisting that in hiring the
firm, the pencil company was only trying to solve the crime.
From the instant Hugh Dorsey began his cross-examination of Montag,
it was plain that he meant to hang him with his own words.
"You say that Frank had a limited acquaintance here?" the solicitor
started off.
"Yes."
"Isn't he president of the B'nai Brith?"
"I think so."
"How many members has that organization?"
"Between 400 and 500, 1 should say."
Montag's rationale for engaging Frank's legal counsel made to appear
implausible, Dorsey turned to the subject of the Pinkerton Agency.
"You were so much interested in this case that you hired the Pinkertons.
And yet you didn't tell the police about their discoveries?"
At this, Luther Rosser broke the silence he'd maintained during the past
few days. But Judge Roan overruled his objection, and Dorsey pressed
ahead, soon enough eliciting the answer that the defense's lead counsel had
seen coming.
"You got the report on the finding of that stick, didn't you?"
"I did."
"And of the finding of that envelope?"
"I did."
"What did you do with these findings?"
"I gave the reports to Mr. Rosser."
With that, Dorsey started in on the matter of Frank's anxiety the morn-
ing the body was found. But before the solicitor could finish propounding
his first question, Montag cut him off. "Mr. Dorsey, don't twist anything I
say."
290 AND THE DEAD SHALL RISE
"He will anyhow," cracked Reuben Arnold in an aside audible through-
out the courtroom.
At which point Dorsey and Arnold charged each other like ballplayers at
the start of a brawl. "For a minute or two," reported the Journal, "a physical
encounter seemed imminent." Eventually, though, the men were separated.
Rosser conducted the defense's redirect examination of Montag, but
aside from securing the fact that there would have been no reason for
him to forward the Pinkerton reports to headquarters, the police having
received their own copies, he could do little to make things better. After he
returned to his seat, court recessed for lunch.
Save for factory worker Harry Denham, who affirmed the defense's con-
tention that the plant elevator had not been run on April 26, the witnesses
who trooped to the stand Thursday afternoon did so for only one reason—
to attest to Frank's good character. The procession began with another con-
tingent of Cornell men. First came John Todd, a classmate who was now a
purchasing agent at the Crucible Steel Company in Pittsburgh. Then C. D.
Albert, a professor of machine design. Then C. E. Vanderhoef, foreman of
the university's foundry. "The loyalty with which Frank's instructors flocked
to his aid" was moving, noted the Constitution, adding, "The sordid sur-
roundings lost some of their grimness as witness and prisoner gripped
hands silently or spoke the few simple words of greeting."
Following these proponents, none of whom Dorsey seriously challenged,
came a second, much larger group comprised almost entirely of Atlanta
Jews. Leading off was Rabbi David Marx, followed by the new Chamber of
Commerce president, Victor Hugo Kriegshaber. Thereafter came lawyer
Max Goldstein, Hebrew Orphans Home superintendent R. E. Sonn, Termi-
nal Station employee Albert Levy and Federation of Jewish Charities sec-
retary Alex Dittler. Here again, most of the testimonials went into the
record uncontested. But in a couple of instances, they did not.
With Arthur Heyman, Hugh Dorsey found himself in the unusual posi-
tion of being given a chance to cross-examine the senior partner in his own
law firm, and he did so with surprising relish, forcing Heyman to concede
that his glowing assertions regarding Frank's character were based on
fewer than seven or eight meetings.
Dorsey saved his toughest cross-examination, however, for Thursday's
final witness. Milton Klein was one of Frank's closest friends, and after
establishing that he'd seen the superintendent at the Tower nearly every
evening since his arrest, the solicitor inquired: "Were you there when Con-
ley sought to confront Frank?"
DEFENSE 291
After Judge Roan sustained Luther Rosser's objection, Dorsey re-
phrased the question: "Tell us, Mr. Klein, did Conley come down there?"
"Yes," replied the witness, and with that, the devastating story that the
defense had until now managed to keep out of the record was suddenly fair
game.
"Did Frank see Conley?" Dorsey began.
"No."
"Did the detectives bring Conley to the front of Frank's cell?"
"Yes. I went to the front and acted as his spokesman."
"Then Frank didn't come out at all? He stayed in the back end of his cell
all the time."
"I said he did not come out."
During Rosser's redirect exam, he elicited the key fact that he had been
out of town at the time in question and had instructed his client to speak to
no one until his return. Nonetheless, Dorsey 's point remained intact— given
the chance, Frank had refused to face his Negro accuser.
On Friday morning, Hugh Dorsey made headlines by announcing that a 16-
year-old Georgia girl named Dewey Hewell had been returned to the city
from the Home of the Good Shepherd (an institution for unwed mothers)
in Cincinnati, Ohio, and was being held at headquarters. Though neither the
solicitor nor Chief James Beavers would reveal the girl's connection to the
proceedings, the meaning of her appearance was unmistakable. As the Con-
stitution reported: "Dewey Hewell has been brought back to give testimony
against Frank."
The morning's other news-generating revelation was that W. H. Mincey,
the insurance salesman who claimed that Jim Conley had confessed Mary
Phagan's murder to him, would not testify. Exactly why Frank's lawyers
decided not to call the much anticipated figure was never sufficiently
explained. Later, Luther Rosser claimed: "The only use we would have had
for Mincey was to contradict Conley, and as Conley got on the stand [and]
contradicted himself enough [we did not need] other witnesses to do it." Yet
considering the buildup, such a rationale was unbelievable. More likely,
Rosser and Arnold had arrived at the conclusion Dorsey had reached early
on— neither Mincey nor his story could withstand scrutiny.
Against this deeply disheartening backdrop, the defense pressed ahead,
opening the day's session by summoning another group of Atlanta Jews to
attest to Frank's good character. By the lunch recess, the jury had heard
platitudes from 40 of the factory superintendent's coreligionists, only two of
whom Dorsey cross-examined.
292 AND THE DEAD SHALL RISE
In a move plainly intended to enliven a day in danger of degenerating into
a monotonous cataloging of Leo Frank's virtues, Friday afternoon saw the
defense briefly resume its attack on Jim Conley.The initial shots were fired
by the pencil factory's Negro drayman. As peg-legged Truman McCrary, to
whom Conley had referred during his turn on the stand, told Reuben
Arnold, he'd worked at the plant every Saturday during the past three years
and had "never found the front door locked on a Saturday afternoon, never
seen Jim Conley there watching, never seen him guarding the door."
Following McCrary to the stand was another factory Negro. Arthur
Pride was a handyman, and like his predecessor, he said he rarely missed a
Saturday and had never seen "Jim Conley sitting and watching the door."
Moreover, he had some generally disparaging words for the state's star wit-
ness, asserting: "Jim Conley's character for truth and veracity is bad. I
would not believe him on oath."
The state aggressively questioned McCrary and Pride, yet both men held
firm. Indeed, in his examination of the latter, Frank Hooper inadvertently
bolstered the defense's position when, after eliciting Pride's contention that
he did not associate with Conley, he asked: "Jim's not a high-class negro like
you, is he?"
To which Pride convincingly replied: "I ain't a high-class nigger, but I am
a different grade from him."
With that, the defense called another batch of character witnesses— all
of them factory girls. No group of women was in a better position to help
Leo Frank, and Reuben Arnold went enthusiastically to work, securing
from the first to take the stand— polishing department forelady Mary
Pirk— not only an endorsement of the plant superintendent's moral fiber
but a denunciation of Jim Conley's. In fact, Pirk harbored such negative
feelings toward Conley that on the Monday after Mary Phagan's murder,
she told Arnold, she'd accused him of the crime. "He took his broom and
walked right out of the office and I have never seen him since," she recalled.
The moment Hugh Dorsey opened his cross-examination, any thought
that he would show Pirk the deference he'd shown the Cornell grads and
Temple members vanished:
"You say you never heard Frank talked about generally?" the solicitor
started off.
"He was a perfect gentleman to me," the witness replied.
"Well, what did the other girls say about him?"
"I don't remember anything."
DEFENSE 293
"You mean you never heard him accused of any act of immorality?"
"No."
"You mean you've never heard of him watching the girls in the dressing
room?"
"No."
"Did you know Mary Phagan?"
"Yes."
"Did you ever see Frank talking to her?"
"No."
"You never heard of the time, two weeks before her death, that he had
her in a corner and she was begging him and trying to get away from him?"
"No."
Before Dorsey could again open his mouth, an exasperated Luther
Rosser began to object, but Judge Roan silenced him. "There is no use
repeating objections that have already been ruled on."
Up next for the defense was a young female factory machine operator.
Like her coworker, Iora Small vouched for Frank's character. She also den-
igrated Conley, telling Arnold that in the murder's aftermath the Negro not
only read all the extras but carried himself suspiciously. "He had on an old
Norfolk coat with a belt around it and it buttoned just as tight around his
neck as it could be," she said. "Before that he had gone around there all
open and loose."
On cue, Dorsey went after Small, yet instead of trying to use her to insin-
uate untoward behavior on Frank's part, he took a different tack, inquiring
into her attitude toward Negroes. Her response: "I don't know of any nigger
on earth I'd believe."
"Then you wouldn't believe Newt Lee or Pride or anybody else whose
skin is black? They're all on the same plane?"
"Yes."
Small's point of view was inherently racist, and as he'd done before,
Dorsey took advantage of the opportunity to use this fact against the
defense.
Still, Arnold stuck with the plan, calling one more factory machine oper-
ator to utter one more tribute to Leo Frank and strike one more blow at
Jim Conley. As 17-year-old Julia Fuss told it, not only was the superinten-
dent an exemplary human being but on the Wednesday of his arrest, none
other than Conley had conceded as much. "I talked with Jim," she testified,
"and he told me he believed Mr. Frank was just as innocent as the angels
from heaven."
Here again, to no one's surprise, Dorsey fired right back.
294 AND THE DEAD SHALL RISE
"You never heard of any familiarity of Frank's with any of the girls ... or
boys?"
"No."
The specter of Frank's purported homosexuality once more raised,
Dorsey honed in on Conley's alleged postmurder remark exonerating the
superintendent, implying that the comment was inspired by the Negro's
desire to protect his accomplice. Soon thereafter, the solicitor returned to
his seat, but despite having done some damage, he'd failed to diminish the
defense's accomplishment— three of Mary Phagan's female coworkers had
testified on Frank's behalf.
With late afternoon shadows beginning to fall, Luther Rosser, who since
Arnold's clash with Dorsey had been increasingly handling examinations,
called as the session's last witness the woman whose outburst just 48 hours
before had brought the trial to a halt. Now, however, Rae Frank was, in the
Constitution's words, "perfectly composed," which was no wonder, for her
task was to introduce a piece of evidence that seemed destined to help her
son. The item was a letter Leo had written to his uncle Moses on the after-
noon of April 26, but no sooner had Mrs. Frank started to read it aloud than
Frank Hooper cut her off, terming the document immaterial and inadmissi-
ble. The defense countered by declaring that since Frank had composed the
letter during the period in which the state charged he was committing or
covering up the crime, it could not be more relevant, and Judge Roan con-
curred. Thus court concluded with the defendant's mother, after identifying
the missive as one she had first read in Moses Frank's New York hotel room
on April 28, intoning:
Dear Uncle,
I trust that this finds you and dear Tante well after arriving safely in
New York. I hope that you found all the dear ones well in Brooklyn . . .
Lucille and I are well.
It is too short a time since you left for anything startling to have devel-
oped down here. The opera has Atlanta in its grip, but that ends today . . .
Today was "Yondef ' here, and the thin gray line of veterans, smaller
each year, braved the rather chilly weather to do honor to their fallen com-
rades.
Enclosed you will find last week's report. The shipments still keep up
well . . .
The next letter from me, you should get on board ship. After that I will
write to the address you gave me in Frankfurt . . .
Your affectionate nephew,
Leo M. Frank.
DEFENSE 295
Saturday began with Hugh Dorsey's cross-examination of Rae Frank,
and from the start, it was clear that he meant to make the defendant's
mother regret having dressed him down on Wednesday.
"Do you have any rich relatives in Brooklyn?" the solicitor began.
"No."
"What is the value of your estate?"
"I have no estate."
"What do you live on?"
"We have a little money out at interest."
"How much is that?"
"About $20,000," the increasingly beleaguered-looking woman replied.
Though such a sum did not make Rudolph and Rae Frank wealthy, it was, as
Dorsey knew, more than anyone on the jury had invested. Which was why
he pushed ahead in the same vein, elicting another fact that indicated afflu-
ence: The family owned a house in Brooklyn valued at $10,000. A sense of
the Franks' assets implied, the solicitor inquired into the source of those
assets.
"In what business is your husband?" he asked.
"He is not in business at present."
"Ah, he's a capitalist, is he?" Dorsey pointedly rejoined.
To which Rae Frank sadly shook her head. Whereupon the solicitor took
up the subject of Moses Frank's fortune, eventually forcing the witness to
admit: "He is supposed to be very wealthy."
Though Luther Rosser, in his redirect, did his best to put all of this infor-
mation in a different light, allowing Mrs. Frank to explain that her 67-year-
old husband had earned every penny through hard work and was now so
"broken down" that he'd been unable to come south for his son's trial, the
damage was done. As the Georgian's Old Police Reporter put it: "The
examination of Rae Frank as to the extent of her wealth injected some
vague suspicion into the minds of the jury," echoing Jim Conley's claim that
in the wake of the crime, Leo Frank had said, "Why should I hang, I have
wealthy people in Brooklyn?"
The remainder of the day's abbreviated session saw another procession
of factory girls— all of them in summer dresses and wide-brimmed straw
hats— take the stand to attest to Leo Frank's good character. For the most
part, these young things limited their remarks to a few words, but Sarah
Barnes could not contain herself. "I know Mr. Frank and I don't know any-
thing in the world against him," she cried. "I love my superintendent. I'd be
willing to die for him."
Once again, Hugh Dorsey refused to let such encomiums enter the
record uncontested. During some of his cross-examinations, he posed the
now expected query as to "acts of immorality" on Frank's part. During oth-
296 AND THE DEAD SHALL RISE
ers, he raised the possibility that various girls had been coached. Yet all
came to naught for the solictor until the very end, which was when it most
mattered.
Eighteen-year-old Irene Jackson, the daughter of an Atlanta police-
man, was Saturday's final character witness, and like her predecessors, she'd
been called to praise Frank, but even during Arnold's questioning, she'd
responded ambivalently, managing merely an "I suppose" when asked if the
superintendent's behavior at work was good. Once Dorsey got hold of her,
she related a series of incidents that, if true, went a long way toward con-
firming the state's thesis.
As the Jackson girl told it, she and a coworker named Emily Mayfield
had been sitting in the factory's second-floor women's dressing room one
day when Frank pushed open the door:
"Were you dressed?" the solicitor asked.
"Yes."
"And Miss Mayfield?"
"She was undressing."
"Miss Mayfield was partly undressed?"
"Yes, she had off her top."
"What did Frank do?"
"He smiled or made some kind of face."
"Did he ever go there any but the one time when you were in there?"
"Yes. He opened the door and looked in one day when my sister was
lying down in there."
"When your sister was lying down?"
"Yes. She had her feet resting on a stool. I was there."
"What did Frank do?"
"He just walked in and walked out."
"Did you ever hear that he often went and looked in at the girls dress-
ing?"
"Yes," the witness replied, detailing a third occurrence— this one involv-
ing yet another worker with her top off —to which she'd been privy.
During his redirect examination of the Jackson girl, a scrambling Arnold
established that the dressing room in question had long been a place where
workers gathered to gossip and flirt through open windows with passing
boys and was subject to spot checks by both foreladies and Frank. Still, such
a reality could not explain away what sounded like unwarranted intrusions
on the superintendent's part. Noted the Constitution: "Miss Jackson['s] tes-
timony that on three separate occasions Leo Frank had opened the door to
DEFENSE 297
the women's dressing room and gazed upon her and others in various
stages of dishabille fell like a thunderbolt in the camp of the defense."
And so the third week of what was now the longest and by general consen-
sus most bitterly fought trial in Georgia's history came to a close. Thus far,
203 witnesses (34 for the state, 169 for the defense) had testified, and the
transcript— which ran to 3,000 legal-sheet pages— exceeded 875,000 words.
Exactly where, after all of this, the case stood was hard to say. In the best
of the weekend's many assessments, the Georgian's Old Police Reporter
asserted that "the defense unquestionably has given the state serious con-
cern in the way it has brought forward the time element and that in sepa-
rate and distinct directions." The Hearst paper's pseudonymous scribe also
believed that Frank's character witnesses, particularly the factory girls, had
achieved their purpose. But even granting that Rosser and Arnold had
established in the jurors' minds that Mary Phagan reached the pencil plant
on April 26 ten minutes later and Frank departed half an hour earlier than
the state maintained and that they had likewise shored up their client's rep-
utation, the Old Police Reporter believed that the defense faced an uphill
climb. First, he noted, "It is unique in the annals of judicial procedure in
Georgia, as it is contrary to the entire theory of the law, that Leo Frank
should be combatting at one and the same time" both the charge of murder
and the allegation of perversion. The combination, the writer feared, could
prove fatal, and, sounding a theme others would echo, he felt the dilemma
was "the fault" of Frank's own counsel. Then there was the undeniable
power of Conley's testimony as a whole. Declared Hearst's man:
Many people are arguing to themselves that the negro, no matter how
hard he tried or how generously he was coached, still never could have
framed up a story like the one he told unless there was some foundation
in fact.
And if there remains the impression of even a little foundation in fact
the defense is damaged beyond repair.
It gets back to where it started and where it will end— it is Conley pitted
against Frank.
Which was why it was small surprise that over the weekend, Rosser and
Arnold announced that they would put Leo Frank himself on the stand.
Under Georgia law, the defendant in a capital case was permitted to make
an unsworn statement free from cross-examination. Though such a state-
ment consequently lacked the weight of testimony under oath, the jury
could choose to accept it in whole or in part. For Frank, the risk, of course,
298 AND THE DEAD SHALL RISE
was that the jury could also choose to reject such a statement— or, worse,
hold it against him.
By 7 a.m. Monday, hundreds of Atlantans were lined up outside the old city
hall in hopes of obtaining one of the seats within. Those lucky enough to
gain admission would, however, have to wait for Frank's appearance on the
stand, as the defense devoted the morning to putting a few more pieces of
testimony before the jury. In an effort to reinforce the view that no sexual
activity had been occurring at the factory, Reuben Arnold called Godfrey
Weinkauf, manager of the concern's lead mill, who stated that during the
year prior to Mary Phagan's murder, he'd visited Frank in his office every
other Saturday afternoon and had never seen any women there. Of more
urgent import, Emily Mayfield, one of the workers the superintendent pur-
portedly ogled in the plant dressing room, took the stand to assert that the
incident never happened and to denounce the story's source, Irene Jackson,
as a liar. Finally, though, the session was given over to a valedictory covey of
character witnesses, the majority of them again female employees. For the
most part, Hugh Dorsey refused to challenge these girls. Thus the endorse-
ments of Lillie Mae Goodman, Lizzie Barnes, Grace Atherton, Ida Holmes,
Zellie Spivey and Minnie Smith entered the record intact. Yet as the solici-
tor's cross-examination of one of the last of them demonstrated, he had
merely been biding his time.
"You say you have never heard anything bad about Frank?" Dorsey
asked Lula Wardlaw.
"No."
"You're sure you never heard from Hermes Stanton and H. M. Baker, in
charge of the Hapeville trolley, that Frank had a little girl on the car the Sat-
urday before the murder?"
"No."
"You never heard that Frank had his arm around the girl and tried to get
her off the car and into the woods?"
"No."
With that, Dorsey, having ruined what the defense had hoped would be
a seamless prelude to Frank's big moment, was done. Shortly thereafter,
court adjourned for lunch.
Aside from appearing somewhat pale, Leo Frank exhibited no signs of anx-
iety upon taking the stand at 2:15 Monday afternoon. During the recess,
he'd read over his statement— the bulk of which he'd dictated to Lucille
weeks earlier— while having his throat sprayed by a physician who'd been
DEFENSE 299
treating him for a mild cold. Thus sure of what he intended to say and in
good voice, the superintendent simply started in.
To begin, Frank, who sat with his hands clasped before him and a folder
of notes on his lap, provided a summary of his personal and professional
background: his birth in Texas and his Brooklyn boyhood, his education and
his apprenticeships, his "sojourn abroad" learning the pencil business and
his move to Georgia. Only when discussing his wife did he even obliquely
address the state's charges. "I married in Atlanta, an Atlanta girl," he said.
"My married life has been exceptionally happy— indeed, it has been the
happiest days of my life." Here, Lucille smiled up at her husband from her
seat directly behind the defense table. Yet he did not continue in this rele-
vant and intimate vein, giving instead a description of his responsibilities at
work. "My duties," Frank asserted, "were as follows: I had charge of the
technical and mechanical end of the factory, looking after the operations
and seeing that our product was turned out in quality equal to the standard
set by our competitors. I looked after the installation of new machinery and
the purchase of new machinery. I looked after the purchase of the raw
materials which are used in the manufacture of pencils, kept up with the
market of those materials, where the prices fluctuated, so that purchases
could be made to the best possible advantage."
Rational and authoritative, Frank's intention, according to the Georgian,
was to convince the jury of his high position, then "picture his every move-
ment" during the weekend of the murder, thereby demonstrating "the
physical impossibility of his having committed the crime and disposed of
the body as Conley describes." This demonstration would constitute the
heart of his statement.
Frank opened with an account of his activities on Friday, April 25— a day
that, by his telling, was devoted almost entirely to the preparation of the
factory's payroll. The calculations involved in determining the amounts
owed, a trip to Montag's to execute the necessary checks, a stop at the
Atlanta National Bank to cash the checks, an afternoon spent filling some
200 numbered envelopes with bills and coins and placing them in slots for
distribution at the familiar elevator-lobby window— the superintendent
mentioned each phase of the process. Save for an indirect refutation of
Helen Ferguson's claim regarding her attempt to collect Mary Phagan's
wages ("No one came into my office who asked me for a pay envelope or
for the pay envelope of another"), he avoided any reference to the allega-
tions against him.
Friday dispensed with, Frank shifted to the case's most critical day, and
he did so by stepping down from the stand and placing a sheaf of invoices
that he contended had occupied him on the morning of Saturday, April 26,
on the jury-box rail. Then, with what the Journal described as the earnest-
300 AND THE DEAD SHALL RISE
ness one can imagine him employing to address a buyer over his desk at the
factory, he gave an explanation of the documents' significance. "Of all the
mathematical work in the office of the pencil factory," he said, "the work I
now have before me is the most important. It is very important that the
prices be correct, that the amount of goods shipped agrees with the amount
which is on the invoice, and that the terms are correct. I know of nothing
else that exasperates a customer more than to receive invoices that are
incorrect."
Frank's presentation, dispassionate and cool, was the antithesis of Jim
Conley's testimony. But rather than continue in this same formal yet acces-
sible manner, the superintendent plunged into the fine points of the dozen
or so invoices. Evidently, he believed he needed to establish that the work
was so involved that it had required him, just as several witnesses had
sworn, to defer the all-important financial sheet until the afternoon. Yet
from the outset, there was something unnerving about the resulting assem-
bly line of details. "The first order here is from Hilton, Hart & Kern Com-
pany, Detroit," he began. Then, mechanically spitting out figures, he added:
"The customer ordered ioo gross of No. 2 of a certain pencil, 125 gross of
No. 3 and 50 gross of No. 4. We shipped 100 gross of No. 2,111 and l / 4 gross
of No. 3 and 49 gross of No. 4. The amount of shipment of No. 3 is short of
the amount the customer ordered. Therefore, there is a suspense shipment
card, as you will notice." Mercifully for the jurors, Frank glossed over the
specifics pertaining to the next few invoices, synopsizing one from S. H.
Kress by saying, "These five and ten syndicates have a great deal of red
tape." But such restraint was atypical, for within minutes he was embarked
on a lengthy discourse on F W. Woolworth's freight policies, which were
complicated, he stressed, by an 86-cent credit that the chain received for
every 100 pounds of merchandise ordered.
And so for the next hour Frank's statement would proceed. After deliv-
ering his initial explication of the invoices as they related to shipping, he
went back through them from a different perspective. "Starting here with
order 7187 and continuing through 7197," he said, "there is a series of ini-
tials, and these initials stand for the salesman who is credited with the order.
In other words, if a man at the end of the year wants to get certain commis-
sions on orders that come in, we have to very carefully look over those
orders and see to whom or to which salesman or to which commission
house or to which distributing agent that order is credited. So therefore, it
takes a good deal of judgment and knowledge to know just to which sales-
man to credit. Sometimes, I have to go through a world of papers to find just
to whom a certain order is to be credited."
Frank's zeal for the arcana of the invoicing chores he claimed to have
performed on the morning of April 26 was made to appear all the more
DEFENSE 301
excessive by what seemed to be a corresponding unwillingness to discuss
the prelunch period's most germane particulars. Yes, he gave what felt like a
full accounting of his trip to and from Montag's to fetch the mail. (The
superintendent did not, however, respond to Conley's charges regarding
the outing. As he saw it, his version of events, due to its inherent logic, would
carry the day.) And yes, he provided what by every indication was a believ-
able description of the 1 1:45 appearance in his office of Corinthia Hall and
Emma Clark, recalling the department in which the girls worked and the
reason they'd dropped by —one of them had left a coat upstairs. But when it
came to the main event— an event he got to only after a tortuous detour
through the letters he'd dictated to stenographer Hattie Hall just before
noon— he had little to say. In fact, his initial comments on the subject that
the jurors and, by extension, all of Atlanta wanted to hear him address
required just a third of a page of transcript:
To the best of my knowledge, it must have been from ten to fifteen min-
utes after Miss Hall left my office, when this little girl, whom I afterwards
found to be Mary Phagan, entered my office and asked for her pay enve-
lope. I asked for her number and she told me; I went to the cash box and
took her envelope out and handed it to her, identifying the envelope by the
number. She left my office and apparently had gotten as far as the door
from my office leading to the outer office, when she evidently stopped and
asked me if the metal had arrived, and I told her no. She continued on her
way out, and I heard the sound of her footsteps and she went away. It was
a few moments after she asked me this question that I had an impression
of a female voice saying something; I don't know which way it came from;
just passed away and I had that impression. This little girl had evidently
worked in the metal department by her question and had been laid off
owing to the fact that some metal that had been ordered had not arrived at
the factory; hence, her question. I only recognized this little girl from hav-
ing seen her around the plant and did not know her name, simply identify-
ing her envelope from her having called her number to me.
That in the wake of months of rampant and scurrilous speculation Leo
Frank would devote a mere 236 words to the encounter at the center of the
mystery struck many as passing strange. Surely, he had more to say on the
matter. And, in truth, he did. Yet as the hundreds sitting in the courtroom
and the thousands across Atlanta snapping up extras would to their further
dismay discover, the superintendent first intended to give a thorough eluci-
dation of the work he insisted he'd done on the financial sheet on the after-
noon of April 26.
In an effort to establish the sheet's significance, Frank introduced this
302 AND THE DEAD SHALL RISE
portion of his statement by unveiling a box containing the 140 varieties of
pencils manufactured at the Forsyth Street factory. Laid out like candies,
the bright wooden wands with their crisply stamped brand names and brass
caps presented a vast array of colors and types, underscoring the need for
a complex accounting system. The jury, however, barely caught a glimpse
of the display, as Hugh Dorsey promptly objected that the sampler had
not been entered into evidence. Judge Roan concurred, and the exhibit
was removed. The data— as the superintendent consistently referred to it—
would have to speak for itself.
"Now, one of the most intricate operations," Frank began, holding up the
financial sheet for his audience's perusal, was the "working out" of the num-
bers used to establish the cost of raw material. "Wood slats," he apprised
the room, "are figured at 22 cents per gross. Then, we figure rubbers accord-
ing to the character of the pencil manufactured: 6 and l A cents cheapest,
9 cents medium, 14 cents high-grade. Then come the tips. Then the lead,
which is taken from this sheet, multiplying 15 cents for the better lead and
10 cents for the cheaper lead. Then, 5 cents a gross has been figured out
after months of careful keeping track of what we use [for] such materials as
shellac, alcohol, lacquer, aniline, waxent and oils." To no one's surprise, the
superintendent claimed that following lunch on April 26, he'd performed
all of these computations.
This was just the start. Owing either to obliviousness or, as many who
heard him later concurred, to an unwillingness to face reality, Frank would
set forth nearly every category of data charted on the financial sheet.
Regarding an entry headed "Repacking," he explained: "One of the tricks of
the trade, when we have a slow mover, some pencil that doesn't move very
fast, is to take something fancy and put them in with these slow movers. That
is a trick all manufacturers use in packing assortment boxes. We send into
the shipping room and get some pencils which have already been packed
and bring them in and repack them in the display box. Therefore, it is very
necessary in figuring out the financial sheet to notice in detail the amount of
goods packed and just how many of those had already been figured on some
past report. We don't want to record it twice, or else our totals will be incor-
rect. Therefore, showing the amount of goods which were repacked is neces-
sary." At this juncture, the superintendent paused to indicate the line on the
document where the proper notation had been made. Then he added: "That
was figured by me on Saturday afternoon, April 26. It shows right here. That
is my writing right down there: '18 gross 35-X pencils, 10 gross 930-X.' "
Quite apart from issues of motivation, Frank's arrogance here was
astounding. In fact, in the midst of one especially long-winded remark, he
gazed at the paper in his hands and declared: "This sheet, the financial,
DEFENSE 303
I may say is the child of my own brain, because I got it up. The first one
that ever was made, I made out." Whereupon he ran through various
other data— "Investments," "Values," "Fixed Charges"— that the document
allowed him to keep abreast of, boasting that he always knew where the fac-
tory stood regarding everything from the price of labor to net and gross
profits.
By 4:35, when Judge Roan ordered a brief recess, Frank had been ratch-
eting on for the better part of two and a half hours. And while he may have
convinced some of those listening that the work he'd done on the financial
sheet the afternoon of the murder demanded intense concentration, it's
doubtful he persuaded anyone to the related conclusion that he was guilt-
less. Indeed, the more probable reactions were suspicion and disbelief.
Here was a man who for all his reliance on the precise language of manage-
ment seemed to be manifesting a kind of hysteria.
Had Frank ended his statement at this juncture, there can be little doubt
that it would have been judged an unmitigated disaster. Yet finally, he took
up the genuine issues at hand. And he did so in surprisingly human— and
humanizing — terms.
After the recess, Frank addressed the actions he'd undertaken in the
immediate aftermath of Mary Phagan's murder that had made him a sus-
pect in the crime. Regarding his much discussed anxiety on the morning the
body was discovered, he confided:
Gentlemen, I was nervous. I was completely unstrung. Imagine yourself
called from sound slumber in the early hours of the morning, whisked
through the chill morning air without breakfast, to go into that undertak-
ing establishment and have the light suddenly flashed on a scene like that.
To see that little girl on the dawn of womanhood so cruelly murdered—
it was a scene that would have melted stone. Is it any wonder I was
nervous?"
At long last, Frank was attempting to win the understanding of the
twelve men who would decide his fate. Which was why, as he continued his
account of the events that culminated in his arrest, he sought to portray
himself as a victim of both misunderstanding and sloppy and corrupt police
work. As an example of the former, there were the rumors that arose from
the fact that his wife did not visit him during his first days in jail. After
terming such rumors "dastardly," the superintendent attempted to correct
the record, proclaiming:
304 AND THE DEAD SHALL RISE
The date I was taken into custody, my wife was there. But I thought I
would save her the humiliation of seeing me in those surroundings. I
expected any day to be turned loose and returned once more to her side at
home. Gentlemen, we had to restrain her. She was willing to be locked up
with me.
Then there was the detectives' behavior, particularly during the headquar-
ters encounter designed to force a confession from Lee. After the effort
failed, Frank asserted, John Black and Harry Scott "grilled the negro and
put words into his mouth that twisted not alone [my] English but distorted
my meaning. I decided then and there that if that was the line of conduct
they were going to pursue, I would wash my hands of them." It was in keep-
ing with this choice, the superintendent added, that he refused to meet with
Jim Conley, explaining:
I did not speak to Conley not because I did not want to . . . but because
I didn't want to have things twisted. I knew that there was not a word that
I could utter that they would not deform and distort and use against me.
Slowly, surely, Frank had come alive, and he finished in impressive
fashion:
Gentlemen, I know nothing whatever of the death of little Mary Pha-
gan. I had no part in causing her death nor do I know how she came to her
death after she took her money and left my office. I never even saw Conley
in the factory or anywhere else on that date, April 26, 1913 . . .
The statement of the negro Conley is a tissue of lies from first to last. I
know nothing whatever of the cause of the death of Mary Phagan and
Conley's statement as to his coming up and helping me dispose of the
body, or that I had anything to do with her or to do with him that day is a
monstrous lie . . .
The story as to women coming into the factory with me for immoral
purposes is a base lie and the few occasions that he claims to have seen me
in indecent positions with women is a lie so vile that I have no language
with which to fitly denounce it . . .
Gentlemen, some newspaper men have called me "the silent man in the
tower," and I have kept my silence and my counsel advisedly, until the
proper time and place. The time is now; the place is here; and I have told
you the truth, the whole truth.
Coming at the conclusion of a discourse that had consisted largely of
tedious tabulations and rote recitations, Frank's forceful peroration moved
DEFENSE 305
nearly all who heard it. "Very few in the courtroom had much to say until
they had managed to subdue that troublesome lump in their throats,"
observed the Georgian, Not surprisingly, those most affected were mem-
bers of the superintendent's family, particularly Lucille, who burst into
tears, prompting Leo to descend to her side and take her in his arms. Mean-
time, a stout county deputy dabbed his eyes while juror Marcellus Johen-
ning gave vent to several deep sobs. "That boy put it all over you and me,"
Luther Rosser was heard to mutter huskily to Reuben Arnold as the two
made their way to the door.
The next morning, however, the assessments were decidedly more sober,
for no matter how engaging Frank had been at the end, the fact remained
that taken as a whole, his statement was problematic. Commented the
Georgian's James B. Nevin: "There will be those who see evidence of mon-
strous coldness and unfeeling design." Most telling of all was the news that
Rosser and Arnold had not read the superintendent's remarks in advance.
Like many parts of the lawyers' presentation, this last one had been
made with an apparent lack of regard for either their client's vulnerability
or their own.
TWELVE
All that remained before Leo Frank's fate was consigned to the jury
were the final evidentiary maneuvers and rhetorical flourishes. First
among these was the state's presentation of its case in rebuttal, and
if there were any doubts regarding what its main element would be, they
were dispelled shortly after Tuesday's session opened when Hugh Dorsey
suggested that Lucille and Rae Frank leave the courtroom, as what was to
come "would be embarrassing for ladies to listen to."
Dorsey launched his attack on Frank's character with an examination of
Daisy Hopkins. But the factory superintendent's alleged consort thwarted
the solicitor, continuing to maintain that she possessed no knowledge of any
trysting place in the plant basement. Moreover, when Dorsey attempted
to quiz her regarding what the Journal termed "unprintable" acts she'd
purportedly boasted of performing with Frank, Judge Roan upheld the
defense's objection, declaring: "You cannot bring any new criminal charge
against this defendant."
Still, Dorsey pressed forward, summoning four witnesses who denigrated
the trustworthiness of Hopkins. He followed these with ten witnesses who
lauded the credibility of C. Brutus Dalton, who'd not only connected Frank
to incidents of sexual impropriety but corroborated Jim Conley on the sub-
ject. Then the solicitor, in the Journal's phrase, "sprang a sensation," calling
a former factory employee who swore that regardless of his many denials,
the superintendent knew Mary Phagan:
"Did you ever see Mr. Frank talking to Mary Phagan?" Dorsey asked
1 6-year-old Willie Turner.
"Yes, on the second floor."
"How long was that before the murder?"
"About the middle of March."
"What was said?"
"I heard her say that she had to work."
"What did he say?"
"He said he was the superintendent of the factory."
VERDICT 307
"How was she acting?"
"She backed off from him, and he walked toward her."
After that, the defense objected. "They want to bring out another
charge," roared Reuben Arnold.
But the prosecution held firm. Responding to Arnold's allegation, Frank
Hooper insisted: "It is not true, and it is not the point at issue." Whereupon
the gallery burst into applause. A vigorous rapping from Judge Roan imme-
diately restored order, yet the outburst provided one more indication of
the deteriorating atmosphere. Worse, following a moment's consideration,
Roan allowed l\irner's observations to remain in the record, and though
Luther Rosser, in his cross, got the boy to admit that he could not give a
description of Mary Phagan, the point seemed settled— Frank had been
acquainted with the girl.
The state devoted the bulk of Tuesday's remaining hours to countering
other facets of the defense's case.
From Roy Craven and E. H. Pickett, Albert McKnight's supervisors at
Beck & Gregg Hardware, Dorsey elicited testimony reaffirming the verac-
ity of Minola McKnight's pretrial statement alleging suspicious behavior on
Frank's part in the aftermath of the murder. Swore Craven:
I was present when Minola made her affidavit. I told her that Albert had
said that [she] overheard Mrs. Frank tell Mrs. Selig that [on the night of the
crime] Mr. Frank came home drinking and made Mrs. Frank get out of bed
and sleep on a rug by the side of the bed ... he had murdered somebody.
Minola [confirmed] that this was what happened.
Added Pickett:
Minola . . . said she was instructed not to talk and her wages had been
raised by the Seligs.
Dorsey next introduced several streetcar employees to attest that the
English Avenue trolley that had carried Mary Phagan downtown on April
26 often ran ahead of schedule. The assertions potentially placed the victim
at the factory earlier than had been thought, lending further credence to
the prosecution's murder-day time line. One of the streetcar men, a conduc-
tor named George Kendley, claimed that he'd actually seen little Mary
walking toward the plant before 12:05 on the afternoon of the tragedy,
which would have put her in the superintendent's officer prior to Monteen
Stover's arrival.
308 AND THE DEAD SHALL RISE
During Tuesday's final hours, Dorsey took a second shot at present-
ing specific allegations of impropriety against Frank by summoning Nellie
Wood— the slatternly former factory worker who'd testified at the inquest
that the superintendent once fondled her breasts. But Judge Roan upheld
the defense's objection, telling the solicitor: "The law shuts you out."
Boomed the headline atop the next morning's Constitution: state is hard
HIT BY JUDGE'S RULING BARRING EVIDENCE ATTACKING FRANK.
From the moment the proceedings reconvened at 9 a.m. Wednesday, Dorsey
could do no wrong. First Roan, over the objections of Rosser and Arnold,
ruled that the solicitor could call witnesses to take issue with the defense's
assault on the state's medical evidence. Minutes later, Dr. Clarence Johnson
and Dr. George Niles seconded Dr. Henry F. Harris's findings regarding the
time of Mary Phagan's death, and Dr. John Funke echoed Harris's determi-
nation that she'd suffered some unspecified form of sexual violence.
Dorsey then struck a blow at the defense's claim that the factory's metal
room floor was frequently stained by the blood of injured workers, calling a
former plant machinist named J. E. Duffy, who testified that when he was
cut in an accident there, his wound was promptly bandaged.
With that, Dorsey reintroduced the topic around which his case in rebuttal
revolved, summoning a young former factory employee named Myrtice Cato :
"Are you acquainted with the general character of Leo M. Frank prior
to and including April 26, 1913?" he asked.
"Yes."
"Was that character good or bad?"
"Bad."
"How long had you worked there?"
"Three and a half years."
With that, Dorsey turned the witness over to the defense. But Rosser,
knowing that if he challenged Myrtice, the solicitor would be permitted to
delve into the particulars upon which her allegation was based, simply told
the girl: "Come down."
Dorsey's next witness was another former factory worker, and she, too,
responded in the affirmative when asked if Frank's general character was
bad. But where with her predecessor, the solicitor had been content to
leave it at this, with Maggie Griffin he would attempt to go further. Indicat-
ing that he knew he was testing the limits, Dorsey informed his witness,
"Now I am going to ask you a question, and I don't want you to answer it
until the judge tells you whether you can or not." Then he inquired: "Are
VERDICT 309
you acquainted with the general character of Leo M. Frank as to his rela-
tions with women?"
Following the expected objection, Judge Roan sent the jury out, and
the opposing sides faced off. As Rosser saw it, the court had already
found against such testimony. "This, however, is different," replied Dor-
sey. Though he vowed to abide by Roan's ruling as far as specific incidents
were concerned, he contended that the defense, by examining several girls
regarding Frank's overall conduct with them, had itself broached the
broader subject. Furthermore, he asserted that one of the female witnesses
put up by the the defense had once disappeared into a plant dressing room
with the superintendent. That witness: Rebecca Carson. According to the
solicitor, the law granted him the right to use Griffin to rebut Carson's attes-
tations. For Roan, Dorsey 's logic was persuasive, although the judge ordered
him to refrain from posing queries about Carson until she could be recalled.
With that, the jury returned, and the solicitor picked up where he'd left off:
"Do you know the general character of Leo M. Frank as to his attitude
toward women?" Dorsey again asked Griffin.
"Yes, I do."
"What is it?"
"Bad."
Owing to the fact that Carson could not be immediately located, the
solicitor at this point turned Griffin over to Rosser, who once more refused
to cross-examine.
The bill for placing Frank's character in evidence had come due, and
Dorsey intended to see that it was paid in full. The morning's remaining
hours would see a steady parade of former factory employees take the
stand to level essentially unchallenged blows to the superintendent's repu-
tation as it pertained to female workers. To each of these women and girls,
the solicitor posed the same question: "Do you know Mr. Frank's character
for lasciviousness?" And from each he received the same answer:
"Bad," declared Mrs. C. D. Donnegan.
"Bad," declared Mrs. H. H. Johnson.
"Bad," declared Marie Karst.
"Bad," declared Nellie Pettis, echoing her testimony at the coroner's
inquest.
"Bad," "bad," "bad," "bad," added Mary Davis, Mary Wallace, Estelle
Winkle and Carrie Smith.
Throughout this ordeal, Frank's lawyers sat on their hands.
310 AND THE DEAD SHALL RISE
And Dorsey wasn't done. He called two former factory employees to
corroborate Willie Turner's testimony that Frank had been acquainted with
Mary Phagan. First came young Ruth Robinson, who swore that she'd once
seen the superintendent stop at little Mary's workplace and show her how
to insert an eraser into a nearly completed pencil. Then came Dewey
Hewell, the 16-year-old whose return to Atlanta the week before from
a Cincinnati home for unwed mothers had sparked headlines. After es-
tablishing that the girl had been employed at the pencil plant during the
months preceding the murder, the solicitor inquired:
"During the time you worked there did you know Leo M. Frank?"
"Yes, sir."
"Did you know Mary Phagan?"
"Yes."
"Did you ever see Frank talking to Mary Phagan?"
"Yes."
"How often?"
"Sometimes two or three times a day."
"What did you see him do?"
"I saw him put his hand on her shoulder."
"Did he call her by any name, and if so, what?"
"Yes, sir. He called her Mary."
"Where did he stand when he spoke to her?"
"He would stand close to her."
Though Rosser at least examined Robinson and Hewell, he did so tenta-
tively, doing no more than ascertaining that little Mary was always in the
company of a group of employees when the two saw Frank talking with her.
By the time the defense finished with Robinson and Hewell, Rebecca
Carson had made her way to court. Dorsey had only one question for her:
"Did you ever go into the dressing room on the fourth floor with Leo M.
Frank?"
"No," she answered emphatically.
After Carson stepped down, Dorsey surprised Rosser and Arnold by
calling Myrtice Cato as his initial rebuttal witness. "Did you ever see Miss
Rebecca Carson go into the private dressing room on the fourth floor with
Leo M. Frank?" he asked.
"Yes," replied Myrtice.
"How often did you see them go in there together?"
"I never saw it but twice," the girl conceded. Then she added: "That ain't
all I know."
"Wait a minute," shouted Rosser, his face pinkening. Yet just that
VERDICT 311
quickly, the lawyer caught himself, and in a milder tone, he briefly sifted
Myrtice, establishing that on both of the purported occasions, plenty of
other employees, once more, were standing nearby. Not that this was how
the girl's appearance ended. During his redirect examination, Dorsey asked
Myrtice how she happened to have observed Frank and Carson enter the
dressing room. "I was looking up the aisle," she said, then again boasted:
"And that ain't all I saw, either."
Dorsey followed Myrtice with the witness the defense had been
expecting— Maggie Griffin. Like her coworker, Maggie maintained that
she'd seen Frank and Carson disappear into the fourth-floor factory dress-
ing room. "Yes, sir," she said. "Three or four times." Worse, she contended
that they had "stayed in there fifteen to thirty minutes." To this, Rosser suc-
cessfully objected, but as to the larger issue, he again had to settle for the
concession that on the occasions under discussion, "other women were
about."
How Dorsey could do still more damage to Frank on the character issue
was at this juncture difficult to imagine, but he had one last blow to inflict,
and he used the morning's final witness to inflict it. Mamie Kitchens was yet
another pretty factory girl, and after nailing down that she'd worked on the
plant's fourth floor for two years and was still an employee there, the solic-
itor secured the fact that she had not only not been called by the defense to
attest to Frank's rectitude but that several other females in her department
had been similarly ignored. Having thereby implied that the superintend-
ent was fearful of what some members of his current workforce would say
if placed on the stand, Dorsey threw his haymaker, asking: "Were you ever
in the dressing room on the fourth floor with Miss Irene Jackson when this
defendant, Leo M. Frank, came in?"
"Yes," answered Kitchens. "I was in the dressing room with Miss Irene
Jackson when she was undressed. Mr. Frank opened the door, stuck his
head inside. He did not knock. He just stood there and laughed. Miss Jack-
son said, 'Well, we are dressing, blame it,' and then he shut the door."
Though Rosser managed in his cross-examination of Kitchens to estab-
lish that the incident to which she'd referred had occurred during business
hours, such an admission could not soften the impact of either this girl's tes-
timony or that of those who'd come before. Boomed the front-page banner
atop the Georgian's midday edition:
WOMEN ARRAIGN FRANK'S MORALS
While Hugh Dorsey would have been hard-pressed to find a better stop-
ping point, a few other elements of the defense's case still worried him; he
devoted Wednesday afternoon to tying up loose ends. For starters, he sum-
312 AND THE DEAD SHALL RISE
moned two men who often rode the English Avenue streetcar and swore that
in the days immediately after the murder, W. M. Matthews and W. T. Hollis
had both said that on her last trip, Mary Phagan had sat next to George Epps.
During cross-examinations, Rosser established that one of these witnesses
was the son of a police officer involved in the investigation. Still, the charges
hurt. Dorsey then recalled Boots Rogers and Sergeant L. S. Dobbs, each of
whom maintained that on the morning the body was discovered, they had
checked alternate entrances into the factory basement and found them
"cobwebby and dusty." Having thereby partially undermined the notion that
the victim's remains could have reached the plant's lower level via a route
that contradicted the state's theory, the solicitor summoned several individ-
uals who took issue with Frank's declaration that the much vaunted financial
sheet required three hours to fill out. With that, he was done.
There wasn't much the defense could hope to accomplish during its surre-
buttal. Yes, Rosser and Arnold put up a pawnbroker to attest that one of the
men who'd sworn that Mary Phagan's trolley often reached town ahead of
time had hocked his watch several months before the murder and would
have been hard-pressed to make such a judgment. Yes, they called several
witnesses who asserted that George Kendley, who claimed he'd spotted lit-
tle Mary walking into the factory before 12:05 on the day of the crime, was
an avid anti-Semite who'd been publicly voicing his views. Declared J. M.
Asher: "Kendley was talking real loud and discussing the Frank case and he
suddenly said: 'The damn Jew, they ought to hang him.' " Echoed T. Y
Brent: "Kendley said Frank wasn't anything but an old Jew," and if the court
didn't get him, he knew men who would. And yes, over Dorsey's objection,
Frank was permitted to retake the stand to make an addendum to his
unsworn statement. Proclaimed the superintendent:
In reply to the statement of the boy [Willie Tbrner] that he saw me talk-
ing to Mary Phagan when she backed away from me, that is absolutely
false, that never occurred. In reply to the two girls, Robinson and Hewell,
that they saw me talking to Mary Phagan and that I called her "Mary," I
wish to say that they are mistaken. It is very possible that I have talked to
the little girl in going through the factory and examining the work, but I
never knew her name.
In reference to the statements of the two women who say that they saw
me going into the dressing room with Miss Rebecca Carson, I wish to state
that that is utterly false. It is a slander on the young lady, and I wish to state
that as far as my knowledge of Miss Rebecca Carson goes, she is a lady of
unblemished character.
VERDICT 313
Save for these flurries, the defense was finished, and at 5:30, court
adjourned for the day.
Closing arguments commenced at 9:05 Thursday morning, with the state, in
the person of Frank Hooper, speaking first. That Dorsey let his co-counsel
open was astute. Smooth and reassuring rather than confrontational and
irreverent, elegantly attired as opposed to modestly dressed down, Hooper
was well suited to lay out the case that the solicitor would then attempt to
hammer home.
Starting with the issue of character, Hooper challenged the jurors to
choose between the defense's witnesses and the state's. The girls who'd tes-
tified for Frank were for the most part currently employed at the factory
and therefore, he asserted, susceptible to the superintendent's manipula-
tions. In order to keep their jobs, they'd said what they'd been told to say.
The girls who'd testified against Frank, however, were primarily former
employees and hence free to speak the truth. That was why, Hooper added,
the defense had declined to cross-examine them. Gesturing to Rosser and
Arnold, he declared:
They had the right to inquire of these witnesses on what grounds they
based their opinion of the defendant's bad character. What did they do?
They dismissed the witnesses without making any inquiries.
The disparity between the praises uttered by the defense's character
witnesses and the reproofs voiced by the state's could not, of course, be
explained as merely a function of the National Pencil Company's financial
leverage. Too many men and women over whom the Forsyth Street opera-
tion held no sway had taken the stand on Frank's behalf. And even though
nearly all of these citizens were Jewish, their uniformly high positions in
Atlanta society lent considerable credence to their endorsements. If the
prosecution was to convince the jury that the accused truly was morally
reprehensible, it needed to negate these testimonials, too. Which was what
Hooper now tried to do. Fixing his audience with a confident gaze, he began
by acknowledging the inherent paradox, asserting:
It may seem strange, gentlemen, that a man who associated with
bankers, businessmen and who's the head of a big concern should have
sought out a man like Dalton for company. But have you ever considered
that when he was dealing with a certain side of his life, he sought compan-
ions congenial to those pursuits?
314 AND THE DEAD SHALL RISE
That said, the lawyer unveiled what for the state would be a defining
metaphor:
You doubtless have read Dr. Jekyll and Mr. Hyde. This defendant, like
Dr. Jekyll when the shades of night come, throws aside his mask of
respectability and is transformed into a Mr. Hyde. And then he does not
seek the companions of Dr. Jekyll, but like Hyde goes to a lower stratum
where he picks up Dalton and his kind and goes with them instead of with
the men who have come here to give him a good character.
The state's stance on Frank's character articulated, Hooper addressed
his next subject, Jim Conley. Here again, he depended largely upon a figure
of speech. The Negro, he averred, was to the case what Stone Mountain— a
massive granite outcropping just east of the city— was to Atlanta: intrinsic
and unavoidable. "I don't blame the defense for pitching their fight on Con-
ley," he said. "They had to break him." For three days, Luther Rosser had
pitted his "wily, trained mind" against that of the "ignorant black man." The
result: like Stone Mountain, Conley still stood. "And why didn't they break
him?" Hooper asked rhetorically. Whereupon he paused, then said:
It was because Conley, after all the lies he had told, eventually had
arrived at the truth, and the truth is stronger than these lawyers.
From the state's vantage, both its star witness's testimony and the allega-
tions concerning character were just part of a broader demonstration of
guilt rooted in accounts of Frank's actions before the murder and in its
aftermath. So now Hooper gave the jurors a selective recapitulation. First,
of course, there was the engagement of Conley as a lookout and his posi-
tioning in the factory lobby on the morning of April 26. Then came Mary
Phagan's arrival. "Without knowing the horrible death that awaited her,"
the lawyer said, "she went blithely to where sat this defendant to get her
$1.20. Since that day, not a word has come from her lips."
At this, little Mary's mother, who at the session's outset had taken a seat
at the prosecution table, began to weep.
With Mary Phagan dead, Hooper declared, Frank focused on the press-
ing matter of disposing the body and concealing the crime. Thus he sum-
moned Conley to the second floor. Despite the superintendent's purported
hand- wringing, the lawyer contended that his initial moves— the transport-
ing of the remains to the basement, the trip to the fourth floor to assure
himself that workers Denham and White remained in the dark and to
escort Mrs. White from the building— were cool and calculating. So, too,
VERDICT 315
were his subsequent actions. He sent Newt Lee away at 4 p.m. to give Con-
ley a couple more hours to return to the factory and burn the body. He
ordered the night watchman to help Gantt search for his shoes because the
fired bookkeeper had been a friend of little Mary's and he didn't want him
snooping around the place. He telephoned Lee from home that evening to
make certain that his handiwork remained undetected. Frank's lone slip —
the murder notes. Asserted Hooper:
The idea that Jim would have written those notes himself is absurd. You
know these negroes. You know their traits. Would one of them have done a
thing like that? What object could Conley possibly have had in planting
those notes by the body saying that a negro had committed the crime?
Come Sunday morning, of course, the state maintained that Frank's
dread had returned. "Even before he was suspected, he showed unmis-
takable signs of nervousness," Hooper reminded the jurors. Yet he soon
regained his sangfroid. Beginning Monday, "he made a concerted effort"
to cast suspicion on Lee. By changing his mind as to whether the night
watchman had correctly punched the time clock in the hours prior to the
body's discovery, the superintendent in effect dispatched Detective Black
to Lee's house "where somebody had planted a shirt." Here, Hooper held
up the garment in question, allowing the twelve men who sat before him
to examine how it "appeared to have been wadded up and wiped in
blood." And if that wasn't proof enough of the garment's fraudulence, the
lawyer, revealing that the prosecution was as willing to play to racial
stereotypes as the defense, proclaimed: "The shirt had no odor of the
negro."
By the state's lights, the shirt found at Lee's home was simply the first
of many defense deceptions. Others included the bloody stick and piece of
pay envelope located in the factory lobby several weeks after the murder.
"There was also," Hooper recalled, "a fellow named Mincey. You remember
that my brother Rosser examined Jim very closely about this man. That
was done, you all understand, for the purpose of laying the foundation to
impeach Jim. The point is: Where is Mincey now? It looked like this whole
fight might turn on Mincey, but we haven't heard one word from him."
With that, Hooper— whose job had been merely to present an outline of
the state's presentation— was essentially done, although he did have a last
point to make: The jurors, far from being distinct from their fellow citizens,
were Everymen. Declared the lawyer: "I have heard men say that they
thought one thing, but when they were on a jury they had to decide another
way, but it was never intended that such should be the case."
3l6 AND THE DEAD SHALL RISE
Reuben Arnold led off for the defense. Where Hooper's job had been to set
a tone, his was that and more. Standing before the bench, he began by
addressing his counterpart's final comment, remarking conversationally:
"My friend Hooper said that a juror is not different from anyone else on the
streets trying to get at the truth." Then he boomed:
God grant that we can get away from the streets. What's the use of hav-
ing juries if we don't. Juries should be set up on a hill, away from the multi-
tude where prejudice and passion cannot reach them.
That after four weeks of crowds outside the courthouse and barely
restrained galleries within, Arnold would start with a plea to the jurors to
resist popular opinion was no surprise. What followed, however, was
startling— the lawyer asserted that the hostility that had dogged Leo Frank
from the outset arose from the fact of his Jewishness.The defense was open-
ing its argument by claiming that religious prejudice against the factory
superintendent had permeated the case. Referring to one of the state's con-
cluding witnesses, streetcar conductor George Kendley, Arnold asserted:
This man Kendley said they ought to hang Frank because he is a Jew. I'd
rather be in Leo Frank's house than his. I'd rather be in Leo Frank's shoes
than his.
Kendley's discriminatory feelings, Arnold noted, were rooted in the fact
that "Frank comes from a race of people that have made money." Further-
more, he added, the streetcar conductor wasn't the only Atlantan who har-
bored such feelings:
I tell everybody, all within the hearing of my voice, that if Frank hadn't
been a Jew he never would have been prosecuted. I am asking my kind of
people to give this man fair play. Before I'd do a Jew injustice, I'd want my
throat cut from ear to ear.
And so the issue that had long been percolating beneath the surface had
come into the light. Frank's prosecution, Arnold charged, was motivated by
anti-Semitism. The lawyer did not, however, linger on the claim, devoting
the remaining minutes before and the hour after the lunch recess to undo-
ing the damage the state had done to the superintendent's reputation.
Much of what Arnold had to say regarding the allegations of moral turpi-
tude against Frank was predictably indignant. He termed C. Brutus Dalton
VERDICT 317
and his ilk "jail birds and convicts, the dregs of humanity," while dismissing
the factory girls who'd denigrated the superintendent's character as "dis-
gruntled former employees." As to the possibility that Frank might actually
have seduced any of his workers, he fairly scoffed: "If he had started some-
thing with one of the girls, demoralization would have reigned in the whole
place. He couldn't have gotten any work out of the other girls, and Montag
would have fired him."
Yet Arnold pitched the bulk of his argument on a higher plane, one pred-
icated on the assumption that the jurors, like himself, were worldly men. In
view of the concerns regarding power, privilege and predation raised by the
Phagan murder, this was a risky tack; in view of the many ugly allegations
that were part of the record, the lawyer had scant choice but to pursue it.
The basic point Arnold hoped to convey was that a majority of the
improper acts attributed to Frank were, in fact, not improper at all. First,
there was what he called "the little dressing room incident," of which he
asked the jurors:
What did it amount to? Wasn't everything done openly and above
board, and in broad daylight? There was no bath in the dressing room, no
toilet, and the girls themselves admit that there had been flirting in that
room. Gentlemen, isn't that exactly the way you'd expect the superinten-
dent of a big factory to conduct himself?
Then there was the charge that Frank had placed his hands on Mary Pha-
gan's shoulders:
You can go out here to Piedmont Park any Sunday afternoon and see
five hundred girls and boys with hardly anything on, and the boys are grab-
bing them by the arms and legs and are having a gay old time. And I don't
mean to say by this that I think the world is going to the dogs. It's a sign
that we are getting more broad-minded, that we are learning some sense
about these matters. And let me tell you something, gentlemen of the jury,
deliver me from one of these prudish fellows that never looks at a girl and
never puts his hands on her and is always talking about his own virtue. He's
the kind I wouldn't trust behind the door.
And then, finally, there was the allegation that the pencil plant itself was a
den of iniquity, with Frank as its corrupting head. To this, the superinten-
dent's co-counsel simply said: "The factory is no better and no worse than
any other factory of about that size in the city of Atlanta."
Arnold's intention here was to relegate all the insinuating testimony
against Frank to the realm of unsubstantiated gossip and to elevate the gen-
3l8 AND THE DEAD SHALL RISE
eral level of discourse. But lest he fail in this effort, he struck a different
tone in his concluding comments on the superintendent's character:
Gentlemen, we are not claiming perfection for this defendant any more
than we claim it for ourselves or than you claim it for yourselves; and no
more than Mr. Dorsey and his associates should claim it for themselves.
Let the man who is innocent cast the first stone. We are not trying this man
on everything that may have been said about him. We are trying him for
murder.
That said, Arnold launched a wide-ranging assault on the circumstantial
evidence that formed the foundation of the state's case, vowing: "Before I
get through I'm going to show you there never was such a frame-up against
a man since God made the world."
The frame-up got started, Arnold declared, because the authorities at
first believed that Frank was the sole person in the factory at the time of
Mary Phagan's murder who'd had the opportunity to commit the crime.
"Nobody knew that Jim Conley was down there by that elevator hole," he
reminded the jury. Consequently, Detectives Black and Starnes had pur-
sued only those clues that might implicate the superintendent, particularly
the bloodstains and strands of hair located in the building's metal room.
This, insisted the lawyer, was a tragic misstep, for the blood and hair were
plants made by their reward-obsessed discoverer, R. P. Barrett. "Would
Frank have tried to hide the blood by smearing it with haskoline and calling
attention to it?" he inquired. Would a man as meticulous as the superin-
tendent have left the hair in plain sight? "It's the clumsiest botch I ever
saw." But the investigators, he ruefuly added, had made up their minds and
refused to entertain other possibilities.
While the plot's preliminary acts unfolded, asserted Arnold, no one in
Atlanta followed more attentively than Conley. From the newspapers, talk
around the factory and, after his own arrest, talk inside the Tower, the
Negro posted himself on every development. "He had weeks and weeks to
do it. He knew they were trying to make a case against Frank." Thus, Con-
ley was ready when the police, after determining that he could not only
write but had written the murder notes, accused him of involvement in little
Mary's demise. "He lay in his cell and conjured up the story he has told, and
it is monstrous." With that, the lawyer had introduced one of his central
premises. Where the state contended that the Negro's account was what
remained after the initial deceptions were stripped away, the defense— in
its lone nod to Jim's intelligence— argued that it was the self-serving work
of a splendid imagination.
VERDICT 319
In an effort to provide further proof of Conley's cunning, Arnold at this
point brandished copies of the Negro's various affidavits, marveling aloud
at the care with which he had "felt his way along," altering inconvenient
details at the suggestion of the detectives. Yet even so, the lawyer argued,
Conley's testimony contained a sufficient number of absurdities to render it
implausible. For one, there was his assertion that prior to the murder, he'd
often stood guard at the factory building's Forsyth Street entrance while
Frank consorted with women upstairs. "That's ridiculous," declared Arnold,
citing that during the period in question, the plant shared the door with
another tenant, the Clark Woodenware Company. "Frank wouldn't have
had any right to lock the place up and shut them out." Then there was his
claim that on the afternoon of the crime, despite having just heard little
Mary scream, he allowed Monteen Stover to ascend to the second floor
unchallenged. Staring directly at the jurors, the lawyer exclaimed, "Gentle-
men, it fatigues my indignation to suppose that such splendid citizens as
yourselves would believe a lie like that." Then there were his statements
regarding two other April 26 visitors, Emma Clark and Corinthia Hall.
"Bear in mind," urged Arnold, "that these women, in testimony corrobo-
rated by other witnesses, say they came to the factory 30 minutes before
Conley says they were there." And as for his allegation that Frank hid him
in a wardrobe to avoid being seen by the women, the lawyer noted, "Even if
Frank had killed the girl, he could have let Emma and Corinthia come in
and see Conley without arousing their suspicion. He was the superintend-
ent, and Conley worked there." Most preposterous of all was Jim's con-
tention that after he'd taken down the murder notes, Frank remarked,
"Why should I hang? I have wealthy people in Brooklyn." Glancing around
the room, Arnold asked, "Do you reckon a white man ever would have
made a statement like that? Do you reckon he would have broken down
and yelped like a dog?" At this, jurors and spectators alike chortled.
Having thus in two hours exposed more flaws in Conley's story than
Luther Rosser had in three days, Arnold accused the Negro of Mary Pha-
gan's murder:
Conley admits he was right there behind the elevator when that little
girl came into the factory. And he was right there when she came down. It
took but two steps to get her mesh bag. Probably his aim was robbery. Here
was a drunken, crazed negro, hard up for money. The little girl probably
held to it when he grabbed it. He struck her in the eye and she fell. It is but
the work of one moment, gentlemen, to push her into that elevator shaft.
Why go further than this black wretch there by the elevator shaft, fired
with liquor, fired with lust and crazy for money? Why, negroes rob and rav-
320 AND THE DEAD SHALL RISE
ish every day in the most peculiar and shocking way. But Frank's race don't
kill. They are not a violent race. Some of them may be immoral, but they go
no further than that.
With that, Arnold briefly returned to the defense table, retrieving a six-
foot-high chart that presented the defense's minute-by-minute account of the
whereabouts of Frank and other principals in the case on the day of the crime.
Though the chart's crisply lettered entries cataloged everything from
Minola McKnight's 7:30 a.m. arrival at the Franks' home to fix breakfast to
the 10:25 PM - departure of the family's poker party guests, Arnold was
interested only in details pertaining to the period between noon and three
in the afternoon. Which was why he began by pointing to the lines noting
that Monteen Stover reached the pencil factory at 12:05, followed by Mary
Phagan at 12:12. "No matter how much Mr. Dorsey tries to move up the
streetcar schedule," the lawyer said, these times had been verified by the
state's witnesses as well as the defense's, and they established that even if
Frank was not in his office when Stover appeared, this did not support the
claim that he was at that moment choking the life out of little Mary. She was
not yet on the premises. That said, Arnold ran his hand down the chart,
stopping at a notation reading "12:20— Lemmie Quinn."To the lawyer, this
was another critical moment, and he lingered on it:
The sworn evidence gives Frank only eight minutes between the time
Mary Phagan came to the factory and the time Quinn came. Could Frank
have attacked her in just eight minutes? And then been back at his desk, a
normal man digging into his work, in eight minutes?
Having thus exposed two vulnerabilities in the prosecution's murder-day
chronology, Arnold attempted to expose one more. According to his chart,
Frank left the plant for lunch at 1:00. Also according to the chart, Helen
Kerns saw Frank waiting for a trolley at Alabama and Whitehall streets at
1:10, while Mrs. Albert Levy saw him exit the same trolley at Georgia and
Washington avenues at 1:20. After reminding his audience that Conley tes-
tified the superintendent had not departed the factory until 1:30, the lawyer
asserted, "Gentlemen, these witnesses— one a pure, sweet little bud, the
other, it's true, a Jew, but she was telling the truth— make it as clear as holy
writ that Conley was lying, that he is a liar fit only for the lower regions."
That said, Arnold again pointed to his chart, focusing on an entry recording
Rebecca Carson's glimpse of Frank returning to town on a streetcar around
2:20. Methodically, he was endeavoring to illustrate that the state's version
of the superintendent's activities on the afternoon of April 26 was not cred-
ible. What, then, remained? Nothing, he insisted, but "the twin P's— preju-
VERDICT 321
dice and perjury." Speaking with the zeal of one whose purpose was to con-
duct an exorcism, the lawyer pivoted away from the chart and addressing
Dorsey directly roared:
Away with your miserable lies about perversion, away with your mangy
street gossip, away with your Jew-lynching witnesses, away with your third-
degree testimony, away with your trumped-up evidence. If you are fair, you
must stick to the facts.
With the clock now ticking down to 6:00 p.m. and evening encroaching,
Arnold strode to the jury-box rail and made his concluding entreaty:
Gentlemen, never has there been such malice displayed in the prosecu-
tion of any case. The crime was horrible. God grant its perpetrator may be
punished, and I think that we can prove that Jim Conley is the man who
should receive the punishment. Let us follow the law and not follow preju-
dice. Frank's alibi is complete, and Jim Conley has been proven a liar. The
whole case is a fabrication, a frame-up pure and simple.
Gentlemen, write a verdict of not guilty and your consciences will be
clear.
Noticeably lighter than at the trial's start, features drawn and eyes dull,
the Luther Rosser who rose Friday morning to speak the defense's last
words bore little resemblance to his familiar antagonistic self. In a worn
whisper that barely carried over the buzz of the electric fans, the exhausted
lawyer opened by echoing Arnold's plea to the jurors to insulate them-
selves from the "hostile and overzealous" spirit of Atlanta's streets.
Rosser then took aim at the prosecution's case, beginning with the char-
acter evidence. His first target was the allegation that the National Pencil
factory was a hotbed of immorality. Since the plant's founding in 1908, he
stated, it had employed countless souls, yet after weeks of "microscopic
examination" the police had been able to locate only a few who would
swear against it, foremost among them C Brutus Dalton. The very thought
of this witness angered the big man, and he hoarsely rasped:
Did you take a look at him when he went on the stand? God Almighty,
when he writes on a human's face, doesn't always write beautifully, but
he never fails to write legibly. If you were to meet Dalton in the dark,
wouldn't you instinctively put your hand on your pocketbook?
Dalton, Rosser added, was exactly the sort who would go "down that scut-
tle hole into the basement, into the inner sanctum of filth." Not that the
322 AND THE DEAD SHALL RISE
lawyer believed that Dalton or, for that matter, anyone else had actually
used the factory as a trysting place. For one thing, Rosser asserted point-
edly, had the plant been the site of such activities, Chief Beavers's "vice
squad" would have exposed that during its recent campaign against prosti-
tution. For another, had even a whiff of wrongdoing reached the ears of the
citizens whose children composed the bulk of the company's workforce,
they would have protested so vociferously that the business "would have
been wrecked on the rocks of bankruptcy."
Rosser next challenged Frank Hooper's contention that the upstanding
Atlantans who'd attested to Frank's rectitude were in no position to know
his true nature. Gesturing to the superintendent, the lawyer declared:
Maybe there are such things as Dr. Jekylls and Mr. Hydes. My friend
Hooper may know more about that than I do. But do you judge men by the
exceptions? No, you judge them by the majority rule. When the good and
decent men and women of his neighborhood come to the stand and say his
character is good, you believe them.
Finally, Rosser proclaimed that the many insinuations notwithstanding,
Dorsey had failed to prove any history of undue familiarity between Frank
and Mary Phagan. Regarding Ruth Robinson's claim that she'd heard the
superintendent call little Mary by name, the lawyer asserted that it meant
nothing. As to Willie Turner's profession that he'd observed the girl backing
away from Frank in fright, he sadly shook his head, remarking, "I'm sorry
for that boy. Think of the claws with which these detectives dragged his
statement out of him. Picture the way they treated Minola McKnight, then
think of him." Which left only Dewey Hewell's charge that on several occa-
sions, she'd seen the superintendent place his hands on Mary's shoulders. To
this, the lawyer ticked off the names of the witnesses— among them the
state's Grace Hicks— who had sworn that the superintendent had not been
acquainted with the victim.
With that, Rosser attacked the state's circumstantial evidence case,
beginning with the charge that Frank had lured Mary Phagan to his office
on Saturday, April 26. The facts, he contended, just didn't support such a
conclusion. "How did Frank know Mary wasn't going to come on Monday
or Tuesday?" demanded the lawyer. "And how did he know no one else
would be in his office when she got there? He's a smart man, but he's not a
seer."
The allegations of premeditation on Frank's part thereby covered,
Rosser assailed the charges of suspicious behavior in the murder's after-
math. Referring to the superintendent's failure to answer the telephone
when the police initially tried to notify him of the crime, he declared, "Gen-
VERDICT 323
tlemen, when Frank didn't hear the telephone ringing that morning, it was a
sign of peace of mind and good conscience." Regarding Frank's reaction to
the sight of Mary Phagan's body at the morgue, Rosser asked, "Is there any-
one within the sound of my voice who would not have been nervous if they
had seen that little girl cut off in the beginning of her young life lying there
disfigured— a beautiful flower smeared in the mud, crushed in the cinders?"
The lawyer was most forceful, however, on a matter of which he had first-
hand knowledge— his hiring by Frank the Monday following the murder.
"Let's examine what happened," he urged. "When they took him to the sta-
tion house, he was under arrest— John Black's testimony proved as much."
The superintendent, unaware of the police force's checkered past, "failed to
recognize his dilemma," yet others understood, and it was through their
efforts that Rosser was engaged. Facing the jurors, the lawyer asserted:
Sig Montag, who has been here a long time, knew this old police crowd.
He knew what danger there was to Frank. So he called up Herbert Haas.
Haas didn't want to go. His wife was expecting. That's why Haas called
[me]. And I went down there. They weren't happy to see me. But I had a
right to be there, and Frank had a right to have me there. Dorsey tells you
this is an indication of guilt on Frank's part. Gentlemen, when the solicitor
reaches the age in years that I have, he'll regret it.
Spent though he obviously was, as Friday's midday recess approached,
Rosser, cognizant that the defense's hour upon the stage was nearly done,
summoned the extra ration of strength necessary to launch a vigorous
assault on the remaining elements of the state's case. Pacing before the jury,
sweat pouring down his neck and into his shirt until the thin alpaca sport
jacket he'd chosen for this pivotal occasion stuck in patches to his shoulders,
he started by disputing Dorsey's claim that Frank had hired the Pinkerton
Detective Agency to shield himself. Not only was this not so, but in truth, by
engaging the outfit, the superintendent had brought the wolf to his door.
Declared the lawyer:
Gentlemen, take a look at this spectacle if you can.
Here is a Jewish boy from the North. He is unacquainted with the
South. He came here alone and without friends, and he stood alone. This
murder happened at his place of business. He told the Pinkertons to find
the man, trusting to them entirely, no matter where what they found might
strike. He is defenseless and helpless. He knows his innocence and is will-
ing to find the murderer.
Yet they try to place the murder on him. God, all merciful and all pow-
erful, look upon a scene like this.
324 AND THE DEAD SHALL RISE
Rosser then took issue with Dorsey's charge that in an effort to implicate
Newt Lee as the killer, Frank had altered the night watchman's time slip
from the evening of the crime and had planted the bloody shirt at his home.
Regarding the time slip, the lawyer declared that the superintendent was
not the only factory official who'd initially stated Lee had punched it cor-
rectly; N. V. Darley had been likewise mistaken. As for the shirt, while he
didn't say so outright, Rosser intimated that it had been John Black— not
Frank— who'd soaked the garment in crimson and secreted it in the barrel
the night watchman used as a bureau. He'd done so, he implied, because he
was the one who'd hoped to pin the murder on Lee; failing that, he'd
decided to use the shirt against the superintendent. In the end, though,
Frank's lead counsel not surprisingly reserved his harshest salvos for the
state's star witness.
Despite its many parts, Rosser's concluding attack on Jim Conley, which
would carry over into the early afternoon, was meant to convey one tran-
scendent point. To wit: Everything about the Negro that had mesmerized
the jurors, whether it was his appearance or, most important, his testimony,
was a fabulous, self-protecting invention polished to a high gloss by Dorsey
and his minions. "Who is Conley?" Rosser asked by way of introducing
his thesis. "Who did he used to be? And was he like his old self when you
saw him?" After letting these questions hang briefly in the air, the lawyer
bluntly answered:
Conley is a plain, beastly, drunken, filthy, lying nigger with a spreading
nose through which probably tons of cocaine have been sniffed. But you
weren't allowed to see him as he is.
That said, Rosser turned a furious gaze upon the occupants of the prose-
cution's table. "Think of what they did," he began, whereupon without call-
ing William Smith by name, he enumerated the various personal services
Conley's lawyer had provided his client before the state placed him on the
stand. Proclaimed the big man:
They got a dirty, black negro and in order to give impetus to his testi-
mony they had a barber cut his hair and shave him, and they gave him a
bath. They took his rags from his back, and he came in here like a slicked
onion. They tried to make him look like a respectable negro.
Conley's account of the crime, argued Rosser, had been similarly buffed.
While he, like Arnold, believed that Jim's initial statement had been the
fruit of his own fertile mind ("Every Southern man knows that negroes can
make up gruesome stories"), he maintained that "the finest faculty in the
VERDICT 325
South" had assisted in the creation of what followed. Again indicating the
prosecution team, the lawyer proclaimed:
There's Professor Starnes, who holds the chair in theology. And Profes-
sor Black, he of the third degree. And there, in charge of them all, is Dean
Lanford. Dean, I greet you.
As Rosser, warming to his satire, enthusiastically told it, the detectives
charged with refining Conley's tale at first "put him in high school." There,
they worked out the worst rough spots. "Here's the way they would do it,"
he asserted. "Professor Scott would say, 'Now stand up, James and recite.
Why James, that couldn't be right. It couldn't have been done on Friday.'
'That's right, boss. It was Saturday.' 'That's better James. Now repeat.' And
so they went on." After several weeks of instruction, the lawyer added,
Conley graduated to the university, where he met "Professor Dorsey" and
took courses in such subjects as sexual perversion. It was thanks to the
advanced tutoring that the account Jim ultimately gave on the stand con-
tained so many new details.
What the jury made of Rosser's spirited tribute to Conley's station house
alma mater cannot be known, but amused or not, the lampoon raised
a troubling question: If Jim's testimony was so obviously a fabrication,
why hadn't Frank's lead counsel exposed it as such during his cross-
examination? Facing the men who constituted his only real audience, the
lawyer confronted the matter head-on:
My friend Hooper said that I didn't break the negro down. And its true,
he stuck to his story word for word— like an actor. You know, you can take
an actor and let him memorize his lines, and if you wake him in the middle
of the night, he can pick right up in his speech. But if you ask him about
something else, he's lost. That's the way it was with Conley. Every time he
got away from the main story, he either admitted that he had lied or he
said, "I disremember." Gentlemen, there is no better sign that a man has
memorized his story and that he is lying than those words. You can look
through the record of his testimony and find page after page where he said,
"I disremember." In the law books, those words stand as the badge and
sign of perjury, and they brand Conley as what he is— a trained parrot.
With that, Rosser was essentially finished. He spoke a few disparaging
words about the state's medical evidence; he reiterated some inconsisten-
cies in Dorsey's murder-day time line. But in the end, as one of his final
comments to the jury made plain, he framed the decision as a racial one.
Declared the lawyer:
326 AND THE DEAD SHALL RISE
If you, as white men, should believe Jim Conley, it will be a shame on
this great city and on this great state and will be until the end of time.
Whether Hugh Dorsey's decision to begin his closing argument by por-
traying the state as the victim of a brutalizing defense team resulted from
genuinely bruised feelings or shrewd calculation, he could not have chosen
a better gambit. No sooner had Rosser returned to his seat than the solici-
tor asserted that he and Frank Hooper had not only been outnumbered by
Frank's counsel but that they had been maligned and mistreated by them as
well. Speaking from behind the prosecution table, he declared:
The gentlemen have abused me. They have abused the detectives. They
have heaped calumny on us to such an extent that that good lady, the
mother of this defendant, was so wrought up that she arose and in this
presence denounced me as a dog.
And so there it was: the embattled state's attorney versus the blue-
stockinged barristers. The humble people of Atlanta versus the wealthy
outsiders.
The gauntlet thus thrown down, Dorsey promptly countered the de-
fense's eleventh-hour allegation that the prosecution had been motivated
by discriminatory leanings. " 'Prejudice and perjury,' says Mr. Arnold,"
remarked the solicitor, repeating his counterpart's charge. Then, looking up
at the jurors, he incredulously inquired:
Gentlemen, do you think that I, or that these detectives, are actuated by
prejudice? Would we as sworn officers of the law have sought to hang Leo
Frank on account of his race and religion and passed up Jim Conley, a
negro? Prejudice?
These questions all but obliterated the defense's accusation. And if they did
not, there was something else. According to the solicitor's narrow but indis-
putably accurate reading of the record, it was Frank's lawyers who injected
the issue of religious bias into the proceedings. "Not a word emanated from
this side," he asserted. "We didn't feel it. We would despise ourselves if we
had. But ah, I have never seen any two men manifest more delight or exal-
tation than Messrs. Rosser and Arnold when they seized upon George
Kendley," the witness who'd purportedly stated that the superintendent
should hang because of his Jewishness. Though he stopped short of saying
so, the solicitor couldn't have made his point clearer— the cry of anti-
Semitism was a desperate ploy to salvage a losing case.
VERDICT 327
With that, Dorsey paid homage to a pantheon of Jewish statesmen and
business leaders. "I honor the race that has produced a Disraeli, the greatest
Prime Minister that England has ever produced," he began, then doffed his
hat to Confederate secretary of state Judah P. Benjamin and a number of
local sons of David, among them the lawyer Henry Alexander, his University
of Georgia roommate. Yet lest anyone think he was endorsing the defense's
claim that Jews did not commit violent crimes, the solicitor then introduced
a rogue's gallery of Hebrew malefactors— Abe Hummel, Herman Rosen-
thal, Abe Reuf— all culled from recent front pages. "This great people," he
insisted, "rise to heights sublime, but they sink to the depths of degredation,
too, and they are amenable to the same laws as you or I and the black race."
Dorsey then addressed what he contended was the only material that
should have any relevance— the evidence proving that Frank had mur-
dered Mary Phagan. And he started with what he termed "this character
proposition." First, he reiterated his co-counsel's claim that the Atlanta
Jews who'd attested to the superintendent's outstanding moral fiber had
never seen his dark side. "Dr. Marx, Dr. Sonn, all these other people who, as
Mr. Hooper said, run with the Dr. Jekyll of the Hebrew Orphans' Home,
don't know the Mr. Hyde of the factory." That said, he vouched for the cred-
ibility of the former employees who'd testified to Frank's lasciviousness,
declaring that Rosser and Arnold's dismissal of them as liars was, in fact,
evidence of their truthfulness, then averring that even if he and the detec-
tives were as corrupt as the defense maintained, they could not have com-
pelled the girls to swear falsely. "Do you think that we could go and get
nineteen or twenty of them and through prejudice or passion get them to
come up here and say that the man's character is bad and it not be the
truth?" In the end, however, the solicitor directed his sharpest comments at
his opposing numbers for their failure to cross-examine these young
women. After lifting a thick legal tome from the table in front of him, he
looked up at his audience, then demanded:
Now gentlemen, put yourself in Frank's place. If you are a man of good
character, and twenty people come in here and state that you are of bad
character, is it possible, I'll ask you in the name of common sense, that
you would permit your counsel to sit mute? You wouldn't do it, would
you? If a man says that I am a person of bad character and it's a lie, I want
to nail the lie, to show that he knows nothing about it. This book says it's
allowable to cross-examine a witness, to see and find out what he knows,
who told him these things. Yet these able counsel did not do so, and I'm
here to tell you that this thing of itself is pregnant, pregnant, pregnant
with significance.
328 AND THE DEAD SHALL RISE
Predictably, there was much more that Dorsey wanted to say regarding
the issue of Frank's character, but with late afternoon now approaching, he
had time to address just one last point— the superintendent's alleged pen-
chant for bursting in unannounced on unclothed female employees. Resort-
ing, as was his style, to yet another rhetorical question, he turned to Frank,
then back to the jury, and inquired:
What business did this man have going into those dressing rooms? You
tell me that to go up there, shove open the door and walk in was part of his
duty when he had foreladies to do it? You tell me he did this to stop the
girls from flirting?
After citing the many witnesses— among them the defense's own Irene
Jackson— who'd attested to the superintendent's intrusions, the solicitor
gathered his notes and Judge Roan brought down the gavel.
Not that the day's events were over. Rather than disperse as they'd done
following previous sessions, the trial's 250 spectators, at the request of
William Smith, lingered on the sidewalks in front of the courthouse. Sup-
per, shows, dates— all could wait. And did, until 6 p.m., when Hugh Dorsey
appeared on the steps. At which point, the multitude— on Smith's cue—
burst into applause.
In anticipation of Saturday's court session, a crowd began forming in front of
the old city hall at 5:45, and by 9:00, when the doors swung open, it numbered
more than 1,000. Within minutes, the allotted seats were taken. Though one
reporter maintained that "absolute decorum" prevailed, another sensed an
"unspoken fear of trouble" in the air. Either way, observers concurred that
the attendees were almost to a soul sympathetic to the state. They had come
to hear the case for conviction put over.
Picking up where he'd left off Friday, Hugh Dorsey rounded out his
remarks on the character issue by declaring that even if Leo Frank had
been a pillar of rectitude prior to Mary Phagan's murder, it "would amount
to nothing." The solicitor then cited a number of mostly Jewish personages
who despite high status had committed terrible misdeeds. Think of the Old
Testament's David, he urged, "a great character until he put Uriah in the
forefront of battle in order that Uriah might be killed and David take his
wife." Or consider Judas Iscariot, "a good character and one of the Twelve,"
until he "took the thirty pieces of silver and betrayed our Lord, Jesus
Christ." And don't forget Benedict Arnold, a hero of the Revolution who
deceived the nation and whose name became "a synonym for infamy." That
Dorsey, his protestations of the day before notwithstanding, was attempting
VERDICT 329
to stir anti-Semitic sentiments there can be no doubt. And these weren't the
only juices he hoped to stimulate. Looking over at Frank, he mentioned an
altogether different sort of fallen angel:
Oscar Wilde was an Irish knight, a literary man, brilliant, the author of
works that will go down through the ages. But the Marquis of Queensberry
discovered there was something wrong between Oscar and his son. Oscar
Wilde was convicted, and in his old age went tottering to the grave, a con-
fessed pervert.
Having thus thrown several questionable punches, Dorsey moved on to
the topic of Frank's alibi. Approaching the chart the defense had used to
illustrate its version of how April 26 unfolded, he pointed to the entry stat-
ing that the superintendent had left the factory for lunch at 1:00 p.m. Then,
after instructing a bailiff to turn the display toward the wall, the solicitor
read a copy of the statement Frank had made for Newport Lanford on the
Monday following the crime in which he asserted that he had left the fac-
tory at 1:10. Considering the significance Arnold had attached to the earlier
departure time, the ten-minute discrepancy was extremely damaging, and
Dorsey knew it, exclaiming:
Up goes your alibi, punctured by your own statement when you didn't
know the importance of the time element in the case.
Not only did Frank's initial telling contradict his lawyer's, it also contra-
dicted that of his principal corroborating witness, Helen Kerns, who'd testi-
fied that she'd seen the superintendent standing at Alabama and Broad
streets at 1:10 that April Saturday. Moreover, as Dorsey revealed, the Kerns
girl's father worked for the Montag Paper Company, and though he didn't
say so outright, he implied that Sig Montag had coerced little Helen into
swearing falsely.
With that, Dorsey asked the bailiff to turn the defense's chart back
around, enabling him to discuss another entry, the one indicating Lemmie
Quinn's appearance in the factory office at 12:20 on April 26. "This is a
fraud," he boomed, reminding the jurors that at first, "Frank had a mighty
hard time remembering Quinn was there," not mentioning the fact until
after he'd conferred with counsel. The reason for the superintendent's reti-
cence, he added, could be found in Conley's testimony that Quinn had
come and gone before Mary Phagan arrived, making his visit irrelevant.
Concluded the solicitor: Frank's lawyers had altered the true sequence of
events, and loyal Lemmie had acquiesced.
Having thereby blown two large holes in Frank's account of his murder-
330 AND THE DEAD SHALL RISE
day itinerary, Dorsey lambasted the defense for accusing the state of sub-
orning perjury. To the contrary, he proclaimed, it was Frank's witnesses
who'd lied on the stand, and Kerns and Quinn weren't the only ones. Take
the female worker who after vouching for the superintendent's good char-
acter had announced that she would stake her life on his innocence. Such a
profession practically guaranteed that the girl had dissembled, asserted the
solicitor, adding:
I know enough about human nature to know that this willingness to die,
this anxiety to put her neck in a noose that ought to go around Leo Frank
was born of something more than just platonic friendship. Whenever you
see a woman willing to lie down and die for a man not related to her, who
occupies the relation towards her of an employer, you may know that there
must be a passion beyond that which ought to obtain between a married
man and a single woman.
The morning now half gone, Dorsey walked to the edge of the jury box
and unleashed a new and entirely unexpected attack. His weapon— the let-
ter Frank had written to his uncle Moses on April 26, a document that had
gone into the record, over the state's objection, as proof that the superin-
tendent had spent the afternoon of the murder innocently.
"Listen to this," Dorsey began, then read the letter aloud, focusing ini-
tially on the line "It's too short a time since you left for anything startling to
have developed down here." After pausing to let the words sink in, the
solicitor looked up at the jurors and exclaimed:
Too short! Too short! Startling! Tell me honest men, fair men, coura-
geous men, true Georgians seeking to do your duty, that that phrase
penned by that man to his uncle on Saturday afternoon didn't come from
a conscience that was its own accuser. Too short a time— the line shows
that the dastardly deed was done in an incredibly short time. Nothing
startling— I tell you that letter shows on its face that something startling
had happened, and that there was something new in the factory.
Having exposed what he saw as an unconscious expression of guilt on
Frank's part, Dorsey honed in on the passage where the superintendent
described "the thin gray line of veterans" who'd braved Confederate Memo-
rial Day's chilly weather. Here, analysis gave way to vituperation:
I tell you that rich uncle didn't care a flip of his finger about the thin gray
line of veterans. All he cared about was how much money had been gotten
in by the pencil factory.
VERDICT 331
Though Moses Frank, a Confederate veteran himself, likely had relished
news of the Memorial Day observances, Dorsey was again trying to kindle
damaging associations. He was also laying the foundation for an outrageous
interpretive leap, one whereby the letter, whose recipient was at the time in
New York, would lend credence to Conley's claim that in the crime's after-
math, the superintendent had looked to the ceiling and exclaimed: "Why
should I hang? I have wealthy people in Brooklyn." Roared the solicitor:
Didn't have wealthy people in Brooklyn, eh? This uncle of his was
mighty near Brooklyn. His people lived in Brooklyn, and that's one thing
sure and certain, and old Jim never would have known it except Leo M.
Frank had told him, and they had $20,000 in cool cash out at interest.
Ugly as Dorsey's concluding insinuations had been, they did not signal a
full-blown descent into demagoguery. He now exhibited what appeared to
be genuine humility in the face of a grave responsibility, telling the jury, "I
have a difficult task, and I wish I didn't have to do it." Moreover, his treat-
ment of the next item on his agenda would be calm and based on a seem-
ingly superior understanding of the evidence.
Dorsey opened his discussion of the murder notes— a topic Frank's
lawyers had inexplicably given short shrift— by echoing Frank Hooper's
assertion that such communiques were simply not typical of Negroes. But
more than just dispel the theory that Conley had composed the notes, the
solicitor intended to prove that they were the original expressions of the
superintendent. He believed that they actually revealed Frank as their
author and hence the killer.
"This letter I hold in my hands," Dorsey began, referring to the note
scrawled on the yellow National Pencil Company order blank, "says, 'the
negro did it.' " After letting that simple phrase reverberate for a moment,
the solicitor grabbed several pages of trial transcript containing portions of
Conley's testimony, then declared: "Old Jim here, every time he opened his
mouth, says, T done it.' " As illustration, Dorsey then read a few examples:
" T locked the door like he done told me.' 'He done just like this.' T told Mr.
Frank the girl was done dead.' " The conclusion was clear— had Conley
composed the note in question, he would have written "the negro done it"
instead of the grammatically correct "the negro did it." As the solicitor
bluntly asserted: "It's the difference between ignorance and education."
Dorsey then moved on to the second murder note (the one jotted on a
piece of lined white paper), paying particular attention to the phrase: "that
negro did by his slef." Frank had inserted this line, the solicitor averred, to
ward off any suspicion that two men— he and Jim— had been involved in
the crime; Conley would not have needed to draw such a distinction. Flip-
33 2 AND THE DEAD SHALL RISE
ping back to the first note, Dorsey cited another phrase he regarded as a
dead giveaway. Looking at the superintendent, he said:
You make this poor girl say, "I went to make water." You tell me Conley
would have written that when there was no place for her there by the scut-
tle hole? Where did she go to make water? Right back there in the same
direction she would have gone to see about the metal.
Here, Dorsey sought to acquaint the jury with two related points. First,
he flatly announced that pads that contained company order blanks could
be found only where Conley swore the notes were written— the factory
office. Then he insisted that by not speaking up regarding the Negro's abil-
ity to write when detectives had initially shown him the notes, Frank had
been attempting to shield himself and his accomplice. These charges pro-
vided the solicitor with a perfect jumping-off place for his last words on the
topic:
I tell you, gentlemen, that a smarter man than Starnes, a smarter man
than Campbell, a smarter man than Black— in the person of Leo M.
Frank— felt compelled to write these letters, which he thought would
exculpate him, but which instead incriminate and damn him. This man
here, by these notes purporting to have been written by little Mary Phagan,
by the verbiage and the language and the context, in trying to fix the crime
on another, as sure as you are sitting in the jury box, has indelibly fastened
it on himself.
Dorsey next began hammering home one of his argument's central
themes, namely, that Frank's April 26 encounter with Mary Phagan was the
result of weeks, if not months, of plotting. Gesturing to the accused, the
solicitor asserted, "This man had been expecting for some time to cause this
little girl to yield to his blandishments and deflower her." As evidence,
Dorsey cited the testimony of "country boy" Willie Tiirner, who "as far back
as March" had witnessed Frank trying to "force his attentions" on Mary.
Then there was the testimony of Dewey Hewell, "from the Home of the
Good Shepherd," who'd seen the superintendent "place his hands" on the
poor thing's shoulders. And finally there was James M. Gantt, who swore
that the superintendent had asked about the girl and whose firing removed
an obstacle to the plan.
The opportunity Frank had long coveted, Dorsey insisted, at last pre-
sented itself on Friday, April 25, when Helen Ferguson asked for Mary Pha-
gan's pay envelope. The superintendent rejected the request knowing that
his action would result in the appearance of the object of his desire the next
VERDICT 333
day. It was at this point, the solicitor added, that Frank sought out Conley
and engaged him to perform the service he'd frequently performed in the
past.
"Ah, gentlemen, then Saturday comes, Saturday comes," Dorsey thrill-
ingly intoned. Following a sketch of Frank's alleged activities during the
morning hours, the solicitor asserted that Mary Phagan reached the factory
at 12:05 and that the superintendent escorted her to the rear of the second
floor "to see whether the metal had come." That said, Dorsey turned toward
the accused and with the full force of his being leveled his initial accusation:
You assaulted her, and she resisted. She wouldn't yield. You struck her
and you ravished her and she was unconscious.
At this, the victim's mother screamed, then buried her head in the arms of
little Mary's sister Ollie, who was today also seated at the prosecution table.
For the solicitor, there could have been no better backdrop, and he vigor-
ously pressed ahead, demanding of Frank's lawyers:
You tell me she wasn't ravished? I ask you to look at the blood— you
tell me that little child wasn't ravished? I ask you to look at the drawers,
that were torn. I ask you to look at the blood on the drawers. I ask you to
look at the thing that held up the stockings. Oh, no, there was no spermata-
zoan and there was no semen, that's true. But as sure as you are born, that
man is not like other men. He saw this girl. He coveted her. Others without
her stamina and her character had yielded to his lust. But she denied him,
and when she did, not being like other men, he struck her. He gagged her.
By now Rae and Lucille Frank were also sobbing, but Dorsey did not halt,
turning back to the superintendent and leveling his ultimate accusation:
You gagged her, and then quickly you tipped up to the front, where you
knew there was a cord, and you got the cord and in order to save your rep-
utation which you had among the members of the B'nai Brith, in order to
save, not your character because you never had it, but in order to save the
reputation with the Haases and the Montags and the members of Dr.
Marx's church and your kinfolks in Brooklyn, rich and poor, and in Athens,
then it was that you got the cord and fixed the little girl whom you'd
assaulted, who wouldn't yield to your proposals, to save your reputation,
because dead people tell no tales.
Having thus not only charged Frank with Mary Phagan's murder but found
a new way to make his Jewishness appear to be a factor, Dorsey capped this
334 AND THE DEAD SHALL RISE
portion of his address with a last thunderbolt. In a line that managed to
serve as an apologia for one of his least savory witnesses and invoke the
specter of extralegal violence, he asserted that in killing little Mary, the
superintendent was motivated by a final consideration— the knowledge
that had he let her live, "ten thousand men like Kendley would have sprung
up in this town and would have stormed the jail." Such things "oughtn't to
be," said the solicitor, but his qualification did not negate the remark.
As he'd done before, Dorsey now throttled back, quietly attending to
some outstanding business. First, he contested the defense's claim that the
blood and hair located on the factory's second floor the Monday after the
murder had been planted. Not so, he asserted, reminding his audience that
at the time R. P. Barrett made the finds, no reward had been posted. Next,
he reiterated the contention that the only dubious items entered into evi-
dence had been planted by the defense, ticking off a list that started with
the crimson-soaked shirt planted at Newt Lee's house and included the
twine and club located in the factory lobby in mid-May when Rosser "real-
ized something had to be forthcoming to bolster up the charge that Conley
did it."
And so it would continue until 1:30, when Dorsey— to the surprise of a
gallery that fully expected him to finish his presentation by day's end—
pulled a handkerchief from his pocket, wiped the sweat from his face and
simply stopped. "I am mighty tired, your honor," he said by way of explana-
tion. "I hardly feel that I can go on."
At that, Reuben Arnold rose and joined Dorsey at the bench, where fol-
lowing a ten-minute conference, Judge Roan turned to the jurors and
announced: "Gentlemen, the solicitor has more to say but cannot go further
as he's exhausted. As much as I hate to do it, I think I have to adjourn until
9:00 Monday."
The next morning, Atlanta's papers repeated the court's rationale for
extending the trial another week. "Only the limitations of human endur-
ance, taxed to its utmost, kept the Frank case from going to the jury Satur-
day afternoon," declared the Constitution. But in fact, the truth was more
complicated, reflecting an awareness by all involved of the increasingly
volatile atmosphere in the city. As the Augusta Chronicle, one of the many
out-of-town sheets that had staffed the proceedings as the denouement
approached, reported:
The real reason the trial of Leo Frank was abruptly adjourned Saturday
was a fear of the same element which brought about the great Atlanta riot
[of 1906] —the lower element, the people of the back streets and the alleys,
the near-beer saloons and the pool rooms. The Saturday night crowd in
VERDICT 335
Atlanta, beer drinking, blind-tiger frequenting, is not an assemblage loving
law and order. A verdict that displeased these sansculottes of Marietta
Street might well result in trouble.
According to the Chronicle, Judge Roan and the lawyers from both sides, in
consultation with Governor John Slaton (who was said to have placed the
state militia on call), had agreed not to let the case go to the jury over the
weekend.
Thus Sunday passed with Atlanta in limbo, and nowhere was the sus-
pense felt more intensely than in Leo Frank's cell at the Tower. Throughout
the day, friends poured in, and to all the prisoner expressed confidence
regarding the outcome. To himself, however, Frank couldn't have been sure.
The state's evidence was persuasive, and Dorsey's speech had impressed
even his detractors. With uncharacteristic admiration, the Georgian termed
it "a white hot philippic, the greatest ever heard in a criminal court in the
South."
That a vocal majority of Atlantans was openly pulling for Leo Frank's con-
viction could not have been plainer. The enormous crowd gathered in front
of the old city hall Monday morning applauded Hugh Dorsey as he entered
the building. Anxious to make certain that this critical last session was not
itself marred by such demonstrations, Judge Roan wasted no time warning
the men and women lucky enough to gain admission to be careful, lest their
behavior "invalidate all the work that has been done in the past four
weeks." With that, a hush fell over the gallery, and the solicitor rose to his
feet.
Dorsey began his concluding push by offering a discourse on circum-
stantial evidence. Though he conceded that "this circumstance or that cir-
cumstance" might not be strong enough to convict Frank, he insisted that
when taken together, the pieces that had been placed before the jury con-
stituted "such a cable and such a strand that it was not only impossible to
conceive of a reasonable doubt but of any doubt at all." The solicitor then
reiterated the most damning particulars.
There was Lucille's failure to visit Leo during his first days of incar-
ceration. Though Reuben Arnold objected to Dorsey's "unfair and outra-
geous" attempt to imply that the superintendent's wife had stayed away
because she questioned her husband's innocence, Roan— after reminding
the defense lawyer that Frank had himself mentioned the matter in his
statement— ruled that the subject was fair game. Thus the solicitor said: "I
tell you, gentlemen, that there never lived a woman, conscious of the recti-
336 AND THE DEAD SHALL RISE
tude of her husband, who wouldn't have gone to him through snapshooters,
reporters and everything else. And you know it."
There was Frank's refusal to meet with Conley in late May when Chiefs
Beavers and Lanford brought the Negro to his cell. Proclaimed Dorsey:
Gentlemen of the jury— and if you have got enough sense to get out of
a shower of rain you know it's true— never in the history of the Anglo-
Saxon race, never in the history of the African race in America, did an
ignorant, filthy negro accuse a white man of a crime and that man decline
to face him.
Then there was the jailhouse get-together that did take place— the one
between Frank and Newt Lee. Dorsey simply did not buy the superinten-
dent's account of the session, and turning to him, he inquired:
Did you make an earnest, honest conscientious effort, as an innocent
employer would have with his employee, to get at the truth? No. According
to Lee, you hung your head and quizzed him not, but predicted that both
Lee and you would go to hell if Lee continued to tell the story, which he
tells even to this day.
Having raised several of the circumstances that in the wake of Frank's
arrest had whetted investigators' suspicions, Dorsey next focused on what
he regarded as a group of earlier incriminating actions. Many of these— the
superintendent's abrupt shift of Lee's April 26 starting time from four to six
p.m, his refusal to let the night watchman spend the intervening hours in the
factory, his attempt later that afternoon to keep James M. Gantt from enter-
ing the building to search for his shoes, his seven p.m. phone call from home
to check on Lee— were familiar. Others, however, had not been previously
adduced. For instance, Dorsey read much into the fact that Lucille rather
than Leo answered the door when the police came to their house following
the discovery of Mary Phagan's body, seeing it as a sign of Frank's evasive-
ness. Similarly, he felt that the superintendent's insistence on having N. V.
Darley on hand for the subsequent tour of the plant indicated that he'd
needed someone "to sustain his nerves." Finally, there was Frank's late-
Sunday visit to the morgue; in the solicitor's view, it sprang from an atavis-
tic impulse. "Like a dog to his vomit, a sow to his wallow, Frank went to view
the remains of this poor innocent little girl."
At midmorning, Dorsey changed course. His remarks on the medical evi-
dence were brief but pointed. First, he praised the humble Southern food
that had served as the source of the state's findings as to the hour of Mary
Phagan's demise:
VERDICT 337
I tell you, gentlemen, that there is no better, no more wholesome meal
than cabbage, and when the stomach is normal and all right, there is noth-
ing that is more easily digested. And I tell you that cabbage, cornbread, and
buttermilk is good enough for any man.
Then he saluted Dr. Roy Harris on the same grounds, terming him "a Geor-
gia son who holds the highest honor that can be given to a man in his pro-
fession in the state." That said, Dorsey blasted the defense's outside experts,
dismissing Dr. Leroy Childs as "the man from Michigan" and Dr. George
Bachman as "the man from Alsace-Lorraine." All of it was prefatory to the
main point:
This cabbage proposition fastens and fixes and nails down with the
accuracy which only a scientific fact can do, that Mary Phagan met her
death between the time she entered the office of the superintendent and
the time Mrs. White came up the stairs at 12:35 to see her husband.
By this juncture, Dorsey had been speaking for the better part of three
days. He had attacked the conduct of Frank's lawyers even as he had de-
fended his own. He had revisited familiar pieces of evidence, interpreted
enigmatic clues and illuminated previously ignored ones. He had both de-
nounced Frank's character and emphasized his Jewishness and wealth.
Through it all, however, he had barely mentioned the figure around whom
everything revolved and about whom his audience longed to hear more.
Which was why when he brought up his star witness, he did so in the confi-
dent tone of a general who'd held his crack troops in reserve until the end:
So far, not a word about Conley. Not a word. Leave Conley out, you've
got a course of conduct that shows that Frank is guilty. Now, let's discuss
Conley.
Yet rather than plunge into Conley's story, Dorsey began by praising the
white man who'd corroborated its most salacious elements. C. Brutus Dal-
ton, asserted the solicitor, enjoyed "the confidence of the people among
whom he lives," and his testimony as to the chores the Negro had previously
performed for Frank was absolutely credible.
Next, Dorsey rebutted Luther Rosser's claim that William Smith had
gotten Conley shaved and showered and outfitted in a new wardrobe in a
cynical attempt to keep the jurors from seeing him as the disreputable
Negro he truly was. Not so, maintained the solicitor. Smith had been moti-
vated by no other force than "the charity in his heart," and for this he
deserved "not condemnation but thanks."
338 AND THE DEAD SHALL RISE
Dorsey appeared ready to launch his peroration, but once more he
digressed, offering a rationale for Conley's transfer from the laxly guarded
Tower to the police lockup. Though the topic was germane, the solicitor was
obviously stalling.
From this point on, however, there would be no more pauses. As the
clock ticked toward noon, Dorsey elucidated the evidence and testimony
that as he phrased it again and again sustained Jim Conley:
The defense's failure to cross-examine our character witnesses sustains
Jim Conley.
Frank's relations with Miss Rebecca Carson, who is shown to have gone
in the ladies' dressing room with him, sustains Jim Conley.
Your own witness, Miss Jackson, who says that this libertine and rake
came in when these girls were in there reclining and lounging after they
had finished their work and tells of the sardonic grin that lit his counte-
nance, sustains Jim Conley.
Monteen Stover, as to the easy-walking shoes she wore when she went
up into Frank's room, sustains Jim Conley.
Monteen Stover, when she tells you that she found nobody in that
office, sustains Jim Conley.
The testimony of Boots Rogers, that the elevator box was unlocked, sus-
tains Jim Conley.
His litany completed, Dorsey turned to the jury and in the voice of a man
who'd long been awaiting this moment vowed:
Gentlemen, every act of that defendant proclaims him guilty. Gentle-
men, every word of that defendant proclaims him responsible for the death
of this little factory girl. Gentlemen, every circumstance in this case proves
him guilty of this crime. Extraordinary? Yes, but nevertheless true, just as
true as Mary Phagan is dead. She died a noble death, not a blot on her
name. She died because she wouldn't yield her virtue to the demands of
her superintendent.
Your honor, I have done my duty. And I predict, may it please your
honor, that under the law that you give in charge and under the honest
opinion of the jury of the evidence produced, there can be but one verdict,
and that is: We the jury find the defendant, Leo M. Frank, guilty!
Whereupon the bells of the nearby Church of the Immaculate Conception
began to toll twelve, giving the solicitor— whose earlier diversions now
made sense— the opportunity to repeat his last word between each sue-
VERDICT 339
ceeding chime: "Guilty! Guilty! Guilty!" Until finally the bells sounded
no more.
No sooner had Dorsey returned to his seat than Reuben Arnold, after
requesting that the jury be sent out, asked for a mistrial. The motion, which
the lawyer had written hastily in pencil and which he now read aloud, was
predicated on the many partisan outbursts that had occurred during the
course of the proceedings. Starting with a mention of the applause that had
greeted Judge Roan's decision of two weeks earlier to allow into evidence
Conley's testimony accusing Frank of sexual perversion and ending with a
reminder that this very morning the solicitor's arrival had been greeted
with cheers, Arnold cited five incidents that he believed had "tended to
coerce and intimidate" the jurors, who when they were not in court, he
stressed, sat in a room just twenty feet away. "Your honor," declared the
lawyer, "the behavior of the spectators throughout this trial has been dis-
graceful."
Predictably, Dorsey not only opposed Arnold's motion but disputed the
facts upon which it was based, asserting that even if there had been displays
of emotion, "it is ridiculous to say that they amounted to anything."
At this, Arnold, after recalling to the judge that he had himself witnessed
the gallery's conduct, asked him to "take cognizance of these facts and cer-
tify to them."
"Of course I heard the cheers," replied Roan, "but whether the jury was
influenced, I don't know."
Arnold sought permission to summon several of the deputy sheriffs
who'd supervised the jurors over the past month, and presently R. V.
DeVere and Charles Huber took the stand. The deputies' testimony, how-
ever, was inconclusive. Though DeVere stated that the jurors had heard the
applause, he maintained that they did not know which side it favored. As
for Huber, he said that he had not learned of Friday evening's demonstra-
tion until Saturday, a claim that even as it undermined the defense's point
drew snickers from the audience that seemed to affirm it. "Why, your
honor," Arnold complained. "You can't keep them quiet now."
In the end, however, Roan overruled the defense's motion, and the jury
was returned. The judge's charge was in most ways pro forma. He reminded
the twelve men that the law accorded Frank the presumption of innocence.
He defined the concept of reasonable doubt. He spoke of the differences
between direct and circumstantial evidence. Then he discussed character
evidence, informing the jurors that good character was no bar to conviction
but emphasizing that "an instance of misconduct shown by the state doesn't
340 AND THE DEAD SHALL RISE
mean the defendant is guilty." As to Frank's statement, the judge reminded
his audience that the superintendent had not been under oath when he
made it. "It is with you as to how much of it you will believe or how little."
This said, Roan told the jurors that if they found against Frank, they would
have the option of recommending mercy. If they did not so recommend, he
added, the court would have no choice but "to sentence the defendant to
the extreme penalty." With that, the judge brought down his gavel, where-
upon Lucille Frank leaned back in her chair, closed her eyes and clasped
her throat as if about to faint. As for her husband, he appeared, as always,
unaffected.
The jury began its deliberations at 1:35 p.m. in a chamber two floors above
the courtroom. After a month in the fishbowl, the space was relatively iso-
lated, although even here, the men were not free from scrutiny. As it so hap-
pened, the sixth story of the nearly completed courthouse offered a perfect
vantage on the scene, and a gaggle of reporters had congregated there. Not
that they could ascertain much from such a remove. True, they observed
that the jurors' first act was to elect Fred Winburn, the railroad freight
agent, foreman. And yes, they noticed that early on, the men passed around
the bottles containing cabbage samples. But otherwise, they could do little
but speculate as to various dispositions.
As the jury got down to work, considerable and significant activity was
simultaneously under way in the Thrower Building office of Leonard Roan.
There, at the judge's suggestion, representatives of the defense and the
state were completing an agreement whereby the presence in the court-
room of both Frank and his lead lawyers would be waived for the reading of
the verdict. Roan, conscious of the increasing hostility in Atlanta, believed
that in the event of an acquittal, the superintendent and his counsel could
well become the targets of violence.
Shortly after this arrangement was finalized— and just an hour and forty-
five minutes after the jurors took up the case— the reporters looking on
from across the street flashed the news. The panel, following only two bal-
lots, had reached a verdict. Since it would take time for some of the princi-
pals to get back downtown, the jury remained out until 4:56 p.m. By then, a
crowd of five thousand was packed around the court building. Though
mounted policemen rode through the throng, there was no containing the
restive and anticipatory air.
For all the commotion outside, the courtroom itself was silent. The space
had been cleared of spectators. Thus only Dorsey and Frank Hooper at one
table, Rosser's son, Luther Jr. and his partner, Stiles Hopkins, at the other, a
few curious lawyers and a delegation of newsmen heard the key exchange.
VERDICT 341
"Gentlemen, have you reached a verdict?" asked the judge.
"We have, your honor," replied Winburn, at which point the foreman
unfolded a sheet of paper and in a trembling voice declared: "We have
found the defendant guilty."
No sooner had Winburn spoken than the reporters rushed en masse to
an adjacent room and over multiple lines installed for just this purpose
began phoning their offices. As they barked into mouthpieces, crowd mem-
bers clustered at the windows picked up the news and in seconds, observed
one journalist, "the cry of guilty took winged flight from lip to lip. It trav-
eled like the rattle of musketry. Then came a combined shout that rose to
the sky. Hats went into the air. Women wept and shouted by turns."
The demonstration shook the courtroom— so much so that an over-
whelmed Dorsey ceded the task of polling the jury to Roan. "Is that your ver-
dict?" the judge twelve times asked over the noise, and twelve times the reply
came back, "Yes." There was no recommendation of mercy, though Roan,
mindful of what was occurring outside, announced that he would delay sen-
tencing. Thus it was done, and as John W. Coleman, little Mary's stepfather,
shook hands with the jurors, the solicitor made his way toward the door.
Standing on the old city hall steps, Dorsey blinked with astonishment.
For blocks in every direction, the streets pulsated with cheering souls, while
overhead, windows were crowded with women and children. Reported the
Constitution:
The solicitor reached no farther than the sidewalk. While mounted men
rode like Cossacks through the human swarm, three muscular men slung
Mr. Dorsey on their shoulders and passed him over the heads of the crowd
across the street.
With hat raised and tears coursing down his cheeks, the victor in Geor-
gia's most noted criminal battle was tumbled over a shrieking throng that
wildly proclaimed its admiration. Few will live to see another such demon-
stration.
After being deposited at his office, Dorsey grabbed a fistful of belongings,
then made his way to a waiting car. To shouted requests from reporters for
comment, he would say only, "I feel sorry for his wife and mother." With
that, the machine pulled slowly away, the solicitor shaking hands with well-
wishers as policemen held open a path. Up Pryor Street into the central
business district the vehicle crept, thousands still screaming their approba-
tion and from the skyscrapers ahead a bright fluttering of handkerchiefs.
Across town at the Fulton County Tower, the mood was, of course, dif-
ferent. In fact, the news so shocked a group of Leo Frank's friends— among
them Rabbi David Marx, a young lawyer named Samuel Boorstin and Dr.
34 2 AND THE DEAD SHALL RISE
Benjamin Wildauer, a politically connected dentist— that they called Dr.
Howard Rosenberg, then waited in the lobby for the thirty minutes it took
the Franks' physician to arrive before mounting the metal steps to the
superintendent's cell. The entourage found Leo and Lucille sitting side by
side. After Frank rose to greet the men, it fell to Rosenberg to deliver the
grim tidings. To which Frank incredulously responded: "My God! Even the
jury was influenced by mob law." Lucille, however, could not mask her
heartbreak. Noted a reporter who took in the scene: "Mrs. Frank huddled
closer to her boyish-looking husband. There was a wild stare in her eyes.
She threw her arms about his neck and sobbed bitterly. He stroked her
head and pleaded with her to be brave." Following a brief interlude, Rosen-
berg prevailed upon Lucille to let him drive her home, where her parents
and Leo's mother were waiting. Though Lucille refused comment to the
newsmen who met her outside, Wildauer soon appeared and issued what
would be Frank's one official statement: "I am as innocent today as I was
one year ago." Soon thereafter, the Seligs' Negro chauffeur arrived with the
convicted man's supper, which he ate with relish. Then he retired.
Many Atlantans behaved as if they hoped the day would never end.
Long into the night, people stood on corners discussing the verdict. Others
called friends. (Southern Bell executives announced that the volume of
phone usage in the city Monday broke records.) And everyone, it seemed,
bought extras. All three papers published special editions, but predictably, it
was the Georgian that outdid itself, printing 131,208 copies, more than triple
its pre-Hearst circulation.
Tuesday dawned with Atlanta still besotted from Monday's events. Which
was why Judge Roan informed just a few people regarding the time and
place of Leo Frank's sentencing. As a consequence, when the superintend-
ent walked into a Thrower Building courtroom at 10:20, the only individu-
als present were Rosser and Arnold, assistant solicitor Ed Stephens and a
handful of reporters. So secretive were the proceedings that Lucille did not
learn of them in time to be at her husband's side, meaning that when the
judge asked Frank if he had anything to say before hearing his fate pro-
nounced, he could seek solace solely from within. Not that the convicted
man appeared at a loss. Looking Roan directly in the eyes, in a clear voice,
he declared: "I say now, as I have always said, that I am innocent. Further
than that, my case is in the hands of my lawyers."
With that, Roan remarked, "Mr. Frank, I have tried to see that you had a
fair trial for the offense for which you were indicted. I have the conscious-
ness of knowing that I have made every effort." Then, using words pre-
scribed by law, the judge proclaimed:
VERDICT 343
It is ordered and adjudged by the court that on the tenth day of Octo-
ber, 1913, the defendant, Leo M. Frank, shall be executed by the sheriff of
Fulton County. That said defendant on that day between 10 o'clock a.m.
and 2 o'clock p.m. shall be hanged by the neck until he shall be dead, and
may God have mercy on his soul.
In the wake of Frank's sentencing, Reuben Arnold submitted a motion
to Roan announcing the defense's intention to seek a new trial, and Octo-
ber 4 was set as the hearing date. Soon thereafter, Frank's lawyers distrib-
uted a statement indicating how vehemently they intended to pursue the
fight:
The trial which has just occurred and which has resulted in Mr. Frank's
conviction was a farce and not in any way a fair trial.
The temper of the public mind was such that it invaded the courtroom
and pervaded the streets and made itself manifest at every turn the jury
made and it was just as impossible for this jury to escape the effects of the
public feeling as if they had been turned loose and allowed to mingle with
the people.
It would have required a jury of stoics, a jury of Spartans, to have with-
stood this situation.
The defense's allegations would be difficult to prove. Even as Rosser and
Arnold were asserting that the men who tried Frank had been influenced
by public sentiment, the Georgian had an extra on the streets in which
an unnamed juror maintained: "The jury heard none of the cheering for
Dorsey outside the courtroom at any time. We heard the crowds in the
courtroom laugh at times, and we laughed, too, but that had no effect." To
the contrary, the anonymous panelist declared, the body based its decision
solely on the facts. "Don't think that we had not considered the case fully,"
he said. "And don't think that there was a man amongst us that wanted to
do what we did. Yet, day after day, the pressure grew heavier as the case was
put before us. From a slight dread it became an oppression, then a nausea
and at last a sickening sense that Frank was the guilty man and we were
going to give the world that verdict."
And so the most furiously fought legal battle in Georgia history had
ended where it began— in discord and dispute. There was, however, one
place in Atlanta where unanimity and harmony reigned. Boomed the Geor-
gian's headline:
JIM CONLEY,THE EBONY CHEVALIER OF CRIME,
IS DARKTOWN'S OWN HERO
344 AN D THE DEAD SHALL RISE
In the following text, the paper's James B. Nevin portrayed a Negro com-
munity in complete accord. After discussing the general reaction, the re-
porter gave the last word to a shoe-shine boy with "a smattering of
education and an ingratiating manner." Observed this representative black
man:
Well, boss, dem niggers down on Decatur Street, dey ain't talking of
nothing but Jim Conley. He's the most talked about nigger anywhere, I
guess. I hears him complimented on all sides. He done got de best of de
smartest of 'urn. Nobody can fool er nigger like Jim.
THIRTEEN
Appeals in and out of Court
o:
n or near Labor Day, 1913, barely a week after Leo Frank's con-
| viction, Rabbi David Marx walked into Atlanta's Terminal Station
and boarded a train for New York. At forty-one, balding and gray-
ing at the temples, the leader of the city's Reform congregation betrayed no
evidence of heartache or perturbation. Judging solely by appearances, he
was, as always, the cool and aristocratic diplomat who seemed at home in
every part of the capital of the New South. In truth, however, the rabbi was
distraught. He was also furious, believing that the jury's verdict against
Frank could be explained only by a sentiment that he'd heretofore main-
tained barely existed in Georgia: anti-Semitism.
Marx was not alone in such feelings. Secure and accepted as members of
Atlanta's German- Jewish elite had traditionally believed themselves to be,
in the days since the trial ended many of them had begun to manifest a deep
sense of unease. The initial public display of this unease occurred the night
of Frank's conviction when even as the bulk of the city's populace still cele-
brated, the rabbi's wife drove up to the Fulton County Tower to retrieve her
husband and in a tearful voice was heard to tell him: "Oh, please take me
away from Atlanta." In light of the fact that Eleanor Marx's father, Abra-
ham Rosenfield, was one of the Temple's cofounders, her remark suggested
a wound that went to the core of the Washington Street community. Two
mornings hence, the Macon Telegraph, indicating again that only the out-
of-town press was willing to call attention to the ill will the proceedings had
unleashed, confirmed as much, reporting:
The long case and its bitterness has hurt the city greatly in that it has
opened a seemingly impassable chasm between the people of the Jewish
race and the Gentiles. It has broken friendships of years, has divided the
races, brought about bitterness deeply regretted by all factions. The friends
who rallied to the defense of Leo Frank feel that racial prejudice has much
to do with the verdict. They are convinced that Frank was not prosecuted
but persecuted.
346 AND THE DEAD SHALL RISE
Marx was headed to New York to alert the leaders of American Jewry to
Frank's plight, which he believed was commensurate to that of Alfred
Dreyfus, the French military officer who, after being convicted of treason in
1894, was shown to have been the victim of an anti-Semitic plot and, fol-
lowing worldwide agitation, pardoned. As the rabbi, in an August 30 letter
to a potential convert to the cause, had himself put it:
I would like to enlist your assistance in what is without doubt an Amer-
ican "Dreyfus" case that has just developed in Atlanta ... the evidence
against Frank is purely prejudice and perjury. The feeling against the
Damned Jew is so bitter that the jury was intimidated and feared for their
lives, which undoubtedly would have been in danger had any other verdict
been rendered.
Marx hoped to see a number of people in the city, but two stood out.
At fifty-five, Adolph S. Ochs, publisher of the New York Times, was not
only the most powerful figure in American journalism, he was the profes-
sion's most powerful Jew. (Moreover, he was a Southern Jew, reared in
Knoxville, Tennessee, who'd founded the Chattanooga Times, of which
he was still proprietor.) Yet even so, Ochs was loath to involve himself in
Jewish issues. "Mr. Ochs is a non- Jewish Jew," noted his trusted editorial
assistant Garet Garrett. "He will have nothing to do with any Jewish
movement." The most marked instance of this reluctance had occurred dur-
ing the Dreyfus affair, when the publisher resisted pleas to take the lead
in championing the French officer's exoneration. More recently, he had
rejected an invitation to join the American Jewish Committee, a group
composed of some of the country's most influential Jews. Though Ochs was
a sympathetic and, indeed, sentimental soul, his reasoning seemed inar-
guable. He was determined, in Garrett's words, never to let the Times
become "a Jewish newspaper." Securing his interest in the matter of Leo
Frank was hardly a fait accompli.
The other New Yorker at the top of Marx's list was Louis Marshall, pres-
ident of the American Jewish Committee. At fifty-six, Marshall was widely
regarded as attorney-at-large for the Jewish people. A partner in the firm of
Guggenheimer, Untermeyer and Marshall and an expert in constitutional
law, he had spent much of the past decade fighting anti-Semitism. In 1905,
he'd led a successful battle to open New York's restricted Lake Placid Club
to Jewish members. Soon thereafter, he'd conducted a victorious statewide
campaign to outlaw discriminatory practices at hotels. And in 191 1, he'd
spearheaded a triumphant nationwide drive to force the United States
to abrogate an international treaty that had been used by hostile Czarist
APPEALS IN AND OUT OF COURT 347
authorities to keep American Jews from freely conducting business in
Russia. What made this last accomplishment impressive was the fact that
after President William Howard Taft resisted an initially quiet lobbying
effort, Marshall, a Republican, enlisted the Democratic presidential aspi-
rant Woodrow Wilson in a public campaign to force the issue. When the per-
tinent bill came before Congress, it passed by a 300-to-i vote.
However, Marshall, too, was reluctant to involve himself or his organiza-
tion in most of the reported incidents of anti-Semitism that crossed his
desk. "We are always talking too much about Jews, Jews, Jews, and we are
making a Jewish question of almost everything that occurs," he was wont to
say. The thing to keep in mind, he often added, was "to avoid the appear-
ance of crying wolf." Thus when asked to initiate action against, say, a pro-
duction of William Shakespeare's The Merchant of Venice on the grounds
that the character of Shylock was a prejudicial stereotype, he invariably
said no. Only truly just causes— ones rooted in incidents where Jews' rights
and freedoms as American citizens appeared to be threatened— received
Marshall's attention. He was also quite capable of shying away from any-
thing having to do with Leo Frank.
Since Ochs was at the time vacationing in Europe, Marx was shunted off
to one of the Times's assistant editors. After presenting an overview of the
Frank case to this underling, the rabbi asked that the paper— which had
printed only three brief pieces on the trial— look into the topic and prepare
a comprehensive article. The editor agreed to make some inquiries, but fol-
lowing a call to his Atlanta stringer, he went no further. As Garet Garrett
would write: "The correspondent . . . reported that there was a lot of anti-
Jewish feeling against Frank, and that the worst thing for him that could
happen would be for the Jews to rally to him, as Jews."
Marshall's response to Marx's appeal was more encouraging, although if
it was a call for action the rabbi wanted, he went away disappointed here as
well. The American Jewish Committee president believed that the Frank
case met his criteria for involvement, agreeing with Marx that the factory
superintendent had not received a fair trial and that anti-Semitism was a
factor. By September 5, in fact, Marshall was alerting his highly positioned
Jewish friends to what had happened in Atlanta. Frank's conviction, he
wrote fellow committee member Dr. Joseph L. Magnes, was a "horrible
judicial tragedy." To Irving Lehman, scion of the great merchant-banking
family and himself a respected lawyer, he asserted, "The case is almost a
second Dreyfus affair." Still, Marshall believed that an all-out campaign
would be precipitous and likely damaging to the condemned man's hopes.
On September 9, he informed Frank's friend Milton Klein, who had written
to second Marx's plea for support, that he preferred to work indirectly:
348 AND THE DEAD SHALL RISE
It would be unfortunate if anything were done . . . from the standpoint
of the Jews. Whatever is done must be done as a matter of justice, and any
action that is taken must emanate from non- Jewish sources.
Exhibiting a keen understanding of the resentment Southerners would
likely feel toward Northern intervention in general and Jewish intervention
in particular, Marshall proposed to work behind the scenes to change Atlan-
tans' thinking. As he wrote Lehman:
There is only one way of dealing with this matter and that is in a quiet,
unobtrusive manner to bring influence to bear on the Southern press [to
create] a wholesome public opinion which will free this unfortunate young
man from the terrible judgement which rests against him.
It appears to have been no coincidence that in response to these cool
reactions, either Marx or others in Leo Frank's camp chose this moment
to solicit the assistance of a more confrontational Northern Jew. Simon
Wolf, a prominent Washington lawyer who was both president of the capi-
tal's chapter of the B'Nai Brith and director of Atlanta's Hebrew Orphans
Home, was not a reticent soul. In mid-September he circulated a letter to
the members of the Union of American Hebrew Congregations counseling
action on Frank's behalf. By the month's end, Jewish publications from
Minnesota to Alabama had taken up the cause. Proclaimed the September
26 issue of Cincinnati's American Israelite:
Frank's religion precluded a fair trial . . . The man was convicted at the
dictates of a mob, the jury and the judge fearing for their lives.
This development infuriated Louis Marshall. Writing on September 27 to
Adolph Kraus, president of the national B'Nai Brith, the lawyer expressed
his "great regret [at] such articles as that which appeared on the editorial
page of the Israelite . . . They can do no good. They can only accentuate the
mischief." Making the same argument he'd made to Marx, Marshall added
that the best course was to lobby Southern newspapers to mount a home-
grown effort for Frank. That way, the anti-Semitism that had arisen in
Atlanta "may not only subside but may be absolutely counteracted and
destroyed."
As Rabbi Marx was making the rounds in New York, Leo Frank's lawyers
in Atlanta were gearing up for the next legal battle. The first order of busi-
ness was to prepare an amended motion for a new trial, and Luther Rosser
APPEALS IN AND OUT OF COURT 349
set to work. From Labor Day on, the Grant Building offices of Rosser,
Brandon, Slaton & Phillips were a hive of activity. Plainly, the condemned
man's counsel would argue that the many demonstrations in support of
Hugh Dorsey during the just completed proceedings had intimidated the
jurors. They would also contend that Judge Leonard Roan had erred in
allowing Jim Conley's sexually explicit testimony to remain in the record.
Yet beyond this, little was known. Rosser refused requests for interviews.
And Reuben Arnold, having left town for a long-planned vacation, was
unavailable for comment.
With months, possibly years, of wrangling ahead (the defense had already
announced that if the application for a new trial was denied, it would appeal
to the Georgia Supreme Court), Leo Frank now knew that the Fulton
County Tower would be his home for the foreseeable future. By early Sep-
tember, he had undertaken the task of redecorating his six-by-eight-foot
cell, seeing to it that the floors were polished, the walls scrubbed and two
chairs and a table installed. Boomed the Constitution's headline: cell now
like living room. Frank also established a physical-fitness regimen. Ris-
ing each morning at seven, he would go to a window and breathe deeply
while overlooking the sprawl of warehouses that surrounded the jail. Fol-
lowing twenty minutes of exercise with Indian clubs and a set of dumbbells
he'd received permission to keep on hand, he showered, donned a robe and
sat down to the newspapers. At 8:50, his father-in-law arrived with break-
fast, which usually consisted of cantaloupe, rolls and coffee. Presently, Her-
bert Schiff or Sig Montag dropped by to discuss business matters with
Frank, who while no longer in charge of day-to-day operations continued to
consult on major decisions. At 1:30, dinner was served, and at 4:00 Lucille
appeared, usually staying through supper. Most evenings, friends visited.
But on others, Frank sat up alone studying his case, preparing a file of the
evidence that he believed established his innocence. Despite his realization
that the process would be lengthy, he possessed every confidence that he
would not only win a new trial but that he would be exonerated. Noted the
Georgian: "There is no suggestion of the dejected or broken man con-
demned to be hanged."
The reason for Frank's optimism became apparent on October 1 when
his lawyers, just four days before the hearing date set by Judge Roan, re-
leased the amended motion. The document cited 115 reasons why the fac-
tory superintendent should be granted a new trial. As the defense saw it, the
court never should have admitted Bert Green's chart of the pencil plant,
with its colored lines indicating the paths the state maintained Frank had
traveled while committing the crime. Nor should it have countenanced Dr.
Henry F. Harris's "opinions" as to the hour of Mary Phagan's death. Then
there were the questionable allegations of lascivious conduct against the
35° AND THE DEAD SHALL RISE
superintendent, not to mention numerous portions of Hugh Dorsey's ar-
gument (the references to Lucille's initial failure to visit her husband in
prison, for instance). Yet the elements of the motion that generated the
most attention had nothing to do with the legality of the evidence but
rather with the pretrial dispositions of the individuals who had rendered
the verdict. Roared the Journal's page-one headline:
JURORS JOHENNING AND HENSLEE BOTH ATTACKED
They Are Alleged to Have Gone on the Jury Prejudiced.
The motion's charges against shop foreman Marcellus Johenning and
buggy salesman Atticus Henslee were almost identically worded. Asserted
the first:
Johenning had a fixed opinion that the defendant was guilty prior to, and
at, the time he was taken on the jury and was not an impartial juror.
Echoed the other:
Henslee was prejudiced against the defendant when he was selected as a
juror, had previously thereto formed and expressed a decided opinion as
to the guilt of the defendant and in favor of the state.
To accuse two of the jurors of pretrial bias was a risky tack. In the weeks
since the proceedings concluded, Atlanta had elevated the men who con-
victed Frank to an exalted status. (On a mid-September Saturday, a forty-
car motorcade had transported the twelve to an outlying park where along
with Dorsey, Judge Roan and the reporters who'd covered the trial, they
were treated to a magnificent spread of fried channel catfish, barbecue and
Brunswick stew.) Yet the defense had not made the allegations lightly,
accompanying the amended motion with a sheaf of supporting affidavits.
Advancing the charge of prejudice against Johenning were a coworker
named H. C. Lovenhart and his wife and daughter. As the three recalled it,
they'd been discussing the Phagan murder with the shop foreman in May
when he'd said of Frank, "I know that he's guilty." Advancing the claim
against the better traveled Henslee were men from across the state. Accord-
ing to Samuel Aron of Atlanta, two days after the grand jury returned its
true bill against Frank, he'd overheard the buggy salesman exclaim to a
group at the downtown Elk's Club: "I am glad they indicted the God damn
Jew. They ought to take him out and lynch him, and if I get on that jury I'll
hang that Jew, sure." Farther afield, Mack Farkas, a livery stable owner in
the Southwest Georgia town of Albany who frequently did business with
APPEALS IN AND OUT OF COURT 351
Henslee, declared that during a meeting shortly before the proceedings
began, the buggy salesman had proclaimed, "I believe Frank is guilty."
No sooner had Hugh Dorsey looked over the amended motion and its sup-
porting affidavits than he sought a week's delay of the new trial hearing. To
this, Judge Roan readily assented. Following several days of work, Dorsey
announced that he'd barely gotten started and asked for another postpone-
ment. It, too, was granted, whereupon he packed his files into several valises
and along with his assistant, Ed Stephens, boarded a train for the south
Georgia town of Valdosta. There, some two hundred miles from the myriad
distractions of the city, the solicitor said he would be able to devote himself
fully to the task of drafting the arguments with which he hoped to refute the
defense's 115 grounds when court convened on the now scheduled date of
October 22.
While in Valdosta, Dorsey did more than just prepare for the upcoming
hearing. Realizing that he could not let the sensational charges against
Johenning and Henslee go unanswered, he spent much of his time on the
telephone orchestrating a campaign to present the two jurors as the men
most Atlantans believed them to be— fair and courageous citizens whose
only interest had been in seeing justice done. Not surprisingly, the first indi-
viduals to so declare were Johenning and Henslee themselves. Yet it wasn't
just the men under attack who spoke up. The jury foreman, Fred Winburn,
was equally vociferous, declaring, "The charges that the jury was prejudiced
are untrue. The jurors were all men of honor and integrity." Others among
the twelve also raised their voices, none more bluntly than pressman
Charles Bosshardt, who asserted: "I say the charges are bosh."
Dorsey's decision to enlist the jurors in defense of the trial's fairness was
shrewd. But if he expected Frank's lawyers to retreat, he was mistaken.
Three days after Winburn and Bosshardt vouched for Johenning and
Henslee, Reuben Arnold, back in town and fresh from his lengthy rest,
blasted the two, telling the Georgian:
Henslee 's prejudice and that of Johenning alone constitute a situation
that is sufficient to form a basis for a new trial. It is unthinkable that a man
should be sentenced to death when two of the men were violently biased
against him before a word of evidence was heard.
Arnold also revealed that he and Rosser had collected even more affidavits
bearing on the individual who was clearly their principal target— Henslee.
35 2 AND THE DEAD SHALL RISE
Meantime, the defense chose this moment to call attention to a number
of other affidavits submitted with the amended motion. These documents
all had to do with the climate in which the trial had taken place, some focus-
ing on the already much discussed outbursts of cheering for Dorsey, the rest
addressing the heretofore unreported charge that members of the court-
house crowd had spoken with the jurors during breaks in the proceedings,
exposing them to influences that by law should have been outside their
purview.
Making the claim that the many displays of pro-prosecution sentiment
were witnessed by the jurors were thirteen men and women who said they'd
been in attendance at the proceedings or nearby during the incidents in
question. As John Shipp, Samuel Boorstin and the others told it, when
Dorsey received the thunderous ovation from the enormous crowd that
had been awaiting him at 6 p.m. on the trial's final Friday, the jurors were
only fifty feet away. Boorstin, who had, of course, been with Frank the after-
noon of his conviction, added that during the few minutes it took the
demonstration to subside, he'd followed the twelve back to their quarters at
the Kimball House, where he'd spotted juror F.V.L. Smith taking in the
spectacle from an upstairs room. In a similar vein, both Martha Kay and
Mrs. A. Shurman contended that from where they sat in the courtroom on
the proceedings' last day, they'd watched as the twelve, already in their box,
listened to the roar that met Dorsey's arrival.
Making the claim that on several occasions spectators had spoken
directly to the jurors were four other Atlantans who said they were either in
the courtroom or in the vicinity during the incidents mentioned. According
to W. P. Neil, he was sitting adjacent to the jury box near the end of the trial
when a man he could not identify "took hold of one of the jurors with one
hand, grasped his arm with the other and made a statement to him." Simi-
larly, two witnesses contended that they'd been driving down Pryor Street
on the Saturday before the verdict when they'd spotted the twelve out for a
constitutional, accompanied not just by an escort of deputies but by five or
six hangers-on who engaged the putatively sequestered men in conversa-
tion. While these deponents could not attest to what was spoken during the
encounters they had observed, this was not the case with Isaac Hazan. As
he told it, at midday on the trial's last Friday, he'd watched a group of ten or
fifteen toughs accost the jurors on their way to lunch, shouting "that unless
they brought in a verdict of guilty, they would kill the whole damn bunch."
Hugh Dorsey's response to the defense's second salvo was of a piece with
his response to the first. He remained in Valdosta, while his surrogates in
Atlanta disseminated just enough information to keep Rosser and Arnold
APPEALS IN AND OUT OF COURT 353
from stealing all the headlines. Atticus Henslee, for instance, revealed that
he had, in fact, publicly expressed a belief in Frank's guilt— but after the
verdict was in. At the same time, the solicitor's office announced that
Detectives John Starnes and Pat Campbell were back on the job, collecting
depositions supporting the integrity of Henslee and Johenning and investi-
gating their detractors. Two hundred miles away or not, Dorsey was evinc-
ing his characteristic dexterity.
The hearing on the motion for a new trial convened in the state capitol
library at 9 a.m. on a crisp October Wednesday. Physically, the setting could
not have been more sedate. Facing walls lined by dusty volumes and warmed
by a coal fire on a metal grate, the lawyers— Rosser, Arnold, Herbert Haas
and his cousin and fellow attorney, Leonard Haas, for the defense; Dorsey,
Stephens and Frank Hooper for the state— sat at opposite ends of a long
table, with Judge Roan in the middle. Though a couple of dozen curiosity
seekers milled about in an adjacent hall, only reporters and detectives were
granted admission. No sooner had the session started than it became clear
that the state intended to challenge the wording of each of the motion's 1 15
grounds. Before the larger issues could be debated, every bit of the language
in which they were framed would have to be hashed out.
By midmorning, a rancorous and time-consuming pattern had emerged.
Rosser would read a ground aloud, Dorsey would object to its construction,
Rosser or Arnold would object to the objection, then Roan would consider
the competing merits and make his ruling. Typical was the clash over
ground seven, which as originally submitted stated that Frank deserved a
new trial because the court had erred in allowing John Black to testify that
the factory superintendent employed counsel the Monday following Mary
Phagan's murder. The solicitor took issue with the phrase "employed coun-
sel," maintaining that the detective had in actuality said "had counsel." A
review of the transcript proved Dorsey correct, whereupon Rosser indi-
cated his displeasure by pounding a newly acquired cane on the floor and
snarling: "You'd hang this man on the dotting of an T or the crossing of a
't.' " Replied the solicitor: "You're making a mountain out of a mole hill."
Either way, the judge ordered that the ground be reworded.
The summer's hostilities had yet to subside. On this first day, Dorsey
spent the hour before lunch and an hour after arguing that the five grounds
asserting that the court erred in accepting Conley's sexually charged testi-
mony into evidence had to be rephrased to include a crucial fact that
Frank's lawyers had curiously omitted— namely, that the defense did not
object to the material until after cross-examining the Negro. Roan con-
curred. Conversely, Rosser devoted considerable time to fending off the
354 AND THE DEAD SHALL RISE
solicitor's attempt to water down a ground contending that the jurors
had been intimidated by "the pronounced and continuous applause" that
greeted the court's decision to overrule the objection to Conley's explicit
testimony. Here, Roan not only found for the defense but voiced his opin-
ion that the twelve must have heard the outburst. Through it all, the tenor
of the debate remained ugly. At 6 p.m., when the combatants went home for
the evening, the judge had checked off only 42 of the motion's 1 15 grounds
on a list he kept at his fingertips, and the names Johenning and Henslee had
not been uttered.
On Thursday, despite the urging of Judge Roan to make haste and cease
scrapping, the pace was again slow and tempers short. The day began with
Arnold reading grounds 43 through 47 of the motion, each of which dealt
with witnesses who'd been used by the state to accuse Frank of acts of
immorality. As the defense saw it, the allegations of Irene Jackson and
Willie TUrner and the examination of Lula Wardlaw were prejudicial, and
the court had erred by allowing them into evidence. Dorsey took issue with
this view. Because the defense had not objected to the material during the
trial, he argued, it could not do so now. True, conceded Arnold, he and
Rosser had said nothing at the time, but, he then added, only because their
earlier objection to the solicitor's questioning of John Ashley Jones— the
insurance agent whose grilling regarding the factory superintendent's al-
leged fondling of an employee's breasts sparked Rae Frank's attack on
Dorsey— served as an omnibus objection to any later such exchanges. After
briefly puzzling over the matter, the judge ruled in the defense's favor.
Yet splendidly as things had gone for Rosser and Arnold at the morning
session, following lunch the results were more mixed. The lawyers kicked
off the afternoon by returning to the topic of the demonstrations that had
periodically rocked the courtroom during the trial. But before they could
read a single ground, Dorsey, still smarting from Roan's declaration of
the day before regarding the outburst that greeted the decision to overrule
the defense's objection to Conley's explicit testimony, asserted that the
judge had no right to express such sentiments. "I can give my opinion if I
wish," replied Roan, apparently putting an end to the matter. However, as
Rosser proceeded to read each succeeding ground— one addressing the
Friday afternoon demonstration, another the Monday morning display, still
another a third incident— the judge again and again ordered that the
defense's phrase "which the jury heard" be changed to read "which perhaps
the jury could have heard."
When the hearing resumed Friday at 9 a.m., just a few grounds remained
to be covered, the first of them involving, at long last, Johenning and
Henslee. To these, Dorsey offered no protest, preferring to wait until he
could contest the actual substance of the charges. The solicitor was likewise
APPEALS IN AND OUT OF COURT 355
silent regarding several subsequent points. By midmorning, all that was left
was a ground concerning the events that had prompted Rosser and Arnold
to forfeit their client's presence at the reading of the verdict. To this, Dorsey
did take exception, declaring that the lawyers had agreed to the arrange-
ment at the time of its proposal and therefore lacked the right to revisit it.
Rosser countered that the ferocity of the crowds was so great that they'd
been forced into the decision. Moreover, the lawyer added that the pande-
monium greeting the guilty verdict had denied Frank his ultimate safe-
guard—a quiet polling of the jurors. As proof of how bad the climate was,
Rosser cited Roan's decision on the trial's final Saturday to allow the solic-
itor to halt his argument. In the process, the lawyer not only confirmed the
report that the action had been taken due to fear of violence, but shed light
on a piece of information that explained why Atlanta's newspapers had said
nothing— the editors of the Constitution, the Journal and the Georgian had
themselves secretly urged the judge to bring down the gavel. Confronted by
these facts, Dorsey shrugged his shoulders, and Roan ended the session by
accepting the concluding ground as written.
In theory, the presentation of the two sides' supporting documents— the
task that would consume most of Friday afternoon and the final step before
the commencement of formal arguments— did not offer much promise of
headline-making revelations. And as Rosser and Arnold alternated in recit-
ing the defense's affidavits, all of which had been dissected in the press dur-
ing the past month, the low expectations seemed more than warranted. Yet
no sooner had Frank's lawyers wrapped up and Dorsey begun to speak than
pulses quickened, for the solicitor started off by dropping a bombshell.
According to the statement of jury foreman Fred Winburn, not only was the
embattled Atticus H. Henslee not biased against Frank, he had been the
panel's lone holdout against conviction. In a quietly confident voice meant
to underscore the significance of the jury foreman's disclosure, Dorsey read:
I did not know how A. H. Henslee stood on the issue until after the first
ballot had been taken; then said Henslee made a talk and stated that he
had cast a doubtful ballot; there was one ballot marked "doubtful"; he
explained to the jury why he cast this doubtful ballot, and submitted some
suggestions with reference to the evidence. Up to that time, so far as I
know, said Henslee had not intimated or expressed any opinion whatso-
ever with reference to any feature of the case.
The import of Winburn's affidavit was instantly apparent, and Dorsey
followed it with nearly verbatim pronouncements from the other jurors—
35 6 AND THE DEAD SHALL RISE
to a soul, they seconded their foreman's assertion that had it not been
for Henslee, they would have convicted Frank on the initial ballot. The
clincher, however, was an affidavit from the buggy salesman himself. In the
same steady tone with which he'd put forward the previous statements,
the solicitor read:
As illustrating the attitude which I occupied in this case, I will say that
when it came time to vote, I cast a doubtful ballot. I did this on the first ballot
because of the unanimity of opinion that Frank was guilty, as expressed by
those jurors who discussed it after the court's charge and prior to the ballot,
and for the purpose of forcing a full and free discussion of the case before
rendering a verdict, as we understood it might consign Frank to his death.
When on the second and last ballot a unanimous verdict of "Guilty" was
rendered, I— in common with each and every other man on the jury —wept.
In the matter of a few moments, Dorsey had called into question one of
the defense's central premises. As the solicitor continued to read from
Henslee's statement, he went even further. According to the buggy sales-
man, contrary to the allegations of Samuel Aron, he'd never said to a group
at the Atlanta Elks Club: "I'm glad they indicted the God damned Jew."
Nor would he have. "The club has among its members a large number of
Jewish people, many of whom are my friends." Henslee's response to Mack
Farkas's assertion was equally convincing. Not only did he deny having seen
the Albany livery stable proprietor in the weeks before the proceedings, he
said that when he did call following Frank's conviction, he refrained from
discussing the case "because the said Mack Farkas and the said Leo M.
Frank were of the same religion and [I] did not want to hurt his feelings."
Having thus done what he could to rehabilitate Henslee, Dorsey next
tried to rehabilitate Marcellus Johenning. First, the solicitor read affidavits
from Winburn,Townsend and the others, all of whom swore that at no time
during the trial did their fellow juror "express himself in a way to indicate
that he was in the least bit prejudiced against Leo M. Frank." Then came the
predictable statement from Johenning himself, in which he not only denied
having felt or expressed any prejudice against the factory superintendent
but pointed out that the Lovenharts were "of the same race and religion of
Leo M.Frank."
While Johenning's assertions lacked the dramatic certitude of Henslee's,
they effectively played upon the widely held view that Atlanta's Jews had
blindly taken up Frank's cause. On their strength, Dorsey switched gears,
introducing a number of statements to refute Rosser and Arnold's claim
that the trial's partisan crowds had terrorized the jury into its verdict. The
APPEALS IN AND OUT OF COURT 357
solicitor began by reading affidavits from each of the twelve men at the
heart of the debate. Typical was the statement of the hardware store sales-
man Monroe S.Woodward, who, Dorsey related, had deposed:
I did not at any time, while a juror, hear any applause except such as
occurred in open court, and which was heard by the judge and attorneys in
the case; I did not know there had been any cheering of anybody con-
nected with the case at any time or that there had been any cheering in any
way growing out of or connected with the Frank case, until after the verdict
was rendered, and I was told about said incidents. The jury left the court-
room before the judge, lawyers and audience were permitted to leave, and
there was never any applause or cheering inside of the court or outside of
the court within my knowledge while the case was being considered.
A general disavowal thereby issued, the solicitor tendered Woodward's dis-
missals of a number of the defense's specific claims regarding the specta-
tors' impact on the jury. For starters, the salesman disputed the charge that
a group of hangers-on had strolled alongside the twelve during their consti-
tutional on the trial's final Saturday. Then he denied the allegation that
someone in the gallery had shaken hands with and spoken to one of the
jurors. Finally, he denied the contention that the hurrahs following the ver-
dict had influenced the polling of the jury.
Once he'd finished with the affidavits of Woodward and the others,
Dorsey introduced supporting statements from court officials. Echoing the
view that the jurors were not compromised by any of the trial's commotions
or by contact with crowd members were the deputy in charge of security
during the proceedings, the bailiffs who'd guarded the panel and the clerk
of the superior court. These men were also unanimous in their dismissal of
several of the defense's related allegations, most significantly Isaac Hazan's
charge that rowdies had threatened the jurors with violence if they did not
vote to convict.
After Dorsey read a last batch of affidavits, each of them attacking the
integrity of one of the defense's standard-bearers and all undoubtedly
obtained by Detectives Starnes and Campbell, Reuben Arnold took the
floor. The lawyer began his argument by speaking directly to Judge Roan:
It takes thirteen jurors to murder a man in cold blood. So I feel I am not
only justified but required, by the scope of your honor's authority and duty
and the tremendous responsibility that rests upon you, to argue to the
court the facts of this unusual case.
358 AND THE DEAD SHALL RISE
This was a bold statement. Instead of addressing the points put forth in the
motion, Arnold intended to readdress the evidence, sidestepping the body
that had found against his client. As he saw it, he had no choice. Declared
the lawyer: A religious bias "that has reflected no credit for two thousand
years on the race to which your honor and I belong" infiltrated the court-
room, affecting the panel's judgment. The result:
Argument was lost upon that jury. There they sat, huddled like twelve
sheep in the shambles. Talk to me about those jurors not having been influ-
enced by such surroundings. They may not know they were. Nor did the
rabbit that ran through the briar patch know which briar scratched and
which did not.
That said, Arnold plunged into the task of convincing his audience of
one. His first topic— Jim Conley. Asked the lawyer:
Was ever a case heard of before where the only witness on whose testi-
mony the conviction rested was a party to the crime both before it was
committed, by watching, and after it was committed, by helping to conceal
the body; was a criminal of the lowest type and as absolutely devoid of con-
science as a man-eating tiger; one who lied in writing four different times,
and who never confessed anything about the crime until the evidence was
discovered on him that he had written the notes that accompanied the
body; who admitted he lied many times in his affidavits; and where after he
made his last affidavit, the story that he brought into court was so unlike it
that you could hardly recognize any points of similarity?
Arnold then reiterated the defense's theories regarding the origination
of Conley's tale. The Negro, he told Roan, had heard "the slanders uttered
against Frank" during the days following Mary Phagan's murder. After
Conley's connection to the notes was subsequently discovered, "he saw his
own life trembling in the balance and was compelled to say someone else
was the real author and he named Frank." His initial statement, however,
was rife with improbabilities. "Left alone," Mister Rube asserted, "the
negro spread out over the whole territory of asininity." Which was why the
detectives lent a hand. "They took his story like you would take a rough
piece of timber and fashioned it over with the power of machinery." And it
wasn't just the investigators who were involved. Tbrning to face Dorsey,
Arnold accused the solicitor of interjecting the "perversion evidence" into
the trial "merely to prejudice the jury." Then, turning back to the judge, he
brought Friday's session to a scalding close:
APPEALS IN AND OUT OF COURT 359
If Leo Frank is hanged, I'd rather be dead and rotting in my grave than
in Hugh Dorsey's place. His conscience will drive him crazy, distracted and
to God only knows what ends. And it will be no less than his just deserts.
Saturday, Arnold directed Roan's attention to weaknesses in the state's
circumstantial evidence. First, he dismissed the incriminating inferences
Dorsey had drawn from Frank's April 26 letter to his uncle, insisting that
such expressions as "it's too short a time since you left for anything startling
to have developed" were commonplace. Then he repeated the defense's
chronology of the murder day, reasserting that Mary Phagan did not reach
the pencil factory until 12:10 p.m. — five minutes after Monteen Stover
claimed to have entered the superintendent's office and discovered it empty.
"Your honor," the lawyer insisted, "the state's case falls to the ground here.
Jim Conley says Mary Phagan came in before Monteen Stover came in."
And there were other discrepancies. After reminding the judge that the
Negro maintained it was 12:56 when Frank asked him to move the body,
Arnold posed a tough question: If, as several experts swore, the job and the
subsequent note writing took over thirty minutes, then how could such wit-
nesses as Helen Kerns and Mrs. Albert Levy have seen Frank standing on a
downtown corner at 1:10 and exiting a streetcar near his house at 1:20?
There was only one answer: Frank, as he'd stated, had departed the building
at 1:00, unaware that a crime had been committed. "Your honor," declared
the lawyer, "this is not a case of believing the defendant to be innocent; we
are demonstrating his innocence."
Arnold next raised the topic of Frank's character. After once again prais-
ing the "upright and honorable" men and women whom he and Rosser had
put on the stand to vouch for the superintendent, he attacked the former
factory employees Dorsey had called to rebut such praise. Dismissing Irene
Jackson and the others as members of "the discharged employee class," he
told Roan: "Class hatred was played on here." Which was why, he added,
several of the state's witnesses had tried to link the plant superintendent
sexually with forelady Rebecca Carson. "Those little girls had been dis-
charged by Miss Carson and glad to say anything against her." Was it any
wonder, the lawyer then asked, that he and Rosser had not cross-examined
them? "These girls could have been loaded with five thousand slanders.
That was what was done with Jim Conley. Every question we asked on that
line would have been used before that gaping mob against us."
Arnold next fired several salvos at the state's evidence suggesting a his-
tory of improprieties on Frank's part. Regarding Conley's testimony that he
had served as a lookout over a period of several months while the superin-
tendent conducted liaisons with girls in his office, the lawyer was incredu-
360 AND THE DEAD SHALL RISE
lous. "That 'watching' story is preposterous. What good could Conley have
done? What white man could this negro have kept out anyhow? But to bol-
ster up their theory, some reason had to be given why Conley and Frank
were coming in contact in a transaction that would ordinarily admit no con-
fidants." Then there was the individual the solicitor had put on the stand to
lend credence to Conley's allegations. With evident loathing, Frank's co-
counsel spat: "Dalton! In this case they seem to have seined the lowest
strata of society for the ugliest, dirtiest reptiles that move about in the ooze
of the bottom."
Thus far, Arnold had confined himself to matters that he and Rosser had
covered at least in part during their closing arguments at the trial, but he
now steered Roan to a subject that the duo had unaccountably avoided—
the murder notes. "These notes," he said, "are negro notes from beginning
to end. They are idiotic and ridiculous and inconceivable to the intelligent
brain." The lawyer then ticked off several particulars that he believed laid
the missives' authorship at Conley's feet. For openers, he asserted that a
phrase in the note jotted on the pencil company order blank indicated that
Mary Phagan, just as the defense had maintained, had been murdered in
the factory lobby: "This note says, 'He pushed me down that hole.' There is
no hole she could have been pushed down in the metal room, but there are
two holes on the ground floor at the bottom of the steps. One is the elevator
shaft, the other is the trap door down which the ladder leads. Conley, know-
ing that he pushed the girl down one of these holes, unconsciously brings
this fact out in the note." Then there was the line in the other note declaring
that "a long tall black negro did this by hisself." Though the solicitor had
maintained that the phrase fingered Frank in attempting to hide that two
men were involved in the crime, Arnold believed that in actuality it
reflected Conley's attempt to lay the murder at the feet of a slender Negro
who had heretofore been unmentioned in the case, a plant boiler opera-
tor— "the negro hire down here"— named William Nolle. Finally, there was
the fact that the notes existed at all, which to Arnold's thinking was incom-
patible with Conley's statement that the original plan had been to burn the
body. "Conley," the lawyer argued, "saw that he must come up with an
explanation for the notes. So he says they were written so that if he never
came back to burn the body they would explain the killing. Yet Frank had
no reason to believe the negro would not come back. Was ever an explana-
tion more preposterous?"
Arnold's dissection of the notes, while long overdue, was cogent and
effective. But his comments on the topic with which he concluded Satur-
day's session— the defense's failure to place William H. Mincey on the
stand— were less so. Though he explained the initial enthusiasm those in
Frank's camp felt for the insurance salesman ("Mincey claimed that Conley
APPEALS IN AND OUT OF COURT 361
made to him a certain statement") and justified Rosser's grilling of Conley
regarding the salesman ("It was our duty"), as to why the much anticipated
witness was never called, he could say only:
Mincey's tale may have been true, but it did not impress us as evidence
that was probable and reasonable, and rather than burden our case with
anything doubtful, we decided against putting him up.
Monday morning, after having spoken for the better part of three days,
Arnold ended his argument where he had begun it. Anti-Semitism, he again
asserted, offered the sole plausible rationale for the zeal with which the
police had pursued Frank and the hostility that had surrounded the trial.
Dorsey, he once more proclaimed, had fed "the poison of prejudice to those
jaybirds in the jury box," one of whom— and here the lawyer made his lone
reference to anything contained in the motion actually before the court—
was Atticus H. Henslee. All of it, he repeated, had blinded the twelve to the
truth: "The murderer of Mary Phagan was Jim Conley, a perpetual law-
breaker who has a law-breaking race back of him." Having so stated,
Arnold turned to Roan and urgently implored:
If your honor denies this motion, so far as the facts are concerned, this
case is forever at rest. The Supreme Court has no jurisdiction over ques-
tions of fact where the witnesses are in conflict. It takes errors of law for
that court to interfere. Your honor alone has the duty and responsibility of
approving this verdict or setting it aside.
Not surprisingly, Frank partisans took great heart from Arnold's oratory,
anticipating not only a favorable ruling but, for the resulting rehearing of
the case, a change of venue to the presumably less hostile port city of
Savannah. Speculated the Constitution's front-page headline: next trial
may be held in Chatham county. Yet even as such hopeful prospects
were being bandied about, back in the capitol library the state's lawyers
were launching into their speeches, and from the start it was plain that they
regarded Arnold's argument as beside the point. The murder notes' prove-
nance, Jim Conley 's veracity— the jury had already ruled on these matters.
As Hugh Dorsey and Frank Hooper saw it, the sole issues at stake were
those that had been raised in the amended motion.
As at the trial, Hooper spoke first, his primary task once again to pave
the way for Dorsey. Beginning shortly after Monday's lunch break, the
solicitor's co-counsel cast doubt on what the state viewed as the motion's
most vexing ground— the allegations of prejudice against Henslee. Terming
the charges "improbable and ridiculous," Hooper denounced the individu-
362 AND THE DEAD SHALL RISE
als who'd given the defense supporting affidavits, accusing them at best of
being mistaken, at worst of lying.
Following Hooper's brief remarks, Dorsey rose to his feet, but with the
cool autumn dusk already descending, he had time only to convey a hint of
what was to come, proclaiming:
If the verdict of guilty against Leo Frank is set aside upon such trivial
grounds as the convicted man's lawyers recite in their motion, it will justify
very largely the contempt in which people are beginning to hold their
courts and the administration of their laws.
Tuesday morning, Dorsey embarked on his presentation in earnest, begin-
ning, predictably enough, with the subject of Henslee. He dismissed the
accusations leveled against the juror, then declared that even if he had
made the comments attributed to him, they did not constitute evidence
of pretrial prejudice. Rather, Henslee had merely expressed his opinion,
which, insisted the solicitor, was his right.
Till this point, Dorsey had maintained a conversational tone, but as he
took up his next topic— Arnold's allegations regarding the purported anti-
Semitism that had permeated the proceedings— he grew indignant:
The people were not aroused against Leo M. Frank because he is a Jew
but because he is a criminal of the worst type. In the name of the Gentiles
of Atlanta, I declare that when the counsel for the defense charges the jury
with bias and charges Atlantans with intimidating the jury with a display of
mob spirit, they are slandering the citizenship of the entire community.
That said, Dorsey conceded that "the people in the streets did holler for
me." By his lights, however, the outbursts were meaningless. "The counsel
for the defense has chosen to warp them."
In the wake of his comments on the trial's atmospherics, Dorsey com-
menced his principal response to Arnold's argument. For three days, he
said, Frank's co-counsel had "ranged far and wide." He was "eloquent
tongued" and "impressively trembling." But none of it was relevant. "As I
understand it," the solicitor reminded Roan, "the only matters on which
your honor is to pass are the question of bias on the part of the jurors, the
question of cheering and demonstrations, questions of law and the question
of Conley's evidence in respect to the defendant's moral conduct."
With that, Dorsey cited a number of precedents upholding the admissi-
bility of Conley's controversial testimony. Then he turned to Roan and by
way of ending declared:
APPEALS IN AND OUT OF COURT 363
Your honor said at the close of the trial that you had endeavored to see
that Frank was given a fair and impartial trial. Either that statement meant
everything or nothing.
Late Tuesday, Luther Rosser inaugurated the hearing's concluding argu-
ment by reemphasizing his belief in Frank's innocence, telling Roan, "As
God is in the heavens above, I believe that in yonder cell rests an innocent
man."
Wednesday, Rosser came on even stronger, taking violent issue with
Dorsey's claim that in condemning the throngs congregating in the streets
during the trial, Arnold had defamed all of Georgia:
What does Mr. Dorsey mean by the charge that Mr. Arnold criticized
the whole state? Does he mean that those who crowded around the court-
house crying for blood are the people he so obligingly serves? If they are
the people, thank God I do not serve them. They were there deliberately to
scream with delight because the blood of a human being was about to be
shed.
Though characteristic of Rosser, such talk was more than bombast. Real-
izing Dorsey, by ducking Arnold's sorties against the state's evidence, had
undercut that line of attack, Frank's lead counsel was mounting a last-ditch
campaign to highlight the amended motion's most compelling particulars.
Accordingly, Rosser reviewed the allegations of pretrial bias against Johen-
ning. He then revisited the affidavits involving Henslee. Which left one last
ground— the solicitor's decision to elicit Conley's testimony accusing Frank
of perversion. Hirning to Dorsey, Rosser charged:
You might as well have put the brand of Cain upon Frank's forehead as
to have introduced that revolting and maliciously false testimony. You
destroyed his life the instant you brought that in. There is no doubt about
it. When Conley poured out his filthy tale, there was left in the mind of the
jurors no room for any thought that Frank might be innocent of murder. It
damned him instantly.
Hirning back to Roan, the lawyer brought his oration to a close:
Dismiss from your mind, your honor, the anarchy that the solicitor gen-
eral threatens if another trial is granted. I dispute, your honor, that a new
trial would be a blow to the judiciary. It will instead preserve justice, for
there will come a time when the people will wonder how such things could
have taken place as occurred in the trial of this man.
364 AND THE DEAD SHALL RISE
By 9 a.m. Friday, Judge Roan's Thrower Building chambers were packed
to overflowing.The familiar players— Dorsey, Hooper, Arnold and Rosser—
sat up front, while an army of reporters, several members of the Selig family
and as many of the curious as the space allowed stood along the walls. After
spending Thursday in deliberation, Roan had reached his decision, and the
suspense, noted the Georgian, "was greater than the time last August when
the crowd was awaiting the verdict against Frank." Yet unlike that hot after-
noon, on this last day of October the mood was sober. Observed Hearst's
man: "Impressed by the portentousness of the occasion, the people in the
room looked on in silence and a certain dread expectancy."
For an hour, the tension mounted as Roan reviewed the motion, assuring
himself that its grounds had been reconciled and affixing his signature
where required. Then, at 10:04, with a slight tremor in his voice, the judge
began to speak:
Gentlemen, I have thought about this case more than any other I have
ever tried. I am not certain of this man's guilt. With all the thought I have
put on this case, I am not thoroughly convinced that Frank is guilty or in-
nocent.
In the end, though, Roan's misgivings were not at issue here, for the law—
as Hooper and Dorsey had contended— was clear, and it was the law that
would prevail. Thus the judge concluded:
But I do not have to be convinced. The jury was convinced. There is no
room to doubt that. I feel it is my duty to order that the motion for a new
trial be overruled.
The immediate reaction by the members of Frank's legal team was one of
bitter disappointment. Within a few seconds, however, Rosser had recov-
ered sufficiently to confirm that the defense would appeal and to insist that
the judge's stunning admission of uncertainty be included in the Bill of
Exceptions that would carry the case to the Supreme Court of Georgia. To
this, Dorsey furiously objected. Yet before the dispute could escalate, Roan
ended it by simply directing that his remarks go into the record. Which
meant that terrible as the defeat that Frank had suffered was, the high
court, whose winter term was slated to begin in mid-December, would have
to take into account the trial judge's pronouncement that he entertained
doubts as to the condemned man's guilt.
The debate regarding Roan's extraordinary statement began almost
instantaneously. Proclaimed the Georgian: "Judge Roan has put himself at
APPEALS IN AND OUT OF COURT 365
the head of that group of men and women who only ask for fair play." Out
in the state, however, the consensus was less favorable. "Judge Roan dis-
played very bad taste and less judgment," declared one rural weekly.
Asserted another: "It was none of Roan's business to be convinced of
Frank's guilt."
There were equally heated discussions in legal circles regarding whether
Roan's remarks would influence the Supreme Court's thinking. Though no
one from either side commented publicly, privately lawyers in the defense
camp believed that the judge had guaranteed the appeal's success. In fact,
even as Rabbi Marx and Leonard Haas were informing Frank of Roan's
decision (the condemned man took the news stoically, although Lucille,
who was with him at the Tower, once more burst into tears), Herbert Haas
was writing Louis Marshall:
Our Supreme Court has held more than once that it will reverse the
judgment of the lower court declining a motion for a new trial where, in the
bill of exceptions, it is certified that the presiding judge himself is in doubt
as to the guilt of the defendant.
On the evening of Saturday, November 8, exactly a week and a day after
Leo Frank's motion for a new trial was rejected, a group of the nation's
most powerful and best-known Jewish leaders filed into the Trustees Room
of New York's ornate Temple Emanu-El, the city's preeminent Reform syn-
agogue. The occasion was the monthly meeting of the executive committee
of the American Jewish Committee, Louis Marshall presiding. Among
those present were the Hebraic scholar and writer Cyrus Adler, United
Jewish Charities president Cyrus L. Sulzberger and Chicago judge Joseph
L. Mack, one of two Jews on the board of Harvard University. But by far the
most commanding figure was Jacob H. Schiff, managing partner of the mer-
chant banking house of Kuhn, Loeb and Company and the sole American
financier acknowledged by J. Pierpont Morgan as a peer.
The topic that would dominate the committee's discussion, as the
recording secretary delicately put it, was "the case of Leo M. Frank, the
young man who was recently convicted of murder in Atlanta." At issue was
whether the group, in the wake of the factory superintendent's latest set-
back, should enter the fray, and the members— despite unanimity as to the
merits of the matter— were split regarding tactics. Arguing in favor of open
involvement was Schiff. Imperious in his frock coat and white tie and ani-
mated by an abiding concern with social justice for his coreligionists, the
banker wanted to start a public fund. (Frank's defense had thus far cost
$50,000— most of it coming from his uncle Moses, who'd recently expressed
a reluctance to keep spending.) Taking the other view, not surprisingly, was
366 AND THE DEAD SHALL RISE
Marshall. "It would be most unfortunate if our organization were to be con-
sidered championing the causes of Jews who are convicted of crimes," he
explained. Such a position was, of course, consistent with Marshall's initial
stance, yet it sprang from more than adherence to principle. A backlash
against Jewish support for Frank had begun to manifest itself —and not just
in Georgia.
jews fight to save leo frank, declared the headline atop the lengthy
recapitulation of the case that dominated the New York Sun's October 12
editions. The murder of Mary Phagan, the factory superintendent's arrest,
the trial— all were evenhandedly presented. But when the piece, the first
major account to run in the Northern press, raised the question of whether
Frank's Jewishness had played a role in the outcome, it expressed doubt,
noting: "Atlanta is probably freer of the Juden-hetze spirit than any city in
the South." This was fair comment. What followed, however, was worri-
some:
Prejudice did finally develop against Frank and also against the Jews.
But Frank's friends were responsible for this anti-Semitic spirit.
Some Jews were credited with saying that even if Frank did kill Mary
Phagan she was nothing but a factory girl.
Such remarks as these soon caused a decided anti-Semitic feeling and it
continued to grow during the trial of Frank. The feeling was increased
when Frank's mother, who came here from Brooklyn to attend her son's
trial, denounced Mr. Dorsey in the courtroom as "You Christian dog."
The anti-Semitic feeling was the natural result of the belief that the
Jews had banded to free Frank, innocent or guilty. The supposed solidarity
of the Jews for Frank, even if he was guilty, caused a Gentile solidarity
against him.
The choice facing the American Jewish Committee's executive commit-
tee was a stark one. To campaign publicly for Frank's exoneration would be
to risk further charges of Jewish interference. Conversely, to do nothing
would be to leave the factory superintendent without assistance from an
organization whose purpose was to combat the very anti-Semitism that
appeared to have been involved here. In the end, however, there was a third
way, and it is what prevailed. Though the group closed the session by
"resolving to take no action with respect to the Frank case," from this night
forth, its members would work, just as Marshall had hoped, behind the
scenes. The goal: to build a nationwide coalition of influential Jews who,
whatever the decision by the Supreme Court of Georgia, could raise money
for and shape opinion during the protracted fight that was sure to follow.
' :; . ??.
Rudolph and Rae Frank, circa 1895
(William Breman Jewish Heritage Museum, Atlanta)
Lea Frank, age nine (wbjhma)
Leo Frank (right) with a friend in his Cornell dorm room, circa 1905
(wbjhma)
Leo Frank on Cornd] + 5 tennis courts, circa 1905
(wbjhjua)
Lucille Selig, circa 1909
(wfijhma)
Lucille Selig and Leo Frank, circa 1909
(wbjhma)
Mary Phagan, circa 1913
(Joe McTyre Collection, Alpharetta, Georgia)
National Pencil Company, circa 1913
(Atlanta History Center)
It
ncJPX/O.
37 £ 39 SOUTH FORSYTH ST.
Bell Phone Main 171
Atlanta. Ca„ : 1SK)^_«
"fe."'
PWT THIS ORDER tiUMBBR ON YOUR BILL. 1 I ^77" \
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Order No..
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The murder notes
(American Jewish Archives,
Cincinnati Campus, Hebrew Union College/Jewish Institute of Religion)
M'KII, ">*
In Hi- i-Im^ip'"" i| ii u** tfeftVftl H*> .tr-Pt, |tj who**. »Ui« ha! ;* «l< Kp ' nut ri ' »tr riMiuii*
II In Hun |*h;l</.-Ji WU*T\ Hfe* 1 WW f IH i- iv*l ,it*i» itfth- HlKW Willi U Uicll Oi* Wm sTnihtflriJ
A photograph of the clothes Mary Phagan was wearing
when she was murdered and the rope with which she was strangled,
which ran in the Atlanta Georgian on April 30, 1913
An editorial cartoon in
the Atlanta Constitution that attacks the Atlanta police, May II, 19 13
Atlanta police headquarters, circa 1913
(Atlanta History Center)
The Atlanta Georgian IXfflANoJi!
USSTIEA*
vr\i. SI >;u sa*
POLICE HAVE THE STRANGLER
MAUI.
koneon
iNTENEGRO
Late this afternoon, Chief of Detectives La n for J made
this important statement to a Georgian reporter: "We
have the strangles in my opinion the crime he* between
two men, the negro watchman. Newt Lee and Frank, We
have eliminated John Cantt and Arthur MuNinax."
JL-Tl^SKyirjg^ SZ&F RA NK A ND NEGRO ARE
* GIVEN i"THlRD DEGREE"
The Atlanta Georgian, April 29, 1913
Hugh Dorsey
{Atlanta Journal-Constitution)
Luther Rosser, uncharacteristically wearing a tie* 1913
(wbjhma)
Jim Conley T [913
( Watson 's Magazine)
Reuben Arnold, 1913
(Courtesy Thomas Arnold)
William Smith,
"A Tramp Alumnus," circa 1900
(Courtesy Walter Smith)
Leo and Lucille Frank at the trial
(Joe McTyre Collection, A Ipharetta, Georgia)
Hugh Dorsey examining Newt Lee on the opening day of the trial
(William Pullen Library, Georgia State University)
Leo Frank portrait for Collier's, 1914
(wbjhma)
Tom Watson at the time of the Frank case
(Southern Historical Collection,
The Library of the University of North Carolina at Chapel Hill)
Governor John Slaton, 1915
(Joe McTyre Collection, Alpharetla. Georgia)
Downtown Atlanta, looking North on Peachtree Street, 1914
(Atlanta History Center)
Herbert Clay at the wheel with Marietta belles, circa 1910
(Marietta Museum of History)
Advertising magnate Albert D. Lasker
(Corbis)
Detective Williarn Burns
(Corbis)
The interior of the Georgia State Prison Farm in MiiledgeviUe, 1915
(Corbis)
AdolphS.Ochs
(HuUon Archive)
William Randolph Hearst
(Hulton Archive)
e3effer50nia
Vol. 12, No. 34
Thomson, Ga„ Thursday, August 26, 1915
Price, Five Cent*
"Tiie Wages of Sin is Death
**.
" FUN AH, the daughter of Jacob . . . went
' L ^ out to see the dnnghters oT the land;
and when Shcchem, . . . prince of the coun-
try, yiw her. ha took her, and- lay with her,
and deplcd ha:
And it came to pnss, on the third day,
when (hey were- sore, two of" t'«e sons of
Jaeob, Simeon find Levi, . . . too 1 ' enc h man
his sword, nnd came upon' the ciiy (of the
prince), and ttfow aTl the malet.
And they slew Shoehorn "(and Hamor,
his father) with the edge of the. sSvord, and
took Djrnh out of Shechenrs house.
The sons of Jacob en mo upon the slain,
and spoiled t he city, because they had dc-
f\Ud fhciv sister.
And nil their wealth, and nil their chil-
. 'dreri. (little ones) and their wirns took Lhey
captive."
Aivd when Jncob whimpered Jiis fears
that tjio Cannnnifes and rerizziles would
combine against the .few Jewv' and kill
them, Jacob's bold, sons sternly answered
their father:
"Should he (QhefehenO d'al w'h OUR.
SISTER, as with an harlott" , *
(Genesis. 34tit chapter.)
"""Kohbi'W-isr. of- XeAV York C^af^k«OUJ5a;j
dca;U against' cvei'y -member of iw^'igilance
Commit teo which executed -upon Leo Frank
the sentence the Laui had th'ct tinges pro-
nounced in the court roomj find which the
' Shei-jfi" would have executed, had not one
of. 2? rani? $ own, lawyers illegally commuted
'Ms sentence.
■Rabbi Wise fiercely demands that every
official connected with our Prison establish-
ment, be sent to tho penitentiary for life.
Eabbi Wise, Nathan Straus, and the Jew-
ish pettifogger, Louis Morshall, demands
that I bo indicted for murder.
Mary Phagan was not Jacob's daughter,
you sec.
Mary Phagan was not the sister of
Jacob's sons, yon see.
Mary Phagan was nothing but a Canann-
ite; and the Jewish prince, thorcfore, had
a right to tnho her and defilo her — the young
prince who slept in a blue silk flight gown-y
when the sons of the Cnnaanites came upon
him.
' The sons of Jacob did not accuse SWchem
of violence to their sister. Dinah ap-
penved to be willing. She was continuing
to live with the prince. He hnd not strnck
her in the foce, v knocked her against » crank
Jinndle, rendered her unconscious, and then
choked her to death with a cord.
Dinah made, no complaint: Dinah evi-
dently meant to remain with the prince.
Hnmor, the fnther of the young prince,
went to Jacob, and pleaded with the pa-
triarch, urging him to give Dinah' to
Shechem in honorable marriage.
Shtehcm himself went humbly to Jncob,
and begged for Dinah in marriage.
All the reparation that any man can
make, after such, a sin, Shcchem. earnestly
offered -to make.
'With deceit in his heart (Urn Jewish
writer of Genesis says so) Jacob gave Ma ,
consent to the marriage, upon condition" that
nil the young males of the city of Hnmor
-and Shechem. be circuntxfccd.
■ By tin s highest court ■ j«f' earth, I.eo
Frank's trial was pronounced' legal
and fair.
By the highest court in Georgia, the ev-
idence was declared to be sufficient
to support the yerdict of the jury-
By the Judicial department -of our State
government, Frank's guilt had been as-
certained, and the death penalty im-
posed:
By one of hi* own Lawyers, the verdict
and the decisions were oil brushed
BY THE PEOPLE, that void act of
Frank's lawyer was ignored, and the
sentence carried out.
The Law forfeited this man's life,
for a horrible crime, arid he has paid.
That's all.
Now let outsiders attend to their own
business, AND LEAVE OURS ALONE.
Tha condition whs complied with: "every
mido was circumcised:" and then, it wai. that
the Jews, without any trial nt Inw, without
any sentence of any court, fell upon ..the
people whom they had craftily thrown o(F
their guard: and these Jews wreaked indis-
criminate slaughter upon young and old,
main and -female, innocent and guilty.
They slew the old father, Hninor, who
'had none to Ja/nh and pleaded for peace ,
rc\,ynrif}iitioi. and atonement.
'iVi >.'..• robbed every dweller in the city,
taking the cattle., the crops, and the wealth
stored in tho houses. -
They took the innocent icicct of the inno-
em/ men whom they had put to the sword-.
They took these i mux-en t wives into ca)>-
tivity, to become the slaves 'arid the con-
cubines of the Jews.
They took ' ; tho little ones" — the boys nnd
girls — to make servants, of them, and to use
the girls as Enstem^hisfc hns always used
' heTplesi women. --::■-■
There s the record! GO HEAT* ,17 ,
RA/iJil WISE/ Go and read it, Nathan
hi rant!
\ '\\~' '>' own scribes wrote it : nnd for more
1 •-■r-f "wo thousand years voir have held it
{.■*-. :o-^irredly true. • } f
Did your God sn net ion that vengeance,
visited upon- a- man and his people, because
of the defilement of one consenting Jcwest?
You say Ubat He did: you say that- He
blessed Jacob greatly, and you are exceed-
ini/ly iot\d of naming your sons after Simeon
and Lori^ the sons of Jacob, who did this
thing.
What about it, Rabbi Wise?
What about it, Nathan Straus?
Have you one code for n Jewess, nnd an-
other for a Gentile girl?
Tell us I Wo believe thnt you have; and
that you have secretly and powevfully or-
gan ized to enforco it.
We believe that your Imr exempts the
Jew who defiles the Gentile maiden.
■ We bolievo thnt your lau: permits the
■ libertine Jew to use our fiister, as an harlot.
If you haven't that kind of law in your
(continued ok pace two.)
FRANK VIRTUALLY CONFESSED. CEASED TO CLAIM INNOCENCE.
\1/HEN tho Vigilantes went into Frank's
v " room, at the State Farm, and told hun
they hod come for him, he did not seem
greatly surprised, and he made no outcry. '
He wfis led out by four men, making no
resistance. -if*«j*p ■■*.■**■■
Ho was not roughly treated. If the Sheriff
had been in charge of the execution, the pro-
ceedings could not havo been better con-
ducted.
He as'ribt bumped down the stone steps,
aS Northern papers have stated.
He was not "tortured" with questions, or
in any other way.
Twice, in the seven-hour automobile rido
of 170 miles, ho was asked if he killed Mary
Phngnu.
, Ho did not answer, r ' ' ■ ■>
Not once, in all that long rido to death,
did he protest his innocence.
When day overtook the Vigilantes, and
they decided to execute tho sentence of the.
Law two miles short of Mary Phngan's
grave, he was again asked if ho killed her.
Again he was mute/
Then he was asked if he wanted to make
any statement, and he answered, "No!"
Later, and as if speaking to himself, he
. used an expression which showed that he
preferred to die silent, rather than bring
shame upon his peoplo.
. A confession could not save him, and could
only bring additional grief upon his family.
Ho stoically closed his- lips, nnd paid the
penalty which the Law demanded.
He did not die protesting his innocence
to the last, as the Northern pnpers. 'nnd the
Hearst papers stnte,
The most significant feature of his con-
duct, during that seven hours" ride, through
the dnt-kne&s nnd silence of night, wiia. that
he did not once remonsfmle with tho Vigi-
lantes, and did not once say to them— ns lie
had been saying so often ' for two years —
"I am innocent."
He was guilty; nnd his conduct at tho
last corroborates the official record, which I
have carefully summarized and will present to
tho public in YVntsoivs Magazine for Sep-
tember.
Thnt number, road in connection with the
August issue, mnkes up tho record which
will, for all time to come, provo how Big
Money endeavored to defeat Justice in
Georgia — and met a M'ateflvo.
The Jeff ersonian, August 26, 1915
Governor John Siaton hung in effigy outside Atlanta the week
after he commuted Leo Frank's sentence, June 1915
(Georgia Department of Archives)
Long view of the lynching (wbjhma)
Frontal view of the lynching
(Joe McTyre Collection, ALphareUa, Georgia)
Ifr&fcTF
'&&*>?£?
Close-up of the lynching
(Georgia Department of Archives)
%>*<&*
F JB^lFti ■! ,? A-^
A celebration of the lynching in Marietta's town square
(Corbis)
HHHHHHP
mm THE ATLANTA' CONSTIT UTION BS
V**. XJ-VUL— Jf*. «-
ATLANTA, Dl, WKl>KBSl>AY JrtJtKttfO, AUGUST 13, Jank-TWELVK PAOEi
MlgJWN.STOR Y IN DETAIL
Section of g; g Croud Waiting eo View Frank's Body 1 How Plans Were Formed
And Put Into Execution
Without Slightest Hitch
THOUSANDS VIEW BODY
Men, Women and Children March Past Cas-
ket in Undertaking Parlors— Crowd Grows
Threatening When Refused Permission to
See Body— Remains Taken to Brooklyn at
Midnight Following Services in Chapel.
Afl*r taking bran T|*w#4fcj imrj ttiauinarti af man, wam*fi a-ml eliJiilrtii a* 'a lay
jfi 0i4 m;4j«vikJc^ p*rLapi t,t tlnwilMrg ft Bond. tin i^iy si l" M- Fr^St Li n^# *ti
roui[r> ti> UtooIIjtl, wrjir-o tin (oririrjJ tinr-rhti -wJL be Luhd. On the lum* train an
Mr*. Fraili, AkiLfcrldcr llttirrnt, her lmHler^D-linr; BililiL DATdd MATT itiif arvrr.ll
atl:'+ fekudi d! thn f.inlly.
ALlhfllSghi ll *J* rtril aitcmjitid M tiM¥*nl ibs pnlillc from «*inj[ L?in l-rkl* if 'Jm
taut iud, i hs iftrc-s'^cinjt niiiir* et tbo crriwd *Mca. gathered a> Lh« uitdarutdes
parlora hrd ti lHa dNiliLnri thai !L mHitd hi b«l tq ^ilBJl ifc.6 psbljc, uudM J>»Um JU-
Pp]L tJrtjU* Of tfa* laying of till plaf. fw Lh* rrn.jv.il nf rr.-ji fana Mll!f J-c
t|11* and Eliatr jofceufrj, cnLlTjIjaMnrl W«Jtj 4Ji«W»d TnudiJ.
STOWflF ROW MOB LYNCHED FRANK.
-Til* public will rnvir Inuo U» FitallMa rf Ht 'Ji Imrti ui lejti m*B "wIm
Utffc lain their JwH lUadi thn ez*mlW'»[ n taw tji.itll.vi been llrfp|Kd frrjEo. tiflOlty
{Juvarnur BliMn. I wauld nn-i adrlaa EnqulilLlTA iutlifniUei 6r JuSMtfrJ In- try 'J rtTcal
tfcita. The? u* 11 ualntaly lunu«f toother n™ h /id u wTwULcm, m Uiq mociebi
lh«j Jnradtd tlU "Vi!* priic n. 1 '
J TJiii irap kill- iNwnt "I ■ fHlfH ■*! Mirk Mi 4d * WjH-iL-rf Iw 1
E| Tlx lYiailrk-jluiB TLf*4»!' lltinKOfl. I Tf rfU IhHtMt^iif Ipiirt =.-i
lin r=OTTTTW=n|i. rf 4tf tj«hl»* iL>nlm_rm, aP Lkr jrrvn.1 -iri prpiEiii.-
Lbig.bl l!w|| l-tinp. l>>tn| ihrir p-jihili'ii.t ijibmi jif v(.tjikw ji M f-
RUSSIAN rORIS ISTEPSTD PROTECT
VffTH MAHV GUNS 1 P1E0FC0U0N
FALL 10 GERMANS
iii Aim Tihiru Wlicr. t?n
Hiii'i«r L ]i Traapi 3li:i'ir I
Dtfi-RlirS of Ks«n* .
IIKILY FQ* XimiANi
Nn> l3*jy««d (hf Curt
Fflraa Wilt &f« t* Ahl*
l^irold H Mlt'UlVnfa Lira ■
A^11±l ill* IriTada"-
The Allfrt WlH-tiKUft
Stapl* C4hiMli!ind and
Then SUnd U*1ilnd the
r^r;^*"M«R«siiin
£ uyjj JftiV-j A?. S)2lo<:
Dte.1a.Tfi
TKtr* Arc Condhhini
Abaut the t'rjnL Care
WWeh Cfflniiui* TrEbme-
LVNCHED.NDECAIUR
iVf-TT llrini; EJcnlsiLtd ty
Vi^ijrr^ ^i fi ,^ ll Sh^l 14
Umb Irr M^u .ii Arr..
\iir-l.i.T
HUNK LYNCHING
HtriM* (I* i
\:r::. '";.,; v.; .r '. ^, 7:. i {k, ™ r,ir,r &««*"* t t^' f =^ ^ -i * ^^ ir „< h . . r iri L d u^— «- «, Htadtrov*.
... . . . . • TT™i»:li»]i hwk'i«,l([IlM. *-.,....... ...
nrn Thtr '-fin II i iv.j— i ■>!?■ i* ■?>-<■ rtiie 11
a ^ij w Ik B um nf Mirj PVirin. i*rti[Mi all 4Jri4 ■iiilf
be ta Help Cwnrnlt*! W, \,i«l,im* «h~t oinniv fa, MtdtM fa ^rrrj Imt^rta b> (fat Ul't
I FliWT FLArtHtD
; re* ucvraB ago.
^TH-r wsakl (in-. I|i»^k^ m..# iW ■ ,=-^is * =n II um<
3 ~K4 ll^M 1 ! pM WWrlt" iHri f^-rcjitln! > "IrA." r^riiftii IFtHiil
^ HI* ■{Vd'Wid ll« fikii Hid jiJrrcJ ilvc Vflfalt Il1«i, r'KMtU.
; Ttlll m* ihr 4v »l»i Thd i.-jd:, pnlk. uirr tOHlWrJ B dH
• riqr <kP FpLlrn n ■: L'. ■■!■ t -,^yli C , i.n 1»K Iw^owl *W IIUUUil
lr.:.ii Vvkttt
'llui rpzd' llg^si irJ ffai -i)| U IT )Ufto| l[4>i hip JmdH *r-
.r;-.< ! alar-; -Hill r.'«#(i |.- ■!,,, j.;: ri ; Tn |lj U3h^[±Uit Irtlr^
pr.;!i W i famefl It [H< Urn ?:»Hk ■! LHH r)H FVSnHl
'■I ETK* I* ifl!( Ml &■■■« H^dirJ iiwii Ihr: iiinitj nf iM n«
^ h_» r; « -ju. h «jh«; ^'^'■^".r.t^pi.'Tijt
i FtM** l!>- -.fl.i:iiiKi hUlGbirj :-. . hH* iq |.„, c . , flf (araul.-
J IwtklT-n.ir intn s<1 -nil (J.It Ij,I .^1,. ,, n Ibtif jh.FK r i. T \f|f.
PHOHLMEMT MAN
DHOEVJflf AB LEADEB.
V.rtinf. . H | bd< (■ ■ ,f<H w Wiipir«ii tin, )in UlU'
Willie en hnr |.t r.PV, njlfj A |flfe|ei ««■ {NriTfl, A DU
WlW bCtll «■ ri-iiU>1f 1 nAmr j- |r4u „ . a!-' tiff liHir u j '. V T-fnl
-i' Itt irti t Sua -rit*ir1l4 m*4 pnpnfri EfUmbri. >d
ITU <Wa trtTfl«r Htc pAhtaeh i^i «^li,> .W «iti± run.
•"*■'' ii.' i .i---.it- : '•-! :• ii.- r .....:r . !r--. .;
' -*n nvn Inyil, JuafUL 4tAlliaa *r,-\ ^HfnbtA They «tri
,-i- ',iv. | ir> h"- «ftynH h 1 1 1- ii i*tt -■ triw Lb il-miqh rl |iii -[-->< l-i
rifbul i^a^Lffi.. |ifW| f« pi l^tKifc irjib LWl M^ni ah oajr «fh4,
"TH^r "">■ a-viniM-litf. xi mrt j* Jrirmln^ LS^fi Irulqrn
r '"Jilil'"^^!-. 'iKIU.rx Lbtj T.Fnld »^ ru m\m \t ^Ihuiui k r it lmFifti( tray 'iyp
The Atlanta Constitution, August 1 8, 1915
Purposely unidentified man holding
a photograph of the lynching
and an oak branch at Mary Phagan's
grave, summer 19J5
(Marietta Museum of History)
Frank's casket being removed from his parents 1 home, August 20, 1915
(Corbis)
Lucille Frank, near collapse, being escorted to the funeral
(Coibis)
■ .;■ --'..-.■- 1«s.»« '-■*■<:} V,--C^>-ro' ^Sa
- -\ gjB3
Anti-lynching editorial cartoon, Atew tor* WorW, August 18, 1915
Herbert Clay shortly before his death, summer 1923
{Courtesy Eugene Herbert Clay, Jr)
TTTObr-3
Judge Newt Morris (left) and H. N. Randolph, Mc Adoo
delegates, on a cruise of the New York harbor during the 1924
Democratic Party convention (Corbis)
Lucille Frank, circa 1950
(wujhma)
Tom Watson shortly before his death
(Southern Historical Collection, The Library of the
University of North Carolina at Chapel Hill)
William Smith/The Revenant," circa [945
(Courtesy Walter Smith)
■ ■
6-
1 a/ A V, f i
Smith's deathbed note, February 1949
(Courtesy Charley Smith)
Smith with prospective students at the Fort Smith School, circa 1946
(Courtesy Walter Smith)
APPEALS IN AND OUT OF COURT 367
From a financial standpoint, the most important Northern Jew to take up
Frank's cause in the wake of the November meeting at Temple Emanu-El
was Albert D. Lasker. The Chicago-based advertising magnate's Lord &
Thomas agency (predecessor to Foot, Cone & Belding) handled accounts
ranging from Anheuser-Busch to Goodyear tires. Exceptionally innovative
(Lasker essentially invented the idea of orange juice, which prior to his
groundbreaking campaign for Sunkist oranges was a novelty item), with a
knack for writing catchy copy ("The Grains that are shot from guns,"
boomed Lasker's slogan for Quaker Oats), Lord & Thomas was an industry
pacemaker. Its billings for 191 2 totaled $6 million.
As sole owner of the agency, the 33-year-old Lasker had built a fortune
that enabled him to commission an enormous mansion on the grounds of
Chicago's suburban Lake Shore Country Club, a center of Jewish social life.
Yet Lasker was a restless soul. He also possessed a strong sense of his
Judaic heritage. Though Texas-reared (his father was a Confederate vet-
eran), he identified with a German uncle who as a member of the Reichstag
during the nineteenth century was a vocal early opponent of the prejudicial
treatment of Jews. Noted the advertising baron's biographer: "He detested
anti-Semitism."
In late autumn, Lasker offered to do what he could to assist Frank. Qui-
etly, he contributed $1,000 and arranged for donations in equal amounts
from his father and from his close friend and fellow Lake Shore member
Julius Rosenwald, the chairman of Sears Roebuck & Company. In mid-
December, Leo Frank wrote Lasker, offering not just his gratitude but
boldly expressing his faith in the battle's ultimate outcome:
I thank you and your father, as well as Mr. Rosenwald, for the help you
have given my cause.
My attorneys and I feel confident that the Supreme Court will order a
new trial on the showing of errors committed by the court below, and that
this victory will be but the inception of a long line of successes which ulti-
mately will spell my complete and acknowledged vindication.
During this same period, Adolph Ochs, responding to the appeals of
Marshall, Lasker and Rabbi Marx— who upon making a second trip to
Manhattan got in to see the publisher— committed the New York Times
to Frank's cause. As Garet Garrett put it: "When Mr. O. returned from
Europe, the same Georgia people convinced him of Frank's innocence."
Not that Ochs was prepared to order up headlines. For all involved, there
were too many risks. However, if and when the calculus changed, he and his
great newspaper stood ready.
368 AND THE DEAD SHALL RISE
Shortly after 9 a.m. on Monday, December 15, Reuben Arnold rose to his
feet in the state capitol chambers of the Georgia Supreme Court and initi-
ated yet another round of oral arguments. "Your honors would not believe
that such inconsequential and irrelevant evidence could be used to damn a
defendant," he told the six-judge panel, repeating the defense's assertion
that the case against Leo Frank was an unconvincing hodgepodge. Hugh
Dorsey, of course, took the opposite view, maintaining that the evidence
was strong and that the trial had been fair. Declared the solicitor: "If there
were errors, and I doubt there were, they were minor." Luther Rosser
reemphasized the contention that Jim Conley's sexually explicit testimony
was inadmissible. "The jury may have thought they were writing 'guilty of
murder,' " he roared, "but your honors, what they wrote in reality was
'guilty of perversion.' " The lawyers went on like this for the better part of
two days, but when all was said and done, they had shed little light on the
issues under consideration. "There was nothing much gained by the super-
abundance of eloquence released before the high court," observed the
Georgian's James B. Nevin. "Neither side exactly festooned itself with
glory." In part, such reviews stemmed from the fact that Arnold and the oth-
ers were talked out. More to the point, however, was an awareness that the
moment for rhetoric had passed. As Nevin noted: "The court will proceed
to its findings upon the written record and not otherwise."
The stack of documents that Georgia's Supreme Court justices— Samuel
C. Atkinson, Marcus Beck, Beverly Evans, Joseph Henry Lumpkin, M.
Warner Hill, and the chief, William D. Fish— would review in reaching their
decision included the defense's Bill of Exceptions, the state's Brief of De-
fendant in Error, and the Brief of Evidence, a 600-page digest of the trial
testimony approved by both camps.
For the most part, the Bill of Exceptions was simply a leaner version (103
instead of 115 grounds) of the amended motion. Here again were the
charges of bias against Henslee and Johenning and the allegations that the
outbursts during the trial had influenced the jury. Here again was a critique
of Dorsey's closing argument. And here again was the assault on Conley's
controversial testimony. There was, however, a critical new element, and it
not surprisingly involved Judge Roan's admission of uncertainty as to
Frank's guilt. "The words of his judgment betray on his part a mind wholly
inconsistent with the settled conviction which a trial judge ought to possess
in denying a motion for a new trial," the document averred. "From timidity
or from misapprehension as to the law," Roan had "failed to exercise that
discretion which it is his solemn duty to exercise." What he had done,
APPEALS IN AND OUT OF COURT 369
though, was to articulate his misgivings, and according to precedents in such
cases, the higher court "has repeatedly reversed the court below."
The Brief of Defendant in Error opened by taking vigorous issue with
Rosser and Arnold's thesis that Judge Roan's expression of doubt provided
sufficient reason for granting Frank a new trial. "It is not the office or func-
tion of a Bill of Exceptions to carry the views of the judge," the document
declared, citing precedents of its own. "We submit that it would be as dan-
gerous to permit a judge to impeach the integrity of his official finding after
the judgment is concluded as it would be to permit the jury, after having
been discharged, to impeach its own verdict." There followed a flurry of
similarly sharp responses to the charges of bias against Henslee and Johen-
ning, the claims that the courtroom demonstrations had influenced the jury
and the allegation that Dorsey's argument had frequently strayed out of
bounds. Trenchantly worded as these assertions were, those upholding the
admissibility of Conley's explicit testimony were more trenchant still. First,
the brief held that the Negro's charges were vital to an understanding of
Mary Phagan's murder, stating: "Our contention in this case is that Frank
was prompted to assail this girl because of his lasciviousness." And it wasn't
ordinary lasciviousness. In an effort to prove that perverse sex crimes were
the province of "a man of intelligence" (as opposed to blacks), the brief
quoted from a standard text on deviancy, Dr. Richard Von Krafft-Ebing's
Psychopathia Sexualis. To wit: "It is shown by the history of Babylon and
Nineveh and also by the mysteries of life in modern capitals that abnormal-
ity of the sexual functions proves to be frequent in civilized races."
Over Christmas and on through the first weeks of the new year, Georgia's
Supreme Court justices studied the two sides' conflicting contentions. On
January 7, Frank's lawyers submitted a Reply Brief for Plaintiff in Error
that attempted to rebut much of what the state had asserted, particularly its
claims regarding Roan's publicly stated misgivings and Conley's sexual
allegations. Though Dorsey chose not to respond to this latest salvo, the
judges reacted as well they might, postponing any ruling for a month.
During the cold, short days of Atlanta's cold, short winter, the Supreme
Court deliberated and the opposing camps waited until finally, at 1 1 a.m. on
February 17, the judges issued a 142-page decision denying Frank's appeal
by a four-to-two vote. Writing for the majority, Justice Atkinson dismissed
the charges of prejudice against Henslee and Johenning, contending that
"unless it appears there has been abuse of discretion," the matter rested
with the trial judge. Similarly, the court found that the various outbursts
punctuating the proceedings did not impugn their fairness. "The general
370 AND THE DEAD SHALL RISE
rule," Atkinson asserted, "is that the conduct of spectators will not be
ground for a reversal of judgment, unless a ruling upon such conduct is
invoked from the trial judge at the time it occurs." As for Conley's explicit
testimony, the majority ruled that it was "material and relevant" in that it
"tended to show a practice, plan or scheme on the part of the accused,"
adding pointedly:
From the condition of the body it might have been inferred that the per-
son who did the killing sought to have a sexual relation, natural or unnatu-
ral, with the deceased . . . Conley said that the accused said, "I ain't built
like other men." It was relevant to explain the expression above quoted to
show previous transactions of the accused, known to him and to witness,
which indicated that his conduct in sexual matters differed from that of
other men.
Which left Roan's statement of doubt. Wrote Atkinson: "This court will not
interfere because of the trial judge's oral expression as to his opinion. His
legal judgment expressed in overruling the motion will control."
The news that he had been dealt yet another setback reached Frank
shortly before noon in what had become the usual way— Rabbi Marx car-
ried it to his cell at the Tower.
In a statement relayed to the press by Marx early in the afternoon, Frank
expressed shock that his appeal had been denied. He was joined in this
reaction by Rosser and Arnold, who, though they took hope from the dis-
sent by Chief Justice Fish and Marcus Beck (the two wrote that Conley's
allegations of sexual impropriety were "calculated to prejudice the defen-
dant in the minds of the jurors and thereby deprive him of a fair trial"),
were uncertain how to proceed. Reported the Constitution: "No fixed plans
have been made by Frank's attorneys for further attack."
Meantime, Jim Conley, who was in the Tower awaiting trial as an acces-
sory after the fact to murder, told the press: "I knew how it would be, and
Mr. Frank knew it, too." Yes sir, he added, "the 'Ole Marster' up in heaven
was looking down."
FOURTEEN
gfiraess
As Leo Frank sat in his cell in the Fulton County Tower during
the first week of March 1914, he found himself often thinking of
the Swiss Alps and something that had happened to him there
while touring Europe the summer after graduating from Cornell. It was an
August morning in 1906, and Frank had made the 6,995-foot hike up Mount
Pilatus in pursuit of its view of Lake Lucerne and the surrounding country-
side. Yet no sooner had he reached the top than a storm descended, cutting
off visibility. For an anxious several hours, the earth itself appeared to have
vanished. Eventually, however, skies cleared, revealing not just the lake and
the checkerboard of fields and villages spreading out from it but a glimmer-
ing rainbow that "seemed to reach across the world." Recalling the day
from the perspective of his present circumstances, Frank saw in its move-
ment from darkness to light a metaphor for the movement beginning to
take place in his case. "My trial, my accusation, my rebuffs have been the
clouds," he told a visitor. "The developments of the past few weeks are the
rainbow of hope. And I am confident that the sun is to shine."
That less than a month after his appeal had been rejected by the Georgia
Supreme Court, Frank could envision anything other than the lengthening
shadow of the gallows attests to the fact that the intervening days had
indeed witnessed a series of astonishing occurrences— all of them favorable
to the defense.
The turnaround had started on February 20, when the Atlanta Journal
broke the news that the strands of hair discovered on a National Pencil
factory lathe during the early phases of the Phagan murder investigation
had not come from the victim's head. Even more startling, the paper also
reported that Solicitor General Hugh Dorsey had been notified of this
piece of intelligence prior to Frank's trial but had withheld it from opposing
counsel. As Dr. Henry F Harris, who had microscopically compared the
hair found at the plant with samples taken during his autopsies of little
Mary's body, told the Journal's Harllee Branch: "When I informed the solic-
itor that the two specimens of hair were not the same he simply remarked
that he would let the matter end there." These revelations prompted an
instantaneous reaction from Luther Rosser and Reuben Arnold, who in a
37 2 AND THE DEAD SHALL RISE
joint statement accused Dorsey of prosecutorial misconduct. "He knew the
truth and in spite of his knowledge urged upon the jury that this hair was
evidence of Frank's guilt," the lawyers charged, adding: "The solicitor, in
his zeal, misconceived his duty." Clearly caught out, Dorsey had tried to
limit the damage, contending that Harris was merely offering an "opinion."
Moreover, he asserted that the doctor's assessment notwithstanding, "the
state's case had lost none of its strength, since it was not on such trifles that
it was based," the hair being just "another addition to the mass of cumula-
tive evidence against the defendant."
Hard upon the Journal's exposure of Harris's finding, Frank's lawyers—
revealing that they had long been awaiting such an opportunity —released a
barrage of headline-making retractions by individuals heretofore firmly
aligned with the state. The first of the disavowals to hit the papers came from
Albert McKnight, the husband of Leo and Lucille's Negro cook, Minola,
who now swore that his trial testimony had been fabricated. In a notarized
affidavit made for C. W. Burke, a private detective working for Rosser, Mc-
Knight declared that at the behest of his employers at Beck & Gregg Hard-
ware—who like so many others had been angling for the rewards offered in
the slaying's aftermath— he had concocted his tale regarding Frank's failure
to eat lunch the day of the crime and subsequent hasty departure from
home. The truth, he warranted, was that he "did not see Mr. Leo M. Frank at
any time or place on Saturday, April 26, 1913." At last, McKnight had con-
ceded what his wife had maintained both before and after being jailed by
Dorsey, in the process casting renewed doubt on the prosecution's theories
regarding Frank's activities the afternoon of the murder.
The defense also made public an affidavit by erstwhile madam Nina
Formby renouncing her damaging May 1913 deposition to the Atlanta
police alleging that Frank was not only a patron of her establishment but
had called on the day of the killing seeking a room in which to deposit Mary
Phagan's body. Quite to the contrary, Formby announced, "Leo M. Frank
had never been to my house. There had been no telephone conversation
between Mr. Leo M. Frank and me." She said she had been coerced into
swearing falsely by Detectives W. T Chewning and J. N Norris. Though
Formby was, of course, regarded as an untrustworthy character— which was
why Dorsey had kept her off the stand in August— her about-face resur-
rected misgivings regarding the methods investigators had used in collect-
ing other allegations. As Frank himself would soon ask reporters: "If they
were at such pains to make out a slanderous charge to turn opinion against
me, is it not reasonable to assume that they would go even further in fram-
ing up evidence for use in the trial?"
Rosser and Arnold next unveiled a sweeping recantation by the loqua-
cious bratling who had introduced the issue of sex into the case. In a 3,500-
BRIGHTNESS VISIBLE 373
word affidavit, George Epps proclaimed: "I now state that at both the coro-
ner's inquest and the trial of Leo Frank I swore falsely. I now state that I was
persuaded to give the false testimony in both of the before-mentioned hear-
ings by Detective John Black. He told me, 'You go ahead and tell it just like
I tell it.' " Bluntly put, Epps was accusing headquarters' lead investigator of
not only having directed him to commit perjury but of having invented the
charge that little Mary, in response to Frank's advances, had sought his pro-
tection. And if that weren't enough, there was this: Following the inquest,
Epps said he had tried to inform Dorsey that his story was untrue. Yet the
solicitor, he maintained, cut him off, snapping: "Just stick to that." For nearly
a year, the boy added, he'd been a good soldier, although he'd felt "sorry"
and was "glad of the chance to explain it and relieve my mind." Splashed
atop Atlanta's front pages (testimony doctored by black, boomed the
Georgian), Epps's unexpected change of tune knocked the wind out of
Dorsey. After denying that his young witness ever gave him reason to think
he was lying, the solicitor declined further comment.
With the publication of George Epps's retraction, the state had suffered
another severe blow— the fourth in two weeks. Little wonder that Leo
Frank's spirits were rising. Yet the apparent crumbling of evidence ex-
plained only part of it. The news from outside Atlanta during this brief
period had given the condemned man even more reason to take heart.
The headline atop page three of the February 18 editions of the New
York Times could not have been more judicious: split court denies new
trial to frank. However, the four columns of underlying text, which
opened with the story's subject professing his innocence and then provided
a summary of the case thus far, sent an unmistakable signal. As Adolph S.
Ochs's confidant Garet Garrett noted in his diary, the publisher had at last
"committed the Times to a campaign of righteous publicity."
"Crusade" might have been a better word for it. In the following days,
the Times gave front-page treatment to every significant development in
the story, evidence for frank hidden, say counsel, declared the
above-the-fold topper on February 21. retracts evidence that doomed
frank, pronounced another on February 23. woman admits she lied
about frank, proclaimed still another on February 26. And on and on
until by March 6 (the date the condemned man's account of his experience
on Mount Pilatus appeared), the paper had run 25 articles on the case (nine
on page one), elevating what had been a drama little known beyond Geor-
gia's borders into a topic of national import.
The Times's initial coverage had also spelled out what the country
should think about the Frank affair. Though the paper dutifully reported
much of the state's evidence, its pieces by and large read as if they'd origi-
nated from within the defense camp. Which, in many instances, they had.
374 AND THE DEAD SHALL RISE
On several occasions during this period, Ochs essentially turned over his
news columns to Frank's lawyers, printing lengthy interviews unmediated
by any skepticism and unencumbered by a word from the other side.
On March 2, beneath the front-page headline frank convicted by
public clamor, the Times provided Herbert Haas free rein to recapitulate
the entire affair from Frank's point of view The lawyer, who by this junc-
ture had assumed control of the defense's fund-raising efforts and was in
New York staying, at the Knickerbocker Hotel, took full advantage of the
moment. After lambasting the Atlanta police for the manner in which they
had conducted the investigation and scoring Dorsey for the way in which he
had run the prosecution, he dismissed his client's chief accuser. "Conley had
been arrested seven times between 1904 and 1912 for disorderly conduct.
Fifty or sixty employees of the factory testified that they would not believe
him under oath." Then he declared: "Frank's friends are absolutely con-
vinced of his innocence. That he is the victim of a vile conspiracy, and that
he is a man of the highest integrity and character, and that his innocence
will ultimately be proved to the world there is not the slightest doubt."
On March 4, the Times accorded Luther Rosser— who it so happened
was also in New York, conferring, as he phrased it, "with certain persons
who are interested in the Frank case"— the same privilege it had given
Haas. And like his counterpart, Rosser lit into the police and Dorsey before
roughing up their star witness. "As for Conley, it would have been impossi-
ble to pick out a negro lower in the social scale." Then the condemned man's
lead counsel— responding to the question "Why was Frank convicted?"—
articulated what for most Americans would become the defining issue:
The Jewish population of Atlanta is not large. Frank came to Atlanta a
stranger and engaged in a new enterprise. He knew hardly anybody who
was not of his own religion, being closely occupied with his business, and
this fact rather counted against him. I really believe if Frank had been the
son of a reputable Gentile, he would never have been arrested.
The New York Times's entry into the fray had, of course, galvanized the
defense. Adolph Ochs was in the fight for the duration. But for all of that, it
was another northern Jew's decision to take up the cause in earnest that
had produced the greatest elation, convincing Leo Frank that exoneration
would indeed be his.
Sometime around the first of March, the Chicago advertising magnate
Albert D. Lasker had stepped off a train at Atlanta's Terminal Station.
Owing to an innate abhorrence of personal notoriety and an awareness of
the need, in this instance, for discretion, Lasker had insisted that no one
except those connected with the defense be told he was coming. The news-
BRIGHTNESS VISIBLE 375
papers never mentioned he was in town. His presence, however, made itself
immediately felt when on March 4, the renowned private detective William
Burns— the same Burns whose agency had briefly taken up the inves-
tigation nearly a year before— arrived at Terminal Station and to a mob
of reporters and photographers declared: "I am in the Frank case to the
finish." Predictably, Burns's announcement set off a frenzy in the press.
Roared the Georgian's front-page headline: detective promises deci-
sive probe. And just as predictably, Lasker kept his name out of print, cir-
culating the story that the condemned man's friends Milton Klein and Dr.
Benjamin Wildauer had hired Burns. But the truth was that Lasker had
engaged the investigator and paid his $4,500 retainer, and for the next
week, Lasker, according to an associate, would "work day and night direct-
ing detectives and securing affidavits" on Frank's behalf.
From the defense's perspective, Lasker's appearance in Atlanta was an
answered prayer— and not just because he had agreed to provide the fund-
ing for Burns. He had also agreed to put the same promotional genius that
had made Quaker oats and Budweiser beer household names to use in con-
vincing the public of Frank's innocence. If ever there was a time such savvy
might matter, it was now, for as was becoming clear, the defense was prepar-
ing to launch a war to overturn the condemned man's conviction. The pri-
mary legal weapon: an extraordinary motion for a new trial. Though there
could be no doubting the intensity with which the state would contest the
motion, Lasker expected victory. As an aide to the Sears, Roebuck chair-
man Julius Rosenwald— who had, of course, donated money to the effort
months before— put it in an early-March update: "Mr. Lasker's secretary,
Miss Langan, told me, in a guarded way, that Mr. Lasker was very hopeful of
a satisfactory outcome."
These, then, were the events that had convinced Leo Frank that though his
dilemma remained unchanged, everything was different. Never was the
alteration in mood more apparent than on the morning of March 7, when
the condemned man emerged from the Tower to attend what by every right
should have been a sobering proceeding.
The setting was the Thrower Building courtroom of Judge Benjamin H.
Hill. Here, Hugh Dorsey would ask the lower court, which was now in
receipt of the mandate from the Supreme Court returning the case to its
jurisdiction, to set a new execution date. Yet from the moment that Frank—
tan mackintosh draped over his shoulders, derby in hand— strode into the
crowded chamber, the defense's fresh-minted optimism filled the air. For
one thing, Reuben Arnold, exhibiting the certainty he and Rosser shared
regarding the extraordinary motion's prospects, announced that he would
376 AND THE DEAD SHALL RISE
forgo the de rigueur but usually futile request for clemency. More telling
was what occurred once the preliminary business was done and Hill
inquired if any other issues remained to be addressed. At this, Arnold said
simply that his client wished to make a statement, whereupon the judge
nodded his assent.
Approaching the bench, Frank began by diplomatically asking Hill not
to take his remarks personally. "I well know," he said, "that your honor has
naught to do with the vicissitudes of my case." Then, with a confidence and
verve that suggested he intended to use the forum to make what amounted
to the opening argument in his battle for a new trial, the condemned man
declared:
Law, as we know it, your honor, is but the expression of man's legal
experience. It is but relative. It tries to approximate justice, but being man-
made is fallible. In the name of the law many grievous errors have been
committed— errors that were colossal and irretrievable. I declare to your
honor that the state of Georgia is about to make such an error.
From this philosophical start, Frank turned to the specifics of his own
dilemma. Arms raised, voice gaining in strength, he asserted:
Your honor, an astounding and outrageous state of affairs obtained
previous to and during my trial. On the streets rumor and gossip carried
vile, vicious and damning stories concerning me and my wife. These
stories were absolutely false and did me great harm as they beclouded and
obsessed the public mind and outraged it against me.
From a public in this state of mind, the jury that tried me was chosen.
Not alone were these stories circulated on the street, but to the shame of
our community, be it said, these vile insinuations crept into my very trial.
The virus of these damning insinuations entered the minds of the twelve
men and stole away their judicial frame of mind and their moral courage.
The issue at bar was lost. The poison of the unspeakable things took its
place.
With that, Frank squared his shoulders and in a tone at once resolute and
resigned proclaimed:
If the state and the law will that my life be taken as a blood atonement
for the poor little child who was ruthlessly killed by another, then it
remains for me only to die with whatever fortitude my manhood may
allow.
BRIGHTNESS VISIBLE 377
But I am innocent of this crime. And the future will prove it.
I am now ready for your honor's sentence.
The unexpected eloquence of Frank's statement so jolted those in the
courtroom that initially Hill seemed at a loss on how to continue. But after
a moment's hesitation, the judge picked up a document headed "State of
Georgia versus Leo M. Frank, No. 9410" and began to read aloud:
It appears that the defendant, Leo M. Frank, was on August 26, 1913,
convicted of murder and thereupon duly sentenced by the order of this
court to the punishment of death.
It is here and now ordered and adjudged that the sheriff of Fulton
County be, and he is hereby, commanded to do execution of such sentence
aforesaid on the 17th day of April, 1914.
"That is my birthday," Frank whispered upon hearing the date he would
turn thirty so designated. But otherwise, he seemed undismayed. This was
an individual previously all but unknown to Atlantans. Never again would
he be called "The Silent Man in the Tower."
From this moment on, Leo Frank would speak regularly to local reporters
while flooding national newspapers with written statements. Regarding the
zeal with which Dorsey had tried him, he told the Georgian: "It is a terrible
thing to suggest that a public official would advance his prestige at the
expense of an innocent man's neck. And yet you can see how it is. There is
not much glory in convicting a negro of a sensational crime." Pointing to a
detail that he believed exonerated him, he informed the Constitution: "If I
had been guilty, nothing on earth would have induced me to have revealed
the fact that I had seen and talked with Mary Phagan in my office a few sec-
onds before the prosecution claims I killed her. Would the man who killed
Mary Phagan have freely and voluntarily stated that he saw her and talked
with her just a few moments before she was supposed to have been killed?"
And as for Conley, he told the Journal: "I am obliged to leave it to the intel-
ligence and fair-mindedness of the community whether his successive per-
juries, his motive to lie, the most powerful motive that could actuate a
human being, and the utter improbability of his story does not render it
unworthy of belief."
Coordinating these sallies was Albert Lasker, who covered the costs of
circularizing Frank's remarks outside Atlanta as well as endorsed the slo-
gan that soon tied them together: "The Truth Is on the March." After trying
378 AND THE DEAD SHALL RISE
the line out as a tag for his written pronouncements, the condemned man
began slipping it into interviews, and soon enough, not only was he using it
much as advertisers used the catchphrases Lasker created for them, so were
partisans elsewhere. A rallying cry had been born. And what made the cry
effective was that circumstances continued to go Frank's way.
Frank's lawyers chose this juncture to unleash another flurry of news-
worthy affidavits. The first came from young Helen Ferguson. In a statement
made for C. W. Burke, the factory worker asserted that on the Saturday prior
to Mary Phagan's murder, Jim Conley had accosted her in the plant lobby—
the spot where Rosser and Arnold maintained the crime had occurred. "He
was drunk— seemingly as drunk as could be," she swore. "I saw a whisky bot-
tle in his hip pocket. He was staggering. His eyes looked queer and he didn't
seem to know what he was doing. Then he came over toward me menacingly
and I drew back, and as he pushed nearer me, I jumped to the stairs and ran
as fast as I could." Though the Ferguson girl stood by her trial testimony
alleging that Frank had thwarted her effort to pick up little Mary's pay the
afternoon before the killing, the press played her declaration as a defense
victory. Proclaimed the New York Times's page-one headline: says conley
MOLESTED HER.
No sooner had the Ferguson triumph hit the newspapers than Frank's
lawyers released a pair of affidavits that Leonard Haas maintained would
form "the strongest connecting links" in the extraordinary motion. As Ethel
Harris Miller and Maier Lefkoff — both familiar figures in Atlanta's Jewish
community but neither previously involved in the case— told it, they were
walking down Whitehall Street around 1:10 the afternoon of the murder
when Mrs. Miller saw Frank. "I spoke to him," she swore, "and Mr. Frank
bowed and spoke to me, tipping his hat." The claim bolstered the superin-
tendent's alibi. Hence Haas's enthusiasm. "The statements of Mrs. Miller
and Mr. Lefkoff prove that Frank was not at the factory at the time the
Conley negro states positively that they were disposing of the body," he
declared. To this assessment, Frank happily concurred, telling reporters that
he remembered meeting Mrs. Miller that April day, then adding: "The truth
continues on the march."
Just how determined the defense was to establish its version of the truth
became clear during the second week of March when a glossy eight-page
pamphlet entitled "Some Facts about the Murder Notes in the Phagan
Case" started appearing in the mailboxes of Atlanta's registered voters.
Penned by the lawyer, Henry A. Alexander, who had recently been added
to the defense team by Albert Lasker, the pamphlet —which was illustrated
with crisply printed photographs of the documents under consideration—
constituted the opening salvo in a two-prong attack intended to prove that
not only did the contents of the enigmatic notes point to Jim Conley as their
BRIGHTNESS VISIBLE 379
author and therefore little Mary's slayer, so did the very paper upon which
they were written.
The murder notes had until now received scant critical attention. Save for
Hugh Dorsey's assertions during his closing argument at Frank's trial that
the proper usage of the word "did" in the notes indicated that a white man
had composed them, and Arnold's comments to the contrary during the
appeal, their strange syntax and lexicon had gone unaddressed. Alexander's
study began to change all that. The lawyer had grown up with Southern
blacks and was a student of their expressions and folklore. He had read and
reread the notes, eventually focusing on a distinctive locution that appeared
near the top of the one jotted on lined white paper: "he said he wood love
me land down play like the night witch did it." To Alexander's thinking, the
term "night witch" had been misunderstood from the start, when just after
Mary Phagan's body was discovered, the responding officers had read the
notes aloud to Newt Lee, who according to the police had replied, "Boss,
that's me." Out of that exchange, the lawyer believed, had arisen the erro-
neous conclusion that the communiques had been intended to implicate the
night watchman— a purpose later easy to impute to Frank— when in fact, as
he saw it, they had been intended to point in an altogether different direc-
tion. Alexander argued that the notes did not refer to Lee at all; they
referred instead exactly to the figure named— "the night witch," a wispy
hoodoo haint. "It seems to the writer of this article," Alexander contends in
his pamphlet's key passage, "that in this expression there is disclosed a piece
of superstition characteristic of the negro, and totally foreign to a white
man. The idea that the girl was killed by a night witch, or, as the note
expresses it, that the iong tall black negro' would 'play like the night witch
did it' is inconceivable as the thought of a white man."
Alexander's provocative interpretation struck a chord with many Atlan-
tans. (A local pastor later wrote: "We had an old Negro woman working for
us as cook and I asked her one day, 'Rebecca, what do colored people mean
by night witch?' She replied, 'When children cry out in their sleep at night it
means the night witches are riding them, and if you don't go and wake them
up, they will be found dead the next morning.' ") Yet persuasive as the
lawyer was on the matter, his reasoning was in the end theoretical. Which
was why what came next was crucial, for it was not theoretical in the least.
NEW EVIDENCE TO SHOW NOTES WERE WRITTEN IN THE BASEMENT,
boomed the front-page headline over the Journal's account of the second
phase of Alexander's work, which he presented to reporters in person.
After scrutinizing his pamphlet's high-quality reproductions and instigating
a subsequent probe of factory records, the lawyer announced he had deter-
mined that the yellow preprinted National Pencil Company order sheet
upon which the longest of the notes was inscribed not only bore the tracings
380 AND THE DEAD SHALL RISE
of a purchase order issued years before Mary Phagan's death but that the
order had been made out by a mechanic who'd quit his job in 1912 and
whose files had been carted to the cellar. Elaborating on the basis for these
conclusions, Alexander cited several newly legible details. For one, in the
space marked "Order No. " appeared a smudgy "1018," which further
investigation had revealed corresponded with the number for a purchase of
machine steel made from the Cotton States Belting Company in September
1909. For another, across the bottom of the sheet could be seen the impress
of a partial signature belonging to Henry F Becker, the former employee
who had tendered the order. Alexander also asserted that the sheet upon
which this note was written contained another telltale clue, which had
always been apparent but had gone unappreciated. To wit: The dateline in
the upper right-hand corner read "190 ," whereas the printed sheets in use
at the time of the crime had been updated to read "191 ."Taken together,
the lawyer concluded, these physical facts gave the lie to that part of Con-
ley's testimony in which he claimed that the paper upon which he'd jotted
the notes came from a pad kept in Frank's desk. What, then, had occurred?
"The simplest explanation and the one which seems correct from every log-
ical viewpoint," declared Alexander, was that the pad— like everything
belonging to Becker— "was taken to the basement," remaining there until
April 26, 1913, when "it was found by the negro and used by him to write
the note through which he hoped to throw the blame on another."
Alexander's contentions regarding the murder-note paper produced
euphoria in the defense camp. And as was now his wont, Frank immediately
made himself available to reporters, proclaiming: "They will have to change
Conley's statement again if they are to get around this. They will have to get
him to say that instead of reaching in my desk and getting out a pad, I went
down into the basement and brought that old pad up that bore Becker's
duplicates and had him write on that." Then, more soberly, the condemned
man elaborated upon Alexander's conclusions, averring that "none of
Becker's old duplicate pads was ever in my office." Yet in the end, Frank
could not suppress his glee. "I hope Solicitor Dorsey rests as easily in his
bed tonight and sleeps as soundly and as free from worry as I shall. I have
never felt more confident of ultimate acquittal than I do right at this
moment."
How the defense could at this stage have been any better positioned
would have been hard to imagine, but even as Frank was rejoicing over
Alexander's deductions, a meeting was under way across town at the
Atlanta Journal whose outcome would provide a still greater boost. The ses-
sion, which took place in the office of the paper's editor and publisher,
James R. Gray, had been requested by Harllee Branch. The reporter had
BRIGHTNESS VISIBLE 381
been on the Phagan story since long before breaking the news regarding
Dr. Harris and the misrepresented hair evidence, not only covering the trial
but in tandem with Harold Ross conducting the May 1913 interview with
Conley that prompted Hugh Dorsey to quarantine his star witness. During
this protracted involvement, Branch had reached several disturbing conclu-
sions, foremost among them that the jury had convicted an innocent man.
He had also decided that, like everyone who had written about the case, he
had failed to exercise sufficient restraint and was hence partially culpable in
the result. "I had a feeling of personal responsibility," Branch would recall
half a century later. "We'd printed all this stuff." Which was what drove him
to seek out his boss. "I thought it was my duty to go and call Mr. Gray's
attention to this," he said. "I knew it was unusual for a newspaper to step in
while a motion was pending, but I thought that we— somebody— should
come out for what was right, fair and just and demand this man have a new
trial. Mr. Gray listened to me patiently and interestedly, and then he said,
'Harllee, let me think over that tonight.' He indicated to me that he himself
had misgivings, that we'd muffed the ball."
By the next day, Gray— whose paper was represented, of course, by
Reuben Arnold— had made up his mind. "He told me," said Branch, "he'd
thought it over, came to the conclusion I was correct, and regardless of the
effect on the Journal the Journal was going to come out for a new trial."
On March 10, beneath the headline "Frank Should Have a New Trial,"
the sheet that Covered Dixie Like the Dew lent its voice to the con-
demned man's cause. The Journal's position was essentially this: The mur-
der of Mary Phagan— "a young girl just budding into womanhood"— had
so unhinged Atlanta that for the better part of a year, its populace lost the
ability to think clearly. "A degree of frenzy almost inconceivable" had led
the city to demand a scapegoat, and when Conley— "an irresponsible
drunken negro, a man who would not have been believed under other con-
ditions"— offered up Frank, the public suspended disbelief. By the time
judicial proceedings began, the "fury" was such that an unbiased adminis-
tration of justice was impossible. Lest his readers doubt this claim, Gray
recreated the scene:
The atmosphere of the courtroom was charged with an electric current
of indignation which flashed before the very eyes of the jury. The court-
room and streets were filled with an angry crowd ready to seize the defen-
dant if the jury had found him not guilty. Cheers for the prosecuting
counsel were irrepressible in the courtroom throughout the trial and on
the streets demonstrations in condemnation of Frank were heard by the
judge and jury.
382 AND THE DEAD SHALL RISE
Frank's execution, after conviction under such "indescribable conditions as
these," would, the editor argued, "amount to judicial murder." As a conse-
quence, there was only one right course of action:
In the name of Justice and in the name of the good people of the State
of Georgia, who believe in fair play, who stand for the enforcement of law
and the punishment of crime, after legal conviction, let this man be fairly
tried. If he is guilty, he will be convicted again.
The publication of the Journal's editorial sparked a far greater reaction
than Branch or Gray could have anticipated, emboldening people who
might otherwise have remained on the sidelines to enter the fight. In the
days immediately afterward, letters voicing support for Frank poured in
by the scores. Predictably, most of them came from Atlanta patricians.
F J. Paxon, the proprietor of the city's second largest department store,
Davison-Paxon, leaped to the ramparts. As did Forrest Adair, a real estate
developer. As did Eugene Muse Mitchell, a well-to-do lawyer whose preco-
cious 13-year-old daughter Margaret was already writing stories about gal-
lant knights and beautiful ladies that anticipated her novel Gone with the
Wind. Yet it wasn't just the rich who spoke out. The following Sunday, many
members of Atlanta's clergy followed suit. The Reverend L. O. Bricker, pas-
tor of the First Christian Church, declared: "Frank should have a new trial
because under the awful tension of public feeling, it was next to impossible
for a jury of our fellow human beings to have granted him a fair, fearless and
impartial trial." The Reverend Julian S. Rodgers, a Baptist, sought to quiet
any still-stirring anti-Semitic sentiments, admonishing his congregation:
The fact that Frank is a Jew should not discredit him. His race is the mir-
acle of the ages. It stands out conspicuously for patience, forbearance and
obedience to law. If Leo Frank is a criminal, it is not because he is a Jew, but
in spite of it.
The Journal's editorial was, quite simply, a call to arms, and by the next
week, other Georgia papers— among them the Albany Herald, the Dalton
Citizen and the Thomasville Times-Enterprise— h&d demanded a new trial
for Frank, too. From afar, the New York Times breathed a sigh of relief:
Even among the people of the City of Atlanta, the feeling in regard to
Frank, convicted of the murder of Mary Phagan, has undergone a marked
change. The belief grows and daily spreads that Frank was not convicted on
the evidence, that he is a victim of the clamor and rage of an excited public.
The light, as Frank himself again declared, truly did seem to be breaking.
BRIGHTNESS VISIBLE 383
The first indication that the skies might once again darken for Leo Frank
came, as had so much in this saga, in the form of a newspaper headline. "The
Frank Case: When and Where Shall Rich Criminals Be Tried?" thundered
the banner stripped across the front page of the March 19 edition of the Jef-
fersonian. After nearly eleven months of silence, the weekly organ of the
populist firebrand Thomas Watson had joined the battle, its entry an unin-
tended consequence of the Atlanta Journals alliance with the condemned
man. As Watson declared in his opening blast:
For many years, I have not taken the Atlanta Journal, nor have I read
it. Recognized by everybody as the organ of Senator [Hoke] Smith and
edited with the most utter disregard for truth and liberality, I have not
cared to pay any attention to it.
Last week, however, there came to my address a blue-marked wrapper
enclosing the Journal; and the leading editorial was blue-marked also. As I
got a copy, it is reasonable to suppose that everybody got a copy, just as
everybody gets copies of Senator Smith's senatorial utterances— the same
being equivalent to oracles from the fountain-head of Wisdom.
The marked editorial in Senator Smith's newspaper bears the modest
headline, "FRANK SHOULD HAVE A NEW TRIAL!"
The case is still pending; Judge Ben Hill knows that he will soon have to
pass upon an extraordinary motion for a new trial; hence, Judge Ben Hill
is peremptorily, abruptly and insolently told by Senator Smith what he
must do.
The effort on the part of Senator Smith's newspaper to degrade our
Supreme Court, vilify Judge Roan, brand twelve jurors with eternal infamy,
blast the future of a thoroughly brave and efficient Solicitor General AND
TO DICTATE IN ADVANCE TO JUDGE BEN HILL moves me to
enter a protest against what seems to me a new and lawless method of try-
ing a criminal case.
Had the Sage confined himself to the merits of the Journals position, his
remarks might have been viewed as simply the comments of a fiercely
opposing sensibility. But as his many references to Hoke Smith suggest, he
was acting out of a deep-seated personal animus that found its roots in an
incident that had occurred nearly a decade before and had nothing to do
with Frank's pending motion. In 1907, Watson had gone to then governor
Smith and requested a pardon for one Arthur Glover, a longtime loyalist
under sentence of death for the murder of a female factory worker outside
an Augusta textile mill. Since his support of Smith in the 1906 election had
384 AND THE DEAD SHALL RISE
essentially put him in office, Watson viewed executive clemency for Glover
as the payment of a political debt. The state's evidence, however, was solid,
and Smith allowed the execution to proceed. Ever since this "betrayal," C.
Vann Woodward would observe in his biography, Tom Watson: Agrarian
Rebel, Watson's "desire to bring disgrace upon Hoke Smith [had] become a
blinding obsession." In 1908, it led him to back Marietta's Joseph Brown in
his victorious gubernatorial campaign against Smith, and now it was again
the primary motivating factor. If the Journal was for Frank, then the Jeffer-
sonian would be against him, and as Watson proceeded to make clear,
he would relish the fight. Indeed, the stark juxtaposition the Frank case
presented between rich and poor, capital and labor, meddling Yankee
and native Southerner seemed tailor-made for him. Regarding the just
instigated high-profile campaign to save the condemned man, Watson point-
edly asked, "Who is paying for all this?" Then, taking a potshot at the
clergymen who had jumped on the bandwagon, he demanded:
Does the church invade the province of the State when preachers of a
certain sort prostitute their sacred office and attempt to try criminal cases
in their churches'?
Finally, he raised what he saw as the tacit assumption behind the effort to
win Frank a new trial, inquiring:
Does a Jew expect extraordinary favors and immunities because of his
race?
In this case, the defendant is taking that position. Anyone who has
noticed the New York papers has noticed the persistent efforts made from
Atlanta to arouse the Hebrews into believing that Frank is a victim of race
prejudice.
Is it wise for the Jews to risk the good name and the popularity of the
whole race in the extraordinary, extra-judicial and utterly unprecedented
methods that are being worked to save this decadent offshoot of a great
people?
Few foes were more formidable than Tom Watson. Equally worrisome,
however, was the reappearance of another adversary— Hugh Dorsey. Hav-
ing recovered from the setbacks of late winter, the solicitor was aggres-
sively preparing for the approaching confrontation in court. Day and night,
such prosecution stalwarts as Chief of Detectives Newport Lanford and
John Black, Pat Campbell and John Starnes came and went from Dorsey's
office, and soon enough, the broad outlines of what the solicitor had in mind
emerged. For starters, he made it plain that he meant to challenge at least
BRIGHTNESS VISIBLE 385
some of the many retractors, releasing an affidavit in which George Epps's
father swore that his son had told him Mary Phagan was terrified of Frank.
Second, he let it be known that he planned to contest a point that most
thought he'd conceded— Dr. Harris's finding that the hair discovered on the
factory lathe did not come from Mary's head. The solicitor revealed this
intention in what for him was a perfect venue— the trial of Jim Conley on
the charge of being an accessory after the fact to murder. Dorsey did not
relish prosecuting a man who'd done so much for him. As he declared up
front: "Conley had nothing to do with [the crime]. He was just Frank's fool
and ought not to be punished." Dorsey did relish, though, the chance the
proceeding gave him to get into the record testimony he could cite during
the upcoming hearing. Hence in accordance with an agreement made in
advance with Conley's lawyer, William Smith, the solicitor called only one
witness, Will Gheesling, the undertaker who'd prepared Mary Phagan's
body for burial. In response to a series of questions that had no bearing on
Conley's case, Gheesling stated that on the morning after the murder, he'd
washed little Mary's blood-matted scalp with a pine-tar soap that could
have so altered her hair's texture and color as to destroy any similarity
between it and the strands located by R. P. Barrett. Having thereby armed
himself with a sworn statement that called Harris's assertion into doubt,
Dorsey detailed the evidence against Conley, concluding: "If the law didn't
demand his conviction, I would say let him go." In response, Smith argued
that since Conley had been recruited merely to stand guard, "the only way
[he] was an accessory was in that he helped Frank in furthering his sexual
desires"— which was hardly illegal. Nonetheless, after just twelve minutes
of deliberation, the jury found the Negro guilty. Yet once the verdict was
returned, Judge Ben Hill imposed the lenient sentence of one year on the
chain gang. There was, in short, but a single loser here— Leo Frank.
To say that William Burns's involvement in the Frank case allayed the
defense team's concerns regarding Tom Watson and Hugh Dorsey would
be an overstatement. Yet the detective's reputation was such that his mere
presence in Atlanta— a presence that due to unfinished business in the
North did not become permanent until the third week of March— outshone
everything the Sage and the solicitor said or did. Just the sight of Burns set-
tling down to breakfast each morning in the fern-filled pink-and-white din-
ing room of the grand Georgian Terrace Hotel suggested that a higher
power was now at work. Surrounded by half a dozen reporters, attended by
a traveling secretary and assorted subalterns, and invariably clad in a crisp
houndstooth suit that set off his famous red hair and mustache, the detec-
tive exuded energy and confidence. This was America's greatest private
386 AND THE DEAD SHALL RISE
investigator, and between bites of his soft-boiled eggs and toast, he would
regale the table with war stories, pausing only to dictate telegrams to clients
and operatives in far-flung climes. Then, with the entire retinue in tow, he
would stroll down Peachtree Street to his agency's local office, declaiming
not just on aspects of the Phagan murder but on his certainty that he would
solve it. "I have no doubt concerning the ability of myself and that of my
associates to clear up this affair," Burns exuded on one of the first of these
outings. "I have been able to clear up far more baffling mysteries."
Brash, boastful, at times bedazzling, Burns was also aware that as far as
the Frank case was concerned, none of it would get him very far unless he
simultaneously conveyed the impression that he sought the cooperation of
the Atlanta Police Department and possessed an open mind regarding the
possibility of his client's guilt. Early on, he declared: "I know the people of
this community were justly incensed over this atrocious murder in their
midst. The officials charged with the duty of bringing to justice the person
or persons responsible for the crime are to be commended for the rigorous
manner in which they took up the investigation." As for his own investiga-
tion, he vowed that he would "strike to the heart of the truth no matter who
it affects," adding that if in the course of his operation he found that Frank
was the murderer, he would say so.
While it's unlikely that Newport Lanford and company put any more
stock in Burns's professions of evenhandedness than Burns did, they
responded in kind. Proclaimed Lanford: "I will throw open to Burns all
information available to my department." As a consequence, the private
investigator began work in an atmosphere that on the surface was con-
ducive to progress. He devoted his first days in Atlanta to poring over the
Brief of Evidence used during the appeal to the Georgia Supreme Court
and meeting with Luther Rosser, Herbert and Leonard Haas, Detective
C. W. Burke (who would hereafter report to him) and, most extensively,
Leo Frank. Following this opening round of discussions, he visited the
pencil factory, where, as the Journal put it, he examined the crime scene
from the ground up, starting in the basement and finishing on the second
floor, paying special attention to Frank's office and the metal room. Then
he announced plans to interview everyone from John Starnes and Hugh
Dorsey to Monteen Stover and Jim Conley.
By the middle of his initial week on the job, Burns had grown even more
optimistic about his prospects for success. "This case," he told the Georgian,
"is easier than I expected. The facts will speak for themselves when made
public. I am confident that Mr. Dorsey is open to conviction if it should
develop that a grievous mistake has been made." Having thereby tipped
his hand, the detective immediately backtracked, insisting: "I have never
BRIGHTNESS VISIBLE 387
expressed any conviction as to the innocence or guilt of Frank and do not
intend to do so until the investigation is completed." But as to the larger
issue, he remained resolute. "The trail certainly looks clear enough to me,
and I believe Atlanta and the country at large will be satisfied that the truth
has been found when the final report is made."
Just what Burns had uncovered that enabled him to speak with such
assuredness, he would not say. He did, however, offer a tantalizing clue.
Like Dorsey and Lanford, he had determined that Mary Phagan's mur-
derer had been motivated by an unnatural lust. But unlike the authorities,
he did not believe that Leo Frank was so inclined. "In my work," the detec-
tive told t